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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C83B9E it is the complementary color #37C461. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C83B9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C83B9E shade: #CD3B99, #DE4DAC, #EF5FBF, #FF71D2 and #FF83E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C83B9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C83B9E shade: #C83B9E, #B7298B, #A61778, #950565 and #840052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C83B9E shade: #C83C9E, #C83C78, #C83C52 and #C83C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C83B9E shade: #C83C9E, #C83CC4, #A63CC8, #803CC8 and #5A3CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C83B9E shade matches the following richer shades: #C83C9E, #DC27A6 and #F013AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C83B9E shade: #C83C9E, #B35096, #9F648D, #8B7885 and #778C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C83B9E shade: #A53CC8, #C83CC5, #C83CA0, #C83C7B and #C83C55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C83B9E shade: #8A276C, #AA3086, #C83C9E, #D15CAE and #DA7CBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C83B9E shade: #C83B9E, #C87F3C and #3CC8B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C83B9E shade: #C83B9E, #A0C83C and #3CA0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C83B9E shade: #C83B9E, #C87F3C, #3CC863 and #3C84C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C83B9E shade: #C83B9E, #C8A93C, #3CC863 and #3C5AC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 21 / 22

HEX #C83B9E

RGB 200 59 158

HSL 317.87, 0.56%, 0.51%

LAB 49.35, 64.55, -23.2

 

Complementary color

CMYK 72 / 0 / 51 / 23

HEX #37C461

RGB 55 196 97

HSL 137.87, 0.56%, 0.49%

LAB 70.28, -58.22, 38.97

 

CMYK 0 / 71 / 25 / 20

HEX #CD3B99

RGB 205 59 153

HSL 321.37, 0.59%, 0.52%

LAB 49.99, 65.18, -19.17

 

CMYK 0 / 65 / 23 / 13

HEX #DE4DAC

RGB 222 77 172

HSL 320.69, 0.69%, 0.59%

LAB 55.9, 65.47, -21.05

 

CMYK 0 / 60 / 20 / 6

HEX #EF5FBF

RGB 239 95 191

HSL 320, 0.82%, 0.65%

LAB 61.91, 65.35, -22.55

 

CMYK 0 / 56 / 18 / 0

HEX #FF71D2

RGB 255 113 210

HSL 319.01, 1%, 0.72%

LAB 67.82, 64.71, -24.03

 

CMYK 0 / 49 / 10 / 0

HEX #FF83E5

RGB 255 131 229

HSL 312.58, 1%, 0.76%

LAB 71.66, 59.27, -28.67

 

CMYK 0 / 71 / 21 / 22

HEX #C83B9E

RGB 200 59 158

HSL 317.87, 0.56%, 0.51%

LAB 49.35, 64.55, -23.2

 

CMYK 0 / 78 / 24 / 28

HEX #B7298B

RGB 183 41 139

HSL 318.59, 0.63%, 0.44%

LAB 43.53, 63.67, -20.99

 

CMYK 0 / 86 / 28 / 35

HEX #A61778

RGB 166 23 120

HSL 319.3, 0.76%, 0.37%

LAB 37.98, 61.84, -18.09

 

CMYK 0 / 97 / 32 / 42

HEX #950565

RGB 149 5 101

HSL 320, 0.94%, 0.3%

LAB 32.78, 58.71, -14.29

 

CMYK 0 / 100 / 38 / 48

HEX #840052

RGB 132 0 82

HSL 322.73, 1%, 0.26%

LAB 28.15, 53.63, -9.23

 

CMYK 0 / 70 / 21 / 22

HEX #C83C9E

RGB 200 60 158

HSL 318, 0.56%, 0.51%

LAB 49.47, 64.2, -23.01

 

CMYK 0 / 70 / 40 / 22

HEX #C83C78

RGB 200 60 120

HSL 334.29, 0.56%, 0.51%

LAB 48.09, 59.67, -2.24

 

CMYK 0 / 70 / 59 / 22

HEX #C83C52

RGB 200 60 82

HSL 350.57, 0.56%, 0.51%

LAB 47.13, 56.39, 19.61

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 0 / 70 / 21 / 22

HEX #C83C9E

RGB 200 60 158

HSL 318, 0.56%, 0.51%

LAB 49.47, 64.2, -23.01

 

CMYK 0 / 70 / 2 / 22

HEX #C83CC4

RGB 200 60 196

HSL 301.71, 0.56%, 0.51%

LAB 51.26, 69.81, -42.46

 

CMYK 17 / 70 / 0 / 22

HEX #A63CC8

RGB 166 60 200

HSL 285.43, 0.56%, 0.51%

LAB 46.32, 63.13, -52.95

 

CMYK 36 / 70 / 0 / 22

HEX #803CC8

RGB 128 60 200

HSL 269.14, 0.56%, 0.51%

LAB 41.2, 55.44, -61.48

 

CMYK 55 / 70 / 0 / 22

HEX #5A3CC8

RGB 90 60 200

HSL 252.86, 0.56%, 0.51%

LAB 37.07, 48.8, -68.39

 

CMYK 0 / 70 / 21 / 22

HEX #C83C9E

RGB 200 60 158

HSL 318, 0.56%, 0.51%

LAB 49.47, 64.2, -23.01

 

CMYK 0 / 82 / 25 / 14

HEX #DC27A6

RGB 220 39 166

HSL 317.9, 0.72%, 0.51%

LAB 51.17, 75.94, -24.83

 

CMYK 0 / 92 / 28 / 6

HEX #F013AE

RGB 240 19 174

HSL 317.92, 0.88%, 0.51%

LAB 54.08, 84.17, -24.76

 

CMYK 0 / 70 / 21 / 22

HEX #C83C9E

RGB 200 60 158

HSL 318, 0.56%, 0.51%

LAB 49.47, 64.2, -23.01

 

