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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C85DDE it is the complementary color #37A221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C85DDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C85DDE shade: #CD5DD9, #DE6FEC, #EF81FF, #FF93FF and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C85DDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C85DDE shade: #C85DDE, #B74BCB, #A639B8, #9527A5 and #841592

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C85DDE shade: #C85EDE, #DE5ED1, #DE5EAE, #DE5E8C and #DE5E69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C85DDE shade: #C85EDE, #A55EDE, #835EDE, #605EDE and #5E5EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C85DDE shade matches the following richer shades: #C85EDE, #D24EED and #DC3EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C85DDE shade: #C85EDE, #BD6DCE, #B37DBE, #A98DAF and #9E9C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C85DDE shade: #825EDE, #A45EDE, #C65EDE, #DE5ED3 and #DE5EB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C85DDE shade: #A727C1, #BC3BD7, #C85EDE, #D380E5 and #DFA2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C85DDE shade: #C85DDE, #DE605E and #5EDE93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C85DDE shade: #C85DDE, #DEC65E and #5EDEC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C85DDE shade: #C85DDE, #DE605E, #75DE5E and #5EDBDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C85DDE shade: #C85DDE, #DE865E, #75DE5E and #5EB5DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 58 / 0 / 13

HEX #C85DDE

RGB 200 93 222

HSL 289.77, 0.66%, 0.62%

LAB 57.45, 60.96, -47.49

 

Complementary color

CMYK 66 / 0 / 80 / 36

HEX #37A221

RGB 55 162 33

HSL 109.77, 0.66%, 0.38%

LAB 58.75, -53.4, 53.52

 

CMYK 6 / 57 / 0 / 15

HEX #CD5DD9

RGB 205 93 217

HSL 294.19, 0.62%, 0.61%

LAB 57.86, 61.3, -43.97

 

CMYK 6 / 53 / 0 / 7

HEX #DE6FEC

RGB 222 111 236

HSL 293.28, 0.77%, 0.68%

LAB 64.12, 60.8, -44.58

 

CMYK 6 / 49 / 0 / 0

HEX #EF81FF

RGB 239 129 255

HSL 292.38, 1%, 0.75%

LAB 70.37, 60.19, -45.07

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 10 / 58 / 0 / 13

HEX #C85DDE

RGB 200 93 222

HSL 289.77, 0.66%, 0.62%

LAB 57.45, 60.96, -47.49

 

CMYK 10 / 63 / 0 / 20

HEX #B74BCB

RGB 183 75 203

HSL 290.63, 0.55%, 0.55%

LAB 51.16, 61.29, -46.8

 

CMYK 10 / 69 / 0 / 28

HEX #A639B8

RGB 166 57 184

HSL 291.5, 0.53%, 0.47%

LAB 44.93, 61.27, -45.86

 

CMYK 10 / 76 / 0 / 35

HEX #9527A5

RGB 149 39 165

HSL 292.38, 0.62%, 0.4%

LAB 38.82, 60.64, -44.52

 

CMYK 10 / 86 / 0 / 43

HEX #841592

RGB 132 21 146

HSL 293.28, 0.75%, 0.33%

LAB 32.96, 59.02, -42.56

 

CMYK 10 / 58 / 0 / 13

HEX #C85EDE

RGB 200 94 222

HSL 289.69, 0.66%, 0.62%

LAB 57.62, 60.5, -47.22

 

CMYK 0 / 58 / 6 / 13

HEX #DE5ED1

RGB 222 94 209

HSL 306.09, 0.66%, 0.62%

LAB 60.01, 63.88, -35.9

 

CMYK 0 / 58 / 22 / 13

HEX #DE5EAE

RGB 222 94 174

HSL 322.5, 0.66%, 0.62%

LAB 58.59, 58.61, -18.1

 

CMYK 0 / 58 / 37 / 13

HEX #DE5E8C

RGB 222 94 140

HSL 338.44, 0.66%, 0.62%

LAB 57.49, 54.33, 0.02

 

