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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8B131 it is the complementary color #374ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8B131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8B131 shade: #CDB12C, #DEC33F, #EFD552, #FFE765 and #FFF978

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8B131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8B131 shade: #C8B131, #B79F1E, #A68D0B, #957B00 and #846900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8B131 shade: #C9B130, #C98830, #C95F30, #C93630 and #C93030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8B131 shade: #C9B130, #B7C930, #8EC930, #65C930 and #3BC930

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8B131 shade matches the following richer shades: #C9B130, #DDC01C and #F1CE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8B131 shade: #C9B130, #B4A344, #A09559, #8C876D and #787981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8B131 shade: #C95E30, #C98730, #C9AF30, #B9C930 and #91C930

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8B131 shade: #867720, #A79428, #C9B130, #D4BF4E and #DCCB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8B131 shade: #C8B131, #30C935 and #7230C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8B131 shade: #C8B131, #30C9AF and #AF30C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8B131 shade: #C8B131, #30C935, #304AC9 and #C930C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8B131 shade: #C8B131, #30C963, #304AC9 and #C93096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 76 / 22

HEX #C8B131

RGB 200 177 49

HSL 50.86, 0.61%, 0.49%

LAB 72.19, -5.14, 64.06

 

Complementary color

CMYK 73 / 62 / 0 / 19

HEX #374ECE

RGB 55 78 206

HSL 230.86, 0.61%, 0.51%

LAB 39.1, 35.32, -68.65

 

CMYK 0 / 14 / 79 / 20

HEX #CDB12C

RGB 205 177 44

HSL 49.57, 0.65%, 0.49%

LAB 72.63, -3.16, 66.3

 

CMYK 0 / 12 / 72 / 13

HEX #DEC33F

RGB 222 195 63

HSL 49.81, 0.71%, 0.56%

LAB 78.99, -4.39, 66.22

 

CMYK 0 / 11 / 66 / 6

HEX #EFD552

RGB 239 213 82

HSL 50.06, 0.83%, 0.63%

LAB 85.28, -5.45, 65.63

 

CMYK 0 / 9 / 60 / 0

HEX #FFE765

RGB 255 231 101

HSL 50.65, 1%, 0.7%

LAB 91.39, -6.76, 64.64

 

CMYK 0 / 2 / 53 / 0

HEX #FFF978

RGB 255 249 120

HSL 57.33, 1%, 0.74%

LAB 96.15, -14.27, 61.68

 

CMYK 0 / 12 / 76 / 22

HEX #C8B131

RGB 200 177 49

HSL 50.86, 0.61%, 0.49%

LAB 72.19, -5.14, 64.06

 

CMYK 0 / 13 / 84 / 28

HEX #B79F1E

RGB 183 159 30

HSL 50.59, 0.72%, 0.42%

LAB 65.72, -3.8, 63.61

 

CMYK 0 / 15 / 93 / 35

HEX #A68D0B

RGB 166 141 11

HSL 50.32, 0.88%, 0.35%

LAB 59.14, -2.2, 61.82

 

CMYK 0 / 17 / 100 / 42

HEX #957B00

RGB 149 123 0

HSL 49.53, 1%, 0.29%

LAB 52.46, -0.3, 58.03

 

CMYK 0 / 20 / 100 / 48

HEX #846900

RGB 132 105 0

HSL 47.73, 1%, 0.26%

LAB 45.65, 1.86, 52.4

 

CMYK 0 / 12 / 76 / 21

HEX #C9B130

RGB 201 177 48

HSL 50.59, 0.61%, 0.49%

LAB 72.28, -4.75, 64.51

 

CMYK 0 / 32 / 76 / 21

HEX #C98830

RGB 201 136 48

HSL 34.51, 0.61%, 0.49%

LAB 61.86, 17.32, 54.62

 

CMYK 0 / 53 / 76 / 21

HEX #C95F30

RGB 201 95 48

HSL 18.43, 0.61%, 0.49%

LAB 52.75, 39.17, 45.5

 

