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Color name
HEX #C8F16E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8F16E it is the complementary color #370E91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8F16E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8F16E shade: #CDF169, #DEFF7C, #EFFF8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8F16E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8F16E shade: #C8F16E, #B7DF5B, #A6CD48, #95BB35 and #84A922

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8F16E shade: #C8F06F, #EBF06F, #F0D36F, #F0B06F and #F08D6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8F16E shade: #C8F06F, #A5F06F, #82F06F, #6FF07E and #6FF0A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8F16E shade matches the following richer shades: #C8F06F and #CCFD62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8F16E shade: #C8F06F, #C3E37B, #BED788, #B9CA95 and #B5BDA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8F16E shade: #F0D26F, #ECF06F, #C9F06F, #A7F06F and #84F06F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8F16E shade: #ABE924, #B9ED49, #C8F06F, #D6F494 and #E4F8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8F16E shade: #C8F16E, #6FF0AF and #E36FF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8F16E shade: #C8F16E, #6FC9F0 and #F06FC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8F16E shade: #C8F16E, #6FF0AF, #966FF0 and #F06FAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8F16E shade: #C8F16E, #6FF0D6, #966FF0 and #F06F89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 54 / 5

HEX #C8F16E

RGB 200 241 110

HSL 78.78, 0.82%, 0.69%

LAB 90.01, -32.61, 58.02

 

Complementary color

CMYK 62 / 90 / 0 / 43

HEX #370E91

RGB 55 14 145

HSL 258.78, 0.82%, 0.31%

LAB 20.71, 49.76, -62.41

 

CMYK 15 / 0 / 56 / 5

HEX #CDF169

RGB 205 241 105

HSL 75.88, 0.83%, 0.68%

LAB 90.28, -31.14, 60.63

 

CMYK 13 / 0 / 51 / 0

HEX #DEFF7C

RGB 222 255 124

HSL 75.11, 1%, 0.74%

LAB 95.37, -29.55, 58.38

 

CMYK 6 / 0 / 44 / 0

HEX #EFFF8F

RGB 239 255 143

HSL 68.57, 1%, 0.78%

LAB 96.76, -21.32, 51.54

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 17 / 0 / 54 / 5

HEX #C8F16E

RGB 200 241 110

HSL 78.78, 0.82%, 0.69%

LAB 90.01, -32.61, 58.02

 

CMYK 18 / 0 / 59 / 13

HEX #B7DF5B

RGB 183 223 91

HSL 78.18, 0.67%, 0.62%

LAB 83.76, -32.35, 58.96

 

CMYK 19 / 0 / 65 / 20

HEX #A6CD48

RGB 166 205 72

HSL 77.59, 0.57%, 0.54%

LAB 77.42, -32.01, 59.72

 

CMYK 20 / 0 / 72 / 27

HEX #95BB35

RGB 149 187 53

HSL 77.01, 0.56%, 0.47%

LAB 71, -31.54, 60.1

 

CMYK 22 / 0 / 80 / 34

HEX #84A922

RGB 132 169 34

HSL 76.44, 0.67%, 0.4%

LAB 64.48, -30.9, 59.82

 

CMYK 17 / 0 / 54 / 6

HEX #C8F06F

RGB 200 240 111

HSL 78.6, 0.81%, 0.69%

LAB 89.74, -32.05, 57.27

 

CMYK 2 / 0 / 54 / 6

HEX #EBF06F

RGB 235 240 111

HSL 62.33, 0.81%, 0.69%

LAB 92.19, -18.51, 60.73

 

CMYK 0 / 12 / 54 / 6

HEX #F0D36F

RGB 240 211 111

HSL 46.51, 0.81%, 0.69%

LAB 85.13, -2.04, 52.62

 

CMYK 0 / 27 / 54 / 6

HEX #F0B06F

RGB 240 176 111

HSL 30.23, 0.81%, 0.69%

LAB 76.51, 16.2, 42.2

 

CMYK 0 / 41 / 54 / 6

HEX #F08D6F

RGB 240 141 111

HSL 13.95, 0.81%, 0.69%

LAB 68.55, 34.64, 32.15

 

CMYK 17 / 0 / 54 / 6

HEX #C8F06F

RGB 200 240 111

HSL 78.6, 0.81%, 0.69%

LAB 89.74, -32.05, 57.27

 

CMYK 31 / 0 / 54 / 6

HEX #A5F06F

RGB 165 240 111

HSL 94.88, 0.81%, 0.69%

LAB 87.71, -44.63, 54.38

 

CMYK 46 / 0 / 54 / 6

HEX #82F06F

RGB 130 240 111

HSL 111.16, 0.81%, 0.69%

LAB 86.11, -55.61, 52.09

 

CMYK 54 / 0 / 48 / 6

HEX #6FF07E

RGB 111 240 126

HSL 126.98, 0.81%, 0.69%

LAB 85.61, -58.7, 44.29

 

CMYK 54 / 0 / 33 / 6

HEX #6FF0A1

RGB 111 240 161

HSL 143.26, 0.81%, 0.69%

LAB 86.14, -53.05, 27.61

 

CMYK 17 / 0 / 54 / 6

HEX #C8F06F

RGB 200 240 111

HSL 78.6, 0.81%, 0.69%

LAB 89.74, -32.05, 57.27

 

CMYK 19 / 0 / 61 / 1

HEX #CCFD62

RGB 204 253 98

HSL 78.97, 0.97%, 0.69%

LAB 93.44, -37.54, 67.07

 

CMYK 17 / 0 / 54 / 6

HEX #C8F06F

RGB 200 240 111

HSL 78.6, 0.81%, 0.69%

LAB 89.74, -32.05, 57.27

 

