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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C81DF6 it is the complementary color #37E209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C81DF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C81DF6 shade: #CD1DF1, #DE2FFF, #EF41FF, #FF53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C81DF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C81DF6 shade: #C81DF6, #B70BE3, #A600D0, #9500BD and #8400AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C81DF6 shade: #C71DF5, #F51DE9, #F51DAE, #F51D74 and #F51D3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C81DF6 shade: #C71DF5, #8D1DF5, #531DF5 and #1D1DF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C81DF6 shade matches the following richer shades: #C71DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C81DF6 shade: #C71DF5, #BC30E2, #B143CF, #A756BC and #9C69A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C81DF6 shade: #531DF5, #8D1DF5, #C61DF5, #F51DEA and #F51DB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C81DF6 shade: #9307B9, #B309E0, #C71DF5, #D145F7 and #DB6DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C81DF6 shade: #C81DF6, #F51D21 and #1DF570

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C81DF6 shade: #C81DF6, #F5C61D and #1DF5C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C81DF6 shade: #C81DF6, #F51D21, #4CF51D and #1DF5F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C81DF6 shade: #C81DF6, #F55A1D, #4CF51D and #1DB8F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 88 / 0 / 4

HEX #C81DF6

RGB 200 29 246

HSL 287.28, 0.92%, 0.54%

LAB 51.62, 85.98, -70.31

 

Complementary color

CMYK 76 / 0 / 96 / 11

HEX #37E209

RGB 55 226 9

HSL 107.28, 0.92%, 0.46%

LAB 79.17, -74.3, 75.7

 

CMYK 15 / 88 / 0 / 5

HEX #CD1DF1

RGB 205 29 241

HSL 289.81, 0.88%, 0.53%

LAB 52.07, 85.89, -66.74

 

CMYK 13 / 82 / 0 / 0

HEX #DE2FFF

RGB 222 47 255

HSL 290.48, 1%, 0.59%

LAB 56.86, 87.37, -66.68

 

CMYK 6 / 75 / 0 / 0

HEX #EF41FF

RGB 239 65 255

HSL 294.95, 1%, 0.63%

LAB 61.09, 85.72, -59.76

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 19 / 88 / 0 / 4

HEX #C81DF6

RGB 200 29 246

HSL 287.28, 0.92%, 0.54%

LAB 51.62, 85.98, -70.31

 

CMYK 19 / 95 / 0 / 11

HEX #B70BE3

RGB 183 11 227

HSL 287.78, 0.91%, 0.47%

LAB 46.78, 82.63, -67.57

 

CMYK 20 / 100 / 0 / 18

HEX #A600D0

RGB 166 0 208

HSL 287.88, 1%, 0.41%

LAB 42.25, 78.06, -64.17

 

CMYK 21 / 100 / 0 / 26

HEX #9500BD

RGB 149 0 189

HSL 287.3, 1%, 0.37%

LAB 37.96, 72.46, -60.18

 

CMYK 22 / 100 / 0 / 33

HEX #8400AA

RGB 132 0 170

HSL 286.59, 1%, 0.33%

LAB 33.58, 66.74, -56.13

 

CMYK 19 / 88 / 0 / 4

HEX #C71DF5

RGB 199 29 245

HSL 287.22, 0.92%, 0.54%

LAB 51.4, 85.66, -70.12

 

CMYK 0 / 88 / 5 / 4

HEX #F51DE9

RGB 245 29 233

HSL 303.33, 0.92%, 0.54%

LAB 58.2, 91.2, -52.05

 

CMYK 0 / 88 / 29 / 4

HEX #F51DAE

RGB 245 29 174

HSL 319.72, 0.92%, 0.54%

LAB 55.43, 83.93, -22.6

 

CMYK 0 / 88 / 53 / 4

HEX #F51D74

RGB 245 29 116

HSL 335.83, 0.92%, 0.54%

LAB 53.55, 78.77, 9.12

 

CMYK 0 / 88 / 76 / 4

HEX #F51D3A

RGB 245 29 58

HSL 351.94, 0.92%, 0.54%

LAB 52.51, 75.82, 42.3

 

CMYK 19 / 88 / 0 / 4

HEX #C71DF5

RGB 199 29 245

HSL 287.22, 0.92%, 0.54%

LAB 51.4, 85.66, -70.12

 

CMYK 42 / 88 / 0 / 4

HEX #8D1DF5

RGB 141 29 245

HSL 271.11, 0.92%, 0.54%

LAB 42.96, 78.16, -84.24

 

CMYK 66 / 88 / 0 / 4

HEX #531DF5

RGB 83 29 245

HSL 255, 0.92%, 0.54%

LAB 36.57, 73.18, -95.01

 

CMYK 88 / 88 / 0 / 4

HEX #1D1DF5

RGB 29 29 245

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.04, -100.35

 

CMYK 19 / 88 / 0 / 4

HEX #C71DF5

RGB 199 29 245

HSL 287.22, 0.92%, 0.54%

LAB 51.4, 85.66, -70.12

 

CMYK 19 / 88 / 0 / 4

HEX #C71DF5

RGB 199 29 245

HSL 287.22, 0.92%, 0.54%

LAB 51.4, 85.66, -70.12

 

CMYK 17 / 79 / 0 / 11

HEX #BC30E2

RGB 188 48 226

HSL 287.19, 0.75%, 0.54%

LAB 49.85, 76.31, -61.99

 

