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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C875A5 it is the complementary color #378A5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C875A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C875A5 shade: #CD75A0, #DE87B3, #EF99C6, #FFABD9 and #FFBDEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C875A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C875A5 shade: #C875A5, #B76392, #A6517F, #953F6C and #842D59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C875A5 shade: #C774A4, #C7748E, #C77477 and #C77474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C875A5 shade: #C774A4, #C774BB, #BD74C7, #A774C7 and #9174C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C875A5 shade matches the following richer shades: #C774A4, #D764A7, #E755A9 and #F645AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C875A5 shade: #C774A4, #B884A2, #A8939F, #98A39D and #89B39A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C875A5 shade: #BE74C7, #C774BB, #C774A5, #C7748E and #C77478

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C875A5 shade: #A7427C, #BC5691, #C774A4, #D391B7 and #DFAFCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C875A5 shade: #C875A5, #C7A774 and #74C6C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C875A5 shade: #C875A5, #A5C774 and #74A5C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C875A5 shade: #C875A5, #C7A774, #74C797 and #7494C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C875A5 shade: #C875A5, #C7C074, #74C797 and #747BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 18 / 22

HEX #C875A5

RGB 200 117 165

HSL 325.3, 0.43%, 0.62%

LAB 59.63, 38.98, -11.63

 

Complementary color

CMYK 60 / 0 / 35 / 46

HEX #378A5A

RGB 55 138 90

HSL 145.3, 0.43%, 0.38%

LAB 51.53, -36.73, 18.4

 

CMYK 0 / 43 / 22 / 20

HEX #CD75A0

RGB 205 117 160

HSL 330.68, 0.47%, 0.63%

LAB 60.1, 39.93, -7.99

 

CMYK 0 / 39 / 19 / 13

HEX #DE87B3

RGB 222 135 179

HSL 329.66, 0.57%, 0.7%

LAB 66.61, 39.12, -8.88

 

CMYK 0 / 36 / 17 / 6

HEX #EF99C6

RGB 239 153 198

HSL 328.6, 0.73%, 0.77%

LAB 73.03, 38.34, -9.68

 

CMYK 0 / 33 / 15 / 0

HEX #FFABD9

RGB 255 171 217

HSL 327.14, 1%, 0.84%

LAB 79.27, 37.27, -10.58

 

CMYK 0 / 26 / 7 / 0

HEX #FFBDEC

RGB 255 189 236

HSL 317.27, 1%, 0.87%

LAB 83.82, 30.93, -14.01

 

CMYK 0 / 42 / 18 / 22

HEX #C875A5

RGB 200 117 165

HSL 325.3, 0.43%, 0.62%

LAB 59.63, 38.98, -11.63

 

CMYK 0 / 46 / 20 / 28

HEX #B76392

RGB 183 99 146

HSL 326.43, 0.37%, 0.55%

LAB 53.02, 39.79, -10.74

 

CMYK 0 / 51 / 23 / 35

HEX #A6517F

RGB 166 81 127

HSL 327.53, 0.34%, 0.48%

LAB 46.34, 40.58, -9.67

 

CMYK 0 / 58 / 28 / 42

HEX #953F6C

RGB 149 63 108

HSL 328.6, 0.41%, 0.42%

LAB 39.63, 41.27, -8.36

 

CMYK 0 / 66 / 33 / 48

HEX #842D59

RGB 132 45 89

HSL 329.66, 0.49%, 0.35%

LAB 32.93, 41.72, -6.63

 

CMYK 0 / 42 / 18 / 22

HEX #C774A4

RGB 199 116 164

HSL 325.3, 0.43%, 0.62%

LAB 59.26, 39.02, -11.63

 

CMYK 0 / 42 / 29 / 22

HEX #C7748E

RGB 199 116 142

HSL 341.2, 0.43%, 0.62%

LAB 58.59, 35.79, 0.08

 

