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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C897D5 it is the complementary color #37682A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C897D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C897D5 shade: #CD97D0, #DEA9E3, #EFBBF6, #FFCDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C897D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C897D5 shade: #C897D5, #B785C2, #A673AF, #95619C and #844F89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C897D5 shade: #C795D4, #D495D0, #D495BF, #D495AE and #D4959E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C897D5 shade: #C795D4, #B695D4, #A595D4 and #9595D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C897D5 shade matches the following richer shades: #C795D4, #CE8AE0, #D47EEC and #DB72F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C897D5 shade: #C795D4, #C0A1C8, #B9ADBC, #B2B9B0 and #ABC5A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C897D5 shade: #A595D4, #B695D4, #C695D4, #D495D1 and #D495C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C897D5 shade: #A75BBC, #B778C8, #C795D4, #D6B3E0 and #E6D0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C897D5 shade: #C897D5, #D49597 and #95D4AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C897D5 shade: #C897D5, #D4C695 and #95D4C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C897D5 shade: #C897D5, #D49597, #A3D495 and #95D4D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C897D5 shade: #C897D5, #D4A795, #A3D495 and #95C2D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 29 / 0 / 16

HEX #C897D5

RGB 200 151 213

HSL 287.42, 0.42%, 0.71%

LAB 68.91, 29.11, -24.6

 

Complementary color

CMYK 47 / 0 / 60 / 59

HEX #37682A

RGB 55 104 42

HSL 107.42, 0.42%, 0.29%

LAB 39.38, -29.68, 29.41

 

CMYK 1 / 27 / 0 / 18

HEX #CD97D0

RGB 205 151 208

HSL 296.84, 0.38%, 0.7%

LAB 69.23, 29.77, -21.3

 

CMYK 2 / 26 / 0 / 11

HEX #DEA9E3

RGB 222 169 227

HSL 294.83, 0.51%, 0.78%

LAB 75.73, 29.14, -21.67

 

CMYK 3 / 24 / 0 / 4

HEX #EFBBF6

RGB 239 187 246

HSL 292.88, 0.77%, 0.85%

LAB 82.13, 28.55, -22.04

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 6 / 29 / 0 / 16

HEX #C897D5

RGB 200 151 213

HSL 287.42, 0.42%, 0.71%

LAB 68.91, 29.11, -24.6

 

CMYK 6 / 31 / 0 / 24

HEX #B785C2

RGB 183 133 194

HSL 289.18, 0.33%, 0.64%

LAB 62.29, 29.78, -24.29

 

CMYK 5 / 34 / 0 / 31

HEX #A673AF

RGB 166 115 175

HSL 291, 0.27%, 0.57%

LAB 55.55, 30.5, -23.97

 

CMYK 4 / 38 / 0 / 39

HEX #95619C

RGB 149 97 156

HSL 292.88, 0.23%, 0.5%

LAB 48.68, 31.27, -23.63

 

CMYK 4 / 42 / 0 / 46

HEX #844F89

RGB 132 79 137

HSL 294.83, 0.27%, 0.42%

LAB 41.69, 32.07, -23.25

 

CMYK 6 / 30 / 0 / 17

HEX #C795D4

RGB 199 149 212

HSL 287.62, 0.42%, 0.71%

LAB 68.31, 29.69, -24.98

 

CMYK 0 / 30 / 2 / 17

HEX #D495D0

RGB 212 149 208

HSL 303.81, 0.42%, 0.71%

LAB 69.5, 33.15, -20.82

 

CMYK 0 / 30 / 10 / 17

HEX #D495BF

RGB 212 149 191

HSL 320, 0.42%, 0.71%

LAB 68.93, 30.14, -12.24

 

CMYK 0 / 30 / 18 / 17

HEX #D495AE

RGB 212 149 174

HSL 336.19, 0.42%, 0.71%

LAB 68.42, 27.36, -3.51

 

CMYK 0 / 30 / 25 / 17

HEX #D4959E

RGB 212 149 158

HSL 351.43, 0.42%, 0.71%

LAB 67.99, 24.96, 4.81

 

CMYK 6 / 30 / 0 / 17

HEX #C795D4

RGB 199 149 212

HSL 287.62, 0.42%, 0.71%

LAB 68.31, 29.69, -24.98

 

CMYK 14 / 30 / 0 / 17

HEX #B695D4

RGB 182 149 212

HSL 271.43, 0.42%, 0.71%

LAB 66.67, 24.28, -27.64

 

CMYK 22 / 30 / 0 / 17

HEX #A595D4

RGB 165 149 212

HSL 255.24, 0.42%, 0.71%

LAB 65.16, 19, -30.09

 

CMYK 30 / 30 / 0 / 17

HEX #9595D4

RGB 149 149 212

HSL 240, 0.42%, 0.71%

LAB 63.87, 14.22, -32.19

 

CMYK 6 / 30 / 0 / 17

HEX #C795D4

RGB 199 149 212

HSL 287.62, 0.42%, 0.71%

LAB 68.31, 29.69, -24.98

 

CMYK 8 / 38 / 0 / 12

HEX #CE8AE0

RGB 206 138 224

HSL 287.44, 0.58%, 0.71%

LAB 67.04, 40.25, -33.52

 

CMYK 10 / 47 / 0 / 7

HEX #D47EEC

RGB 212 126 236

HSL 286.91, 0.74%, 0.71%

LAB 65.73, 50.68, -42.14

 

CMYK 12 / 54 / 0 / 3

HEX #DB72F8

RGB 219 114 248

HSL 287.01, 0.91%, 0.71%

LAB 64.86, 60.86, -50.07

 

CMYK 6 / 30 / 0 / 17

HEX #C795D4

RGB 199 149 212

HSL 287.62, 0.42%, 0.71%

LAB 68.31, 29.69, -24.98

 

