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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8E60B it is the complementary color #3719F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8E60B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8E60B shade: #CDE606, #DEF819, #EFFF2C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8E60B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8E60B shade: #C8E60B, #B7D400, #A6C200, #95B000 and #849E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8E60B shade: #C7E40A, #E4C70A, #E48D0A, #E4520A and #E4170A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8E60B shade: #C7E40A, #8CE40A, #51E40A, #16E40A and #0AE439

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8E60B shade matches the following richer shades: #C7E40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8E60B shade: #C7E40A, #B8D11E, #AABE31, #9CAA44 and #8E9758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8E60B shade: #E48D0A, #E4C70A, #C7E40A, #8DE40A and #53E40A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8E60B shade: #829607, #A4BD08, #C7E40A, #D8F424 and #DFF64B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8E60B shade: #C8E60B, #0AE453 and #AA0AE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8E60B shade: #C8E60B, #0AC7E4 and #E40AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8E60B shade: #C8E60B, #0AE453, #270AE4 and #E40A9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8E60B shade: #C8E60B, #0AE494, #270AE4 and #E40A5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 95 / 10

HEX #C8E60B

RGB 200 230 11

HSL 68.22, 0.91%, 0.47%

LAB 86.45, -32.21, 83.88

 

Complementary color

CMYK 77 / 90 / 0 / 4

HEX #3719F4

RGB 55 25 244

HSL 248.22, 0.91%, 0.53%

LAB 34.06, 72.67, -98.68

 

CMYK 11 / 0 / 97 / 10

HEX #CDE606

RGB 205 230 6

HSL 66.7, 0.95%, 0.46%

LAB 86.79, -30.22, 84.7

 

CMYK 10 / 0 / 90 / 3

HEX #DEF819

RGB 222 248 25

HSL 67, 0.94%, 0.54%

LAB 92.9, -31.45, 87.97

 

CMYK 6 / 0 / 83 / 0

HEX #EFFF2C

RGB 239 255 44

HSL 64.55, 1%, 0.59%

LAB 96.02, -27.44, 87.64

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 13 / 0 / 95 / 10

HEX #C8E60B

RGB 200 230 11

HSL 68.22, 0.91%, 0.47%

LAB 86.45, -32.21, 83.88

 

CMYK 14 / 0 / 100 / 17

HEX #B7D400

RGB 183 212 0

HSL 68.21, 1%, 0.42%

LAB 80.27, -30.89, 79.63

 

CMYK 14 / 0 / 100 / 24

HEX #A6C200

RGB 166 194 0

HSL 68.66, 1%, 0.38%

LAB 73.99, -29.45, 74.41

 

CMYK 15 / 0 / 100 / 31

HEX #95B000

RGB 149 176 0

HSL 69.2, 1%, 0.35%

LAB 67.61, -28, 69.09

 

CMYK 16 / 0 / 100 / 38

HEX #849E00

RGB 132 158 0

HSL 69.87, 1%, 0.31%

LAB 61.1, -26.52, 63.67

 

CMYK 13 / 0 / 96 / 11

HEX #C7E40A

RGB 199 228 10

HSL 67.98, 0.92%, 0.47%

LAB 85.83, -31.7, 83.46

 

CMYK 0 / 13 / 96 / 11

HEX #E4C70A

RGB 228 199 10

HSL 52.02, 0.92%, 0.47%

LAB 80.38, -5.27, 80.39

 

CMYK 0 / 38 / 96 / 11

HEX #E48D0A

RGB 228 141 10

HSL 36.06, 0.92%, 0.47%

LAB 66.19, 25.29, 70.27

 

CMYK 0 / 64 / 96 / 11

HEX #E4520A

RGB 228 82 10

HSL 19.82, 0.92%, 0.47%

LAB 54.61, 54.27, 62.76

 

CMYK 0 / 90 / 96 / 11

HEX #E4170A

RGB 228 23 10

HSL 3.58, 0.92%, 0.47%

LAB 48.42, 71.44, 59.31

 

CMYK 13 / 0 / 96 / 11

HEX #C7E40A

RGB 199 228 10

HSL 67.98, 0.92%, 0.47%

LAB 85.83, -31.7, 83.46

 

CMYK 39 / 0 / 96 / 11

HEX #8CE40A

RGB 140 228 10

HSL 84.22, 0.92%, 0.47%

LAB 82.42, -53.93, 79.33

 

CMYK 64 / 0 / 96 / 11

HEX #51E40A

RGB 81 228 10

HSL 100.46, 0.92%, 0.47%

LAB 80.32, -70.31, 76.77

 

CMYK 90 / 0 / 96 / 11

HEX #16E40A

RGB 22 228 10

HSL 116.7, 0.92%, 0.47%

LAB 79.43, -78.14, 75.67

 

CMYK 96 / 0 / 75 / 11

HEX #0AE439

RGB 10 228 57

HSL 132.94, 0.92%, 0.47%

LAB 79.53, -76.67, 65.86

 

CMYK 13 / 0 / 96 / 11

HEX #C7E40A

RGB 199 228 10

HSL 67.98, 0.92%, 0.47%

LAB 85.83, -31.7, 83.46

 

CMYK 13 / 0 / 96 / 11

HEX #C7E40A

RGB 199 228 10

HSL 67.98, 0.92%, 0.47%

LAB 85.83, -31.7, 83.46

 

CMYK 12 / 0 / 86 / 18

HEX #B8D11E

RGB 184 209 30

HSL 68.38, 0.75%, 0.47%

LAB 79.55, -28.6, 75.23

 

