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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D0C2 it is the complementary color #372F3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D0C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8D0C2 shade: #CDD0BD, #DEE2D0, #EFF4E3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D0C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8D0C2 shade: #C8D0C2, #B7BEAF, #A6AC9C, #959A89 and #848876

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8D0C2 shade: #C8D0C2, #CCD0C2, #CFD0C2, #D0CDC2 and #D0C9C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8D0C2 shade: #C8D0C2, #C4D0C2, #C2D0C4, #C2D0C7 and #C2D0CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8D0C2 shade matches the following richer shades: #C8D0C2, #C7D9B9, #C5E1B1, #C4EAA8 and #C3F39F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8D0C2 shade: #C8D0C2, #C9C7CB, #CABFD3, #CCB6DC and #CDADE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8D0C2 shade: #CFD0C2, #CCD0C2, #C8D0C2, #C4D0C2 and #C2D0C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8D0C2 shade: #9EAC93, #B3BEAB, #C8D0C2, #DDE2D9 and #F2F4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8D0C2 shade: #C8D0C2, #C2D0CD and #D0C2CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8D0C2 shade: #C8D0C2, #C2C8D0 and #D0C2C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8D0C2 shade: #C8D0C2, #C2D0CD, #CAC2D0 and #D0C2C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8D0C2 shade: #C8D0C2, #C2CFD0, #CAC2D0 and #D0C3C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

Complementary color

CMYK 10 / 23 / 0 / 76

HEX #372F3D

RGB 55 47 61

HSL 274.29, 0.13%, 0.21%

LAB 20.76, 6.86, -7.51

 

CMYK 1 / 0 / 9 / 18

HEX #CDD0BD

RGB 205 208 189

HSL 69.47, 0.17%, 0.78%

LAB 82.79, -4.37, 9.07

 

CMYK 2 / 0 / 8 / 11

HEX #DEE2D0

RGB 222 226 208

HSL 73.33, 0.24%, 0.85%

LAB 89.15, -4.49, 8.32

 

CMYK 2 / 0 / 7 / 4

HEX #EFF4E3

RGB 239 244 227

HSL 77.65, 0.44%, 0.92%

LAB 95.41, -4.6, 7.6

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 4 / 0 / 8 / 25

HEX #B7BEAF

RGB 183 190 175

HSL 88, 0.1%, 0.72%

LAB 76.06, -5.17, 6.73

 

CMYK 3 / 0 / 9 / 33

HEX #A6AC9C

RGB 166 172 156

HSL 82.5, 0.09%, 0.64%

LAB 69.48, -5.08, 7.49

 

CMYK 3 / 0 / 11 / 40

HEX #959A89

RGB 149 154 137

HSL 77.65, 0.08%, 0.57%

LAB 62.77, -4.98, 8.3

 

CMYK 3 / 0 / 13 / 47

HEX #848876

RGB 132 136 118

HSL 73.33, 0.07%, 0.5%

LAB 55.91, -4.88, 9.17

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 2 / 0 / 7 / 18

HEX #CCD0C2

RGB 204 208 194

HSL 77.14, 0.13%, 0.79%

LAB 82.83, -3.87, 6.46

 

CMYK 0 / 0 / 7 / 18

HEX #CFD0C2

RGB 207 208 194

HSL 64.29, 0.13%, 0.79%

LAB 83.06, -2.81, 6.82

 

CMYK 0 / 1 / 7 / 18

HEX #D0CDC2

RGB 208 205 194

HSL 47.14, 0.13%, 0.79%

LAB 82.36, -0.9, 5.83

 

CMYK 0 / 3 / 7 / 18

HEX #D0C9C2

RGB 208 201 194

HSL 30, 0.13%, 0.79%

LAB 81.33, 1.2, 4.35

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 6 / 0 / 7 / 18

HEX #C4D0C2

RGB 196 208 194

HSL 111.43, 0.13%, 0.79%

LAB 82.24, -6.64, 5.54

 

CMYK 7 / 0 / 6 / 18

HEX #C2D0C4

RGB 194 208 196

HSL 128.57, 0.13%, 0.79%

LAB 82.15, -6.97, 4.32

 

CMYK 7 / 0 / 4 / 18

HEX #C2D0C7

RGB 194 208 199

HSL 141.43, 0.13%, 0.79%

LAB 82.22, -6.42, 2.82

 

CMYK 7 / 0 / 2 / 18

HEX #C2D0CB

RGB 194 208 203

HSL 158.57, 0.13%, 0.79%

LAB 82.32, -5.67, 0.84

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 8 / 0 / 15 / 15

HEX #C7D9B9

RGB 199 217 185

HSL 93.75, 0.3%, 0.79%

LAB 84.62, -11.77, 13.74

 

CMYK 12 / 0 / 21 / 12

HEX #C5E1B1

RGB 197 225 177

HSL 95, 0.44%, 0.79%

LAB 86.45, -17.78, 20.47

 

