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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C855A1 it is the complementary color #37AA5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C855A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C855A1 shade: #CD559C, #DE67AF, #EF79C2, #FF8BD5 and #FF9DE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C855A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C855A1 shade: #C855A1, #B7438E, #A6317B, #951F68 and #840D55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C855A1 shade: #C855A1, #C85582, #C85563 and #C85555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C855A1 shade: #C855A1, #C855C0, #B155C8, #9255C8 and #7355C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C855A1 shade matches the following richer shades: #C855A1, #DA43A7, #EC31AC and #FE1FB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C855A1 shade: #C855A1, #B5679B, #A37995, #918C8F and #7F9E89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C855A1 shade: #B155C8, #C855C0, #C855A1, #C85583 and #C85564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C855A1 shade: #993176, #B83B8E, #C855A1, #D274B2 and #DC93C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C855A1 shade: #C855A1, #C89255 and #55C8C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C855A1 shade: #C855A1, #A1C855 and #55A1C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C855A1 shade: #C855A1, #C89255, #55C87B and #558AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C855A1 shade: #C855A1, #C8B455, #55C87B and #5568C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

Complementary color

CMYK 68 / 0 / 45 / 33

HEX #37AA5E

RGB 55 170 94

HSL 140.35, 0.51%, 0.44%

LAB 61.97, -49.11, 30

 

CMYK 0 / 59 / 24 / 20

HEX #CD559C

RGB 205 85 156

HSL 324.5, 0.55%, 0.57%

LAB 53.9, 55.14, -14.99

 

CMYK 0 / 54 / 21 / 13

HEX #DE67AF

RGB 222 103 175

HSL 323.7, 0.64%, 0.64%

LAB 60.18, 54.61, -16.26

 

CMYK 0 / 49 / 19 / 6

HEX #EF79C2

RGB 239 121 194

HSL 322.88, 0.79%, 0.71%

LAB 66.46, 53.96, -17.32

 

CMYK 0 / 45 / 16 / 0

HEX #FF8BD5

RGB 255 139 213

HSL 321.72, 1%, 0.77%

LAB 72.58, 52.94, -18.44

 

CMYK 0 / 38 / 9 / 0

HEX #FF9DE8

RGB 255 157 232

HSL 314.08, 1%, 0.81%

LAB 76.8, 46.89, -22.44

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 63 / 22 / 28

HEX #B7438E

RGB 183 67 142

HSL 321.21, 0.46%, 0.49%

LAB 47.02, 54.67, -17.45

 

CMYK 0 / 70 / 26 / 35

HEX #A6317B

RGB 166 49 123

HSL 322.05, 0.54%, 0.42%

LAB 40.79, 54.58, -15.64

 

CMYK 0 / 79 / 30 / 42

HEX #951F68

RGB 149 31 104

HSL 322.88, 0.66%, 0.35%

LAB 34.74, 53.78, -13.22

 

CMYK 0 / 90 / 36 / 48

HEX #840D55

RGB 132 13 85

HSL 323.7, 0.82%, 0.28%

LAB 29.03, 51.76, -9.9

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 58 / 35 / 22

HEX #C85582

RGB 200 85 130

HSL 336.52, 0.51%, 0.56%

LAB 52.27, 50.25, -2.11

 

CMYK 0 / 58 / 51 / 22

HEX #C85563

RGB 200 85 99

HSL 352.7, 0.51%, 0.56%

LAB 51.47, 47.02, 15.25

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 58 / 4 / 22

HEX #C855C0

RGB 200 85 192

HSL 304.17, 0.51%, 0.56%

LAB 54.64, 59.22, -34.84

 

CMYK 12 / 58 / 0 / 22

HEX #B155C8

RGB 177 85 200

HSL 288, 0.51%, 0.56%

LAB 51.85, 54.66, -44.04

 

CMYK 27 / 58 / 0 / 22

HEX #9255C8

RGB 146 85 200

HSL 271.83, 0.51%, 0.56%

LAB 47.98, 46.83, -50.44

 

CMYK 43 / 58 / 0 / 22

HEX #7355C8

RGB 115 85 200

HSL 255.65, 0.51%, 0.56%

LAB 44.68, 39.5, -55.92

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 69 / 23 / 15

HEX #DA43A7

RGB 218 67 167

HSL 320.26, 0.67%, 0.56%

LAB 53.72, 67.5, -21.53

 

CMYK 0 / 79 / 27 / 7

HEX #EC31AC

RGB 236 49 172

HSL 320.53, 0.83%, 0.56%

LAB 55.08, 77.86, -22.1

 

