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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C86754 it is the complementary color #3798AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C86754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C86754 shade: #CD674F, #DE7962, #EF8B75, #FF9D88 and #FFAF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C86754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C86754 shade: #C86754, #B75541, #A6432E, #95311B and #841F08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C86754 shade: #C86855 and #C85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C86754 shade: #C86855, #C88755, #C8A655, #C8C455 and #ACC855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C86754 shade matches the following richer shades: #C86855, #DA5C43, #EC4F31 and #FE431F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C86754 shade: #C86855, #B57467, #A38079, #918C8C and #7F999E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C86754 shade: #C85581, #C85562, #C86655, #C88555 and #C8A355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C86754 shade: #994231, #B8503B, #C86855, #D28474 and #DC9F93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C86754 shade: #C86754, #9FC855 and #5572C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C86754 shade: #C86754, #55C866 and #6655C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C86754 shade: #C86754, #9FC855, #55B6C8 and #7D55C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C86754 shade: #C86754, #7DC855, #55B6C8 and #9F55C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 58 / 22

HEX #C86754

RGB 200 103 84

HSL 9.83, 0.51%, 0.56%

LAB 54.68, 36.8, 28.27

 

Complementary color

CMYK 68 / 11 / 0 / 33

HEX #3798AB

RGB 55 152 171

HSL 189.83, 0.51%, 0.44%

LAB 58.23, -21.82, -18.2

 

CMYK 0 / 50 / 61 / 20

HEX #CD674F

RGB 205 103 79

HSL 11.43, 0.56%, 0.56%

LAB 55.32, 38.36, 32.06

 

CMYK 0 / 45 / 56 / 13

HEX #DE7962

RGB 222 121 98

HSL 11.13, 0.65%, 0.63%

LAB 61.73, 37.04, 30.04

 

CMYK 0 / 42 / 51 / 6

HEX #EF8B75

RGB 239 139 117

HSL 10.82, 0.79%, 0.7%

LAB 68.09, 35.81, 28.25

 

CMYK 0 / 38 / 47 / 0

HEX #FF9D88

RGB 255 157 136

HSL 10.59, 1%, 0.77%

LAB 74.29, 34.3, 26.47

 

CMYK 0 / 31 / 39 / 0

HEX #FFAF9B

RGB 255 175 155

HSL 12, 1%, 0.8%

LAB 78.63, 26.88, 22.1

 

CMYK 0 / 49 / 58 / 22

HEX #C86754

RGB 200 103 84

HSL 9.83, 0.51%, 0.56%

LAB 54.68, 36.8, 28.27

 

CMYK 0 / 54 / 64 / 28

HEX #B75541

RGB 183 85 65

HSL 10.17, 0.48%, 0.49%

LAB 48.19, 38.16, 30.47

 

CMYK 0 / 60 / 72 / 35

HEX #A6432E

RGB 166 67 46

HSL 10.5, 0.57%, 0.42%

LAB 41.72, 39.55, 33.02

 

CMYK 0 / 67 / 82 / 42

HEX #95311B

RGB 149 49 27

HSL 10.82, 0.69%, 0.35%

LAB 35.33, 40.84, 35.84

 

CMYK 0 / 77 / 94 / 48

HEX #841F08

RGB 132 31 8

HSL 11.13, 0.89%, 0.27%

LAB 29.17, 41.75, 38.28

 

CMYK 0 / 48 / 58 / 22

HEX #C86855

RGB 200 104 85

HSL 9.91, 0.51%, 0.56%

LAB 54.9, 36.36, 27.98

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 48 / 58 / 22

HEX #C86855

RGB 200 104 85

HSL 9.91, 0.51%, 0.56%

LAB 54.9, 36.36, 27.98

 

CMYK 0 / 33 / 58 / 22

HEX #C88755

RGB 200 135 85

HSL 26.09, 0.51%, 0.56%

LAB 61.88, 19.67, 36.72

 

CMYK 0 / 17 / 58 / 22

HEX #C8A655

RGB 200 166 85

HSL 42.26, 0.51%, 0.56%

LAB 69.62, 2.81, 45.97

 

CMYK 0 / 2 / 58 / 22

HEX #C8C455

RGB 200 196 85

HSL 57.91, 0.51%, 0.56%

LAB 77.53, -12.87, 55

 

CMYK 14 / 0 / 58 / 22

HEX #ACC855

RGB 172 200 85

HSL 74.61, 0.51%, 0.56%

LAB 76.52, -26.27, 53.29

 

CMYK 0 / 48 / 58 / 22

HEX #C86855

RGB 200 104 85

HSL 9.91, 0.51%, 0.56%

LAB 54.9, 36.36, 27.98

 

CMYK 0 / 58 / 69 / 15

HEX #DA5C43

RGB 218 92 67

HSL 9.93, 0.67%, 0.56%

LAB 55.04, 47.89, 38.84

 

CMYK 0 / 67 / 79 / 7

HEX #EC4F31

RGB 236 79 49

HSL 9.63, 0.83%, 0.56%

LAB 55.73, 58.97, 49.88

 

CMYK 0 / 74 / 88 / 0

HEX #FE431F

RGB 254 67 31

HSL 9.69, 0.99%, 0.56%

LAB 57.25, 68.46, 60.46

 

CMYK 0 / 48 / 58 / 22

HEX #C86855

RGB 200 104 85

HSL 9.91, 0.51%, 0.56%

LAB 54.9, 36.36, 27.98

 

