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Color name
HEX #C8B2AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8B2AC it is the complementary color #374D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8B2AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8B2AC shade: #CDB2A7, #DEC4BA, #EFD6CD, #FFE8E0 and #FFFAF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8B2AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8B2AC shade: #C8B2AC, #B7A099, #A68E86, #957C73 and #846A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8B2AC shade: #C7B2AC and #C7ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8B2AC shade: #C7B2AC, #C7B9AC, #C7C1AC, #C7C7AC and #BFC7AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8B2AC shade matches the following richer shades: #C7B2AC, #D3ABA1, #DEA596, #E99F8A and #F4987F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8B2AC shade: #C7B2AC, #BCB8B7, #B1BFC2, #A6C5CD and #9BCBD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8B2AC shade: #C7ACB5, #C7ACAE, #C7B1AC, #C7B9AC and #C7C0AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8B2AC shade: #A6847A, #B79B93, #C7B2AC, #D8C9C5 and #E8E0DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8B2AC shade: #C8B2AC, #BCC7AC and #ACB1C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8B2AC shade: #C8B2AC, #ACC7B1 and #B1ACC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8B2AC shade: #C8B2AC, #BCC7AC, #ACC2C7 and #B7ACC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8B2AC shade: #C8B2AC, #B4C7AC, #ACC2C7 and #BFACC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 14 / 22

HEX #C8B2AC

RGB 200 178 172

HSL 12.86, 0.2%, 0.73%

LAB 74.25, 6.89, 5.94

 

Complementary color

CMYK 34 / 7 / 0 / 67

HEX #374D53

RGB 55 77 83

HSL 192.86, 0.2%, 0.27%

LAB 31.22, -6.78, -6.29

 

CMYK 0 / 13 / 19 / 20

HEX #CDB2A7

RGB 205 178 167

HSL 17.37, 0.28%, 0.73%

LAB 74.58, 7.95, 9.19

 

CMYK 0 / 12 / 16 / 13

HEX #DEC4BA

RGB 222 196 186

HSL 16.67, 0.35%, 0.8%

LAB 81.05, 7.56, 8.37

 

CMYK 0 / 10 / 14 / 6

HEX #EFD6CD

RGB 239 214 205

HSL 15.88, 0.52%, 0.87%

LAB 87.41, 7.21, 7.59

 

CMYK 0 / 9 / 12 / 0

HEX #FFE8E0

RGB 255 232 224

HSL 15.48, 1%, 0.94%

LAB 93.6, 6.54, 6.72

 

CMYK 0 / 2 / 5 / 0

HEX #FFFAF3

RGB 255 250 243

HSL 35, 1%, 0.98%

LAB 98.47, 0.47, 3.93

 

CMYK 0 / 11 / 14 / 22

HEX #C8B2AC

RGB 200 178 172

HSL 12.86, 0.2%, 0.73%

LAB 74.25, 6.89, 5.94

 

CMYK 0 / 13 / 16 / 28

HEX #B7A099

RGB 183 160 153

HSL 14, 0.17%, 0.66%

LAB 67.66, 7.26, 6.74

 

CMYK 0 / 14 / 19 / 35

HEX #A68E86

RGB 166 142 134

HSL 15, 0.15%, 0.59%

LAB 60.94, 7.68, 7.59

 

CMYK 0 / 17 / 23 / 42

HEX #957C73

RGB 149 124 115

HSL 15.88, 0.14%, 0.52%

LAB 54.07, 8.17, 8.51

 

CMYK 0 / 20 / 27 / 48

HEX #846A60

RGB 132 106 96

HSL 16.67, 0.16%, 0.45%

LAB 47.05, 8.73, 9.52

 

CMYK 0 / 11 / 14 / 22

HEX #C7B2AC

RGB 199 178 172

HSL 13.33, 0.19%, 0.73%

LAB 74.17, 6.52, 5.8

 

CMYK 0 / 14 / 14 / 22

HEX #C7ACAC

RGB 199 172 172

HSL 0, 0.19%, 0.73%

LAB 72.64, 9.77, 3.61

 