CMYK 0 / 42 / 40 / 22

HEX #C77477

RGB 199 116 119

HSL 357.83, 0.43%, 0.62%

LAB 58, 32.9, 12.56

 

CMYK 0 / 42 / 42 / 22

HEX #C77474

RGB 199 116 116

HSL 0, 0.43%, 0.62%

LAB 57.94, 32.56, 14.2

 

CMYK 0 / 42 / 18 / 22

HEX #C774A4

RGB 199 116 164

HSL 325.3, 0.43%, 0.62%

LAB 59.26, 39.02, -11.63

 

CMYK 0 / 42 / 6 / 22

HEX #C774BB

RGB 199 116 187

HSL 308.67, 0.43%, 0.62%

LAB 60.09, 42.84, -23.54

 

CMYK 5 / 42 / 0 / 22

HEX #BD74C7

RGB 189 116 199

HSL 292.77, 0.43%, 0.62%

LAB 59.37, 41.97, -31.56

 

CMYK 16 / 42 / 0 / 22

HEX #A774C7

RGB 167 116 199

HSL 276.87, 0.43%, 0.62%

LAB 56.91, 35.34, -35.59

 

CMYK 27 / 42 / 0 / 22

HEX #9174C7

RGB 145 116 199

HSL 260.96, 0.43%, 0.62%

LAB 54.69, 28.89, -39.22

 

CMYK 0 / 42 / 18 / 22

HEX #C774A4

RGB 199 116 164

HSL 325.3, 0.43%, 0.62%

LAB 59.26, 39.02, -11.63

 

CMYK 0 / 53 / 22 / 16

HEX #D764A7

RGB 215 100 167

HSL 325.04, 0.59%, 0.62%

LAB 58.37, 52.75, -14.49

 

CMYK 0 / 63 / 27 / 9

HEX #E755A9

RGB 231 85 169

HSL 325.48, 0.75%, 0.62%

LAB 58.37, 64.37, -15.42

 

CMYK 0 / 72 / 30 / 4

HEX #F645AB

RGB 246 69 171

HSL 325.42, 0.91%, 0.62%

LAB 58.78, 74.42, -15.72

 

CMYK 0 / 42 / 18 / 22

HEX #C774A4

RGB 199 116 164

HSL 325.3, 0.43%, 0.62%

LAB 59.26, 39.02, -11.63

 

CMYK 0 / 28 / 12 / 28

HEX #B884A2

RGB 184 132 162

HSL 325.38, 0.27%, 0.62%

LAB 61.05, 24.71, -7.99

 

CMYK 0 / 13 / 5 / 34

HEX #A8939F

RGB 168 147 159

HSL 325.71, 0.11%, 0.62%

LAB 63.09, 9.95, -3.44

 

CMYK 7 / 0 / 4 / 36

HEX #98A39D

RGB 152 163 157

HSL 147.27, 0.06%, 0.62%

LAB 65.98, -5.07, 1.76

 

CMYK 23 / 0 / 14 / 30

HEX #89B39A

RGB 137 179 154

HSL 144.29, 0.22%, 0.62%

LAB 69.39, -19.26, 8.2

 

CMYK 5 / 42 / 0 / 22

HEX #BE74C7

RGB 190 116 199

HSL 293.49, 0.43%, 0.62%

LAB 59.49, 42.27, -31.37

 

CMYK 0 / 42 / 6 / 22

HEX #C774BB

RGB 199 116 187

HSL 308.67, 0.43%, 0.62%

LAB 60.09, 42.84, -23.54

 

CMYK 0 / 42 / 17 / 22

HEX #C774A5

RGB 199 116 165

HSL 324.58, 0.43%, 0.62%

LAB 59.3, 39.18, -12.15

 

CMYK 0 / 42 / 29 / 22

HEX #C7748E

RGB 199 116 142

HSL 341.2, 0.43%, 0.62%

LAB 58.59, 35.79, 0.08

 

