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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8B8CD it is the complementary color #374732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8B8CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8B8CD shade: #CDB8C8, #DECADB, #EFDCEE and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8B8CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8B8CD shade: #C8B8CD, #B7A6BA, #A694A7, #958294 and #847081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8B8CD shade: #C7B7CC, #CCB7CB, #CCB7C5, #CCB7C0 and #CCB7BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8B8CD shade: #C7B7CC, #C1B7CC, #BCB7CC and #B7B7CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8B8CD shade matches the following richer shades: #C7B7CC, #CCADD6, #D1A3E0, #D699E9 and #DB8FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8B8CD shade: #C7B7CC, #C2C1C2, #BCCBB8, #B7D5AE and #B2DFA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8B8CD shade: #BBB7CC, #C1B7CC, #C7B7CC, #CCB7CB and #CCB7C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8B8CD shade: #A187A9, #B49FBB, #C7B7CC, #DACFDD and #ECE7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8B8CD shade: #C8B8CD, #CCB7B8 and #B7CCBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8B8CD shade: #C8B8CD, #CCC7B7 and #B7CCC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8B8CD shade: #C8B8CD, #CCB7B8, #BCCCB7 and #B7CCCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8B8CD shade: #C8B8CD, #CCBCB7, #BCCCB7 and #B7C7CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 10 / 0 / 20

HEX #C8B8CD

RGB 200 184 205

HSL 285.71, 0.17%, 0.76%

LAB 76.66, 9.49, -8.52

 

Complementary color

CMYK 23 / 0 / 30 / 72

HEX #374732

RGB 55 71 50

HSL 105.71, 0.17%, 0.24%

LAB 28.24, -11.12, 10.6

 

CMYK 0 / 10 / 2 / 20

HEX #CDB8C8

RGB 205 184 200

HSL 314.29, 0.17%, 0.76%

LAB 76.94, 10.28, -5.34

 

CMYK 0 / 9 / 1 / 13

HEX #DECADB

RGB 222 202 219

HSL 309, 0.23%, 0.83%

LAB 83.38, 9.95, -5.89

 

CMYK 0 / 8 / 0 / 6

HEX #EFDCEE

RGB 239 220 238

HSL 303.16, 0.37%, 0.9%

LAB 89.72, 9.64, -6.43

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 2 / 10 / 0 / 20

HEX #C8B8CD

RGB 200 184 205

HSL 285.71, 0.17%, 0.76%

LAB 76.66, 9.49, -8.52

 

CMYK 2 / 11 / 0 / 27

HEX #B7A6BA

RGB 183 166 186

HSL 291, 0.13%, 0.69%

LAB 70.1, 9.82, -8.02

 

CMYK 1 / 11 / 0 / 35

HEX #A694A7

RGB 166 148 167

HSL 296.84, 0.1%, 0.62%

LAB 63.41, 10.18, -7.51

 

CMYK 0 / 13 / 1 / 42

HEX #958294

RGB 149 130 148

HSL 303.16, 0.08%, 0.55%

LAB 56.58, 10.58, -6.99

 

CMYK 0 / 15 / 2 / 48

HEX #847081

RGB 132 112 129

HSL 309, 0.08%, 0.48%

LAB 49.59, 11.02, -6.44

 

CMYK 2 / 10 / 0 / 20

HEX #C7B7CC

RGB 199 183 204

HSL 285.71, 0.17%, 0.76%

LAB 76.3, 9.5, -8.53

 

CMYK 0 / 10 / 0 / 20

HEX #CCB7CB

RGB 204 183 203

HSL 302.86, 0.17%, 0.76%

LAB 76.69, 11.02, -7.35

 

CMYK 0 / 10 / 3 / 20

HEX #CCB7C5

RGB 204 183 197

HSL 320, 0.17%, 0.76%

LAB 76.52, 9.92, -4.34

 

CMYK 0 / 10 / 6 / 20

HEX #CCB7C0

RGB 204 183 192

HSL 334.29, 0.17%, 0.76%

LAB 76.38, 9.03, -1.83

 

