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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8E995 it is the complementary color #37166A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8E995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8E995 shade: #CDE990, #DEFBA3, #EFFFB6, #FFFFC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8E995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8E995 shade: #C8E995, #B7D782, #A6C56F, #95B35C and #84A149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8E995 shade: #C8E995, #DEE995, #E9DC95, #E9C695 and #E9AF95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8E995 shade: #C8E995, #B1E995, #9AE995, #95E9A6 and #95E9BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8E995 shade matches the following richer shades: #C8E995, #CAF38A and #CCFD80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8E995 shade: #C8E995, #C6DF9F, #C3D4A9, #C1CAB4 and #BFC0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8E995 shade: #E9DC95, #DFE995, #C9E995, #B2E995 and #9CE995

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8E995 shade: #A4DB50, #B6E272, #C8E995, #D9F0B7 and #EBF7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8E995 shade: #C8E995, #95E9C6 and #E795E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8E995 shade: #C8E995, #95C9E9 and #E995C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8E995 shade: #C8E995, #95E9C6, #B595E9 and #E995B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8E995 shade: #C8E995, #95E9DF, #B595E9 and #E9959E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

Complementary color

CMYK 48 / 79 / 0 / 58

HEX #37166A

RGB 55 22 106

HSL 263.57, 0.66%, 0.25%

LAB 17.58, 35.64, -42.73

 

CMYK 12 / 0 / 38 / 9

HEX #CDE990

RGB 205 233 144

HSL 78.88, 0.67%, 0.74%

LAB 88.58, -23.4, 40.24

 

CMYK 12 / 0 / 35 / 2

HEX #DEFBA3

RGB 222 251 163

HSL 79.77, 0.92%, 0.81%

LAB 94.81, -23.46, 39.13

 

CMYK 6 / 0 / 29 / 0

HEX #EFFFB6

RGB 239 255 182

HSL 73.15, 1%, 0.86%

LAB 97.33, -16.79, 33.22

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 15 / 0 / 40 / 16

HEX #B7D782

RGB 183 215 130

HSL 82.59, 0.52%, 0.68%

LAB 81.99, -24.59, 38.47

 

CMYK 16 / 0 / 44 / 23

HEX #A6C56F

RGB 166 197 111

HSL 81.63, 0.43%, 0.6%

LAB 75.57, -24.54, 39.63

 

CMYK 17 / 0 / 49 / 30

HEX #95B35C

RGB 149 179 92

HSL 80.69, 0.36%, 0.53%

LAB 69.04, -24.45, 40.81

 

CMYK 18 / 0 / 55 / 37

HEX #84A149

RGB 132 161 73

HSL 79.77, 0.38%, 0.46%

LAB 62.4, -24.29, 41.96

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 5 / 0 / 36 / 9

HEX #DEE995

RGB 222 233 149

HSL 67.86, 0.66%, 0.75%

LAB 89.85, -16.44, 39.63

 

CMYK 0 / 6 / 36 / 9

HEX #E9DC95

RGB 233 220 149

HSL 50.71, 0.66%, 0.75%

LAB 87.33, -5.72, 36.52

 

CMYK 0 / 15 / 36 / 9

HEX #E9C695

RGB 233 198 149

HSL 35, 0.66%, 0.75%

LAB 81.77, 5.62, 29.17

 

CMYK 0 / 25 / 36 / 9

HEX #E9AF95

RGB 233 175 149

HSL 18.57, 0.66%, 0.75%

LAB 76.16, 17.78, 21.57

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 24 / 0 / 36 / 9

HEX #B1E995

RGB 177 233 149

HSL 100, 0.66%, 0.75%

LAB 86.9, -32.76, 35.22

 

CMYK 34 / 0 / 36 / 9

HEX #9AE995

RGB 154 233 149

HSL 116.43, 0.66%, 0.75%

LAB 85.66, -40.34, 33.36

 

CMYK 36 / 0 / 29 / 9

HEX #95E9A6

RGB 149 233 166

HSL 132.14, 0.66%, 0.75%

LAB 85.72, -39.11, 24.72

 

CMYK 36 / 0 / 19 / 9

HEX #95E9BC

RGB 149 233 188

HSL 147.86, 0.66%, 0.75%

LAB 86.16, -35.06, 13.92

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 17 / 0 / 43 / 5

HEX #CAF38A

RGB 202 243 138

HSL 83.43, 0.81%, 0.75%

LAB 91, -29.95, 46.22

 

CMYK 19 / 0 / 49 / 1

HEX #CCFD80

RGB 204 253 128

HSL 83.52, 0.97%, 0.75%

LAB 93.73, -34.91, 54.32

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 11 / 0 / 29 / 13

HEX #C6DF9F

RGB 198 223 159

HSL 83.44, 0.5%, 0.75%

LAB 85.65, -19.13, 28.7

 

