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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C87399 it is the complementary color #378C66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C87399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C87399 shade: #CD7394, #DE85A7, #EF97BA, #FFA9CD and #FFBBE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C87399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C87399 shade: #C87399, #B76186, #A64F73, #953D60 and #842B4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C87399 shade: #C87399, #C87382 and #C87373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C87399 shade: #C87399, #C873B0, #C873C7, #B273C8 and #9B73C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C87399 shade matches the following richer shades: #C87399, #D86397, #E85496 and #F74494

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C87399 shade: #C87399, #B9839B, #A9929C, #99A29E and #8AB2A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C87399 shade: #C873C7, #C873B0, #C87399, #C87383 and #C87A73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C87399 shade: #A8416F, #BD5583, #C87399, #D491AF and #DFAEC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C87399 shade: #C87399, #C8B373 and #73BBC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C87399 shade: #C87399, #99C873 and #7399C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C87399 shade: #C87399, #C8B373, #73C8A2 and #7388C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C87399 shade: #C87399, #C4C873, #73C8A2 and #7773C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

Complementary color

CMYK 61 / 0 / 27 / 45

HEX #378C66

RGB 55 140 102

HSL 153.18, 0.44%, 0.38%

LAB 52.43, -35.03, 12.82

 

CMYK 0 / 44 / 28 / 20

HEX #CD7394

RGB 205 115 148

HSL 338, 0.47%, 0.63%

LAB 59.32, 39.27, -2.23

 

CMYK 0 / 40 / 25 / 13

HEX #DE85A7

RGB 222 133 167

HSL 337.08, 0.57%, 0.7%

LAB 65.82, 38.42, -3.28

 

CMYK 0 / 37 / 22 / 6

HEX #EF97BA

RGB 239 151 186

HSL 336.14, 0.73%, 0.76%

LAB 72.25, 37.6, -4.21

 

CMYK 0 / 34 / 20 / 0

HEX #FFA9CD

RGB 255 169 205

HSL 334.88, 1%, 0.83%

LAB 78.49, 36.49, -5.22

 

CMYK 0 / 27 / 12 / 0

HEX #FFBBE0

RGB 255 187 224

HSL 327.35, 1%, 0.87%

LAB 83.01, 30, -8.78

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 47 / 27 / 28

HEX #B76186

RGB 183 97 134

HSL 334.19, 0.37%, 0.55%

LAB 52.22, 39.07, -4.85

 

CMYK 0 / 52 / 31 / 35

HEX #A64F73

RGB 166 79 115

HSL 335.17, 0.36%, 0.48%

LAB 45.55, 39.91, -3.58

 

CMYK 0 / 59 / 36 / 42

HEX #953D60

RGB 149 61 96

HSL 336.14, 0.42%, 0.41%

LAB 38.85, 40.66, -1.99

 

CMYK 0 / 67 / 42 / 48

HEX #842B4D

RGB 132 43 77

HSL 337.08, 0.51%, 0.34%

LAB 32.19, 41.15, 0.07

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 43 / 35 / 22

HEX #C87382

RGB 200 115 130

HSL 349.41, 0.44%, 0.62%

LAB 58.18, 35.12, 6.46

 

CMYK 0 / 43 / 43 / 22

HEX #C87373

RGB 200 115 115

HSL 0, 0.44%, 0.62%

LAB 57.83, 33.36, 14.64

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 43 / 12 / 22

HEX #C873B0

RGB 200 115 176

HSL 316.94, 0.44%, 0.62%

LAB 59.59, 41.81, -18

 

CMYK 0 / 43 / 0 / 22

HEX #C873C7

RGB 200 115 199

HSL 300.71, 0.44%, 0.62%

LAB 60.48, 45.83, -29.74

 

CMYK 11 / 43 / 0 / 22

HEX #B273C8

RGB 178 115 200

HSL 284.47, 0.44%, 0.62%

LAB 57.94, 39.39, -34.46

 

CMYK 23 / 43 / 0 / 22

HEX #9B73C8

RGB 155 115 200

HSL 268.24, 0.44%, 0.62%

LAB 55.48, 32.6, -38.48

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 54 / 30 / 15

HEX #D86397

RGB 216 99 151

HSL 333.33, 0.6%, 0.62%

LAB 57.81, 51.4, -6.04

 

CMYK 0 / 64 / 35 / 9

HEX #E85496

RGB 232 84 150

HSL 333.24, 0.76%, 0.62%

LAB 57.75, 62.81, -5.27

 