CMYK 0 / 10 / 9 / 20

HEX #CCB7BA

RGB 204 183 186

HSL 351.43, 0.17%, 0.76%

LAB 76.22, 7.99, 1.2

 

CMYK 2 / 10 / 0 / 20

HEX #C7B7CC

RGB 199 183 204

HSL 285.71, 0.17%, 0.76%

LAB 76.3, 9.5, -8.53

 

CMYK 5 / 10 / 0 / 20

HEX #C1B7CC

RGB 193 183 204

HSL 268.57, 0.17%, 0.76%

LAB 75.8, 7.46, -9.32

 

CMYK 8 / 10 / 0 / 20

HEX #BCB7CC

RGB 188 183 204

HSL 254.29, 0.17%, 0.76%

LAB 75.4, 5.78, -9.96

 

CMYK 10 / 10 / 0 / 20

HEX #B7B7CC

RGB 183 183 204

HSL 240, 0.17%, 0.76%

LAB 75.01, 4.11, -10.58

 

CMYK 2 / 10 / 0 / 20

HEX #C7B7CC

RGB 199 183 204

HSL 285.71, 0.17%, 0.76%

LAB 76.3, 9.5, -8.53

 

CMYK 5 / 19 / 0 / 16

HEX #CCADD6

RGB 204 173 214

HSL 285.37, 0.33%, 0.76%

LAB 74.56, 18.55, -16.53

 

CMYK 7 / 27 / 0 / 12

HEX #D1A3E0

RGB 209 163 224

HSL 285.25, 0.5%, 0.76%

LAB 72.98, 27.62, -24.35

 

CMYK 8 / 34 / 0 / 9

HEX #D699E9

RGB 214 153 233

HSL 285.75, 0.65%, 0.76%

LAB 71.53, 36.4, -31.45

 

CMYK 10 / 41 / 0 / 5

HEX #DB8FF3

RGB 219 143 243

HSL 285.6, 0.81%, 0.76%

LAB 70.3, 45.22, -38.79

 

CMYK 2 / 10 / 0 / 20

HEX #C7B7CC

RGB 199 183 204

HSL 285.71, 0.17%, 0.76%

LAB 76.3, 9.5, -8.53

 

CMYK 0 / 1 / 0 / 24

HEX #C2C1C2

RGB 194 193 194

HSL 300, 0.01%, 0.76%

LAB 78.17, 0.54, -0.39

 

CMYK 7 / 0 / 9 / 20

HEX #BCCBB8

RGB 188 203 184

HSL 107.37, 0.15%, 0.76%

LAB 80.1, -8.61, 7.73

 

CMYK 14 / 0 / 18 / 16

HEX #B7D5AE

RGB 183 213 174

HSL 106.15, 0.32%, 0.76%

LAB 82.22, -17.18, 16.01

 

CMYK 20 / 0 / 26 / 13

HEX #B2DFA4

RGB 178 223 164

HSL 105.76, 0.48%, 0.76%

LAB 84.44, -25.46, 24.27

 

CMYK 8 / 10 / 0 / 20

HEX #BBB7CC

RGB 187 183 204

HSL 251.43, 0.17%, 0.76%

LAB 75.32, 5.45, -10.08

 

CMYK 5 / 10 / 0 / 20

HEX #C1B7CC

RGB 193 183 204

HSL 268.57, 0.17%, 0.76%

LAB 75.8, 7.46, -9.32

 

CMYK 2 / 10 / 0 / 20

HEX #C7B7CC

RGB 199 183 204

HSL 285.71, 0.17%, 0.76%

LAB 76.3, 9.5, -8.53

 

CMYK 0 / 10 / 0 / 20

HEX #CCB7CB

RGB 204 183 203

HSL 302.86, 0.17%, 0.76%

LAB 76.69, 11.02, -7.35

 

CMYK 0 / 10 / 3 / 20

HEX #CCB7C6

RGB 204 183 198

HSL 317.14, 0.17%, 0.76%

LAB 76.55, 10.11, -4.85

 

