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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8F463 it is the complementary color #370B9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8F463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8F463 shade: #CDF45E, #DEFF71, #EFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8F463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8F463 shade: #C8F463, #B7E250, #A6D03D, #95BE2A and #84AC17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8F463 shade: #C7F461, #EFF461, #F4D161, #F4AA61 and #F48261

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8F463 shade: #C7F461, #A0F461, #78F461, #61F472 and #61F499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8F463 shade matches the following richer shades: #C7F461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8F463 shade: #C7F461, #C2E66F, #BCD87C, #B7CB8A and #B2BD98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8F463 shade: #F4D161, #EFF461, #C8F461, #A1F461 and #7AF461

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8F463 shade: #ACEE14, #BAF13B, #C7F461, #D5F688 and #E2F9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8F463 shade: #C8F463, #61F4AA and #E561F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8F463 shade: #C8F463, #61C8F4 and #F461C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8F463 shade: #C8F463, #61F4AA, #8D61F4 and #F461AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8F463 shade: #C8F463, #61F4D6, #8D61F4 and #F4617E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 59 / 4

HEX #C8F463

RGB 200 244 99

HSL 78.21, 0.87%, 0.67%

LAB 90.73, -34.9, 63.6

 

Complementary color

CMYK 65 / 93 / 0 / 39

HEX #370B9C

RGB 55 11 156

HSL 258.21, 0.87%, 0.33%

LAB 21.77, 53.51, -67.45

 

CMYK 16 / 0 / 61 / 4

HEX #CDF45E

RGB 205 244 94

HSL 75.6, 0.87%, 0.66%

LAB 91, -33.38, 66.07

 

CMYK 13 / 0 / 56 / 0

HEX #DEFF71

RGB 222 255 113

HSL 73.94, 1%, 0.72%

LAB 95.26, -30.5, 63.11

 

CMYK 6 / 0 / 48 / 0

HEX #EFFF84

RGB 239 255 132

HSL 67.8, 1%, 0.76%

LAB 96.63, -22.37, 56.51

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 18 / 0 / 59 / 4

HEX #C8F463

RGB 200 244 99

HSL 78.21, 0.87%, 0.67%

LAB 90.73, -34.9, 63.6

 

CMYK 19 / 0 / 65 / 11

HEX #B7E250

RGB 183 226 80

HSL 77.67, 0.72%, 0.6%

LAB 84.5, -34.56, 64.33

 

CMYK 20 / 0 / 71 / 18

HEX #A6D03D

RGB 166 208 61

HSL 77.14, 0.61%, 0.53%

LAB 78.2, -34.1, 64.72

 

CMYK 22 / 0 / 78 / 25

HEX #95BE2A

RGB 149 190 42

HSL 76.62, 0.64%, 0.45%

LAB 71.81, -33.5, 64.55

 

CMYK 23 / 0 / 87 / 33

HEX #84AC17

RGB 132 172 23

HSL 76.11, 0.76%, 0.38%

LAB 65.34, -32.71, 63.38

 

CMYK 18 / 0 / 60 / 4

HEX #C7F461

RGB 199 244 97

HSL 78.37, 0.87%, 0.67%

LAB 90.65, -35.43, 64.33

 

CMYK 2 / 0 / 60 / 4

HEX #EFF461

RGB 239 244 97

HSL 62.04, 0.87%, 0.67%

LAB 93.41, -19.85, 68.15

 

CMYK 0 / 14 / 60 / 4

HEX #F4D161

RGB 244 209 97

HSL 45.71, 0.87%, 0.67%

LAB 84.84, -0.41, 58.85

 

CMYK 0 / 30 / 60 / 4

HEX #F4AA61

RGB 244 170 97

HSL 29.8, 0.87%, 0.67%

LAB 75.36, 19.94, 47.95

 

CMYK 0 / 47 / 60 / 4

HEX #F48261

RGB 244 130 97

HSL 13.47, 0.87%, 0.67%

LAB 66.57, 40.75, 37.33

 

CMYK 18 / 0 / 60 / 4

HEX #C7F461

RGB 199 244 97

HSL 78.37, 0.87%, 0.67%

LAB 90.65, -35.43, 64.33

 

CMYK 34 / 0 / 60 / 4

HEX #A0F461

RGB 160 244 97

HSL 94.29, 0.87%, 0.67%

LAB 88.47, -49.35, 61.31

 

CMYK 51 / 0 / 60 / 4

HEX #78F461

RGB 120 244 97

HSL 110.61, 0.87%, 0.67%

LAB 86.78, -61.41, 58.95

 

CMYK 60 / 0 / 53 / 4

HEX #61F472

RGB 97 244 114

HSL 126.94, 0.87%, 0.67%

LAB 86.23, -64.98, 50.6

 

CMYK 60 / 0 / 37 / 4

HEX #61F499

RGB 97 244 153

HSL 142.86, 0.87%, 0.67%

LAB 86.77, -59.06, 32.43

 

CMYK 18 / 0 / 60 / 4

HEX #C7F461

RGB 199 244 97

HSL 78.37, 0.87%, 0.67%

LAB 90.65, -35.43, 64.33

 

CMYK 18 / 0 / 60 / 4

HEX #C7F461

RGB 199 244 97

HSL 78.37, 0.87%, 0.67%

LAB 90.65, -35.43, 64.33

 

CMYK 16 / 0 / 52 / 10

HEX #C2E66F

RGB 194 230 111

HSL 78.15, 0.7%, 0.67%

LAB 86.61, -29.66, 53.5

 