CMYK 0 / 73 / 76 / 21

HEX #C93630

RGB 201 54 48

HSL 2.35, 0.61%, 0.49%

LAB 46, 57.08, 38.39

 

CMYK 0 / 76 / 76 / 21

HEX #C93030

RGB 201 48 48

HSL 0, 0.61%, 0.49%

LAB 45.28, 59.08, 37.61

 

CMYK 0 / 12 / 76 / 21

HEX #C9B130

RGB 201 177 48

HSL 50.59, 0.61%, 0.49%

LAB 72.28, -4.75, 64.51

 

CMYK 9 / 0 / 76 / 21

HEX #B7C930

RGB 183 201 48

HSL 67.06, 0.61%, 0.49%

LAB 77.31, -24.58, 68.63

 

CMYK 29 / 0 / 76 / 21

HEX #8EC930

RGB 142 201 48

HSL 83.14, 0.61%, 0.49%

LAB 74.66, -40.86, 65.2

 

CMYK 50 / 0 / 76 / 21

HEX #65C930

RGB 101 201 48

HSL 99.22, 0.61%, 0.49%

LAB 72.73, -54.64, 62.68

 

CMYK 71 / 0 / 76 / 21

HEX #3BC930

RGB 59 201 48

HSL 115.69, 0.61%, 0.49%

LAB 71.5, -64.56, 61.06

 

CMYK 0 / 12 / 76 / 21

HEX #C9B130

RGB 201 177 48

HSL 50.59, 0.61%, 0.49%

LAB 72.28, -4.75, 64.51

 

CMYK 0 / 13 / 87 / 13

HEX #DDC01C

RGB 221 192 28

HSL 50.98, 0.78%, 0.49%

LAB 77.97, -4.44, 75.6

 

CMYK 0 / 15 / 97 / 5

HEX #F1CE08

RGB 241 206 8

HSL 50.99, 0.94%, 0.49%

LAB 83.37, -3.27, 83.29

 

CMYK 0 / 12 / 76 / 21

HEX #C9B130

RGB 201 177 48

HSL 50.59, 0.61%, 0.49%

LAB 72.28, -4.75, 64.51

 

CMYK 0 / 9 / 62 / 29

HEX #B4A344

RGB 180 163 68

HSL 50.89, 0.45%, 0.49%

LAB 66.76, -5.43, 50.28

 

CMYK 0 / 7 / 44 / 37

HEX #A09559

RGB 160 149 89

HSL 50.7, 0.29%, 0.49%

LAB 61.39, -4.68, 33.07

 

CMYK 0 / 4 / 22 / 45

HEX #8C876D

RGB 140 135 109

HSL 50.32, 0.12%, 0.49%

LAB 56.1, -2.65, 14.68

 

CMYK 7 / 6 / 0 / 49

HEX #787981

RGB 120 121 129

HSL 233.33, 0.04%, 0.49%

LAB 50.98, 1.29, -4.5

 

CMYK 0 / 53 / 76 / 21

HEX #C95E30

RGB 201 94 48

HSL 18.04, 0.61%, 0.49%

LAB 52.55, 39.67, 45.3

 

CMYK 0 / 33 / 76 / 21

HEX #C98730

RGB 201 135 48

HSL 34.12, 0.61%, 0.49%

LAB 61.62, 17.87, 54.38

 

CMYK 0 / 13 / 76 / 21

HEX #C9AF30

RGB 201 175 48

HSL 49.8, 0.61%, 0.49%

LAB 71.75, -3.7, 64.02

 

CMYK 8 / 0 / 76 / 21

HEX #B9C930

RGB 185 201 48

HSL 66.27, 0.61%, 0.49%

LAB 77.46, -23.75, 68.82

 

CMYK 28 / 0 / 76 / 21

HEX #91C930

RGB 145 201 48

HSL 81.96, 0.61%, 0.49%

LAB 74.83, -39.74, 65.42

 

