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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C81BF2 it is the complementary color #37E40D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C81BF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C81BF2 shade: #CD1BED, #DE2DFF, #EF3FFF, #FF51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C81BF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C81BF2 shade: #C81BF2, #B709DF, #A600CC, #9500B9 and #8400A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C81BF2 shade: #C81CF1, #F11CE1, #F11CA8, #F11C6E and #F11C35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C81BF2 shade: #C81CF1, #8E1CF1, #551CF1 and #1C1CF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C81BF2 shade matches the following richer shades: #C81CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C81BF2 shade: #C81CF1, #BC2FDE, #B043CB, #A456B7 and #986AA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C81BF2 shade: #551CF1, #8E1CF1, #C71CF1, #F11CE3 and #F11CAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C81BF2 shade: #900AB1, #B00CD8, #C81CF1, #D143F4 and #DB6AF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C81BF2 shade: #C81BF2, #F11C1C and #1CF171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C81BF2 shade: #C81BF2, #F1C71C and #1CF1C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C81BF2 shade: #C81BF2, #F11C1C, #47F11C and #1CF1F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C81BF2 shade: #C81BF2, #F15C1C, #47F11C and #1CB1F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 89 / 0 / 5

HEX #C81BF2

RGB 200 27 242

HSL 288.28, 0.89%, 0.53%

LAB 51.24, 85.62, -68.69

 

Complementary color

CMYK 76 / 0 / 94 / 11

HEX #37E40D

RGB 55 228 13

HSL 108.28, 0.89%, 0.47%

LAB 79.8, -74.82, 75.84

 

CMYK 14 / 89 / 0 / 7

HEX #CD1BED

RGB 205 27 237

HSL 290.86, 0.85%, 0.52%

LAB 51.7, 85.54, -65.1

 

CMYK 13 / 82 / 0 / 0

HEX #DE2DFF

RGB 222 45 255

HSL 290.57, 1%, 0.59%

LAB 56.71, 87.82, -66.93

 

CMYK 6 / 75 / 0 / 0

HEX #EF3FFF

RGB 239 63 255

HSL 295, 1%, 0.62%

LAB 60.89, 86.29, -60.07

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 17 / 89 / 0 / 5

HEX #C81BF2

RGB 200 27 242

HSL 288.28, 0.89%, 0.53%

LAB 51.24, 85.62, -68.69

 

CMYK 18 / 96 / 0 / 13

HEX #B709DF

RGB 183 9 223

HSL 288.79, 0.92%, 0.45%

LAB 46.43, 82.12, -65.86

 

CMYK 19 / 100 / 0 / 20

HEX #A600CC

RGB 166 0 204

HSL 288.82, 1%, 0.4%

LAB 41.95, 77.38, -62.34

 

CMYK 19 / 100 / 0 / 27

HEX #9500B9

RGB 149 0 185

HSL 288.32, 1%, 0.36%

LAB 37.65, 71.75, -58.32

 

CMYK 20 / 100 / 0 / 35

HEX #8400A6

RGB 132 0 166

HSL 287.71, 1%, 0.33%

LAB 33.26, 66.02, -54.24

 

CMYK 17 / 88 / 0 / 5

HEX #C81CF1

RGB 200 28 241

HSL 288.45, 0.88%, 0.53%

LAB 51.22, 85.29, -68.15

 

CMYK 0 / 88 / 7 / 5

HEX #F11CE1

RGB 241 28 225

HSL 304.51, 0.88%, 0.53%

LAB 57.04, 89.54, -49.43

 

CMYK 0 / 88 / 30 / 5

HEX #F11CA8

RGB 241 28 168

HSL 320.56, 0.88%, 0.53%

LAB 54.41, 82.61, -20.71

 

CMYK 0 / 88 / 54 / 5

HEX #F11C6E

RGB 241 28 110

HSL 336.9, 0.88%, 0.53%

LAB 52.57, 77.57, 11.26

 

CMYK 0 / 88 / 78 / 5

HEX #F11C35

RGB 241 28 53

HSL 352.96, 0.88%, 0.53%

LAB 51.6, 74.81, 43.89

 

CMYK 17 / 88 / 0 / 5

HEX #C81CF1

RGB 200 28 241

HSL 288.45, 0.88%, 0.53%

LAB 51.22, 85.29, -68.15

 

CMYK 41 / 88 / 0 / 5

HEX #8E1CF1

RGB 142 28 241

HSL 272.11, 0.88%, 0.53%

LAB 42.66, 77.64, -82.49

 

CMYK 65 / 88 / 0 / 5

HEX #551CF1

RGB 85 28 241

HSL 256.06, 0.88%, 0.53%

LAB 36.2, 72.59, -93.37

 

CMYK 88 / 88 / 0 / 5

HEX #1C1CF1

RGB 28 28 241

HSL 240, 0.88%, 0.53%

LAB 32.76, 70.26, -99.19

 

CMYK 17 / 88 / 0 / 5

HEX #C81CF1

RGB 200 28 241

HSL 288.45, 0.88%, 0.53%

LAB 51.22, 85.29, -68.15

 

CMYK 17 / 88 / 0 / 5

HEX #C81CF1

RGB 200 28 241

HSL 288.45, 0.88%, 0.53%

LAB 51.22, 85.29, -68.15

 

CMYK 15 / 79 / 0 / 13

HEX #BC2FDE

RGB 188 47 222

HSL 288.34, 0.73%, 0.53%

LAB 49.49, 75.88, -60.3

 

