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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8DEA1 it is the complementary color #37215E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8DEA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8DEA1 shade: #CDDE9C, #DEF0AF, #EFFFC2, #FFFFD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8DEA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8DEA1 shade: #C8DEA1, #B7CC8E, #A6BA7B, #95A868 and #849655

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8DEA1 shade: #C7DDA0, #D8DDA0, #DDD2A0, #DDC2A0 and #DDB1A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8DEA1 shade: #C7DDA0, #B7DDA0, #A6DDA0, #A0DDAB and #A0DDBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8DEA1 shade matches the following richer shades: #C7DDA0, #CAE896, #CDF28C and #D0FC81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8DEA1 shade: #C7DDA0, #C4D3AA, #C2C9B5, #BFBEBF and #BCB4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8DEA1 shade: #DDD2A0, #D8DDA0, #C8DDA0, #B8DDA0 and #A7DDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8DEA1 shade: #A4C863, #B5D382, #C7DDA0, #D9E8BF and #EBF3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8DEA1 shade: #C8DEA1, #A0DDC2 and #DAA0DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8DEA1 shade: #C8DEA1, #A0C8DD and #DDA0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8DEA1 shade: #C8DEA1, #A0DDC2, #B6A0DD and #DDA0BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8DEA1 shade: #C8DEA1, #A0DDD4, #B6A0DD and #DDA0A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 27 / 13

HEX #C8DEA1

RGB 200 222 161

HSL 81.64, 0.48%, 0.75%

LAB 85.55, -17.63, 27.57

 

Complementary color

CMYK 41 / 65 / 0 / 63

HEX #37215E

RGB 55 33 94

HSL 261.64, 0.48%, 0.25%

LAB 18.83, 25.77, -32.79

 

CMYK 8 / 0 / 30 / 13

HEX #CDDE9C

RGB 205 222 156

HSL 75.45, 0.5%, 0.74%

LAB 85.82, -16.48, 30.56

 

CMYK 8 / 0 / 27 / 6

HEX #DEF0AF

RGB 222 240 175

HSL 76.62, 0.68%, 0.81%

LAB 92.11, -16.56, 29.52

 

CMYK 6 / 0 / 24 / 0

HEX #EFFFC2

RGB 239 255 194

HSL 75.74, 1%, 0.88%

LAB 97.54, -15.16, 27.47

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 10 / 0 / 27 / 13

HEX #C8DEA1

RGB 200 222 161

HSL 81.64, 0.48%, 0.75%

LAB 85.55, -17.63, 27.57

 

CMYK 10 / 0 / 30 / 20

HEX #B7CC8E

RGB 183 204 142

HSL 80.32, 0.38%, 0.68%

LAB 79.16, -17.6, 28.62

 

CMYK 11 / 0 / 34 / 27

HEX #A6BA7B

RGB 166 186 123

HSL 79.05, 0.31%, 0.61%

LAB 72.66, -17.55, 29.73

 

CMYK 11 / 0 / 38 / 34

HEX #95A868

RGB 149 168 104

HSL 77.81, 0.27%, 0.53%

LAB 66.05, -17.48, 30.89

 

CMYK 12 / 0 / 43 / 41

HEX #849655

RGB 132 150 85

HSL 76.62, 0.28%, 0.46%

LAB 59.32, -17.37, 32.1

 

CMYK 10 / 0 / 28 / 13

HEX #C7DDA0

RGB 199 221 160

HSL 81.64, 0.47%, 0.75%

LAB 85.2, -17.64, 27.59

 

CMYK 2 / 0 / 28 / 13

HEX #D8DDA0

RGB 216 221 160

HSL 64.92, 0.47%, 0.75%

LAB 86.43, -11.35, 29.46

 

CMYK 0 / 5 / 28 / 13

HEX #DDD2A0

RGB 221 210 160

HSL 49.18, 0.47%, 0.75%

LAB 83.97, -3.87, 26.2

 

CMYK 0 / 12 / 28 / 13

HEX #DDC2A0

RGB 221 194 160

HSL 33.44, 0.47%, 0.75%

LAB 79.89, 4.47, 20.63

 