CMYK 14 / 0 / 46 / 11

HEX #C3E37B

RGB 195 227 123

HSL 78.46, 0.65%, 0.69%

LAB 85.99, -26.66, 47.11

 

CMYK 12 / 0 / 37 / 16

HEX #BED788

RGB 190 215 136

HSL 78.99, 0.5%, 0.69%

LAB 82.55, -21.23, 36.27

 

CMYK 8 / 0 / 26 / 21

HEX #B9CA95

RGB 185 202 149

HSL 79.25, 0.33%, 0.69%

LAB 78.88, -14.85, 24.6

 

CMYK 4 / 0 / 14 / 26

HEX #B5BDA2

RGB 181 189 162

HSL 77.78, 0.17%, 0.69%

LAB 75.34, -7.59, 12.71

 

CMYK 0 / 13 / 54 / 6

HEX #F0D26F

RGB 240 210 111

HSL 46.05, 0.81%, 0.69%

LAB 84.88, -1.53, 52.32

 

CMYK 2 / 0 / 54 / 6

HEX #ECF06F

RGB 236 240 111

HSL 61.86, 0.81%, 0.69%

LAB 92.27, -18.11, 60.84

 

CMYK 16 / 0 / 54 / 6

HEX #C9F06F

RGB 201 240 111

HSL 78.14, 0.81%, 0.69%

LAB 89.81, -31.68, 57.36

 

CMYK 30 / 0 / 54 / 6

HEX #A7F06F

RGB 167 240 111

HSL 93.95, 0.81%, 0.69%

LAB 87.82, -43.95, 54.53

 

CMYK 45 / 0 / 54 / 6

HEX #84F06F

RGB 132 240 111

HSL 110.23, 0.81%, 0.69%

LAB 86.19, -55.03, 52.21

 

CMYK 27 / 0 / 85 / 9

HEX #ABE924

RGB 171 233 36

HSL 78.88, 0.82%, 0.53%

LAB 85.54, -44.38, 78.71

 

CMYK 22 / 0 / 69 / 7

HEX #B9ED49

RGB 185 237 73

HSL 79.02, 0.82%, 0.61%

LAB 87.66, -39.21, 70.27

 

CMYK 17 / 0 / 54 / 6

HEX #C8F06F

RGB 200 240 111

HSL 78.6, 0.81%, 0.69%

LAB 89.74, -32.05, 57.27

 

CMYK 12 / 0 / 39 / 4

HEX #D6F494

RGB 214 244 148

HSL 78.75, 0.81%, 0.77%

LAB 92.19, -24.87, 43.03

 

CMYK 8 / 0 / 25 / 3

HEX #E4F8BA

RGB 228 248 186

HSL 79.35, 0.82%, 0.85%

LAB 94.81, -16.78, 27.67

 

CMYK 17 / 0 / 54 / 5

HEX #C8F16E

RGB 200 241 110

HSL 78.78, 0.82%, 0.69%

LAB 90.01, -32.61, 58.02

 

CMYK 54 / 0 / 27 / 6

HEX #6FF0AF

RGB 111 240 175

HSL 149.77, 0.81%, 0.69%

LAB 86.4, -50.39, 20.79

 

CMYK 5 / 54 / 0 / 6

HEX #E36FF0

RGB 227 111 240

HSL 293.95, 0.81%, 0.69%

LAB 64.96, 62.83, -45.44

 

CMYK 17 / 0 / 54 / 5

HEX #C8F16E

RGB 200 241 110

HSL 78.78, 0.82%, 0.69%

LAB 90.01, -32.61, 58.02

 

CMYK 54 / 16 / 0 / 6

HEX #6FC9F0

RGB 111 201 240

HSL 198.14, 0.81%, 0.69%

LAB 76.95, -16.29, -27.51

 

CMYK 0 / 54 / 16 / 6

HEX #F06FC9

RGB 240 111 201

HSL 318.14, 0.81%, 0.69%

LAB 65.05, 60.01, -23.4

 

CMYK 17 / 0 / 54 / 5

HEX #C8F16E

RGB 200 241 110

HSL 78.78, 0.82%, 0.69%

LAB 90.01, -32.61, 58.02

 

CMYK 54 / 0 / 27 / 6

HEX #6FF0AF

RGB 111 240 175

HSL 149.77, 0.81%, 0.69%

LAB 86.4, -50.39, 20.79

 

CMYK 38 / 54 / 0 / 6

HEX #966FF0

RGB 150 111 240

HSL 258.14, 0.81%, 0.69%

LAB 56.23, 43.56, -59.84

 

CMYK 0 / 54 / 27 / 6

HEX #F06FAF

RGB 240 111 175

HSL 330.23, 0.81%, 0.69%

LAB 64.15, 56.41, -10.03

 

CMYK 17 / 0 / 54 / 5

HEX #C8F16E

RGB 200 241 110

HSL 78.78, 0.82%, 0.69%

LAB 90.01, -32.61, 58.02

 

CMYK 54 / 0 / 11 / 6

HEX #6FF0D6

RGB 111 240 214

HSL 167.91, 0.81%, 0.69%

LAB 87.27, -41.89, 1.73

 

CMYK 38 / 54 / 0 / 6

HEX #966FF0

RGB 150 111 240

HSL 258.14, 0.81%, 0.69%

LAB 56.23, 43.56, -59.84

 

CMYK 0 / 54 / 43 / 6

HEX #F06F89

RGB 240 111 137

HSL 347.91, 0.81%, 0.69%

LAB 63.09, 52.02, 10.17

 

Description

Color code: HEX #C8F16E | qconv.com Color code: HEX #C8F16E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 241 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 241 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 54 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 54% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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