CMYK 0 / 42 / 40 / 22

HEX #C77478

RGB 199 116 120

HSL 357.11, 0.43%, 0.62%

LAB 58.03, 33.01, 12.01

 

CMYK 0 / 60 / 26 / 35

HEX #A7427C

RGB 167 66 124

HSL 325.54, 0.43%, 0.46%

LAB 43.61, 47.84, -11.96

 

CMYK 0 / 54 / 23 / 26

HEX #BC5691

RGB 188 86 145

HSL 325.29, 0.43%, 0.54%

LAB 51.14, 47.89, -12.91

 

CMYK 0 / 42 / 18 / 22

HEX #C774A4

RGB 199 116 164

HSL 325.3, 0.43%, 0.62%

LAB 59.26, 39.02, -11.63

 

CMYK 0 / 31 / 13 / 17

HEX #D391B7

RGB 211 145 183

HSL 325.45, 0.43%, 0.7%

LAB 67.66, 30.62, -9.68

 

CMYK 0 / 22 / 9 / 13

HEX #DFAFCB

RGB 223 175 203

HSL 325, 0.43%, 0.78%

LAB 76.47, 21.92, -7.48

 

CMYK 0 / 42 / 18 / 22

HEX #C875A5

RGB 200 117 165

HSL 325.3, 0.43%, 0.62%

LAB 59.63, 38.98, -11.63

 

CMYK 0 / 16 / 42 / 22

HEX #C7A774

RGB 199 167 116

HSL 36.87, 0.43%, 0.62%

LAB 70.2, 4.75, 30.72

 

CMYK 42 / 1 / 0 / 22

HEX #74C6C7

RGB 116 198 199

HSL 180.72, 0.43%, 0.62%

LAB 74.97, -24.71, -8.35

 

CMYK 0 / 42 / 18 / 22

HEX #C875A5

RGB 200 117 165

HSL 325.3, 0.43%, 0.62%

LAB 59.63, 38.98, -11.63

 

CMYK 17 / 0 / 42 / 22

HEX #A5C774

RGB 165 199 116

HSL 84.58, 0.43%, 0.62%

LAB 76.13, -25.29, 37.82

 

CMYK 42 / 17 / 0 / 22

HEX #74A5C7

RGB 116 165 199

HSL 204.58, 0.43%, 0.62%

LAB 65.55, -7.46, -22.55

 

CMYK 0 / 42 / 18 / 22

HEX #C875A5

RGB 200 117 165

HSL 325.3, 0.43%, 0.62%

LAB 59.63, 38.98, -11.63

 

CMYK 0 / 16 / 42 / 22

HEX #C7A774

RGB 199 167 116

HSL 36.87, 0.43%, 0.62%

LAB 70.2, 4.75, 30.72

 

CMYK 42 / 0 / 24 / 22

HEX #74C797

RGB 116 199 151

HSL 145.3, 0.43%, 0.62%

LAB 74.06, -36.01, 16.26

 

CMYK 42 / 26 / 0 / 22

HEX #7494C7

RGB 116 148 199

HSL 216.87, 0.43%, 0.62%

LAB 60.8, 2.08, -29.86

 

CMYK 0 / 42 / 18 / 22

HEX #C875A5

RGB 200 117 165

HSL 325.3, 0.43%, 0.62%

LAB 59.63, 38.98, -11.63

 

CMYK 0 / 4 / 42 / 22

HEX #C7C074

RGB 199 192 116

HSL 54.94, 0.43%, 0.62%

LAB 76.74, -8.45, 39.11

 

CMYK 42 / 0 / 24 / 22

HEX #74C797

RGB 116 199 151

HSL 145.3, 0.43%, 0.62%

LAB 74.06, -36.01, 16.26

 

CMYK 42 / 38 / 0 / 22

HEX #747BC7

RGB 116 123 199

HSL 234.94, 0.43%, 0.62%

LAB 54.03, 16.76, -40.43

 

Description

Color code: HEX #C875A5 | qconv.com Color code: HEX #C875A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 117 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 117 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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