CMYK 0 / 58 / 53 / 13

HEX #DE5E69

RGB 222 94 105

HSL 354.84, 0.66%, 0.62%

LAB 56.64, 50.92, 19.33

 

CMYK 10 / 58 / 0 / 13

HEX #C85EDE

RGB 200 94 222

HSL 289.69, 0.66%, 0.62%

LAB 57.62, 60.5, -47.22

 

CMYK 26 / 58 / 0 / 13

HEX #A55EDE

RGB 165 94 222

HSL 273.28, 0.66%, 0.62%

LAB 53.25, 51.86, -54.43

 

CMYK 41 / 58 / 0 / 13

HEX #835EDE

RGB 131 94 222

HSL 257.34, 0.66%, 0.62%

LAB 49.62, 43.98, -60.45

 

CMYK 57 / 58 / 0 / 13

HEX #605EDE

RGB 96 94 222

HSL 240.94, 0.66%, 0.62%

LAB 46.67, 36.94, -65.38

 

CMYK 58 / 58 / 0 / 13

HEX #5E5EDE

RGB 94 94 222

HSL 240, 0.66%, 0.62%

LAB 46.52, 36.58, -65.62

 

CMYK 10 / 58 / 0 / 13

HEX #C85EDE

RGB 200 94 222

HSL 289.69, 0.66%, 0.62%

LAB 57.62, 60.5, -47.22

 

CMYK 11 / 67 / 0 / 7

HEX #D24EED

RGB 210 78 237

HSL 289.81, 0.82%, 0.62%

LAB 57.33, 72.42, -56

 

CMYK 13 / 75 / 0 / 1

HEX #DC3EFD

RGB 220 62 253

HSL 289.63, 0.98%, 0.62%

LAB 57.8, 82.72, -64.08

 

CMYK 10 / 58 / 0 / 13

HEX #C85EDE

RGB 200 94 222

HSL 289.69, 0.66%, 0.62%

LAB 57.62, 60.5, -47.22

 

CMYK 8 / 47 / 0 / 19

HEX #BD6DCE

RGB 189 109 206

HSL 289.48, 0.5%, 0.62%

LAB 58.24, 47.04, -37.3

 

CMYK 6 / 34 / 0 / 25

HEX #B37DBE

RGB 179 125 190

HSL 289.85, 0.33%, 0.62%

LAB 59.86, 32.14, -25.79

 

CMYK 3 / 19 / 0 / 31

HEX #A98DAF

RGB 169 141 175

HSL 289.41, 0.18%, 0.62%

LAB 62.15, 16.77, -13.89

 

CMYK 1 / 2 / 0 / 38

HEX #9E9C9F

RGB 158 156 159

HSL 280, 0.02%, 0.62%

LAB 64.6, 1.3, -1.32

 

CMYK 41 / 58 / 0 / 13

HEX #825EDE

RGB 130 94 222

HSL 256.88, 0.66%, 0.62%

LAB 49.53, 43.76, -60.61

 

CMYK 26 / 58 / 0 / 13

HEX #A45EDE

RGB 164 94 222

HSL 272.81, 0.66%, 0.62%

LAB 53.14, 51.62, -54.62

 

CMYK 11 / 58 / 0 / 13

HEX #C65EDE

RGB 198 94 222

HSL 288.75, 0.66%, 0.62%

LAB 57.35, 60, -47.66

 

CMYK 0 / 58 / 5 / 13

HEX #DE5ED3

RGB 222 94 211

HSL 305.16, 0.66%, 0.62%

LAB 60.1, 64.2, -36.9

 

CMYK 0 / 58 / 20 / 13

HEX #DE5EB1

RGB 222 94 177

HSL 321.09, 0.66%, 0.62%

LAB 58.7, 59.03, -19.66

 

