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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C821C8 it is the complementary color #37DE37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C821C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C821C8 shade: #CD21C3, #DE33D6, #EF45E9, #FF57FC and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C821C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C821C8 shade: #C821C8, #B70FB5, #A600A2, #95008F and #84007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C821C8 shade: #C920C9, #C9209C, #C9206E, #C92041 and #C92020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C821C8 shade: #C920C9, #9C20C9, #6E20C9, #4120C9 and #2020C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C821C8 shade matches the following richer shades: #C920C9 and #DC0DDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C821C8 shade: #C920C9, #B633B6, #A346A3, #905990 and #7D6C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C821C8 shade: #6F20C9, #9C20C9, #C920C9, #C9209C and #C9206F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C821C8 shade: #821582, #A61BA6, #C920C9, #DE35DE and #E359E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C821C8 shade: #C821C8, #C94220 and #20C986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C821C8 shade: #C821C8, #C9C920 and #20C9C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C821C8 shade: #C821C8, #C94220, #20C920 and #20A7C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C821C8 shade: #C821C8, #C97520, #20C920 and #2075C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 0 / 22

HEX #C821C8

RGB 200 33 200

HSL 300, 0.72%, 0.46%

LAB 48.93, 77.79, -48.48

 

Complementary color

CMYK 75 / 0 / 75 / 13

HEX #37DE37

RGB 55 222 55

HSL 120, 0.72%, 0.54%

LAB 78.07, -71.26, 65.21

 

CMYK 0 / 84 / 5 / 20

HEX #CD21C3

RGB 205 33 195

HSL 303.49, 0.72%, 0.47%

LAB 49.5, 77.97, -44.62

 

CMYK 0 / 77 / 4 / 13

HEX #DE33D6

RGB 222 51 214

HSL 302.81, 0.72%, 0.54%

LAB 54.82, 79.92, -46.92

 

CMYK 0 / 71 / 3 / 6

HEX #EF45E9

RGB 239 69 233

HSL 302.12, 0.84%, 0.6%

LAB 60.33, 81.07, -48.74

 

CMYK 0 / 66 / 1 / 0

HEX #FF57FC

RGB 255 87 252

HSL 301.07, 1%, 0.67%

LAB 65.83, 81.43, -50.42

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 84 / 0 / 22

HEX #C821C8

RGB 200 33 200

HSL 300, 0.72%, 0.46%

LAB 48.93, 77.79, -48.48

 

CMYK 0 / 92 / 1 / 28

HEX #B70FB5

RGB 183 15 181

HSL 300.71, 0.85%, 0.39%

LAB 43.87, 74.81, -45.64

 

CMYK 0 / 100 / 2 / 35

HEX #A600A2

RGB 166 0 162

HSL 301.45, 1%, 0.33%

LAB 39.1, 70.65, -42.11

 

CMYK 0 / 100 / 4 / 42

HEX #95008F

RGB 149 0 143

HSL 302.42, 1%, 0.29%

LAB 34.75, 64.91, -37.67

 

CMYK 0 / 100 / 6 / 48

HEX #84007C

RGB 132 0 124

HSL 303.64, 1%, 0.26%

LAB 30.3, 59.04, -33.1

 

CMYK 0 / 84 / 0 / 21

HEX #C920C9

RGB 201 32 201

HSL 300, 0.73%, 0.46%

LAB 49.09, 78.32, -48.79

 

CMYK 0 / 84 / 22 / 21

HEX #C9209C

RGB 201 32 156

HSL 315.98, 0.73%, 0.46%

LAB 46.78, 72.11, -25.97

 

CMYK 0 / 84 / 45 / 21

HEX #C9206E

RGB 201 32 110

HSL 332.31, 0.73%, 0.46%

LAB 45.05, 67.23, -0.55

 

CMYK 0 / 84 / 68 / 21

HEX #C92041

RGB 201 32 65

HSL 348.28, 0.73%, 0.46%

LAB 43.99, 64.14, 25.98

 

CMYK 0 / 84 / 84 / 21

HEX #C92020

RGB 201 32 32

HSL 0, 0.73%, 0.46%

LAB 43.59, 62.94, 44.62

 

CMYK 0 / 84 / 0 / 21

HEX #C920C9

RGB 201 32 201

HSL 300, 0.73%, 0.46%

LAB 49.09, 78.32, -48.79

 

CMYK 22 / 84 / 0 / 21

HEX #9C20C9

RGB 156 32 201

HSL 284.02, 0.73%, 0.46%

LAB 41.72, 70.59, -61.04

 

CMYK 45 / 84 / 0 / 21

HEX #6E20C9

RGB 110 32 201

HSL 267.69, 0.73%, 0.46%

LAB 35.13, 63.99, -72.07

 

CMYK 68 / 84 / 0 / 21

HEX #4120C9

RGB 65 32 201

HSL 251.72, 0.73%, 0.46%

LAB 30.34, 59.46, -80.15

 

CMYK 84 / 84 / 0 / 21

HEX #2020C9

RGB 32 32 201

HSL 240, 0.73%, 0.46%

LAB 28.27, 57.6, -83.65

 

CMYK 0 / 84 / 0 / 21

HEX #C920C9

RGB 201 32 201

HSL 300, 0.73%, 0.46%

LAB 49.09, 78.32, -48.79

 

CMYK 0 / 94 / 0 / 14

HEX #DC0DDC

RGB 220 13 220

HSL 300, 0.89%, 0.46%

LAB 52.59, 86.94, -53.91

 

CMYK 0 / 84 / 0 / 21

HEX #C920C9

RGB 201 32 201

HSL 300, 0.73%, 0.46%

LAB 49.09, 78.32, -48.79

 

