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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C85840 it is the complementary color #37A7BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C85840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C85840 shade: #CD583B, #DE6A4E, #EF7C61, #FF8E74 and #FFA087

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C85840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C85840 shade: #C85840, #B7462D, #A6341A, #952207 and #841000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C85840 shade: #C75941 and #C74141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C85840 shade: #C75941, #C77D41, #C7A141, #C7C541 and #A5C741

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C85840 shade matches the following richer shades: #C75941, #DB4C2D and #EF3F19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C85840 shade: #C75941, #B46555, #A07268, #8C7F7C and #788C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C85840 shade: #C74172, #C7414E, #C75741, #C77B41 and #C79F41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C85840 shade: #8D3A29, #AD4832, #C75941, #D17561 and #DA9081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C85840 shade: #C85840, #96C741 and #4160C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C85840 shade: #C85840, #41C757 and #5741C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C85840 shade: #C85840, #96C741, #41B1C7 and #7241C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C85840 shade: #C85840, #6EC741, #41B1C7 and #9B41C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 68 / 22

HEX #C85840

RGB 200 88 64

HSL 10.59, 0.55%, 0.52%

LAB 51.42, 43.04, 35.54

 

Complementary color

CMYK 71 / 13 / 0 / 25

HEX #37A7BF

RGB 55 167 191

HSL 190.59, 0.55%, 0.48%

LAB 63.52, -23.25, -21.41

 

CMYK 0 / 57 / 71 / 20

HEX #CD583B

RGB 205 88 59

HSL 11.92, 0.59%, 0.52%

LAB 52.15, 44.63, 39.33

 

CMYK 0 / 52 / 65 / 13

HEX #DE6A4E

RGB 222 106 78

HSL 11.67, 0.69%, 0.59%

LAB 58.4, 43.24, 36.95

 

CMYK 0 / 48 / 59 / 6

HEX #EF7C61

RGB 239 124 97

HSL 11.41, 0.82%, 0.66%

LAB 64.67, 41.88, 34.81

 

CMYK 0 / 44 / 55 / 0

HEX #FF8E74

RGB 255 142 116

HSL 11.22, 1%, 0.73%

LAB 70.78, 40.24, 32.7

 

CMYK 0 / 37 / 47 / 0

HEX #FFA087

RGB 255 160 135

HSL 12.5, 1%, 0.76%

LAB 74.92, 32.65, 27.86

 

CMYK 0 / 56 / 68 / 22

HEX #C85840

RGB 200 88 64

HSL 10.59, 0.55%, 0.52%

LAB 51.42, 43.04, 35.54

 

CMYK 0 / 62 / 75 / 28

HEX #B7462D

RGB 183 70 45

HSL 10.87, 0.61%, 0.45%

LAB 45.13, 44.38, 38.16

 

CMYK 0 / 69 / 84 / 35

HEX #A6341A

RGB 166 52 26

HSL 11.14, 0.73%, 0.38%

LAB 38.96, 45.58, 40.9

 

CMYK 0 / 77 / 95 / 42

HEX #952207

RGB 149 34 7

HSL 11.41, 0.91%, 0.31%

LAB 33.03, 46.33, 43.03

 

CMYK 0 / 88 / 100 / 48

HEX #841000

RGB 132 16 0

HSL 7.27, 1%, 0.26%

LAB 27.51, 46.13, 40.17

 

CMYK 0 / 55 / 67 / 22

HEX #C75941

RGB 199 89 65

HSL 10.75, 0.54%, 0.52%

LAB 51.46, 42.23, 35

 

CMYK 0 / 67 / 67 / 22

HEX #C74141

RGB 199 65 65

HSL 0, 0.54%, 0.52%

LAB 47.37, 53.07, 30.08

 

CMYK 0 / 55 / 67 / 22

HEX #C75941

RGB 199 89 65

HSL 10.75, 0.54%, 0.52%

LAB 51.46, 42.23, 35

 

CMYK 0 / 37 / 67 / 22

HEX #C77D41

RGB 199 125 65

HSL 26.87, 0.54%, 0.52%

LAB 59.15, 23.33, 43.86

 

CMYK 0 / 19 / 67 / 22

HEX #C7A141

RGB 199 161 65

HSL 42.99, 0.54%, 0.52%

LAB 68.03, 3.71, 53.53

 

CMYK 0 / 1 / 67 / 22

HEX #C7C541

RGB 199 197 65

HSL 59.1, 0.54%, 0.52%

LAB 77.55, -15.07, 63.37

 

CMYK 17 / 0 / 67 / 22

HEX #A5C741

RGB 165 199 65

HSL 75.22, 0.54%, 0.52%

LAB 75.59, -30.06, 60.56

 

CMYK 0 / 55 / 67 / 22

HEX #C75941

RGB 199 89 65

HSL 10.75, 0.54%, 0.52%

LAB 51.46, 42.23, 35

 

CMYK 0 / 65 / 79 / 14

HEX #DB4C2D

RGB 219 76 45

HSL 10.69, 0.71%, 0.52%

LAB 52.31, 54.39, 47.5

 

CMYK 0 / 74 / 90 / 6

HEX #EF3F19

RGB 239 63 25

HSL 10.65, 0.87%, 0.52%

LAB 54, 65.15, 59.09

 

CMYK 0 / 55 / 67 / 22

HEX #C75941

RGB 199 89 65

HSL 10.75, 0.54%, 0.52%

LAB 51.46, 42.23, 35

 