CMYK 0 / 55 / 16 / 30

HEX #B35096

RGB 179 80 150

HSL 317.58, 0.39%, 0.51%

LAB 48.91, 48.74, -19.39

 

CMYK 0 / 37 / 11 / 38

HEX #9F648D

RGB 159 100 141

HSL 318.31, 0.24%, 0.51%

LAB 49.99, 30.11, -12.66

 

CMYK 0 / 14 / 4 / 45

HEX #8B7885

RGB 139 120 133

HSL 318.95, 0.08%, 0.51%

LAB 52.53, 9.74, -4.37

 

CMYK 15 / 0 / 11 / 45

HEX #778C7D

RGB 119 140 125

HSL 137.14, 0.08%, 0.51%

LAB 56.25, -10.64, 5.5

 

CMYK 18 / 70 / 0 / 22

HEX #A53CC8

RGB 165 60 200

HSL 285, 0.56%, 0.51%

LAB 46.18, 62.92, -53.19

 

CMYK 0 / 70 / 1 / 22

HEX #C83CC5

RGB 200 60 197

HSL 301.29, 0.56%, 0.51%

LAB 51.32, 69.97, -42.95

 

CMYK 0 / 70 / 20 / 22

HEX #C83CA0

RGB 200 60 160

HSL 317.14, 0.56%, 0.51%

LAB 49.56, 64.47, -24.06

 

CMYK 0 / 70 / 39 / 22

HEX #C83C7B

RGB 200 60 123

HSL 333, 0.56%, 0.51%

LAB 48.19, 59.98, -3.93

 

CMYK 0 / 70 / 58 / 22

HEX #C83C55

RGB 200 60 85

HSL 349.29, 0.56%, 0.51%

LAB 47.19, 56.61, 17.86

 

CMYK 0 / 72 / 22 / 46

HEX #8A276C

RGB 138 39 108

HSL 318.18, 0.56%, 0.35%

LAB 33.85, 48.64, -17.31

 

CMYK 0 / 72 / 21 / 33

HEX #AA3086

RGB 170 48 134

HSL 317.7, 0.56%, 0.43%

LAB 41.82, 57.5, -20.77

 

CMYK 0 / 70 / 21 / 22

HEX #C83C9E

RGB 200 60 158

HSL 318, 0.56%, 0.51%

LAB 49.47, 64.2, -23.01

 

CMYK 0 / 56 / 17 / 18

HEX #D15CAE

RGB 209 92 174

HSL 317.95, 0.56%, 0.59%

LAB 56.35, 55.71, -21.69

 

CMYK 0 / 43 / 13 / 15

HEX #DA7CBE

RGB 218 124 190

HSL 317.87, 0.56%, 0.67%

LAB 64.19, 45.24, -18.77

 

CMYK 0 / 71 / 21 / 22

HEX #C83B9E

RGB 200 59 158

HSL 317.87, 0.56%, 0.51%

LAB 49.35, 64.55, -23.2

 

CMYK 0 / 37 / 70 / 22

HEX #C87F3C

RGB 200 127 60

HSL 28.71, 0.56%, 0.51%

LAB 59.69, 22.38, 46.95

 

CMYK 70 / 0 / 9 / 22

HEX #3CC8B7

RGB 60 200 183

HSL 172.71, 0.56%, 0.51%

LAB 73.34, -40.68, -2.27

 

CMYK 0 / 71 / 21 / 22

HEX #C83B9E

RGB 200 59 158

HSL 317.87, 0.56%, 0.51%

LAB 49.35, 64.55, -23.2

 

CMYK 20 / 0 / 70 / 22

HEX #A0C83C

RGB 160 200 60

HSL 77.14, 0.56%, 0.51%

LAB 75.52, -32.82, 62.28

 

CMYK 70 / 20 / 0 / 22

HEX #3CA0C8

RGB 60 160 200

HSL 197.14, 0.56%, 0.51%

LAB 61.89, -15.97, -28.92

 

CMYK 0 / 71 / 21 / 22

HEX #C83B9E

RGB 200 59 158

HSL 317.87, 0.56%, 0.51%

LAB 49.35, 64.55, -23.2

 

CMYK 0 / 37 / 70 / 22

HEX #C87F3C

RGB 200 127 60

HSL 28.71, 0.56%, 0.51%

LAB 59.69, 22.38, 46.95

 

CMYK 70 / 0 / 51 / 22

HEX #3CC863

RGB 60 200 99

HSL 136.71, 0.56%, 0.51%

LAB 71.67, -58.52, 39.72

 

CMYK 70 / 34 / 0 / 22

HEX #3C84C8

RGB 60 132 200

HSL 209.14, 0.56%, 0.51%

LAB 53.64, -0.11, -41.82

 

CMYK 0 / 71 / 21 / 22

HEX #C83B9E

RGB 200 59 158

HSL 317.87, 0.56%, 0.51%

LAB 49.35, 64.55, -23.2

 

CMYK 0 / 16 / 70 / 22

HEX #C8A93C

RGB 200 169 60

HSL 46.71, 0.56%, 0.51%

LAB 70.16, -0.41, 57.91

 

CMYK 70 / 0 / 51 / 22

HEX #3CC863

RGB 60 200 99

HSL 136.71, 0.56%, 0.51%

LAB 71.67, -58.52, 39.72

 

CMYK 70 / 55 / 0 / 22

HEX #3C5AC8

RGB 60 90 200

HSL 227.14, 0.56%, 0.51%

LAB 41.91, 26.14, -60.59

 

Description

Color code: HEX #C83B9E | qconv.com Color code: HEX #C83B9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 59 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 59 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 21 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 21% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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