CMYK 0 / 11 / 76 / 47

HEX #867720

RGB 134 119 32

HSL 51.18, 0.61%, 0.33%

LAB 49.94, -4.23, 47.02

 

CMYK 0 / 11 / 76 / 35

HEX #A79428

RGB 167 148 40

HSL 51.02, 0.61%, 0.41%

LAB 61.26, -4.71, 55.89

 

CMYK 0 / 12 / 76 / 21

HEX #C9B130

RGB 201 177 48

HSL 50.59, 0.61%, 0.49%

LAB 72.28, -4.75, 64.51

 

CMYK 0 / 10 / 63 / 17

HEX #D4BF4E

RGB 212 191 78

HSL 50.6, 0.61%, 0.57%

LAB 77.17, -5.75, 57.98

 

CMYK 0 / 8 / 49 / 14

HEX #DCCB70

RGB 220 203 112

HSL 50.56, 0.61%, 0.65%

LAB 81.35, -6, 47.19

 

CMYK 0 / 12 / 76 / 22

HEX #C8B131

RGB 200 177 49

HSL 50.86, 0.61%, 0.49%

LAB 72.19, -5.14, 64.06

 

CMYK 76 / 0 / 74 / 21

HEX #30C935

RGB 48 201 53

HSL 121.96, 0.61%, 0.49%

LAB 71.32, -65.95, 59.12

 

CMYK 43 / 76 / 0 / 21

HEX #7230C9

RGB 114 48 201

HSL 265.88, 0.61%, 0.49%

LAB 37.68, 58.6, -67.88

 

CMYK 0 / 12 / 76 / 22

HEX #C8B131

RGB 200 177 49

HSL 50.86, 0.61%, 0.49%

LAB 72.19, -5.14, 64.06

 

CMYK 76 / 0 / 13 / 21

HEX #30C9AF

RGB 48 201 175

HSL 169.8, 0.61%, 0.49%

LAB 73.22, -44.72, 1.86

 

CMYK 13 / 76 / 0 / 21

HEX #AF30C9

RGB 175 48 201

HSL 289.8, 0.61%, 0.49%

LAB 46.24, 69.42, -53.6

 

CMYK 0 / 12 / 76 / 22

HEX #C8B131

RGB 200 177 49

HSL 50.86, 0.61%, 0.49%

LAB 72.19, -5.14, 64.06

 

CMYK 76 / 0 / 74 / 21

HEX #30C935

RGB 48 201 53

HSL 121.96, 0.61%, 0.49%

LAB 71.32, -65.95, 59.12

 

CMYK 76 / 63 / 0 / 21

HEX #304AC9

RGB 48 74 201

HSL 229.8, 0.61%, 0.49%

LAB 37.38, 35.3, -68.58

 

CMYK 0 / 76 / 2 / 21

HEX #C930C4

RGB 201 48 196

HSL 301.96, 0.61%, 0.49%

LAB 50.12, 73.76, -44.26

 

CMYK 0 / 12 / 76 / 22

HEX #C8B131

RGB 200 177 49

HSL 50.86, 0.61%, 0.49%

LAB 72.19, -5.14, 64.06

 

CMYK 76 / 0 / 51 / 21

HEX #30C963

RGB 48 201 99

HSL 140, 0.61%, 0.49%

LAB 71.76, -60.68, 39.79

 

CMYK 76 / 63 / 0 / 21

HEX #304AC9

RGB 48 74 201

HSL 229.8, 0.61%, 0.49%

LAB 37.38, 35.3, -68.58

 

CMYK 0 / 76 / 25 / 21

HEX #C93096

RGB 201 48 150

HSL 320, 0.61%, 0.49%

LAB 47.92, 67.34, -20.61

 

Description

Color code: HEX #C8B131 | qconv.com Color code: HEX #C8B131 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 177 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 177 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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