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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C87F97 it is the complementary color #378068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C87F97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C87F97 shade: #CD7F92, #DE91A5, #EFA3B8, #FFB5CB and #FFC7DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C87F97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C87F97 shade: #C87F97, #B76D84, #A65B71, #95495E and #84374B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C87F97 shade: #C77E96, #C77E82 and #C77E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C87F97 shade: #C77E96, #C77EAA, #C77EBE, #BD7EC7 and #A97EC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C87F97 shade matches the following richer shades: #C77E96, #D66F91, #E5608C and #F45187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C87F97 shade: #C77E96, #B98D9B, #AA9CA0, #9BABA5 and #8CB9AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C87F97 shade: #C77EBE, #C77EAA, #C77E96, #C77E83 and #C78D7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C87F97 shade: #AA4969, #BB617F, #C77E96, #D49BAE and #E0B8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C87F97 shade: #C87F97, #C7BE7E and #7EB4C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C87F97 shade: #C87F97, #96C77E and #7E96C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C87F97 shade: #C87F97, #C7BE7E, #7EC7AF and #7E88C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C87F97 shade: #C87F97, #BBC77E, #7EC7AF and #8A7EC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 25 / 22

HEX #C87F97

RGB 200 127 151

HSL 340.27, 0.4%, 0.64%

LAB 61.39, 31.5, -1

 

Complementary color

CMYK 57 / 0 / 19 / 50

HEX #378068

RGB 55 128 104

HSL 160.27, 0.4%, 0.36%

LAB 48.57, -28.95, 6.22

 

CMYK 0 / 38 / 29 / 20

HEX #CD7F92

RGB 205 127 146

HSL 345.38, 0.44%, 0.65%

LAB 61.85, 32.61, 2.62

 

CMYK 0 / 35 / 26 / 13

HEX #DE91A5

RGB 222 145 165

HSL 344.42, 0.54%, 0.72%

LAB 68.39, 31.77, 1.6

 

CMYK 0 / 32 / 23 / 6

HEX #EFA3B8

RGB 239 163 184

HSL 343.42, 0.7%, 0.79%

LAB 74.83, 30.99, 0.68

 

CMYK 0 / 29 / 20 / 0

HEX #FFB5CB

RGB 255 181 203

HSL 342.16, 1%, 0.85%

LAB 81.08, 29.92, -0.33

 

CMYK 0 / 22 / 13 / 0

HEX #FFC7DE

RGB 255 199 222

HSL 335.36, 1%, 0.89%

LAB 85.7, 23.38, -3.74

 

CMYK 0 / 37 / 25 / 22

HEX #C87F97

RGB 200 127 151

HSL 340.27, 0.4%, 0.64%

LAB 61.39, 31.5, -1

 

CMYK 0 / 40 / 28 / 28

HEX #B76D84

RGB 183 109 132

HSL 341.35, 0.34%, 0.57%

LAB 54.73, 32.36, 0.03

 

CMYK 0 / 45 / 32 / 35

HEX #A65B71

RGB 166 91 113

HSL 342.4, 0.3%, 0.5%

LAB 47.98, 33.27, 1.21

 

CMYK 0 / 51 / 37 / 42

HEX #95495E

RGB 149 73 94

HSL 343.42, 0.34%, 0.44%

LAB 41.16, 34.22, 2.62

 

CMYK 0 / 58 / 43 / 48

HEX #84374B

RGB 132 55 75

HSL 344.42, 0.41%, 0.37%

LAB 34.28, 35.14, 4.39

 

CMYK 0 / 37 / 25 / 22

HEX #C77E96

RGB 199 126 150

HSL 340.27, 0.39%, 0.64%

LAB 61.02, 31.53, -0.98

 

CMYK 0 / 37 / 35 / 22

HEX #C77E82

RGB 199 126 130

HSL 356.71, 0.39%, 0.64%

LAB 60.49, 28.81, 9.73

 

