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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C826AB it is the complementary color #37D954. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C826AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C826AB shade: #CD26A6, #DE38B9, #EF4ACC, #FF5CDF and #FF6EF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C826AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C826AB shade: #C826AB, #B71498, #A60285, #950072 and #84005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C826AB shade: #C926AC, #C92680, #C92654, #C92628 and #C92626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C826AB shade: #C926AC, #BA26C9, #8E26C9, #6226C9 and #3626C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C826AB shade matches the following richer shades: #C926AC and #DC12B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C826AB shade: #C926AC, #B5399F, #A24D93, #8F6086 and #7B737A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C826AB shade: #8D26C9, #B926C9, #C926AE, #C92682 and #C92657

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C826AB shade: #841970, #A61F8E, #C926AC, #DA3EBE and #E061CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C826AB shade: #C826AB, #C96226 and #26C9A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C826AB shade: #C826AB, #AEC926 and #26AEC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C826AB shade: #C826AB, #C96226, #26C941 and #268DC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C826AB shade: #C826AB, #C99326, #26C941 and #265CC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 15 / 22

HEX #C826AB

RGB 200 38 171

HSL 310.74, 0.68%, 0.47%

LAB 47.76, 72.51, -33.37

 

Complementary color

CMYK 75 / 0 / 61 / 15

HEX #37D954

RGB 55 217 84

HSL 130.74, 0.68%, 0.53%

LAB 76.73, -67.03, 52.66

 

CMYK 0 / 81 / 19 / 20

HEX #CD26A6

RGB 205 38 166

HSL 314.01, 0.69%, 0.48%

LAB 48.41, 72.92, -29.33

 

CMYK 0 / 75 / 17 / 13

HEX #DE38B9

RGB 222 56 185

HSL 313.37, 0.72%, 0.55%

LAB 53.88, 74.41, -31.73

 

CMYK 0 / 69 / 15 / 6

HEX #EF4ACC

RGB 239 74 204

HSL 312.73, 0.84%, 0.61%

LAB 59.53, 75.19, -33.63

 

CMYK 0 / 64 / 13 / 0

HEX #FF5CDF

RGB 255 92 223

HSL 311.78, 1%, 0.68%

LAB 65.15, 75.24, -35.4

 

CMYK 0 / 57 / 5 / 0

HEX #FF6EF2

RGB 255 110 242

HSL 305.38, 1%, 0.72%

LAB 68.62, 70.84, -40.53

 

CMYK 0 / 81 / 15 / 22

HEX #C826AB

RGB 200 38 171

HSL 310.74, 0.68%, 0.47%

LAB 47.76, 72.51, -33.37

 

CMYK 0 / 89 / 17 / 28

HEX #B71498

RGB 183 20 152

HSL 311.41, 0.8%, 0.4%

LAB 42.51, 70.04, -30.46

 

CMYK 0 / 99 / 20 / 35

HEX #A60285

RGB 166 2 133

HSL 312.07, 0.98%, 0.33%

LAB 37.56, 66.44, -26.83

 

CMYK 0 / 100 / 23 / 42

HEX #950072

RGB 149 0 114

HSL 314.09, 1%, 0.29%

LAB 33.15, 60.94, -22.05

 

CMYK 0 / 100 / 28 / 48

HEX #84005F

RGB 132 0 95

HSL 316.82, 1%, 0.26%

LAB 28.73, 55.1, -16.94

 

CMYK 0 / 81 / 14 / 21

HEX #C926AC

RGB 201 38 172

HSL 310.67, 0.68%, 0.47%

LAB 47.98, 72.86, -33.6

 

CMYK 0 / 81 / 36 / 21

HEX #C92680

RGB 201 38 128

HSL 326.87, 0.68%, 0.47%

LAB 46.13, 67.57, -10.02

 

CMYK 0 / 81 / 58 / 21

HEX #C92654

RGB 201 38 84

HSL 343.07, 0.68%, 0.47%

LAB 44.86, 63.81, 15.35

 

CMYK 0 / 81 / 80 / 21

HEX #C92628

RGB 201 38 40

HSL 359.26, 0.68%, 0.47%

LAB 44.17, 61.7, 40.92

 

CMYK 0 / 81 / 81 / 21

HEX #C92626

RGB 201 38 38

HSL 0, 0.68%, 0.47%

LAB 44.15, 61.64, 41.99

 

CMYK 0 / 81 / 14 / 21

HEX #C926AC

RGB 201 38 172

HSL 310.67, 0.68%, 0.47%

LAB 47.98, 72.86, -33.6

 

CMYK 7 / 81 / 0 / 21

HEX #BA26C9

RGB 186 38 201

HSL 294.48, 0.68%, 0.47%

LAB 47.03, 74.28, -52.23

 

CMYK 29 / 81 / 0 / 21

HEX #8E26C9

RGB 142 38 201

HSL 278.28, 0.68%, 0.47%

LAB 40.17, 66.69, -63.65

 

CMYK 51 / 81 / 0 / 21

HEX #6226C9

RGB 98 38 201

HSL 262.09, 0.68%, 0.47%

LAB 34.4, 60.41, -73.34

 

CMYK 73 / 81 / 0 / 21

HEX #3626C9

RGB 54 38 201

HSL 245.89, 0.68%, 0.47%

LAB 30.37, 56.13, -80.12

 

CMYK 0 / 81 / 14 / 21

HEX #C926AC

RGB 201 38 172

HSL 310.67, 0.68%, 0.47%

LAB 47.98, 72.86, -33.6

 

CMYK 0 / 92 / 16 / 14

HEX #DC12B8

RGB 220 18 184

HSL 310.69, 0.85%, 0.47%

LAB 50.81, 81.58, -35.97

 