CMYK 13 / 67 / 0 / 20

HEX #B043CB

RGB 176 67 203

HSL 288.09, 0.57%, 0.53%

LAB 48.95, 63.06, -50.39

 

CMYK 10 / 53 / 0 / 28

HEX #A456B7

RGB 164 86 183

HSL 288.25, 0.4%, 0.53%

LAB 49.46, 47.29, -38.12

 

CMYK 7 / 35 / 0 / 36

HEX #986AA4

RGB 152 106 164

HSL 287.59, 0.24%, 0.53%

LAB 51.45, 28.76, -24.03

 

CMYK 65 / 88 / 0 / 5

HEX #551CF1

RGB 85 28 241

HSL 256.06, 0.88%, 0.53%

LAB 36.2, 72.59, -93.37

 

CMYK 41 / 88 / 0 / 5

HEX #8E1CF1

RGB 142 28 241

HSL 272.11, 0.88%, 0.53%

LAB 42.66, 77.64, -82.49

 

CMYK 17 / 88 / 0 / 5

HEX #C71CF1

RGB 199 28 241

HSL 288.17, 0.88%, 0.53%

LAB 51.06, 85.14, -68.42

 

CMYK 0 / 88 / 6 / 5

HEX #F11CE3

RGB 241 28 227

HSL 303.94, 0.88%, 0.53%

LAB 57.15, 89.81, -50.39

 

CMYK 0 / 88 / 29 / 5

HEX #F11CAA

RGB 241 28 170

HSL 320, 0.88%, 0.53%

LAB 54.48, 82.82, -21.77

 

CMYK 19 / 94 / 0 / 31

HEX #900AB1

RGB 144 10 177

HSL 288.14, 0.89%, 0.37%

LAB 36.59, 68.43, -55.33

 

CMYK 19 / 94 / 0 / 15

HEX #B00CD8

RGB 176 12 216

HSL 288.24, 0.89%, 0.45%

LAB 44.87, 79.67, -64.44

 

CMYK 17 / 88 / 0 / 5

HEX #C81CF1

RGB 200 28 241

HSL 288.45, 0.88%, 0.53%

LAB 51.22, 85.29, -68.15

 

CMYK 14 / 73 / 0 / 4

HEX #D143F4

RGB 209 67 244

HSL 288.14, 0.89%, 0.61%

LAB 56.19, 77.47, -61.75

 

CMYK 11 / 57 / 0 / 4

HEX #DB6AF6

RGB 219 106 246

HSL 288.43, 0.89%, 0.69%

LAB 63.36, 64.23, -51.34

 

CMYK 17 / 89 / 0 / 5

HEX #C81BF2

RGB 200 27 242

HSL 288.28, 0.89%, 0.53%

LAB 51.24, 85.62, -68.69

 

CMYK 0 / 88 / 88 / 5

HEX #F11C1C

RGB 241 28 28

HSL 0, 0.88%, 0.53%

LAB 51.4, 74.24, 56.21

 

CMYK 88 / 0 / 53 / 5

HEX #1CF171

RGB 28 241 113

HSL 143.94, 0.88%, 0.53%

LAB 84.15, -73.58, 48.27

 

CMYK 17 / 89 / 0 / 5

HEX #C81BF2

RGB 200 27 242

HSL 288.28, 0.89%, 0.53%

LAB 51.24, 85.62, -68.69

 

CMYK 0 / 17 / 88 / 5

HEX #F1C71C

RGB 241 199 28

HSL 48.17, 0.88%, 0.53%

LAB 81.64, 0.57, 79.3

 

CMYK 88 / 0 / 17 / 5

HEX #1CF1C7

RGB 28 241 199

HSL 168.17, 0.88%, 0.53%

LAB 85.65, -56.56, 7.03

 

CMYK 17 / 89 / 0 / 5

HEX #C81BF2

RGB 200 27 242

HSL 288.28, 0.89%, 0.53%

LAB 51.24, 85.62, -68.69

 

CMYK 0 / 88 / 88 / 5

HEX #F11C1C

RGB 241 28 28

HSL 0, 0.88%, 0.53%

LAB 51.4, 74.24, 56.21

 

CMYK 71 / 0 / 88 / 5

HEX #47F11C

RGB 71 241 28

HSL 107.89, 0.88%, 0.53%

LAB 84.14, -75.78, 77.54

 

CMYK 88 / 0 / 0 / 5

HEX #1CF1F1

RGB 28 241 241

HSL 180, 0.88%, 0.53%

LAB 86.76, -45.26, -13.35

 

CMYK 17 / 89 / 0 / 5

HEX #C81BF2

RGB 200 27 242

HSL 288.28, 0.89%, 0.53%

LAB 51.24, 85.62, -68.69

 

CMYK 0 / 62 / 88 / 5

HEX #F15C1C

RGB 241 92 28

HSL 18.03, 0.88%, 0.53%

LAB 58.45, 54.76, 61.45

 

CMYK 71 / 0 / 88 / 5

HEX #47F11C

RGB 71 241 28

HSL 107.89, 0.88%, 0.53%

LAB 84.14, -75.78, 77.54

 

CMYK 88 / 27 / 0 / 5

HEX #1CB1F1

RGB 28 177 241

HSL 198.03, 0.88%, 0.53%

LAB 68.05, -14.17, -41.99

 

Description

Color code: HEX #C81BF2 | qconv.com Color code: HEX #C81BF2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 27 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 27 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 89 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 89% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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