CMYK 0 / 37 / 37 / 22

HEX #C77E7E

RGB 199 126 126

HSL 0, 0.39%, 0.64%

LAB 60.4, 28.32, 11.89

 

CMYK 0 / 37 / 25 / 22

HEX #C77E96

RGB 199 126 150

HSL 340.27, 0.39%, 0.64%

LAB 61.02, 31.53, -0.98

 

CMYK 0 / 37 / 15 / 22

HEX #C77EAA

RGB 199 126 170

HSL 323.84, 0.39%, 0.64%

LAB 61.62, 34.62, -11.52

 

CMYK 0 / 37 / 5 / 22

HEX #C77EBE

RGB 199 126 190

HSL 307.4, 0.39%, 0.64%

LAB 62.32, 38.06, -21.82

 

CMYK 5 / 37 / 0 / 22

HEX #BD7EC7

RGB 189 126 199

HSL 291.78, 0.39%, 0.64%

LAB 61.54, 36.56, -28.21

 

CMYK 15 / 37 / 0 / 22

HEX #A97EC7

RGB 169 126 199

HSL 275.34, 0.39%, 0.64%

LAB 59.42, 30.32, -31.67

 

CMYK 0 / 37 / 25 / 22

HEX #C77E96

RGB 199 126 150

HSL 340.27, 0.39%, 0.64%

LAB 61.02, 31.53, -0.98

 

CMYK 0 / 48 / 32 / 16

HEX #D66F91

RGB 214 111 145

HSL 340.19, 0.56%, 0.64%

LAB 59.63, 44.07, 0.09

 

CMYK 0 / 58 / 39 / 10

HEX #E5608C

RGB 229 96 140

HSL 340.15, 0.72%, 0.64%

LAB 58.9, 55.66, 2.2

 

CMYK 0 / 67 / 45 / 4

HEX #F45187

RGB 244 81 135

HSL 340.12, 0.88%, 0.64%

LAB 58.85, 65.97, 5.36

 

CMYK 0 / 37 / 25 / 22

HEX #C77E96

RGB 199 126 150

HSL 340.27, 0.39%, 0.64%

LAB 61.02, 31.53, -0.98

 

CMYK 0 / 24 / 16 / 27

HEX #B98D9B

RGB 185 141 155

HSL 340.91, 0.24%, 0.64%

LAB 63.12, 18.88, -0.94

 

CMYK 0 / 8 / 6 / 33

HEX #AA9CA0

RGB 170 156 160

HSL 342.86, 0.08%, 0.64%

LAB 65.64, 5.84, -0.24

 

CMYK 9 / 0 / 4 / 33

HEX #9BABA5

RGB 155 171 165

HSL 157.5, 0.09%, 0.64%

LAB 68.61, -6.77, 1.17

 

CMYK 24 / 0 / 8 / 27

HEX #8CB9AA

RGB 140 185 170

HSL 160, 0.24%, 0.64%

LAB 71.67, -18.1, 2.74

 

CMYK 0 / 37 / 5 / 22

HEX #C77EBE

RGB 199 126 190

HSL 307.4, 0.39%, 0.64%

LAB 62.32, 38.06, -21.82

 

CMYK 0 / 37 / 15 / 22

HEX #C77EAA

RGB 199 126 170

HSL 323.84, 0.39%, 0.64%

LAB 61.62, 34.62, -11.52

 

CMYK 0 / 37 / 25 / 22

HEX #C77E96

RGB 199 126 150

HSL 340.27, 0.39%, 0.64%

LAB 61.02, 31.53, -0.98

 

CMYK 0 / 37 / 34 / 22

HEX #C77E83

RGB 199 126 131

HSL 355.89, 0.39%, 0.64%

LAB 60.52, 28.94, 9.2

 

CMYK 0 / 29 / 37 / 22

HEX #C78D7E

RGB 199 141 126

HSL 12.33, 0.39%, 0.64%

LAB 63.92, 20.1, 16.79

 