CMYK 0 / 20 / 28 / 13

HEX #DDB1A0

RGB 221 177 160

HSL 16.72, 0.47%, 0.75%

LAB 75.67, 13.5, 14.76

 

CMYK 10 / 0 / 28 / 13

HEX #C7DDA0

RGB 199 221 160

HSL 81.64, 0.47%, 0.75%

LAB 85.2, -17.64, 27.59

 

CMYK 17 / 0 / 28 / 13

HEX #B7DDA0

RGB 183 221 160

HSL 97.38, 0.47%, 0.75%

LAB 84.13, -23.37, 25.97

 

CMYK 25 / 0 / 28 / 13

HEX #A6DDA0

RGB 166 221 160

HSL 114.1, 0.47%, 0.75%

LAB 83.1, -29.2, 24.4

 

CMYK 28 / 0 / 23 / 13

HEX #A0DDAB

RGB 160 221 171

HSL 130.82, 0.47%, 0.75%

LAB 82.98, -29.29, 18.44

 

CMYK 28 / 0 / 15 / 13

HEX #A0DDBB

RGB 160 221 187

HSL 146.56, 0.47%, 0.75%

LAB 83.32, -26.32, 10.5

 

CMYK 10 / 0 / 28 / 13

HEX #C7DDA0

RGB 199 221 160

HSL 81.64, 0.47%, 0.75%

LAB 85.2, -17.64, 27.59

 

CMYK 13 / 0 / 35 / 9

HEX #CAE896

RGB 202 232 150

HSL 81.95, 0.64%, 0.75%

LAB 88.2, -23.27, 36.71

 

CMYK 15 / 0 / 42 / 5

HEX #CDF28C

RGB 205 242 140

HSL 81.76, 0.8%, 0.75%

LAB 90.95, -28.15, 45.23

 

CMYK 17 / 0 / 49 / 1

HEX #D0FC81

RGB 208 252 129

HSL 81.46, 0.95%, 0.75%

LAB 93.72, -32.89, 53.9

 

CMYK 10 / 0 / 28 / 13

HEX #C7DDA0

RGB 199 221 160

HSL 81.64, 0.47%, 0.75%

LAB 85.2, -17.64, 27.59

 

CMYK 7 / 0 / 19 / 17

HEX #C4D3AA

RGB 196 211 170

HSL 81.95, 0.32%, 0.75%

LAB 82.5, -12.21, 18.64

 

CMYK 3 / 0 / 10 / 21

HEX #C2C9B5

RGB 194 201 181

HSL 81, 0.16%, 0.75%

LAB 79.94, -5.98, 9.16

 

CMYK 0 / 1 / 0 / 25

HEX #BFBEBF

RGB 191 190 191

HSL 300, 0.01%, 0.75%

LAB 77.08, 0.54, -0.39

 

CMYK 6 / 10 / 0 / 21

HEX #BCB4C9

RGB 188 180 201

HSL 262.86, 0.16%, 0.75%

LAB 74.54, 6.81, -9.6

 

CMYK 0 / 5 / 28 / 13

HEX #DDD2A0

RGB 221 210 160

HSL 49.18, 0.47%, 0.75%

LAB 83.97, -3.87, 26.2

 

CMYK 2 / 0 / 28 / 13

HEX #D8DDA0

RGB 216 221 160

HSL 64.92, 0.47%, 0.75%

LAB 86.43, -11.35, 29.46

 

CMYK 10 / 0 / 28 / 13

HEX #C8DDA0

RGB 200 221 160

HSL 80.66, 0.47%, 0.75%

LAB 85.27, -17.27, 27.7

 

CMYK 17 / 0 / 28 / 13

HEX #B8DDA0

RGB 184 221 160

HSL 96.39, 0.47%, 0.75%

LAB 84.2, -23.02, 26.06

 

CMYK 24 / 0 / 28 / 13

HEX #A7DDA0

RGB 167 221 160

HSL 113.11, 0.47%, 0.75%

LAB 83.16, -28.86, 24.49

 

