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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C83287 it is the complementary color #37CD78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C83287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C83287 shade: #CD3282, #DE4495, #EF56A8, #FF68BB and #FF7ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C83287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C83287 shade: #C83287, #B72074, #A60E61, #95004E and #84003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C83287 shade: #C73186, #C7315E, #C73136 and #C73131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C83287 shade: #C73186, #C731AF, #B831C7, #8F31C7 and #6731C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C83287 shade matches the following richer shades: #C73186, #DC1D89 and #F0098C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C83287 shade: #C73186, #B34684, #9F5A81, #8B6E7E and #77827C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C83287 shade: #B831C7, #C731AE, #C73186, #C7315E and #C73136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C83287 shade: #85215A, #A62970, #C73186, #D34F9A and #DB70AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C83287 shade: #C83287, #C79031 and #31C2C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C83287 shade: #C83287, #86C731 and #3186C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C83287 shade: #C83287, #C79031, #31C772 and #3168C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C83287 shade: #C83287, #C7BD31, #31C772 and #313BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 33 / 22

HEX #C83287

RGB 200 50 135

HSL 326, 0.6%, 0.49%

LAB 47.38, 64.71, -12.41

 

Complementary color

CMYK 73 / 0 / 41 / 20

HEX #37CD78

RGB 55 205 120

HSL 146, 0.6%, 0.51%

LAB 73.44, -57.64, 31.4

 

CMYK 0 / 76 / 37 / 20

HEX #CD3282

RGB 205 50 130

HSL 329.03, 0.61%, 0.5%

LAB 48.1, 65.45, -8.21

 

CMYK 0 / 69 / 33 / 13

HEX #DE4495

RGB 222 68 149

HSL 328.44, 0.7%, 0.57%

LAB 53.85, 66.02, -10.67

 

CMYK 0 / 64 / 30 / 6

HEX #EF56A8

RGB 239 86 168

HSL 327.84, 0.83%, 0.64%

LAB 59.74, 66.08, -12.65

 

CMYK 0 / 59 / 27 / 0

HEX #FF68BB

RGB 255 104 187

HSL 327.02, 1%, 0.7%

LAB 65.55, 65.54, -14.53

 

CMYK 0 / 52 / 19 / 0

HEX #FF7ACE

RGB 255 122 206

HSL 322.11, 1%, 0.74%

LAB 69.21, 60.06, -19.67

 

CMYK 0 / 75 / 33 / 22

HEX #C83287

RGB 200 50 135

HSL 326, 0.6%, 0.49%

LAB 47.38, 64.71, -12.41

 

CMYK 0 / 83 / 37 / 28

HEX #B72074

RGB 183 32 116

HSL 326.62, 0.7%, 0.42%

LAB 41.78, 63.39, -9.5

 

CMYK 0 / 92 / 42 / 35

HEX #A60E61

RGB 166 14 97

HSL 327.24, 0.84%, 0.35%

LAB 36.53, 60.94, -5.73

 

CMYK 0 / 100 / 48 / 42

HEX #95004E

RGB 149 0 78

HSL 328.59, 1%, 0.29%

LAB 31.67, 57.13, -0.95

 

CMYK 0 / 100 / 55 / 48

HEX #84003B

RGB 132 0 59

HSL 333.18, 1%, 0.26%

LAB 27.36, 51.54, 5.08

 

CMYK 0 / 75 / 33 / 22

HEX #C73186

RGB 199 49 134

HSL 326, 0.6%, 0.49%

LAB 47.05, 64.65, -12.32

 

CMYK 0 / 75 / 53 / 22

HEX #C7315E

RGB 199 49 94

HSL 342, 0.6%, 0.49%

LAB 45.83, 60.82, 10.44

 

CMYK 0 / 75 / 73 / 22

HEX #C73136

RGB 199 49 54

HSL 358, 0.6%, 0.49%

LAB 45.09, 58.4, 33.83

 

CMYK 0 / 75 / 75 / 22

HEX #C73131

RGB 199 49 49

HSL 0, 0.6%, 0.49%

LAB 45.03, 58.19, 36.65

 

CMYK 0 / 75 / 33 / 22

HEX #C73186

RGB 199 49 134

HSL 326, 0.6%, 0.49%

LAB 47.05, 64.65, -12.32

 

CMYK 0 / 75 / 12 / 22

HEX #C731AF

RGB 199 49 175

HSL 309.6, 0.6%, 0.49%

LAB 48.8, 69.92, -34.11

 

CMYK 8 / 75 / 0 / 22

HEX #B831C7

RGB 184 49 199

HSL 294, 0.6%, 0.49%

LAB 47.64, 70.52, -50.12

 

CMYK 28 / 75 / 0 / 22

HEX #8F31C7

RGB 143 49 199

HSL 277.6, 0.6%, 0.49%

LAB 41.47, 62.66, -60.37

 

CMYK 48 / 75 / 0 / 22

HEX #6731C7

RGB 103 49 199

HSL 261.6, 0.6%, 0.49%

LAB 36.37, 55.97, -68.9

 

CMYK 0 / 75 / 33 / 22

HEX #C73186

RGB 199 49 134

HSL 326, 0.6%, 0.49%

LAB 47.05, 64.65, -12.32

 

CMYK 0 / 87 / 38 / 14

HEX #DC1D89

RGB 220 29 137

HSL 326.07, 0.77%, 0.49%

LAB 49.38, 74.77, -10.25

 

CMYK 0 / 96 / 42 / 6

HEX #F0098C

RGB 240 9 140

HSL 325.97, 0.93%, 0.49%

LAB 52.52, 81.71, -6.95

 