CMYK 0 / 81 / 14 / 21

HEX #C926AC

RGB 201 38 172

HSL 310.67, 0.68%, 0.47%

LAB 47.98, 72.86, -33.6

 

CMYK 0 / 69 / 12 / 29

HEX #B5399F

RGB 181 57 159

HSL 310.65, 0.52%, 0.47%

LAB 45.98, 60.63, -29.27

 

CMYK 0 / 52 / 9 / 36

HEX #A24D93

RGB 162 77 147

HSL 310.59, 0.36%, 0.47%

LAB 45.77, 44.54, -22.65

 

CMYK 0 / 33 / 6 / 44

HEX #8F6086

RGB 143 96 134

HSL 311.49, 0.2%, 0.47%

LAB 46.88, 25.44, -13.37

 

CMYK 0 / 7 / 1 / 52

HEX #7B737A

RGB 123 115 122

HSL 307.5, 0.03%, 0.47%

LAB 49.35, 4.46, -2.75

 

CMYK 30 / 81 / 0 / 21

HEX #8D26C9

RGB 141 38 201

HSL 277.91, 0.68%, 0.47%

LAB 40.02, 66.53, -63.9

 

CMYK 8 / 81 / 0 / 21

HEX #B926C9

RGB 185 38 201

HSL 294.11, 0.68%, 0.47%

LAB 46.87, 74.1, -52.5

 

CMYK 0 / 81 / 13 / 21

HEX #C926AE

RGB 201 38 174

HSL 309.94, 0.68%, 0.47%

LAB 48.08, 73.13, -34.63

 

CMYK 0 / 81 / 35 / 21

HEX #C92682

RGB 201 38 130

HSL 326.13, 0.68%, 0.47%

LAB 46.2, 67.77, -11.14

 

CMYK 0 / 81 / 57 / 21

HEX #C92657

RGB 201 38 87

HSL 341.96, 0.68%, 0.47%

LAB 44.93, 64.02, 13.58

 

CMYK 0 / 81 / 15 / 48

HEX #841970

RGB 132 25 112

HSL 311.21, 0.68%, 0.31%

LAB 31.28, 52.42, -23.94

 

CMYK 0 / 81 / 14 / 35

HEX #A61F8E

RGB 166 31 142

HSL 310.67, 0.69%, 0.39%

LAB 39.65, 62.88, -29.1

 

CMYK 0 / 81 / 14 / 21

HEX #C926AC

RGB 201 38 172

HSL 310.67, 0.68%, 0.47%

LAB 47.98, 72.86, -33.6

 

CMYK 0 / 72 / 13 / 15

HEX #DA3EBE

RGB 218 62 190

HSL 310.77, 0.68%, 0.55%

LAB 54.1, 72.32, -34.33

 

CMYK 0 / 57 / 10 / 12

HEX #E061CA

RGB 224 97 202

HSL 310.39, 0.67%, 0.63%

LAB 60.48, 61.98, -31.19

 

CMYK 0 / 81 / 15 / 22

HEX #C826AB

RGB 200 38 171

HSL 310.74, 0.68%, 0.47%

LAB 47.76, 72.51, -33.37

 

CMYK 0 / 51 / 81 / 21

HEX #C96226

RGB 201 98 38

HSL 22.09, 0.68%, 0.47%

LAB 53.27, 37.28, 50.66

 

CMYK 81 / 0 / 19 / 21

HEX #26C9A3

RGB 38 201 163

HSL 166.01, 0.68%, 0.47%

LAB 72.78, -48.81, 7.7

 

CMYK 0 / 81 / 15 / 22

HEX #C826AB

RGB 200 38 171

HSL 310.74, 0.68%, 0.47%

LAB 47.76, 72.51, -33.37

 

CMYK 13 / 0 / 81 / 21

HEX #AEC926

RGB 174 201 38

HSL 69.94, 0.68%, 0.47%

LAB 76.63, -28.68, 70.62

 

CMYK 81 / 13 / 0 / 21

HEX #26AEC9

RGB 38 174 201

HSL 189.94, 0.68%, 0.47%

LAB 65.67, -25.48, -23.7

 

CMYK 0 / 81 / 15 / 22

HEX #C826AB

RGB 200 38 171

HSL 310.74, 0.68%, 0.47%

LAB 47.76, 72.51, -33.37

 

CMYK 0 / 51 / 81 / 21

HEX #C96226

RGB 201 98 38

HSL 22.09, 0.68%, 0.47%

LAB 53.27, 37.28, 50.66

 

CMYK 81 / 0 / 68 / 21

HEX #26C941

RGB 38 201 65

HSL 129.94, 0.68%, 0.47%

LAB 71.26, -66.18, 54.5

 

CMYK 81 / 30 / 0 / 21

HEX #268DC9

RGB 38 141 201

HSL 202.09, 0.68%, 0.47%

LAB 55.76, -7.7, -39.07

 

CMYK 0 / 81 / 15 / 22

HEX #C826AB

RGB 200 38 171

HSL 310.74, 0.68%, 0.47%

LAB 47.76, 72.51, -33.37

 

CMYK 0 / 27 / 81 / 21

HEX #C99326

RGB 201 147 38

HSL 40.12, 0.68%, 0.47%

LAB 64.5, 10.94, 60.84

 

CMYK 81 / 0 / 68 / 21

HEX #26C941

RGB 38 201 65

HSL 129.94, 0.68%, 0.47%

LAB 71.26, -66.18, 54.5

 

CMYK 81 / 54 / 0 / 21

HEX #265CC9

RGB 38 92 201

HSL 220.12, 0.68%, 0.47%

LAB 41.66, 22.67, -61.61

 

Description

Color code: HEX #C826AB | qconv.com Color code: HEX #C826AB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 38 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 38 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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