CMYK 11 / 0 / 74 / 25

HEX #AABE31

RGB 170 190 49

HSL 68.51, 0.59%, 0.47%

LAB 73.28, -24.6, 64.2

 

CMYK 8 / 0 / 60 / 33

HEX #9CAA44

RGB 156 170 68

HSL 68.24, 0.43%, 0.47%

LAB 66.7, -19.36, 49.64

 

CMYK 6 / 0 / 42 / 41

HEX #8E9758

RGB 142 151 88

HSL 68.57, 0.26%, 0.47%

LAB 60.42, -13.43, 32.06

 

CMYK 0 / 38 / 96 / 11

HEX #E48D0A

RGB 228 141 10

HSL 36.06, 0.92%, 0.47%

LAB 66.19, 25.29, 70.27

 

CMYK 0 / 13 / 96 / 11

HEX #E4C70A

RGB 228 199 10

HSL 52.02, 0.92%, 0.47%

LAB 80.38, -5.27, 80.39

 

CMYK 13 / 0 / 96 / 11

HEX #C7E40A

RGB 199 228 10

HSL 67.98, 0.92%, 0.47%

LAB 85.83, -31.7, 83.46

 

CMYK 38 / 0 / 96 / 11

HEX #8DE40A

RGB 141 228 10

HSL 83.94, 0.92%, 0.47%

LAB 82.47, -53.59, 79.39

 

CMYK 64 / 0 / 96 / 11

HEX #53E40A

RGB 83 228 10

HSL 99.91, 0.92%, 0.47%

LAB 80.37, -69.89, 76.83

 

CMYK 13 / 0 / 95 / 41

HEX #829607

RGB 130 150 7

HSL 68.39, 0.91%, 0.31%

LAB 58.58, -23.32, 60.64

 

CMYK 13 / 0 / 96 / 26

HEX #A4BD08

RGB 164 189 8

HSL 68.29, 0.92%, 0.39%

LAB 72.43, -27.8, 72.3

 

CMYK 13 / 0 / 96 / 11

HEX #C7E40A

RGB 199 228 10

HSL 67.98, 0.92%, 0.47%

LAB 85.83, -31.7, 83.46

 

CMYK 11 / 0 / 85 / 4

HEX #D8F424

RGB 216 244 36

HSL 68.08, 0.9%, 0.55%

LAB 91.43, -31.79, 84.79

 

CMYK 9 / 0 / 70 / 4

HEX #DFF64B

RGB 223 246 75

HSL 68.07, 0.9%, 0.63%

LAB 92.62, -28.46, 75.33

 

CMYK 13 / 0 / 95 / 10

HEX #C8E60B

RGB 200 230 11

HSL 68.22, 0.91%, 0.47%

LAB 86.45, -32.21, 83.88

 

CMYK 96 / 0 / 64 / 11

HEX #0AE453

RGB 10 228 83

HSL 140.09, 0.92%, 0.47%

LAB 79.71, -74.3, 56.33

 

CMYK 25 / 96 / 0 / 11

HEX #AA0AE4

RGB 170 10 228

HSL 284.04, 0.92%, 0.47%

LAB 44.75, 81.16, -71.54

 

CMYK 13 / 0 / 95 / 10

HEX #C8E60B

RGB 200 230 11

HSL 68.22, 0.91%, 0.47%

LAB 86.45, -32.21, 83.88

 

CMYK 96 / 13 / 0 / 11

HEX #0AC7E4

RGB 10 199 228

HSL 187.98, 0.92%, 0.47%

LAB 73.88, -30.55, -25.93

 

CMYK 0 / 96 / 13 / 11

HEX #E40AC7

RGB 228 10 199

HSL 307.98, 0.92%, 0.47%

LAB 52.77, 85.67, -41.5

 

CMYK 13 / 0 / 95 / 10

HEX #C8E60B

RGB 200 230 11

HSL 68.22, 0.91%, 0.47%

LAB 86.45, -32.21, 83.88

 

CMYK 96 / 0 / 64 / 11

HEX #0AE453

RGB 10 228 83

HSL 140.09, 0.92%, 0.47%

LAB 79.71, -74.3, 56.33

 

CMYK 83 / 96 / 0 / 11

HEX #270AE4

RGB 39 10 228

HSL 247.98, 0.92%, 0.47%

LAB 30.03, 71.47, -96.33

 

CMYK 0 / 96 / 32 / 11

HEX #E40A9C

RGB 228 10 156

HSL 319.82, 0.92%, 0.47%

LAB 50.82, 80.67, -19.32

 

CMYK 13 / 0 / 95 / 10

HEX #C8E60B

RGB 200 230 11

HSL 68.22, 0.91%, 0.47%

LAB 86.45, -32.21, 83.88

 

CMYK 96 / 0 / 35 / 11

HEX #0AE494

RGB 10 228 148

HSL 157.98, 0.92%, 0.47%

LAB 80.57, -64.05, 26.42

 

CMYK 83 / 96 / 0 / 11

HEX #270AE4

RGB 39 10 228

HSL 247.98, 0.92%, 0.47%

LAB 30.03, 71.47, -96.33

 

CMYK 0 / 96 / 61 / 11

HEX #E40A5A

RGB 228 10 90

HSL 337.98, 0.92%, 0.47%

LAB 48.82, 75.36, 17.91

 

Description

Color code: HEX #C8E60B | qconv.com Color code: HEX #C8E60B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 230 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 230 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 95 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 95% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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