CMYK 0 / 72 / 0 / 29

HEX #B633B6

RGB 182 51 182

HSL 300, 0.56%, 0.46%

LAB 46.57, 66.61, -41.94

 

CMYK 0 / 57 / 0 / 36

HEX #A346A3

RGB 163 70 163

HSL 300, 0.4%, 0.46%

LAB 45.37, 51.07, -32.8

 

CMYK 0 / 38 / 0 / 44

HEX #905990

RGB 144 89 144

HSL 300, 0.24%, 0.46%

LAB 45.75, 31.75, -21.07

 

CMYK 0 / 14 / 0 / 51

HEX #7D6C7D

RGB 125 108 125

HSL 300, 0.07%, 0.46%

LAB 47.71, 9.96, -6.94

 

CMYK 45 / 84 / 0 / 21

HEX #6F20C9

RGB 111 32 201

HSL 268.05, 0.73%, 0.46%

LAB 35.26, 64.12, -71.86

 

CMYK 22 / 84 / 0 / 21

HEX #9C20C9

RGB 156 32 201

HSL 284.02, 0.73%, 0.46%

LAB 41.72, 70.59, -61.04

 

CMYK 0 / 84 / 0 / 21

HEX #C920C9

RGB 201 32 201

HSL 300, 0.73%, 0.46%

LAB 49.09, 78.32, -48.79

 

CMYK 0 / 84 / 22 / 21

HEX #C9209C

RGB 201 32 156

HSL 315.98, 0.73%, 0.46%

LAB 46.78, 72.11, -25.97

 

CMYK 0 / 84 / 45 / 21

HEX #C9206F

RGB 201 32 111

HSL 331.95, 0.73%, 0.46%

LAB 45.08, 67.32, -1.12

 

CMYK 0 / 84 / 0 / 49

HEX #821582

RGB 130 21 130

HSL 300, 0.72%, 0.3%

LAB 31.56, 55.88, -34.88

 

CMYK 0 / 84 / 0 / 35

HEX #A61BA6

RGB 166 27 166

HSL 300, 0.72%, 0.38%

LAB 40.64, 67.42, -42.04

 

CMYK 0 / 84 / 0 / 21

HEX #C920C9

RGB 201 32 201

HSL 300, 0.73%, 0.46%

LAB 49.09, 78.32, -48.79

 

CMYK 0 / 76 / 0 / 13

HEX #DE35DE

RGB 222 53 222

HSL 300, 0.72%, 0.54%

LAB 55.43, 80.6, -50.49

 

CMYK 0 / 61 / 0 / 11

HEX #E359E3

RGB 227 89 227

HSL 300, 0.71%, 0.62%

LAB 60.8, 70.2, -44.75

 

CMYK 0 / 84 / 0 / 22

HEX #C821C8

RGB 200 33 200

HSL 300, 0.72%, 0.46%

LAB 48.93, 77.79, -48.48

 

CMYK 0 / 67 / 84 / 21

HEX #C94220

RGB 201 66 32

HSL 12.07, 0.73%, 0.46%

LAB 47.52, 52.02, 48.12

 

CMYK 84 / 0 / 33 / 21

HEX #20C986

RGB 32 201 134

HSL 156.21, 0.73%, 0.46%

LAB 72.1, -56.04, 22.26

 

CMYK 0 / 84 / 0 / 22

HEX #C821C8

RGB 200 33 200

HSL 300, 0.72%, 0.46%

LAB 48.93, 77.79, -48.48

 

CMYK 0 / 0 / 84 / 21

HEX #C9C920

RGB 201 201 32

HSL 60, 0.73%, 0.46%

LAB 78.63, -17.53, 74.57

 

CMYK 84 / 0 / 0 / 21

HEX #20C9C9

RGB 32 201 201

HSL 180, 0.73%, 0.46%

LAB 73.74, -38.88, -11.5

 

CMYK 0 / 84 / 0 / 22

HEX #C821C8

RGB 200 33 200

HSL 300, 0.72%, 0.46%

LAB 48.93, 77.79, -48.48

 

CMYK 0 / 67 / 84 / 21

HEX #C94220

RGB 201 66 32

HSL 12.07, 0.73%, 0.46%

LAB 47.52, 52.02, 48.12

 

CMYK 84 / 0 / 84 / 21

HEX #20C920

RGB 32 201 32

HSL 120, 0.73%, 0.46%

LAB 71, -69.2, 64.98

 

CMYK 84 / 17 / 0 / 21

HEX #20A7C9

RGB 32 167 201

HSL 192.07, 0.73%, 0.46%

LAB 63.48, -22.39, -27.08

 

CMYK 0 / 84 / 0 / 22

HEX #C821C8

RGB 200 33 200

HSL 300, 0.72%, 0.46%

LAB 48.93, 77.79, -48.48

 

CMYK 0 / 42 / 84 / 21

HEX #C97520

RGB 201 117 32

HSL 30.18, 0.73%, 0.46%

LAB 57.31, 27.09, 56.64

 

CMYK 84 / 0 / 84 / 21

HEX #20C920

RGB 32 201 32

HSL 120, 0.73%, 0.46%

LAB 71, -69.2, 64.98

 

CMYK 84 / 42 / 0 / 21

HEX #2075C9

RGB 32 117 201

HSL 209.82, 0.73%, 0.46%

LAB 48.57, 6.13, -50.49

 

Description

Color code: HEX #C821C8 | qconv.com Color code: HEX #C821C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 33 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 33 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Pamela for Skype - C...
Link: http://www.pamela.biz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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