CMYK 18 / 0 / 51 / 22

HEX #A4C863

RGB 164 200 99

HSL 81.39, 0.48%, 0.59%

LAB 76.13, -28.08, 46.19

 

CMYK 14 / 0 / 38 / 17

HEX #B5D382

RGB 181 211 130

HSL 82.22, 0.48%, 0.67%

LAB 80.75, -23.39, 36.85

 

CMYK 10 / 0 / 28 / 13

HEX #C7DDA0

RGB 199 221 160

HSL 81.64, 0.47%, 0.75%

LAB 85.2, -17.64, 27.59

 

CMYK 6 / 0 / 18 / 9

HEX #D9E8BF

RGB 217 232 191

HSL 81.95, 0.47%, 0.83%

LAB 89.96, -12.03, 18.29

 

CMYK 3 / 0 / 9 / 5

HEX #EBF3DD

RGB 235 243 221

HSL 81.82, 0.48%, 0.91%

LAB 94.73, -6.46, 9.69

 

CMYK 10 / 0 / 27 / 13

HEX #C8DEA1

RGB 200 222 161

HSL 81.64, 0.48%, 0.75%

LAB 85.55, -17.63, 27.57

 

CMYK 28 / 0 / 12 / 13

HEX #A0DDC2

RGB 160 221 194

HSL 153.44, 0.47%, 0.75%

LAB 83.49, -24.94, 7.04

 

CMYK 1 / 28 / 0 / 13

HEX #DAA0DD

RGB 218 160 221

HSL 297.05, 0.47%, 0.75%

LAB 73.07, 31.57, -22.49

 

CMYK 10 / 0 / 27 / 13

HEX #C8DEA1

RGB 200 222 161

HSL 81.64, 0.48%, 0.75%

LAB 85.55, -17.63, 27.57

 

CMYK 28 / 10 / 0 / 13

HEX #A0C8DD

RGB 160 200 221

HSL 200.66, 0.47%, 0.75%

LAB 78.46, -8.44, -14.77

 

CMYK 0 / 28 / 10 / 13

HEX #DDA0C8

RGB 221 160 200

HSL 320.66, 0.47%, 0.75%

LAB 72.68, 28.81, -11.51

 

CMYK 10 / 0 / 27 / 13

HEX #C8DEA1

RGB 200 222 161

HSL 81.64, 0.48%, 0.75%

LAB 85.55, -17.63, 27.57

 

CMYK 28 / 0 / 12 / 13

HEX #A0DDC2

RGB 160 221 194

HSL 153.44, 0.47%, 0.75%

LAB 83.49, -24.94, 7.04

 

CMYK 18 / 28 / 0 / 13

HEX #B6A0DD

RGB 182 160 221

HSL 261.64, 0.47%, 0.75%

LAB 69.69, 20.1, -27.96

 

CMYK 0 / 28 / 15 / 13

HEX #DDA0BC

RGB 221 160 188

HSL 332.46, 0.47%, 0.75%

LAB 72.33, 26.82, -5.42

 

CMYK 10 / 0 / 27 / 13

HEX #C8DEA1

RGB 200 222 161

HSL 81.64, 0.48%, 0.75%

LAB 85.55, -17.63, 27.57

 

CMYK 28 / 0 / 4 / 13

HEX #A0DDD4

RGB 160 221 212

HSL 171.15, 0.47%, 0.75%

LAB 83.93, -21.19, -1.84

 

CMYK 18 / 28 / 0 / 13

HEX #B6A0DD

RGB 182 160 221

HSL 261.64, 0.47%, 0.75%

LAB 69.69, 20.1, -27.96

 

CMYK 0 / 28 / 24 / 13

HEX #DDA0A9

RGB 221 160 169

HSL 351.15, 0.47%, 0.75%

LAB 71.81, 23.92, 4.33

 

Description

Color code: HEX #C8DEA1 | qconv.com Color code: HEX #C8DEA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 222 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 222 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 27 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 27% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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