CMYK 14 / 68 / 0 / 19

HEX #B143CF

RGB 177 67 207

HSL 287.14, 0.59%, 0.54%

LAB 49.33, 64.04, -52.07

 

CMYK 11 / 54 / 0 / 26

HEX #A756BC

RGB 167 86 188

HSL 287.65, 0.43%, 0.54%

LAB 50.1, 49.13, -39.98

 

CMYK 8 / 38 / 0 / 34

HEX #9C69A9

RGB 156 105 169

HSL 287.81, 0.27%, 0.54%

LAB 51.88, 31.68, -26.25

 

CMYK 66 / 88 / 0 / 4

HEX #531DF5

RGB 83 29 245

HSL 255, 0.92%, 0.54%

LAB 36.57, 73.18, -95.01

 

CMYK 42 / 88 / 0 / 4

HEX #8D1DF5

RGB 141 29 245

HSL 271.11, 0.92%, 0.54%

LAB 42.96, 78.16, -84.24

 

CMYK 19 / 88 / 0 / 4

HEX #C61DF5

RGB 198 29 245

HSL 286.94, 0.92%, 0.54%

LAB 51.24, 85.52, -70.38

 

CMYK 0 / 88 / 4 / 4

HEX #F51DEA

RGB 245 29 234

HSL 303.06, 0.92%, 0.54%

LAB 58.26, 91.34, -52.53

 

CMYK 0 / 88 / 28 / 4

HEX #F51DB1

RGB 245 29 177

HSL 318.89, 0.92%, 0.54%

LAB 55.55, 84.25, -24.16

 

CMYK 21 / 96 / 0 / 27

HEX #9307B9

RGB 147 7 185

HSL 287.19, 0.93%, 0.38%

LAB 37.59, 70.65, -58.44

 

CMYK 20 / 96 / 0 / 12

HEX #B309E0

RGB 179 9 224

HSL 287.44, 0.92%, 0.46%

LAB 45.85, 81.74, -67.4

 

CMYK 19 / 88 / 0 / 4

HEX #C71DF5

RGB 199 29 245

HSL 287.22, 0.92%, 0.54%

LAB 51.4, 85.66, -70.12

 

CMYK 15 / 72 / 0 / 3

HEX #D145F7

RGB 209 69 247

HSL 287.19, 0.92%, 0.62%

LAB 56.61, 77.33, -62.75

 

CMYK 12 / 56 / 0 / 3

HEX #DB6DF8

RGB 219 109 248

HSL 287.48, 0.91%, 0.7%

LAB 63.98, 63.22, -51.47

 

CMYK 19 / 88 / 0 / 4

HEX #C81DF6

RGB 200 29 246

HSL 287.28, 0.92%, 0.54%

LAB 51.62, 85.98, -70.31

 

CMYK 0 / 88 / 87 / 4

HEX #F51D21

RGB 245 29 33

HSL 358.89, 0.92%, 0.54%

LAB 52.29, 75.19, 55.04

 

CMYK 88 / 0 / 54 / 4

HEX #1DF570

RGB 29 245 112

HSL 143.06, 0.92%, 0.54%

LAB 85.37, -74.9, 50.21

 

CMYK 19 / 88 / 0 / 4

HEX #C81DF6

RGB 200 29 246

HSL 287.28, 0.92%, 0.54%

LAB 51.62, 85.98, -70.31

 

CMYK 0 / 19 / 88 / 4

HEX #F5C61D

RGB 245 198 29

HSL 46.94, 0.92%, 0.54%

LAB 81.78, 2.82, 79.38

 

CMYK 88 / 0 / 19 / 4

HEX #1DF5C6

RGB 29 245 198

HSL 166.94, 0.92%, 0.54%

LAB 86.82, -58.31, 9.24

 

CMYK 19 / 88 / 0 / 4

HEX #C81DF6

RGB 200 29 246

HSL 287.28, 0.92%, 0.54%

LAB 51.62, 85.98, -70.31

 

CMYK 0 / 88 / 87 / 4

HEX #F51D21

RGB 245 29 33

HSL 358.89, 0.92%, 0.54%

LAB 52.29, 75.19, 55.04

 

CMYK 69 / 0 / 88 / 4

HEX #4CF51D

RGB 76 245 29

HSL 106.94, 0.92%, 0.54%

LAB 85.47, -76.09, 78.55

 

CMYK 88 / 0 / 1 / 4

HEX #1DF5F2

RGB 29 245 242

HSL 179.17, 0.92%, 0.54%

LAB 87.96, -46.67, -12.08

 

CMYK 19 / 88 / 0 / 4

HEX #C81DF6

RGB 200 29 246

HSL 287.28, 0.92%, 0.54%

LAB 51.62, 85.98, -70.31

 

CMYK 0 / 63 / 88 / 4

HEX #F55A1D

RGB 245 90 29

HSL 16.94, 0.92%, 0.54%

LAB 58.8, 57.01, 61.67

 

CMYK 69 / 0 / 88 / 4

HEX #4CF51D

RGB 76 245 29

HSL 106.94, 0.92%, 0.54%

LAB 85.47, -76.09, 78.55

 

CMYK 88 / 25 / 0 / 4

HEX #1DB8F5

RGB 29 184 245

HSL 196.94, 0.92%, 0.54%

LAB 70.27, -16.47, -40.7

 

Description

Color code: HEX #C81DF6 | qconv.com Color code: HEX #C81DF6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 29 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 29 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 88 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 88% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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