CMYK 13 / 80 / 0 / 24

HEX #A727C1

RGB 167 39 193

HSL 289.87, 0.66%, 0.45%

LAB 43.53, 69.16, -53.36

 

CMYK 13 / 73 / 0 / 16

HEX #BC3BD7

RGB 188 59 215

HSL 289.62, 0.66%, 0.54%

LAB 50.36, 70.85, -54.91

 

CMYK 10 / 58 / 0 / 13

HEX #C85EDE

RGB 200 94 222

HSL 289.69, 0.66%, 0.62%

LAB 57.62, 60.5, -47.22

 

CMYK 8 / 44 / 0 / 10

HEX #D380E5

RGB 211 128 229

HSL 289.31, 0.66%, 0.7%

LAB 65.71, 47.99, -38.32

 

CMYK 6 / 31 / 0 / 7

HEX #DFA2EC

RGB 223 162 236

HSL 289.46, 0.66%, 0.78%

LAB 74.56, 34.94, -28.34

 

CMYK 10 / 58 / 0 / 13

HEX #C85DDE

RGB 200 93 222

HSL 289.77, 0.66%, 0.62%

LAB 57.45, 60.96, -47.49

 

CMYK 0 / 57 / 58 / 13

HEX #DE605E

RGB 222 96 94

HSL 0.94, 0.66%, 0.62%

LAB 56.79, 49.13, 25.9

 

CMYK 58 / 0 / 34 / 13

HEX #5EDE93

RGB 94 222 147

HSL 144.84, 0.66%, 0.62%

LAB 80.03, -52.13, 26.43

 

CMYK 10 / 58 / 0 / 13

HEX #C85DDE

RGB 200 93 222

HSL 289.77, 0.66%, 0.62%

LAB 57.45, 60.96, -47.49

 

CMYK 0 / 11 / 58 / 13

HEX #DEC65E

RGB 222 198 94

HSL 48.75, 0.66%, 0.62%

LAB 80.03, -4.08, 54.23

 

CMYK 58 / 0 / 11 / 13

HEX #5EDEC6

RGB 94 222 198

HSL 168.75, 0.66%, 0.62%

LAB 81.13, -41.07, 1.16

 

CMYK 10 / 58 / 0 / 13

HEX #C85DDE

RGB 200 93 222

HSL 289.77, 0.66%, 0.62%

LAB 57.45, 60.96, -47.49

 

CMYK 0 / 57 / 58 / 13

HEX #DE605E

RGB 222 96 94

HSL 0.94, 0.66%, 0.62%

LAB 56.79, 49.13, 25.9

 

CMYK 47 / 0 / 58 / 13

HEX #75DE5E

RGB 117 222 94

HSL 109.22, 0.66%, 0.62%

LAB 80.09, -54.16, 52.57

 

CMYK 58 / 1 / 0 / 13

HEX #5EDBDE

RGB 94 219 222

HSL 181.41, 0.66%, 0.62%

LAB 80.91, -33.5, -11.93

 

CMYK 10 / 58 / 0 / 13

HEX #C85DDE

RGB 200 93 222

HSL 289.77, 0.66%, 0.62%

LAB 57.45, 60.96, -47.49

 

CMYK 0 / 40 / 58 / 13

HEX #DE865E

RGB 222 134 94

HSL 18.75, 0.66%, 0.62%

LAB 64.47, 29.9, 35.71

 

CMYK 47 / 0 / 58 / 13

HEX #75DE5E

RGB 117 222 94

HSL 109.22, 0.66%, 0.62%

LAB 80.09, -54.16, 52.57

 

CMYK 58 / 18 / 0 / 13

HEX #5EB5DE

RGB 94 181 222

HSL 199.22, 0.66%, 0.62%

LAB 69.97, -14.48, -28.53

 

Description

Color code: HEX #C85DDE | qconv.com Color code: HEX #C85DDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 93 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 93 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 58 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 58% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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