CMYK 13 / 0 / 43 / 15

HEX #BCD87C

RGB 188 216 124

HSL 78.26, 0.54%, 0.67%

LAB 82.52, -23.91, 42.2

 

CMYK 10 / 0 / 32 / 20

HEX #B7CB8A

RGB 183 203 138

HSL 78.46, 0.38%, 0.67%

LAB 78.82, -17.65, 30.25

 

CMYK 6 / 0 / 20 / 26

HEX #B2BD98

RGB 178 189 152

HSL 77.84, 0.22%, 0.67%

LAB 74.91, -10.31, 17.46

 

CMYK 0 / 14 / 60 / 4

HEX #F4D161

RGB 244 209 97

HSL 45.71, 0.87%, 0.67%

LAB 84.84, -0.41, 58.85

 

CMYK 2 / 0 / 60 / 4

HEX #EFF461

RGB 239 244 97

HSL 62.04, 0.87%, 0.67%

LAB 93.41, -19.85, 68.15

 

CMYK 18 / 0 / 60 / 4

HEX #C8F461

RGB 200 244 97

HSL 77.96, 0.87%, 0.67%

LAB 90.71, -35.06, 64.42

 

CMYK 34 / 0 / 60 / 4

HEX #A1F461

RGB 161 244 97

HSL 93.88, 0.87%, 0.67%

LAB 88.52, -49.02, 61.38

 

CMYK 50 / 0 / 60 / 4

HEX #7AF461

RGB 122 244 97

HSL 109.8, 0.87%, 0.67%

LAB 86.85, -60.87, 59.05

 

CMYK 28 / 0 / 92 / 7

HEX #ACEE14

RGB 172 238 20

HSL 78.17, 0.87%, 0.51%

LAB 86.98, -46.51, 82.6

 

CMYK 23 / 0 / 76 / 5

HEX #BAF13B

RGB 186 241 59

HSL 78.13, 0.87%, 0.59%

LAB 88.76, -41.34, 76

 

CMYK 18 / 0 / 60 / 4

HEX #C7F461

RGB 199 244 97

HSL 78.37, 0.87%, 0.67%

LAB 90.65, -35.43, 64.33

 

CMYK 13 / 0 / 45 / 4

HEX #D5F688

RGB 213 246 136

HSL 78, 0.86%, 0.75%

LAB 92.5, -27.53, 49.2

 

CMYK 9 / 0 / 30 / 2

HEX #E2F9AE

RGB 226 249 174

HSL 78.4, 0.86%, 0.83%

LAB 94.73, -19.63, 33.59

 

CMYK 18 / 0 / 59 / 4

HEX #C8F463

RGB 200 244 99

HSL 78.21, 0.87%, 0.67%

LAB 90.73, -34.9, 63.6

 

CMYK 60 / 0 / 30 / 4

HEX #61F4AA

RGB 97 244 170

HSL 149.8, 0.87%, 0.67%

LAB 87.07, -55.9, 24.21

 

CMYK 6 / 60 / 0 / 4

HEX #E561F4

RGB 229 97 244

HSL 293.88, 0.87%, 0.67%

LAB 63.13, 70.27, -50.52

 

CMYK 18 / 0 / 59 / 4

HEX #C8F463

RGB 200 244 99

HSL 78.21, 0.87%, 0.67%

LAB 90.73, -34.9, 63.6

 

CMYK 60 / 18 / 0 / 4

HEX #61C8F4

RGB 97 200 244

HSL 197.96, 0.87%, 0.67%

LAB 76.3, -17.28, -30.69

 

CMYK 0 / 60 / 18 / 4

HEX #F461C8

RGB 244 97 200

HSL 317.96, 0.87%, 0.67%

LAB 63.3, 67.13, -25.46

 

CMYK 18 / 0 / 59 / 4

HEX #C8F463

RGB 200 244 99

HSL 78.21, 0.87%, 0.67%

LAB 90.73, -34.9, 63.6

 

CMYK 60 / 0 / 30 / 4

HEX #61F4AA

RGB 97 244 170

HSL 149.8, 0.87%, 0.67%

LAB 87.07, -55.9, 24.21

 

CMYK 42 / 60 / 0 / 4

HEX #8D61F4

RGB 141 97 244

HSL 257.96, 0.87%, 0.67%

LAB 52.67, 50.36, -67.85

 

CMYK 0 / 60 / 30 / 4

HEX #F461AA

RGB 244 97 170

HSL 330.2, 0.87%, 0.67%

LAB 62.24, 63.23, -9.97

 

CMYK 18 / 0 / 59 / 4

HEX #C8F463

RGB 200 244 99

HSL 78.21, 0.87%, 0.67%

LAB 90.73, -34.9, 63.6

 

CMYK 60 / 0 / 12 / 4

HEX #61F4D6

RGB 97 244 214

HSL 167.76, 0.87%, 0.67%

LAB 88.02, -46.29, 2.76

 

CMYK 42 / 60 / 0 / 4

HEX #8D61F4

RGB 141 97 244

HSL 257.96, 0.87%, 0.67%

LAB 52.67, 50.36, -67.85

 

CMYK 0 / 60 / 48 / 4

HEX #F4617E

RGB 244 97 126

HSL 348.16, 0.87%, 0.67%

LAB 61.04, 58.65, 13.71

 

Description

Color code: HEX #C8F463 | qconv.com Color code: HEX #C8F463 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 244 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 244 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 59 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 59% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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