CMYK 0 / 88 / 30 / 0

HEX #FE1FB2

RGB 254 31 178

HSL 320.45, 0.99%, 0.56%

LAB 57.33, 85.91, -21.87

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 43 / 14 / 29

HEX #B5679B

RGB 181 103 155

HSL 320, 0.35%, 0.56%

LAB 53.91, 38.42, -14.7

 

CMYK 0 / 26 / 9 / 36

HEX #A37995

RGB 163 121 149

HSL 320, 0.19%, 0.56%

LAB 55.72, 21.04, -8.7

 

CMYK 0 / 3 / 1 / 43

HEX #918C8F

RGB 145 140 143

HSL 324, 0.02%, 0.56%

LAB 58.75, 2.43, -0.94

 

CMYK 20 / 0 / 13 / 38

HEX #7F9E89

RGB 127 158 137

HSL 139.35, 0.14%, 0.56%

LAB 62.31, -15.1, 7.45

 

CMYK 12 / 58 / 0 / 22

HEX #B155C8

RGB 177 85 200

HSL 288, 0.51%, 0.56%

LAB 51.85, 54.66, -44.04

 

CMYK 0 / 58 / 4 / 22

HEX #C855C0

RGB 200 85 192

HSL 304.17, 0.51%, 0.56%

LAB 54.64, 59.22, -34.84

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 58 / 35 / 22

HEX #C85583

RGB 200 85 131

HSL 336, 0.51%, 0.56%

LAB 52.3, 50.37, -2.66

 

CMYK 0 / 58 / 50 / 22

HEX #C85564

RGB 200 85 100

HSL 352.17, 0.51%, 0.56%

LAB 51.49, 47.11, 14.68

 

CMYK 0 / 68 / 23 / 40

HEX #993176

RGB 153 49 118

HSL 320.19, 0.51%, 0.4%

LAB 38.33, 50.27, -16.49

 

CMYK 0 / 68 / 23 / 28

HEX #B83B8E

RGB 184 59 142

HSL 320.16, 0.51%, 0.48%

LAB 46, 58.2, -18.99

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 45 / 15 / 18

HEX #D274B2

RGB 210 116 178

HSL 320.43, 0.51%, 0.64%

LAB 61.14, 44.86, -16.68

 

CMYK 0 / 33 / 11 / 14

HEX #DC93C3

RGB 220 147 195

HSL 320.55, 0.51%, 0.72%

LAB 69.49, 34.61, -13.54

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 27 / 58 / 22

HEX #C89255

RGB 200 146 85

HSL 31.83, 0.51%, 0.56%

LAB 64.56, 13.65, 39.97

 

CMYK 58 / 0 / 4 / 22

HEX #55C8C0

RGB 85 200 192

HSL 175.83, 0.51%, 0.56%

LAB 74.22, -34.23, -5.79

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 20 / 0 / 58 / 22

HEX #A1C855

RGB 161 200 85

HSL 80.35, 0.51%, 0.56%

LAB 75.79, -30.58, 52.26

 

CMYK 58 / 20 / 0 / 22

HEX #55A1C8

RGB 85 161 200

HSL 200.35, 0.51%, 0.56%

LAB 63, -12.19, -27.14

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 27 / 58 / 22

HEX #C89255

RGB 200 146 85

HSL 31.83, 0.51%, 0.56%

LAB 64.56, 13.65, 39.97

 

CMYK 58 / 0 / 39 / 22

HEX #55C87B

RGB 85 200 123

HSL 139.83, 0.51%, 0.56%

LAB 72.67, -49.62, 28.99

 

CMYK 58 / 31 / 0 / 22

HEX #558AC8

RGB 85 138 200

HSL 212.35, 0.51%, 0.56%

LAB 56.37, 0.83, -37.45

 

CMYK 0 / 58 / 20 / 22

HEX #C855A1

RGB 200 85 161

HSL 320.35, 0.51%, 0.56%

LAB 53.33, 54.35, -18.86

 

CMYK 0 / 10 / 58 / 22

HEX #C8B455

RGB 200 180 85

HSL 49.57, 0.51%, 0.56%

LAB 73.27, -4.61, 50.19

 

CMYK 58 / 0 / 39 / 22

HEX #55C87B

RGB 85 200 123

HSL 139.83, 0.51%, 0.56%

LAB 72.67, -49.62, 28.99

 

CMYK 58 / 48 / 0 / 22

HEX #5568C8

RGB 85 104 200

HSL 230.09, 0.51%, 0.56%

LAB 46.98, 21.52, -52.35

 

Description

Color code: HEX #C855A1 | qconv.com Color code: HEX #C855A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 85 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 85 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 20 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 20% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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