CMYK 0 / 11 / 14 / 22

HEX #C7B2AC

RGB 199 178 172

HSL 13.33, 0.19%, 0.73%

LAB 74.17, 6.52, 5.8

 

CMYK 0 / 7 / 14 / 22

HEX #C7B9AC

RGB 199 185 172

HSL 28.89, 0.19%, 0.73%

LAB 75.96, 2.76, 8.37

 

CMYK 0 / 3 / 14 / 22

HEX #C7C1AC

RGB 199 193 172

HSL 46.67, 0.19%, 0.73%

LAB 78.03, -1.48, 11.32

 

CMYK 0 / 0 / 14 / 22

HEX #C7C7AC

RGB 199 199 172

HSL 60, 0.19%, 0.73%

LAB 79.6, -4.63, 13.54

 

CMYK 4 / 0 / 14 / 22

HEX #BFC7AC

RGB 191 199 172

HSL 77.78, 0.19%, 0.73%

LAB 78.98, -7.53, 12.59

 

CMYK 0 / 11 / 14 / 22

HEX #C7B2AC

RGB 199 178 172

HSL 13.33, 0.19%, 0.73%

LAB 74.17, 6.52, 5.8

 

CMYK 0 / 19 / 24 / 17

HEX #D3ABA1

RGB 211 171 161

HSL 12, 0.36%, 0.73%

LAB 73.25, 13.08, 10.66

 

CMYK 0 / 26 / 32 / 13

HEX #DEA596

RGB 222 165 150

HSL 12.5, 0.52%, 0.73%

LAB 72.66, 19.01, 16

 

CMYK 0 / 32 / 41 / 9

HEX #E99F8A

RGB 233 159 138

HSL 13.26, 0.68%, 0.73%

LAB 72.2, 25.04, 22.12

 

CMYK 0 / 38 / 48 / 4

HEX #F4987F

RGB 244 152 127

HSL 12.82, 0.84%, 0.73%

LAB 71.71, 31.86, 27.68

 

CMYK 0 / 11 / 14 / 22

HEX #C7B2AC

RGB 199 178 172

HSL 13.33, 0.19%, 0.73%

LAB 74.17, 6.52, 5.8

 

CMYK 0 / 2 / 3 / 26

HEX #BCB8B7

RGB 188 184 183

HSL 12, 0.04%, 0.73%

LAB 75.07, 1.23, 1

 

CMYK 9 / 2 / 0 / 24

HEX #B1BFC2

RGB 177 191 194

HSL 190.59, 0.12%, 0.73%

LAB 76.38, -4.2, -3.17

 

CMYK 19 / 4 / 0 / 20

HEX #A6C5CD

RGB 166 197 205

HSL 192.31, 0.28%, 0.73%

LAB 77.55, -8.64, -7.47

 

CMYK 28 / 6 / 0 / 15

HEX #9BCBD8

RGB 155 203 216

HSL 192.79, 0.44%, 0.73%

LAB 78.83, -12.62, -11.56

 

CMYK 0 / 14 / 9 / 22

HEX #C7ACB5

RGB 199 172 181

HSL 340, 0.19%, 0.73%

LAB 72.88, 11.29, -1

 

CMYK 0 / 14 / 13 / 22

HEX #C7ACAE

RGB 199 172 174

HSL 355.56, 0.19%, 0.73%

LAB 72.7, 10.1, 2.58

 

CMYK 0 / 11 / 14 / 22

HEX #C7B1AC

RGB 199 177 172

HSL 11.11, 0.19%, 0.73%

LAB 73.91, 7.06, 5.43

 

CMYK 0 / 7 / 14 / 22

HEX #C7B9AC

RGB 199 185 172

HSL 28.89, 0.19%, 0.73%

LAB 75.96, 2.76, 8.37

 

CMYK 0 / 4 / 14 / 22

HEX #C7C0AC

RGB 199 192 172

HSL 44.44, 0.19%, 0.73%

LAB 77.77, -0.95, 10.95

 