CMYK 8 / 0 / 20 / 17

HEX #C3D4A9

RGB 195 212 169

HSL 83.72, 0.33%, 0.75%

LAB 82.68, -13.24, 19.4

 

CMYK 4 / 0 / 11 / 21

HEX #C1CAB4

RGB 193 202 180

HSL 84.55, 0.17%, 0.75%

LAB 80.11, -7.03, 9.93

 

CMYK 1 / 0 / 1 / 25

HEX #BFC0BE

RGB 191 192 190

HSL 90, 0.02%, 0.75%

LAB 77.57, -0.71, 0.87

 

CMYK 0 / 6 / 36 / 9

HEX #E9DC95

RGB 233 220 149

HSL 50.71, 0.66%, 0.75%

LAB 87.33, -5.72, 36.52

 

CMYK 4 / 0 / 36 / 9

HEX #DFE995

RGB 223 233 149

HSL 67.14, 0.66%, 0.75%

LAB 89.92, -16.06, 39.74

 

CMYK 14 / 0 / 36 / 9

HEX #C9E995

RGB 201 233 149

HSL 82.86, 0.66%, 0.75%

LAB 88.38, -24.25, 37.44

 

CMYK 24 / 0 / 36 / 9

HEX #B2E995

RGB 178 233 149

HSL 99.29, 0.66%, 0.75%

LAB 86.95, -32.42, 35.3

 

CMYK 33 / 0 / 36 / 9

HEX #9CE995

RGB 156 233 149

HSL 115, 0.66%, 0.75%

LAB 85.76, -39.71, 33.51

 

CMYK 25 / 0 / 63 / 14

HEX #A4DB50

RGB 164 219 80

HSL 83.74, 0.66%, 0.59%

LAB 81.37, -38.57, 60.63

 

CMYK 19 / 0 / 50 / 11

HEX #B6E272

RGB 182 226 114

HSL 83.57, 0.66%, 0.67%

LAB 84.77, -32, 49.72

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 10 / 0 / 24 / 6

HEX #D9F0B7

RGB 217 240 183

HSL 84.21, 0.66%, 0.83%

LAB 91.9, -17.21, 25.1

 

CMYK 5 / 0 / 12 / 3

HEX #EBF7D9

RGB 235 247 217

HSL 84, 0.65%, 0.91%

LAB 95.66, -9.12, 13.08

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 36 / 0 / 15 / 9

HEX #95E9C6

RGB 149 233 198

HSL 155, 0.66%, 0.75%

LAB 86.38, -33.06, 9.01

 

CMYK 1 / 36 / 0 / 9

HEX #E795E9

RGB 231 149 233

HSL 298.57, 0.66%, 0.75%

LAB 72.47, 43.75, -29.85

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 36 / 14 / 0 / 9

HEX #95C9E9

RGB 149 201 233

HSL 202.86, 0.66%, 0.75%

LAB 78.49, -9.14, -21.24

 

CMYK 0 / 36 / 14 / 9

HEX #E995C9

RGB 233 149 201

HSL 322.86, 0.66%, 0.75%

LAB 71.58, 38.89, -13.58

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 36 / 0 / 15 / 9

HEX #95E9C6

RGB 149 233 198

HSL 155, 0.66%, 0.75%

LAB 86.38, -33.06, 9.01

 

CMYK 22 / 36 / 0 / 9

HEX #B595E9

RGB 181 149 233

HSL 262.86, 0.66%, 0.75%

LAB 67.43, 28.68, -38.07

 

CMYK 0 / 36 / 21 / 9

HEX #E995B8

RGB 233 149 184

HSL 335, 0.66%, 0.75%

LAB 71.06, 36.28, -4.92

 

CMYK 14 / 0 / 36 / 9

HEX #C8E995

RGB 200 233 149

HSL 83.57, 0.66%, 0.75%

LAB 88.32, -24.61, 37.34

 

CMYK 36 / 0 / 4 / 9

HEX #95E9DF

RGB 149 233 223

HSL 172.86, 0.66%, 0.75%

LAB 86.99, -27.66, -3.22

 

CMYK 22 / 36 / 0 / 9

HEX #B595E9

RGB 181 149 233

HSL 262.86, 0.66%, 0.75%

LAB 67.43, 28.68, -38.07

 

CMYK 0 / 36 / 32 / 9

HEX #E9959E

RGB 233 149 158

HSL 353.57, 0.66%, 0.75%

LAB 70.38, 32.72, 8.54

 

Description

Color code: HEX #C8E995 | qconv.com Color code: HEX #C8E995 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 233 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 233 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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