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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8668C it is the complementary color #379973. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8668C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8668C shade: #CD6687, #DE789A, #EF8AAD, #FF9CC0 and #FFAED3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8668C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8668C shade: #C8668C, #B75479, #A64266, #953053 and #841E40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8668C shade: #C7658B, #C76570 and #C76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8668C shade: #C7658B, #C765A5, #C765C0, #B465C7 and #9965C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8668C shade matches the following richer shades: #C7658B, #D85487, #E94383 and #FA3280

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8668C shade: #C7658B, #B6768F, #A58793, #949896 and #83A89A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8668C shade: #C765C1, #C765A6, #C7658C, #C76572 and #C77265

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8668C shade: #A03961, #BC4674, #C7658B, #D283A2 and #DDA1B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8668C shade: #C8668C, #C7B365 and #65B3C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8668C shade: #C8668C, #8CC765 and #658CC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8668C shade: #C8668C, #C7B365, #65C7A0 and #6578C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8668C shade: #C8668C, #BDC765, #65C7A0 and #6F65C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 30 / 22

HEX #C8668C

RGB 200 102 140

HSL 336.73, 0.47%, 0.59%

LAB 55.76, 43.18, -2.89

 

Complementary color

CMYK 64 / 0 / 25 / 40

HEX #379973

RGB 55 153 115

HSL 156.73, 0.47%, 0.41%

LAB 56.91, -37.85, 11.71

 

CMYK 0 / 50 / 34 / 20

HEX #CD6687

RGB 205 102 135

HSL 340.78, 0.51%, 0.6%

LAB 56.32, 44.26, 0.94

 

CMYK 0 / 46 / 31 / 13

HEX #DE789A

RGB 222 120 154

HSL 340, 0.61%, 0.67%

LAB 62.76, 43.4, -0.38

 

CMYK 0 / 42 / 28 / 6

HEX #EF8AAD

RGB 239 138 173

HSL 339.21, 0.76%, 0.74%

LAB 69.14, 42.53, -1.53

 

CMYK 0 / 39 / 25 / 0

HEX #FF9CC0

RGB 255 156 192

HSL 338.18, 1%, 0.81%

LAB 75.35, 41.36, -2.73

 

CMYK 0 / 32 / 17 / 0

HEX #FFAED3

RGB 255 174 211

HSL 332.59, 1%, 0.84%

LAB 79.75, 34.78, -6.62

 

CMYK 0 / 49 / 30 / 22

HEX #C8668C

RGB 200 102 140

HSL 336.73, 0.47%, 0.59%

LAB 55.76, 43.18, -2.89

 

CMYK 0 / 54 / 34 / 28

HEX #B75479

RGB 183 84 121

HSL 337.58, 0.41%, 0.52%

LAB 49.24, 44, -1.48

 

CMYK 0 / 60 / 39 / 35

HEX #A64266

RGB 166 66 102

HSL 338.4, 0.43%, 0.45%

LAB 42.71, 44.71, 0.24

 

CMYK 0 / 68 / 44 / 42

HEX #953053

RGB 149 48 83

HSL 339.21, 0.51%, 0.39%

LAB 36.23, 45.15, 2.43

 

CMYK 0 / 77 / 52 / 48

HEX #841E40

RGB 132 30 64

HSL 340, 0.63%, 0.32%

LAB 29.92, 45.02, 5.36

 

CMYK 0 / 49 / 30 / 22

HEX #C7658B

RGB 199 101 139

HSL 336.73, 0.47%, 0.59%

LAB 55.39, 43.22, -2.86

 

CMYK 0 / 49 / 44 / 22

HEX #C76570

RGB 199 101 112

HSL 353.27, 0.47%, 0.59%

LAB 54.68, 40.01, 11.98

 

CMYK 0 / 49 / 49 / 22

HEX #C76565

RGB 199 101 101

HSL 0, 0.47%, 0.59%

LAB 54.44, 38.91, 18.1

 

CMYK 0 / 49 / 30 / 22

HEX #C7658B

RGB 199 101 139

HSL 336.73, 0.47%, 0.59%

LAB 55.39, 43.22, -2.86

 

CMYK 0 / 49 / 17 / 22

HEX #C765A5

RGB 199 101 165

HSL 320.82, 0.47%, 0.59%

LAB 56.25, 46.94, -16.75

 

CMYK 0 / 49 / 4 / 22

HEX #C765C0

RGB 199 101 192

HSL 304.29, 0.47%, 0.59%

LAB 57.32, 51.39, -30.67

 

CMYK 10 / 49 / 0 / 22

HEX #B465C7

RGB 180 101 199

HSL 288.37, 0.47%, 0.59%

LAB 55.21, 47.25, -38.15

 

CMYK 23 / 49 / 0 / 22

HEX #9965C7

RGB 153 101 199

HSL 271.84, 0.47%, 0.59%

LAB 52.07, 39.7, -43.31

 

CMYK 0 / 49 / 30 / 22

HEX #C7658B

RGB 199 101 139

HSL 336.73, 0.47%, 0.59%

LAB 55.39, 43.22, -2.86

 

CMYK 0 / 61 / 38 / 15

HEX #D85487

RGB 216 84 135

HSL 336.82, 0.63%, 0.59%

LAB 54.75, 56.34, -1.15

 

CMYK 0 / 71 / 44 / 9

HEX #E94383

RGB 233 67 131

HSL 336.87, 0.79%, 0.59%

LAB 55.05, 67.54, 2

 

CMYK 0 / 80 / 49 / 2

HEX #FA3280

RGB 250 50 128

HSL 336.6, 0.95%, 0.59%

LAB 56.25, 76.71, 5.91

 