CMYK 4 / 20 / 0 / 22

HEX #C0A1C8

RGB 192 161 200

HSL 287.69, 0.26%, 0.71%

LAB 70.08, 18.39, -15.7

 

CMYK 2 / 8 / 0 / 26

HEX #B9ADBC

RGB 185 173 188

HSL 288, 0.1%, 0.71%

LAB 72.12, 7.06, -6.11

 

CMYK 4 / 0 / 5 / 27

HEX #B2B9B0

RGB 178 185 176

HSL 106.67, 0.06%, 0.71%

LAB 74.38, -4.11, 3.71

 

CMYK 13 / 0 / 17 / 23

HEX #ABC5A4

RGB 171 197 164

HSL 107.27, 0.22%, 0.71%

LAB 76.84, -14.98, 13.65

 

CMYK 22 / 30 / 0 / 17

HEX #A595D4

RGB 165 149 212

HSL 255.24, 0.42%, 0.71%

LAB 65.16, 19, -30.09

 

CMYK 14 / 30 / 0 / 17

HEX #B695D4

RGB 182 149 212

HSL 271.43, 0.42%, 0.71%

LAB 66.67, 24.28, -27.64

 

CMYK 7 / 30 / 0 / 17

HEX #C695D4

RGB 198 149 212

HSL 286.67, 0.42%, 0.71%

LAB 68.21, 29.37, -25.14

 

CMYK 0 / 30 / 1 / 17

HEX #D495D1

RGB 212 149 209

HSL 302.86, 0.42%, 0.71%

LAB 69.54, 33.33, -21.32

 

CMYK 0 / 30 / 9 / 17

HEX #D495C0

RGB 212 149 192

HSL 319.05, 0.42%, 0.71%

LAB 68.97, 30.31, -12.74

 

CMYK 11 / 52 / 0 / 26

HEX #A75BBC

RGB 167 91 188

HSL 287.01, 0.42%, 0.55%

LAB 51.07, 46.56, -38.45

 

CMYK 9 / 40 / 0 / 22

HEX #B778C8

RGB 183 120 200

HSL 287.25, 0.42%, 0.63%

LAB 59.59, 38.18, -31.85

 

CMYK 6 / 30 / 0 / 17

HEX #C795D4

RGB 199 149 212

HSL 287.62, 0.42%, 0.71%

LAB 68.31, 29.69, -24.98

 

CMYK 4 / 20 / 0 / 12

HEX #D6B3E0

RGB 214 179 224

HSL 286.67, 0.42%, 0.79%

LAB 77.23, 20.54, -17.84

 

CMYK 3 / 12 / 0 / 7

HEX #E6D0EC

RGB 230 208 236

HSL 287.14, 0.42%, 0.87%

LAB 86, 12.58, -10.98

 

CMYK 6 / 29 / 0 / 16

HEX #C897D5

RGB 200 151 213

HSL 287.42, 0.42%, 0.71%

LAB 68.91, 29.11, -24.6

 

CMYK 0 / 30 / 29 / 17

HEX #D49597

RGB 212 149 151

HSL 358.1, 0.42%, 0.71%

LAB 67.82, 23.99, 8.47

 

CMYK 30 / 0 / 18 / 17

HEX #95D4AD

RGB 149 212 173

HSL 142.86, 0.42%, 0.71%

LAB 79.89, -28.07, 12.96

 

CMYK 6 / 29 / 0 / 16

HEX #C897D5

RGB 200 151 213

HSL 287.42, 0.42%, 0.71%

LAB 68.91, 29.11, -24.6

 

CMYK 0 / 7 / 30 / 17

HEX #D4C695

RGB 212 198 149

HSL 46.67, 0.42%, 0.71%

LAB 79.93, -2.54, 26.37

 

CMYK 30 / 0 / 7 / 17

HEX #95D4C6

RGB 149 212 198

HSL 166.67, 0.42%, 0.71%

LAB 80.49, -22.97, 0.5

 

CMYK 6 / 29 / 0 / 16

HEX #C897D5

RGB 200 151 213

HSL 287.42, 0.42%, 0.71%

LAB 68.91, 29.11, -24.6

 

CMYK 0 / 30 / 29 / 17

HEX #D49597

RGB 212 149 151

HSL 358.1, 0.42%, 0.71%

LAB 67.82, 23.99, 8.47

 

CMYK 23 / 0 / 30 / 17

HEX #A3D495

RGB 163 212 149

HSL 106.67, 0.42%, 0.71%

LAB 80.2, -27.67, 26.15

 

CMYK 30 / 0 / 0 / 17

HEX #95D4D3

RGB 149 212 211

HSL 179.05, 0.42%, 0.71%

LAB 80.84, -20.08, -5.93

 

CMYK 6 / 29 / 0 / 16

HEX #C897D5

RGB 200 151 213

HSL 287.42, 0.42%, 0.71%

LAB 68.91, 29.11, -24.6

 

CMYK 0 / 21 / 30 / 17

HEX #D4A795

RGB 212 167 149

HSL 17.14, 0.42%, 0.71%

LAB 72.1, 13.95, 15.62

 

CMYK 23 / 0 / 30 / 17

HEX #A3D495

RGB 163 212 149

HSL 106.67, 0.42%, 0.71%

LAB 80.2, -27.67, 26.15

 

CMYK 30 / 8 / 0 / 17

HEX #95C2D4

RGB 149 194 212

HSL 197.14, 0.42%, 0.71%

LAB 75.9, -10.6, -13.83

 

Description

Color code: HEX #C897D5 | qconv.com Color code: HEX #C897D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 151 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 151 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 29 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 29% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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