CMYK 16 / 0 / 28 / 8

HEX #C4EAA8

RGB 196 234 168

HSL 94.55, 0.61%, 0.79%

LAB 88.64, -23.91, 28.11

 

CMYK 20 / 0 / 35 / 5

HEX #C3F39F

RGB 195 243 159

HSL 94.29, 0.78%, 0.79%

LAB 90.87, -29.81, 35.63

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 1 / 2 / 0 / 20

HEX #C9C7CB

RGB 201 199 203

HSL 270, 0.04%, 0.79%

LAB 80.5, 1.43, -1.76

 

CMYK 4 / 9 / 0 / 17

HEX #CABFD3

RGB 202 191 211

HSL 273, 0.19%, 0.79%

LAB 78.76, 7.54, -8.62

 

CMYK 7 / 17 / 0 / 14

HEX #CCB6DC

RGB 204 182 220

HSL 274.74, 0.35%, 0.79%

LAB 76.96, 14.83, -16.18

 

CMYK 10 / 24 / 0 / 10

HEX #CDADE5

RGB 205 173 229

HSL 274.29, 0.52%, 0.79%

LAB 75.15, 21.88, -23.78

 

CMYK 0 / 0 / 7 / 18

HEX #CFD0C2

RGB 207 208 194

HSL 64.29, 0.13%, 0.79%

LAB 83.06, -2.81, 6.82

 

CMYK 2 / 0 / 7 / 18

HEX #CCD0C2

RGB 204 208 194

HSL 77.14, 0.13%, 0.79%

LAB 82.83, -3.87, 6.46

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 6 / 0 / 7 / 18

HEX #C4D0C2

RGB 196 208 194

HSL 111.43, 0.13%, 0.79%

LAB 82.24, -6.64, 5.54

 

CMYK 7 / 0 / 6 / 18

HEX #C2D0C3

RGB 194 208 195

HSL 124.29, 0.13%, 0.79%

LAB 82.12, -7.15, 4.81

 

CMYK 8 / 0 / 15 / 33

HEX #9EAC93

RGB 158 172 147

HSL 93.6, 0.13%, 0.63%

LAB 68.66, -9.58, 11.21

 

CMYK 6 / 0 / 10 / 25

HEX #B3BEAB

RGB 179 190 171

HSL 94.74, 0.13%, 0.71%

LAB 75.67, -7.3, 8.29

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 2 / 0 / 4 / 11

HEX #DDE2D9

RGB 221 226 217

HSL 93.33, 0.13%, 0.87%

LAB 89.29, -3.28, 3.8

 

CMYK 1 / 0 / 1 / 4

HEX #F2F4F1

RGB 242 244 241

HSL 100, 0.12%, 0.95%

LAB 95.97, -1.19, 1.2

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 7 / 0 / 1 / 18

HEX #C2D0CD

RGB 194 208 205

HSL 167.14, 0.13%, 0.79%

LAB 82.37, -5.29, -0.15

 

CMYK 0 / 7 / 1 / 18

HEX #D0C2CE

RGB 208 194 206

HSL 308.57, 0.13%, 0.79%

LAB 79.87, 7.04, -4.24

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 7 / 4 / 0 / 18

HEX #C2C8D0

RGB 194 200 208

HSL 214.29, 0.13%, 0.79%

LAB 80.37, -0.52, -4.7

 

CMYK 0 / 7 / 4 / 18

HEX #D0C2C8

RGB 208 194 200

HSL 334.29, 0.13%, 0.79%

LAB 79.71, 5.96, -1.24

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 7 / 0 / 1 / 18

HEX #C2D0CD

RGB 194 208 205

HSL 167.14, 0.13%, 0.79%

LAB 82.37, -5.29, -0.15

 

CMYK 3 / 7 / 0 / 18

HEX #CAC2D0

RGB 202 194 208

HSL 274.29, 0.13%, 0.79%

LAB 79.44, 5.37, -6

 

CMYK 0 / 7 / 5 / 18

HEX #D0C2C5

RGB 208 194 197

HSL 347.14, 0.13%, 0.79%

LAB 79.63, 5.43, 0.26

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 7 / 0 / 0 / 18

HEX #C2CFD0

RGB 194 207 208

HSL 184.29, 0.13%, 0.79%

LAB 82.19, -4.2, -2.02

 

CMYK 3 / 7 / 0 / 18

HEX #CAC2D0

RGB 202 194 208

HSL 274.29, 0.13%, 0.79%

LAB 79.44, 5.37, -6

 

CMYK 0 / 6 / 7 / 18

HEX #D0C3C2

RGB 208 195 194

HSL 4.29, 0.13%, 0.79%

LAB 79.8, 4.38, 2.13

 

Description

Color code: HEX #C8D0C2 | qconv.com Color code: HEX #C8D0C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 208 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 208 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 7 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 7% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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