CMYK 0 / 20 / 27 / 35

HEX #A6847A

RGB 166 132 122

HSL 13.64, 0.2%, 0.56%

LAB 58.05, 11.48, 10.34

 

CMYK 0 / 15 / 20 / 28

HEX #B79B93

RGB 183 155 147

HSL 13.33, 0.2%, 0.65%

LAB 66.23, 9.06, 8.03

 

CMYK 0 / 11 / 14 / 22

HEX #C7B2AC

RGB 199 178 172

HSL 13.33, 0.19%, 0.73%

LAB 74.17, 6.52, 5.8

 

CMYK 0 / 7 / 9 / 15

HEX #D8C9C5

RGB 216 201 197

HSL 12.63, 0.2%, 0.81%

LAB 82.06, 4.54, 3.87

 

CMYK 0 / 3 / 5 / 9

HEX #E8E0DD

RGB 232 224 221

HSL 16.36, 0.19%, 0.89%

LAB 89.71, 2.2, 2.42

 

CMYK 0 / 11 / 14 / 22

HEX #C8B2AC

RGB 200 178 172

HSL 12.86, 0.2%, 0.73%

LAB 74.25, 6.89, 5.94

 

CMYK 6 / 0 / 14 / 22

HEX #BCC7AC

RGB 188 199 172

HSL 84.44, 0.19%, 0.73%

LAB 78.76, -8.61, 12.24

 

CMYK 14 / 11 / 0 / 22

HEX #ACB1C7

RGB 172 177 199

HSL 228.89, 0.19%, 0.73%

LAB 72.45, 2.7, -11.75

 

CMYK 0 / 11 / 14 / 22

HEX #C8B2AC

RGB 200 178 172

HSL 12.86, 0.2%, 0.73%

LAB 74.25, 6.89, 5.94

 

CMYK 14 / 0 / 11 / 22

HEX #ACC7B1

RGB 172 199 177

HSL 131.11, 0.19%, 0.73%

LAB 77.75, -13.33, 7.97

 

CMYK 11 / 14 / 0 / 22

HEX #B1ACC7

RGB 177 172 199

HSL 251.11, 0.19%, 0.73%

LAB 71.54, 7.09, -13.09

 

CMYK 0 / 11 / 14 / 22

HEX #C8B2AC

RGB 200 178 172

HSL 12.86, 0.2%, 0.73%

LAB 74.25, 6.89, 5.94

 

CMYK 6 / 0 / 14 / 22

HEX #BCC7AC

RGB 188 199 172

HSL 84.44, 0.19%, 0.73%

LAB 78.76, -8.61, 12.24

 

CMYK 14 / 3 / 0 / 22

HEX #ACC2C7

RGB 172 194 199

HSL 191.11, 0.19%, 0.73%

LAB 76.97, -6.42, -5.05

 

CMYK 8 / 14 / 0 / 22

HEX #B7ACC7

RGB 183 172 199

HSL 264.44, 0.19%, 0.73%

LAB 72.02, 9.09, -12.31

 

CMYK 0 / 11 / 14 / 22

HEX #C8B2AC

RGB 200 178 172

HSL 12.86, 0.2%, 0.73%

LAB 74.25, 6.89, 5.94

 

CMYK 10 / 0 / 14 / 22

HEX #B4C7AC

RGB 180 199 172

HSL 102.22, 0.19%, 0.73%

LAB 78.19, -11.45, 11.35

 

CMYK 14 / 3 / 0 / 22

HEX #ACC2C7

RGB 172 194 199

HSL 191.11, 0.19%, 0.73%

LAB 76.97, -6.42, -5.05

 

CMYK 4 / 14 / 0 / 22

HEX #BFACC7

RGB 191 172 199

HSL 282.22, 0.19%, 0.73%

LAB 72.7, 11.8, -11.23

 

Description

Color code: HEX #C8B2AC | qconv.com Color code: HEX #C8B2AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 178 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 178 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 14% 22% C M Y K

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Provide designers and agencies with accurate color values.

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