CMYK 5 / 20 / 0 / 34

HEX #A187A9

RGB 161 135 169

HSL 285.88, 0.17%, 0.6%

LAB 59.68, 16.19, -14.28

 

CMYK 4 / 15 / 0 / 27

HEX #B49FBB

RGB 180 159 187

HSL 285, 0.17%, 0.68%

LAB 68.09, 12.85, -11.6

 

CMYK 2 / 10 / 0 / 20

HEX #C7B7CC

RGB 199 183 204

HSL 285.71, 0.17%, 0.76%

LAB 76.3, 9.5, -8.53

 

CMYK 1 / 6 / 0 / 13

HEX #DACFDD

RGB 218 207 221

HSL 287.14, 0.17%, 0.84%

LAB 84.36, 6.31, -5.56

 

CMYK 1 / 3 / 0 / 7

HEX #ECE7EE

RGB 236 231 238

HSL 282.86, 0.17%, 0.92%

LAB 92.2, 2.93, -2.8

 

CMYK 2 / 10 / 0 / 20

HEX #C8B8CD

RGB 200 184 205

HSL 285.71, 0.17%, 0.76%

LAB 76.66, 9.49, -8.52

 

CMYK 0 / 10 / 10 / 20

HEX #CCB7B8

RGB 204 183 184

HSL 357.14, 0.17%, 0.76%

LAB 76.17, 7.65, 2.21

 

CMYK 10 / 0 / 7 / 20

HEX #B7CCBE

RGB 183 204 190

HSL 140, 0.17%, 0.76%

LAB 80.16, -9.75, 4.56

 

CMYK 2 / 10 / 0 / 20

HEX #C8B8CD

RGB 200 184 205

HSL 285.71, 0.17%, 0.76%

LAB 76.66, 9.49, -8.52

 

CMYK 0 / 2 / 10 / 20

HEX #CCC7B7

RGB 204 199 183

HSL 45.71, 0.17%, 0.76%

LAB 80.24, -1.03, 8.62

 

CMYK 10 / 0 / 2 / 20

HEX #B7CCC7

RGB 183 204 199

HSL 165.71, 0.17%, 0.76%

LAB 80.39, -8.04, 0.07

 

CMYK 2 / 10 / 0 / 20

HEX #C8B8CD

RGB 200 184 205

HSL 285.71, 0.17%, 0.76%

LAB 76.66, 9.49, -8.52

 

CMYK 0 / 10 / 10 / 20

HEX #CCB7B8

RGB 204 183 184

HSL 357.14, 0.17%, 0.76%

LAB 76.17, 7.65, 2.21

 

CMYK 8 / 0 / 10 / 20

HEX #BCCCB7

RGB 188 204 183

HSL 105.71, 0.17%, 0.76%

LAB 80.35, -9.3, 8.61

 

CMYK 10 / 0 / 0 / 20

HEX #B7CCCB

RGB 183 204 203

HSL 177.14, 0.17%, 0.76%

LAB 80.5, -7.25, -1.92

 

CMYK 2 / 10 / 0 / 20

HEX #C8B8CD

RGB 200 184 205

HSL 285.71, 0.17%, 0.76%

LAB 76.66, 9.49, -8.52

 

CMYK 0 / 8 / 10 / 20

HEX #CCBCB7

RGB 204 188 183

HSL 14.29, 0.17%, 0.76%

LAB 77.41, 4.8, 4.56

 

CMYK 8 / 0 / 10 / 20

HEX #BCCCB7

RGB 188 204 183

HSL 105.71, 0.17%, 0.76%

LAB 80.35, -9.3, 8.61

 

CMYK 10 / 2 / 0 / 20

HEX #B7C7CC

RGB 183 199 204

HSL 194.29, 0.17%, 0.76%

LAB 79.2, -4.44, -4.37

 

Description

Color code: HEX #C8B8CD | qconv.com Color code: HEX #C8B8CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 184 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 184 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 10 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 10% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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