CMYK 0 / 49 / 30 / 22

HEX #C7658B

RGB 199 101 139

HSL 336.73, 0.47%, 0.59%

LAB 55.39, 43.22, -2.86

 

CMYK 0 / 35 / 21 / 29

HEX #B6768F

RGB 182 118 143

HSL 336.56, 0.3%, 0.59%

LAB 56.96, 28.67, -3.13

 

CMYK 0 / 18 / 11 / 35

HEX #A58793

RGB 165 135 147

HSL 336, 0.14%, 0.59%

LAB 59.37, 13.44, -2.11

 

CMYK 3 / 0 / 1 / 40

HEX #949896

RGB 148 152 150

HSL 150, 0.02%, 0.59%

LAB 62.47, -1.83, 0.54

 

CMYK 22 / 0 / 8 / 34

HEX #83A89A

RGB 131 168 154

HSL 157.3, 0.18%, 0.59%

LAB 65.88, -15.55, 3.1

 

CMYK 0 / 49 / 3 / 22

HEX #C765C1

RGB 199 101 193

HSL 303.67, 0.47%, 0.59%

LAB 57.37, 51.57, -31.17

 

CMYK 0 / 49 / 17 / 22

HEX #C765A6

RGB 199 101 166

HSL 320.2, 0.47%, 0.59%

LAB 56.29, 47.09, -17.27

 

CMYK 0 / 49 / 30 / 22

HEX #C7658C

RGB 199 101 140

HSL 336.12, 0.47%, 0.59%

LAB 55.42, 43.35, -3.4

 

CMYK 0 / 49 / 43 / 22

HEX #C76572

RGB 199 101 114

HSL 352.04, 0.47%, 0.59%

LAB 54.72, 40.23, 10.87

 

CMYK 0 / 43 / 49 / 22

HEX #C77265

RGB 199 114 101

HSL 7.96, 0.47%, 0.59%

LAB 57.19, 32.08, 21.81

 

CMYK 0 / 64 / 39 / 37

HEX #A03961

RGB 160 57 97

HSL 336.7, 0.47%, 0.43%

LAB 40.02, 46.29, -0.69

 

CMYK 0 / 63 / 38 / 26

HEX #BC4674

RGB 188 70 116

HSL 336.61, 0.47%, 0.51%

LAB 47.41, 51.6, -1.05

 

CMYK 0 / 49 / 30 / 22

HEX #C7658B

RGB 199 101 139

HSL 336.73, 0.47%, 0.59%

LAB 55.39, 43.22, -2.86

 

CMYK 0 / 38 / 23 / 18

HEX #D283A2

RGB 210 131 162

HSL 336.46, 0.47%, 0.67%

LAB 63.79, 34.54, -3.6

 

CMYK 0 / 27 / 16 / 13

HEX #DDA1B9

RGB 221 161 185

HSL 336, 0.47%, 0.75%

LAB 72.47, 25.81, -3.55

 

CMYK 0 / 49 / 30 / 22

HEX #C8668C

RGB 200 102 140

HSL 336.73, 0.47%, 0.59%

LAB 55.76, 43.18, -2.89

 

CMYK 0 / 10 / 49 / 22

HEX #C7B365

RGB 199 179 101

HSL 47.76, 0.47%, 0.59%

LAB 73.1, -3.16, 42.17

 

CMYK 49 / 10 / 0 / 22

HEX #65B3C7

RGB 101 179 199

HSL 192.24, 0.47%, 0.59%

LAB 68.85, -18.62, -17.6

 

CMYK 0 / 49 / 30 / 22

HEX #C8668C

RGB 200 102 140

HSL 336.73, 0.47%, 0.59%

LAB 55.76, 43.18, -2.89

 

CMYK 30 / 0 / 49 / 22

HEX #8CC765

RGB 140 199 101

HSL 96.12, 0.47%, 0.59%

LAB 74.42, -36.25, 42.81

 

CMYK 49 / 30 / 0 / 22

HEX #658CC7

RGB 101 140 199

HSL 216.12, 0.47%, 0.59%

LAB 57.7, 2.92, -34.74

 

CMYK 0 / 49 / 30 / 22

HEX #C8668C

RGB 200 102 140

HSL 336.73, 0.47%, 0.59%

LAB 55.76, 43.18, -2.89

 

CMYK 0 / 10 / 49 / 22

HEX #C7B365

RGB 199 179 101

HSL 47.76, 0.47%, 0.59%

LAB 73.1, -3.16, 42.17

 

CMYK 49 / 0 / 20 / 22

HEX #65C7A0

RGB 101 199 160

HSL 156.12, 0.47%, 0.59%

LAB 73.64, -38.07, 10.76

 

CMYK 49 / 40 / 0 / 22

HEX #6578C7

RGB 101 120 199

HSL 228.37, 0.47%, 0.59%

LAB 52.2, 14.84, -43.39

 

CMYK 0 / 49 / 30 / 22

HEX #C8668C

RGB 200 102 140

HSL 336.73, 0.47%, 0.59%

LAB 55.76, 43.18, -2.89

 

CMYK 5 / 0 / 49 / 22

HEX #BDC765

RGB 189 199 101

HSL 66.12, 0.47%, 0.59%

LAB 77.64, -17.55, 47.46

 

CMYK 49 / 0 / 20 / 22

HEX #65C7A0

RGB 101 199 160

HSL 156.12, 0.47%, 0.59%

LAB 73.64, -38.07, 10.76

 

CMYK 44 / 49 / 0 / 22

HEX #6F65C7

RGB 111 101 199

HSL 246.12, 0.47%, 0.59%

LAB 48.02, 28.79, -50

 

Description

Color code: HEX #C8668C | qconv.com Color code: HEX #C8668C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 102 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 102 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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