CMYK 0 / 36 / 43 / 29

HEX #B57467

RGB 181 116 103

HSL 10, 0.35%, 0.56%

LAB 55.37, 24.05, 17.81

 

CMYK 0 / 21 / 26 / 36

HEX #A38079

RGB 163 128 121

HSL 10, 0.19%, 0.56%

LAB 56.69, 12.4, 8.95

 

CMYK 0 / 3 / 3 / 43

HEX #918C8C

RGB 145 140 140

HSL 0, 0.02%, 0.56%

LAB 58.67, 1.85, 0.65

 

CMYK 20 / 3 / 0 / 38

HEX #7F999E

RGB 127 153 158

HSL 189.68, 0.14%, 0.56%

LAB 61.45, -7.95, -5.66

 

CMYK 0 / 58 / 36 / 22

HEX #C85581

RGB 200 85 129

HSL 337.04, 0.51%, 0.56%

LAB 52.24, 50.13, -1.56

 

CMYK 0 / 58 / 51 / 22

HEX #C85562

RGB 200 85 98

HSL 353.22, 0.51%, 0.56%

LAB 51.45, 46.93, 15.81

 

CMYK 0 / 49 / 58 / 22

HEX #C86655

RGB 200 102 85

HSL 8.87, 0.51%, 0.56%

LAB 54.49, 37.4, 27.45

 

CMYK 0 / 34 / 58 / 22

HEX #C88555

RGB 200 133 85

HSL 25.04, 0.51%, 0.56%

LAB 61.4, 20.77, 36.13

 

CMYK 0 / 19 / 58 / 22

HEX #C8A355

RGB 200 163 85

HSL 40.7, 0.51%, 0.56%

LAB 68.85, 4.42, 45.06

 

CMYK 0 / 57 / 68 / 40

HEX #994231

RGB 153 66 49

HSL 9.81, 0.51%, 0.4%

LAB 39.4, 35.21, 28.02

 

CMYK 0 / 57 / 68 / 28

HEX #B8503B

RGB 184 80 59

HSL 10.08, 0.51%, 0.48%

LAB 47.29, 40.67, 32.86

 

CMYK 0 / 48 / 58 / 22

HEX #C86855

RGB 200 104 85

HSL 9.91, 0.51%, 0.56%

LAB 54.9, 36.36, 27.98

 

CMYK 0 / 37 / 45 / 18

HEX #D28474

RGB 210 132 116

HSL 10.21, 0.51%, 0.64%

LAB 62.9, 28.21, 21.23

 

CMYK 0 / 28 / 33 / 14

HEX #DC9F93

RGB 220 159 147

HSL 9.86, 0.51%, 0.72%

LAB 70.95, 21.1, 15.24

 

CMYK 0 / 49 / 58 / 22

HEX #C86754

RGB 200 103 84

HSL 9.83, 0.51%, 0.56%

LAB 54.68, 36.8, 28.27

 

CMYK 21 / 0 / 58 / 22

HEX #9FC855

RGB 159 200 85

HSL 81.39, 0.51%, 0.56%

LAB 75.66, -31.35, 52.08

 

CMYK 58 / 43 / 0 / 22

HEX #5572C8

RGB 85 114 200

HSL 224.87, 0.51%, 0.56%

LAB 49.66, 15.31, -48.06

 

CMYK 0 / 49 / 58 / 22

HEX #C86754

RGB 200 103 84

HSL 9.83, 0.51%, 0.56%

LAB 54.68, 36.8, 28.27

 

CMYK 58 / 0 / 49 / 22

HEX #55C866

RGB 85 200 102

HSL 128.87, 0.51%, 0.56%

LAB 72.36, -53, 39.25

 

CMYK 49 / 58 / 0 / 22

HEX #6655C8

RGB 102 85 200

HSL 248.87, 0.51%, 0.56%

LAB 43.5, 36.69, -57.89

 

CMYK 0 / 49 / 58 / 22

HEX #C86754

RGB 200 103 84

HSL 9.83, 0.51%, 0.56%

LAB 54.68, 36.8, 28.27

 

CMYK 21 / 0 / 58 / 22

HEX #9FC855

RGB 159 200 85

HSL 81.39, 0.51%, 0.56%

LAB 75.66, -31.35, 52.08

 

CMYK 58 / 9 / 0 / 22

HEX #55B6C8

RGB 85 182 200

HSL 189.39, 0.51%, 0.56%

LAB 69.15, -23.24, -17.74

 

CMYK 38 / 58 / 0 / 22

HEX #7D55C8

RGB 125 85 200

HSL 260.87, 0.51%, 0.56%

LAB 45.67, 41.78, -54.27

 

CMYK 0 / 49 / 58 / 22

HEX #C86754

RGB 200 103 84

HSL 9.83, 0.51%, 0.56%

LAB 54.68, 36.8, 28.27

 

CMYK 38 / 0 / 58 / 22

HEX #7DC855

RGB 125 200 85

HSL 99.13, 0.51%, 0.56%

LAB 73.76, -43.63, 49.4

 

CMYK 58 / 9 / 0 / 22

HEX #55B6C8

RGB 85 182 200

HSL 189.39, 0.51%, 0.56%

LAB 69.15, -23.24, -17.74

 

CMYK 21 / 58 / 0 / 22

HEX #9F55C8

RGB 159 85 200

HSL 278.61, 0.51%, 0.56%

LAB 49.54, 50.07, -47.86

 

Description

Color code: HEX #C86754 | qconv.com Color code: HEX #C86754 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 103 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 103 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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