CMYK 0 / 44 / 53 / 29

HEX #B46555

RGB 180 101 85

HSL 10.11, 0.39%, 0.52%

LAB 51.46, 30.09, 22.97

 

CMYK 0 / 29 / 35 / 37

HEX #A07268

RGB 160 114 104

HSL 10.71, 0.23%, 0.52%

LAB 52.41, 16.78, 12.75

 

CMYK 0 / 9 / 11 / 45

HEX #8C7F7C

RGB 140 127 124

HSL 11.25, 0.07%, 0.52%

LAB 54.25, 4.4, 3.42

 

CMYK 17 / 3 / 0 / 44

HEX #788C90

RGB 120 140 144

HSL 190, 0.1%, 0.52%

LAB 56.84, -6.25, -4.55

 

CMYK 0 / 67 / 43 / 22

HEX #C74172

RGB 199 65 114

HSL 338.06, 0.54%, 0.52%

LAB 48.43, 56.86, 1.88

 

CMYK 0 / 67 / 61 / 22

HEX #C7414E

RGB 199 65 78

HSL 354.18, 0.54%, 0.52%

LAB 47.59, 53.86, 22.6

 

CMYK 0 / 56 / 67 / 22

HEX #C75741

RGB 199 87 65

HSL 9.85, 0.54%, 0.52%

LAB 51.08, 43.21, 34.55

 

CMYK 0 / 38 / 67 / 22

HEX #C77B41

RGB 199 123 65

HSL 25.97, 0.54%, 0.52%

LAB 58.69, 24.42, 43.33

 

CMYK 0 / 20 / 67 / 22

HEX #C79F41

RGB 199 159 65

HSL 42.09, 0.54%, 0.52%

LAB 67.52, 4.79, 52.98

 

CMYK 0 / 59 / 71 / 45

HEX #8D3A29

RGB 141 58 41

HSL 10.2, 0.55%, 0.36%

LAB 35.69, 34.13, 27.88

 

CMYK 0 / 58 / 71 / 32

HEX #AD4832

RGB 173 72 50

HSL 10.73, 0.55%, 0.44%

LAB 43.87, 39.96, 33.52

 

CMYK 0 / 55 / 67 / 22

HEX #C75941

RGB 199 89 65

HSL 10.75, 0.54%, 0.52%

LAB 51.46, 42.23, 35

 

CMYK 0 / 44 / 54 / 18

HEX #D17561

RGB 209 117 97

HSL 10.71, 0.55%, 0.6%

LAB 59.1, 34.02, 26.86

 

CMYK 0 / 34 / 41 / 15

HEX #DA9081

RGB 218 144 129

HSL 10.11, 0.55%, 0.68%

LAB 66.85, 26.26, 19.5

 

CMYK 0 / 56 / 68 / 22

HEX #C85840

RGB 200 88 64

HSL 10.59, 0.55%, 0.52%

LAB 51.42, 43.04, 35.54

 

CMYK 25 / 0 / 67 / 22

HEX #96C741

RGB 150 199 65

HSL 81.94, 0.54%, 0.52%

LAB 74.64, -35.92, 59.28

 

CMYK 67 / 52 / 0 / 22

HEX #4160C7

RGB 65 96 199

HSL 226.12, 0.54%, 0.52%

LAB 43.67, 22.68, -57.15

 

CMYK 0 / 56 / 68 / 22

HEX #C85840

RGB 200 88 64

HSL 10.59, 0.55%, 0.52%

LAB 51.42, 43.04, 35.54

 

CMYK 67 / 0 / 56 / 22

HEX #41C757

RGB 65 199 87

HSL 129.85, 0.54%, 0.52%

LAB 71.32, -58.95, 45.09

 

CMYK 56 / 67 / 0 / 22

HEX #5741C7

RGB 87 65 199

HSL 249.85, 0.54%, 0.52%

LAB 37.72, 45.28, -66.76

 

CMYK 0 / 56 / 68 / 22

HEX #C85840

RGB 200 88 64

HSL 10.59, 0.55%, 0.52%

LAB 51.42, 43.04, 35.54

 

CMYK 25 / 0 / 67 / 22

HEX #96C741

RGB 150 199 65

HSL 81.94, 0.54%, 0.52%

LAB 74.64, -35.92, 59.28

 

CMYK 67 / 11 / 0 / 22

HEX #41B1C7

RGB 65 177 199

HSL 189.85, 0.54%, 0.52%

LAB 67.05, -24.43, -20.45

 

CMYK 43 / 67 / 0 / 22

HEX #7241C7

RGB 114 65 199

HSL 261.94, 0.54%, 0.52%

LAB 40.38, 50.05, -62.31

 

CMYK 0 / 56 / 68 / 22

HEX #C85840

RGB 200 88 64

HSL 10.59, 0.55%, 0.52%

LAB 51.42, 43.04, 35.54

 

CMYK 45 / 0 / 67 / 22

HEX #6EC741

RGB 110 199 65

HSL 99.85, 0.54%, 0.52%

LAB 72.59, -49.92, 56.5

 

CMYK 67 / 11 / 0 / 22

HEX #41B1C7

RGB 65 177 199

HSL 189.85, 0.54%, 0.52%

LAB 67.05, -24.43, -20.45

 

CMYK 22 / 67 / 0 / 22

HEX #9B41C7

RGB 155 65 199

HSL 280.3, 0.54%, 0.52%

LAB 45.46, 58.48, -53.84

 

Description

Color code: HEX #C85840 | qconv.com Color code: HEX #C85840 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 88 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 88 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 68 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 68% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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