CMYK 0 / 75 / 33 / 22

HEX #C73186

RGB 199 49 134

HSL 326, 0.6%, 0.49%

LAB 47.05, 64.65, -12.32

 

CMYK 0 / 61 / 26 / 30

HEX #B34684

RGB 179 70 132

HSL 325.87, 0.44%, 0.49%

LAB 46.49, 50.79, -12.29

 

CMYK 0 / 43 / 19 / 38

HEX #9F5A81

RGB 159 90 129

HSL 326.09, 0.28%, 0.49%

LAB 47.32, 33.66, -9.5

 

CMYK 0 / 21 / 9 / 45

HEX #8B6E7E

RGB 139 110 126

HSL 326.9, 0.12%, 0.49%

LAB 49.67, 14.26, -4.46

 

CMYK 8 / 0 / 5 / 49

HEX #77827C

RGB 119 130 124

HSL 147.27, 0.04%, 0.49%

LAB 53.32, -5.28, 1.85

 

CMYK 8 / 75 / 0 / 22

HEX #B831C7

RGB 184 49 199

HSL 294, 0.6%, 0.49%

LAB 47.64, 70.52, -50.12

 

CMYK 0 / 75 / 13 / 22

HEX #C731AE

RGB 199 49 174

HSL 310, 0.6%, 0.49%

LAB 48.75, 69.78, -33.6

 

CMYK 0 / 75 / 33 / 22

HEX #C73186

RGB 199 49 134

HSL 326, 0.6%, 0.49%

LAB 47.05, 64.65, -12.32

 

CMYK 0 / 75 / 53 / 22

HEX #C7315E

RGB 199 49 94

HSL 342, 0.6%, 0.49%

LAB 45.83, 60.82, 10.44

 

CMYK 0 / 75 / 73 / 22

HEX #C73136

RGB 199 49 54

HSL 358, 0.6%, 0.49%

LAB 45.09, 58.4, 33.83

 

CMYK 0 / 75 / 32 / 48

HEX #85215A

RGB 133 33 90

HSL 325.8, 0.6%, 0.33%

LAB 31.38, 47.06, -9.6

 

CMYK 0 / 75 / 33 / 35

HEX #A62970

RGB 166 41 112

HSL 325.92, 0.6%, 0.41%

LAB 39.35, 56.04, -10.99

 

CMYK 0 / 75 / 33 / 22

HEX #C73186

RGB 199 49 134

HSL 326, 0.6%, 0.49%

LAB 47.05, 64.65, -12.32

 

CMYK 0 / 63 / 27 / 17

HEX #D34F9A

RGB 211 79 154

HSL 325.91, 0.6%, 0.57%

LAB 53.79, 59.25, -13.89

 

CMYK 0 / 49 / 21 / 14

HEX #DB70AD

RGB 219 112 173

HSL 325.79, 0.6%, 0.65%

LAB 61.36, 49.03, -13.37

 

CMYK 0 / 75 / 33 / 22

HEX #C83287

RGB 200 50 135

HSL 326, 0.6%, 0.49%

LAB 47.38, 64.71, -12.41

 

CMYK 0 / 28 / 75 / 22

HEX #C79031

RGB 199 144 49

HSL 38, 0.6%, 0.49%

LAB 63.6, 12.12, 55.82

 

CMYK 75 / 3 / 0 / 22

HEX #31C2C7

RGB 49 194 199

HSL 182, 0.6%, 0.49%

LAB 71.8, -34.76, -13.29

 

CMYK 0 / 75 / 33 / 22

HEX #C83287

RGB 200 50 135

HSL 326, 0.6%, 0.49%

LAB 47.38, 64.71, -12.41

 

CMYK 33 / 0 / 75 / 22

HEX #86C731

RGB 134 199 49

HSL 86, 0.6%, 0.49%

LAB 73.63, -42.89, 63.75

 

CMYK 75 / 33 / 0 / 22

HEX #3186C7

RGB 49 134 199

HSL 206, 0.6%, 0.49%

LAB 53.84, -3.15, -40.95

 

CMYK 0 / 75 / 33 / 22

HEX #C83287

RGB 200 50 135

HSL 326, 0.6%, 0.49%

LAB 47.38, 64.71, -12.41

 

CMYK 0 / 28 / 75 / 22

HEX #C79031

RGB 199 144 49

HSL 38, 0.6%, 0.49%

LAB 63.6, 12.12, 55.82

 

CMYK 75 / 0 / 43 / 22

HEX #31C772

RGB 49 199 114

HSL 146, 0.6%, 0.49%

LAB 71.36, -57.37, 31.75

 

CMYK 75 / 48 / 0 / 22

HEX #3168C7

RGB 49 104 199

HSL 218, 0.6%, 0.49%

LAB 45.19, 15.32, -54.74

 

CMYK 0 / 75 / 33 / 22

HEX #C83287

RGB 200 50 135

HSL 326, 0.6%, 0.49%

LAB 47.38, 64.71, -12.41

 

CMYK 0 / 5 / 75 / 22

HEX #C7BD31

RGB 199 189 49

HSL 56, 0.6%, 0.49%

LAB 75.3, -11.78, 66.92

 

CMYK 75 / 0 / 43 / 22

HEX #31C772

RGB 49 199 114

HSL 146, 0.6%, 0.49%

LAB 71.36, -57.37, 31.75

 

CMYK 75 / 70 / 0 / 22

HEX #313BC7

RGB 49 59 199

HSL 236, 0.6%, 0.49%

LAB 33.78, 43.95, -73.32

 

Description

Color code: HEX #C83287 | qconv.com Color code: HEX #C83287 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 50 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 50 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 33 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 33% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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