CMYK 0 / 72 / 40 / 3

HEX #F74494

RGB 247 68 148

HSL 333.18, 0.92%, 0.62%

LAB 58.08, 72.59, -3.32

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 29 / 16 / 27

HEX #B9839B

RGB 185 131 155

HSL 333.33, 0.28%, 0.62%

LAB 60.71, 24.45, -4.49

 

CMYK 0 / 14 / 8 / 34

HEX #A9929C

RGB 169 146 156

HSL 333.91, 0.12%, 0.62%

LAB 62.84, 10.33, -2.1

 

CMYK 6 / 0 / 2 / 36

HEX #99A29E

RGB 153 162 158

HSL 153.33, 0.05%, 0.62%

LAB 65.81, -3.98, 0.96

 

CMYK 22 / 0 / 10 / 30

HEX #8AB2A0

RGB 138 178 160

HSL 153, 0.21%, 0.62%

LAB 69.31, -17.21, 4.8

 

CMYK 0 / 43 / 0 / 22

HEX #C873C7

RGB 200 115 199

HSL 300.71, 0.44%, 0.62%

LAB 60.48, 45.83, -29.74

 

CMYK 0 / 43 / 12 / 22

HEX #C873B0

RGB 200 115 176

HSL 316.94, 0.44%, 0.62%

LAB 59.59, 41.81, -18

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 43 / 35 / 22

HEX #C87383

RGB 200 115 131

HSL 348.71, 0.44%, 0.62%

LAB 58.21, 35.24, 5.92

 

CMYK 0 / 39 / 43 / 22

HEX #C87A73

RGB 200 122 115

HSL 4.94, 0.44%, 0.62%

LAB 59.38, 29.6, 16.78

 

CMYK 0 / 61 / 34 / 34

HEX #A8416F

RGB 168 65 111

HSL 333.2, 0.44%, 0.46%

LAB 43.14, 46.91, -4.65

 

CMYK 0 / 55 / 31 / 26

HEX #BD5583

RGB 189 85 131

HSL 333.46, 0.44%, 0.54%

LAB 50.63, 46.79, -5.32

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 32 / 17 / 17

HEX #D491AF

RGB 212 145 175

HSL 333.13, 0.44%, 0.7%

LAB 67.53, 29.68, -5.38

 

CMYK 0 / 22 / 12 / 13

HEX #DFAEC4

RGB 223 174 196

HSL 333.06, 0.43%, 0.78%

LAB 76.04, 21.29, -4.31

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 11 / 43 / 22

HEX #C8B373

RGB 200 179 115

HSL 45.18, 0.44%, 0.62%

LAB 73.39, -1.35, 35.38

 

CMYK 43 / 7 / 0 / 22

HEX #73BBC8

RGB 115 187 200

HSL 189.18, 0.44%, 0.62%

LAB 71.8, -19.14, -13.64

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 24 / 0 / 43 / 22

HEX #99C873

RGB 153 200 115

HSL 93.18, 0.44%, 0.62%

LAB 75.65, -30.33, 37.55

 

CMYK 43 / 24 / 0 / 22

HEX #7399C8

RGB 115 153 200

HSL 213.18, 0.44%, 0.62%

LAB 62.17, -0.76, -28.31

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 0 / 11 / 43 / 22

HEX #C8B373

RGB 200 179 115

HSL 45.18, 0.44%, 0.62%

LAB 73.39, -1.35, 35.38

 

CMYK 43 / 0 / 19 / 22

HEX #73C8A2

RGB 115 200 162

HSL 153.18, 0.44%, 0.62%

LAB 74.55, -34.5, 11.04

 

CMYK 43 / 32 / 0 / 22

HEX #7388C8

RGB 115 136 200

HSL 225.18, 0.44%, 0.62%

LAB 57.49, 9.07, -35.58

 

CMYK 0 / 43 / 24 / 22

HEX #C87399

RGB 200 115 153

HSL 333.18, 0.44%, 0.62%

LAB 58.83, 38.23, -5.92

 

CMYK 2 / 0 / 43 / 22

HEX #C4C873

RGB 196 200 115

HSL 62.82, 0.44%, 0.62%

LAB 78.63, -13.85, 41.92

 

CMYK 43 / 0 / 19 / 22

HEX #73C8A2

RGB 115 200 162

HSL 153.18, 0.44%, 0.62%

LAB 74.55, -34.5, 11.04

 

CMYK 41 / 43 / 0 / 22

HEX #7773C8

RGB 119 115 200

HSL 242.82, 0.44%, 0.62%

LAB 52.23, 22.63, -43.82

 

Description

Color code: HEX #C87399 | qconv.com Color code: HEX #C87399 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 115 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 115 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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