CMYK 0 / 57 / 38 / 33

HEX #AA4969

RGB 170 73 105

HSL 340.21, 0.4%, 0.48%

LAB 44.7, 43.04, 1.38

 

CMYK 0 / 48 / 32 / 27

HEX #BB617F

RGB 187 97 127

HSL 340, 0.4%, 0.56%

LAB 52.56, 39.53, -0.13

 

CMYK 0 / 37 / 25 / 22

HEX #C77E96

RGB 199 126 150

HSL 340.27, 0.39%, 0.64%

LAB 61.02, 31.53, -0.98

 

CMYK 0 / 27 / 18 / 17

HEX #D49BAE

RGB 212 155 174

HSL 340, 0.4%, 0.72%

LAB 69.82, 24.1, -1.46

 

CMYK 0 / 18 / 12 / 12

HEX #E0B8C5

RGB 224 184 197

HSL 340.5, 0.39%, 0.8%

LAB 78.55, 16.44, -1.15

 

CMYK 0 / 37 / 25 / 22

HEX #C87F97

RGB 200 127 151

HSL 340.27, 0.4%, 0.64%

LAB 61.39, 31.5, -1

 

CMYK 0 / 5 / 37 / 22

HEX #C7BE7E

RGB 199 190 126

HSL 52.6, 0.39%, 0.64%

LAB 76.36, -6.3, 33.48

 

CMYK 37 / 10 / 0 / 22

HEX #7EB4C7

RGB 126 180 199

HSL 195.62, 0.39%, 0.64%

LAB 70.32, -12.88, -15.26

 

CMYK 0 / 37 / 25 / 22

HEX #C87F97

RGB 200 127 151

HSL 340.27, 0.4%, 0.64%

LAB 61.39, 31.5, -1

 

CMYK 25 / 0 / 37 / 22

HEX #96C77E

RGB 150 199 126

HSL 100.27, 0.39%, 0.64%

LAB 75.35, -29.44, 31.5

 

CMYK 37 / 25 / 0 / 22

HEX #7E96C7

RGB 126 150 199

HSL 220.27, 0.39%, 0.64%

LAB 61.97, 3.65, -27.99

 

CMYK 0 / 37 / 25 / 22

HEX #C87F97

RGB 200 127 151

HSL 340.27, 0.4%, 0.64%

LAB 61.39, 31.5, -1

 

CMYK 0 / 5 / 37 / 22

HEX #C7BE7E

RGB 199 190 126

HSL 52.6, 0.39%, 0.64%

LAB 76.36, -6.3, 33.48

 

CMYK 37 / 0 / 12 / 22

HEX #7EC7AF

RGB 126 199 175

HSL 160.27, 0.39%, 0.64%

LAB 75.06, -28.2, 4.83

 

CMYK 37 / 32 / 0 / 22

HEX #7E88C7

RGB 126 136 199

HSL 231.78, 0.39%, 0.64%

LAB 58.2, 11.76, -33.85

 

CMYK 0 / 37 / 25 / 22

HEX #C87F97

RGB 200 127 151

HSL 340.27, 0.4%, 0.64%

LAB 61.39, 31.5, -1

 

CMYK 6 / 0 / 37 / 22

HEX #BBC77E

RGB 187 199 126

HSL 69.86, 0.39%, 0.64%

LAB 77.83, -15.64, 35.2

 

CMYK 37 / 0 / 12 / 22

HEX #7EC7AF

RGB 126 199 175

HSL 160.27, 0.39%, 0.64%

LAB 75.06, -28.2, 4.83

 

CMYK 31 / 37 / 0 / 22

HEX #8A7EC7

RGB 138 126 199

HSL 249.86, 0.39%, 0.64%

LAB 56.53, 21.04, -36.38

 

Description

Color code: HEX #C87F97 | qconv.com Color code: HEX #C87F97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 127 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 127 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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