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Color name
HEX #C8122A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8122A it is the complementary color #37EDD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8122A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8122A shade: #CD1225, #DE2438, #EF364B, #FF485E and #FF5A71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8122A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8122A shade: #C8122A, #B70017, #A60004, #950000 and #840000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8122A shade: #C8122A and #C81212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8122A shade: #C8122A, #C8125B, #C8128C, #C812BD and #A212C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8122A shade matches the following richer shades: #C8122A and #DA001D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8122A shade: #C8122A, #B62437, #A53644, #934751 and #81595E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8122A shade: #C8128B, #C8125B, #C8122A, #C82A12 and #C85B12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8122A shade: #7D0B1A, #A20F22, #C8122A, #E91A36 and #ED4057

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8122A shade: #C8122A, #BCC812 and #1273C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8122A shade: #C8122A, #2AC812 and #122AC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8122A shade: #C8122A, #BCC812, #12C8B0 and #1E12C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8122A shade: #C8122A, #85C812, #12C8B0 and #5512C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

Complementary color

CMYK 77 / 0 / 10 / 7

HEX #37EDD5

RGB 55 237 213

HSL 172.09, 0.83%, 0.57%

LAB 85.09, -49.33, -1.08

 

CMYK 0 / 91 / 82 / 20

HEX #CD1225

RGB 205 18 37

HSL 353.9, 0.84%, 0.44%

LAB 43.57, 66.65, 42.25

 

CMYK 0 / 84 / 75 / 13

HEX #DE2438

RGB 222 36 56

HSL 353.55, 0.74%, 0.51%

LAB 48.36, 68.5, 37.57

 

CMYK 0 / 77 / 69 / 6

HEX #EF364B

RGB 239 54 75

HSL 353.19, 0.85%, 0.57%

LAB 53.49, 69.42, 33.36

 

CMYK 0 / 72 / 63 / 0

HEX #FF485E

RGB 255 72 94

HSL 352.79, 1%, 0.64%

LAB 58.7, 69.38, 29.45

 

CMYK 0 / 65 / 56 / 0

HEX #FF5A71

RGB 255 90 113

HSL 351.64, 1%, 0.68%

LAB 61.45, 63.99, 22.08

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 0 / 100 / 87 / 28

HEX #B70017

RGB 183 0 23

HSL 352.46, 1%, 0.36%

LAB 38.07, 62.74, 42.97

 

CMYK 0 / 100 / 98 / 35

HEX #A60004

RGB 166 0 4

HSL 358.55, 1%, 0.33%

LAB 34.22, 58.14, 46.83

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 0 / 91 / 91 / 22

HEX #C81212

RGB 200 18 18

HSL 0, 0.83%, 0.43%

LAB 42.39, 64.97, 50.09

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 0 / 91 / 55 / 22

HEX #C8125B

RGB 200 18 91

HSL 335.93, 0.83%, 0.43%

LAB 43.46, 67.97, 9

 

CMYK 0 / 91 / 30 / 22

HEX #C8128C

RGB 200 18 140

HSL 319.78, 0.83%, 0.43%

LAB 45.09, 72.4, -18.93

 

CMYK 0 / 91 / 5 / 22

HEX #C812BD

RGB 200 18 189

HSL 303.63, 0.83%, 0.43%

LAB 47.48, 78.6, -44.4

 

CMYK 19 / 91 / 0 / 22

HEX #A212C8

RGB 162 18 200

HSL 287.47, 0.83%, 0.43%

LAB 41.66, 74.11, -60.5

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 0 / 100 / 87 / 15

HEX #DA001D

RGB 218 0 29

HSL 352.02, 1%, 0.43%

LAB 45.63, 71.5, 49.25

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 0 / 80 / 70 / 29

HEX #B62437

RGB 182 36 55

HSL 352.19, 0.67%, 0.43%

LAB 40.38, 57.37, 26.83

 

CMYK 0 / 67 / 59 / 35

HEX #A53644

RGB 165 54 68

HSL 352.43, 0.51%, 0.43%

LAB 39.67, 46.52, 17.19

 

CMYK 0 / 52 / 45 / 42

HEX #934751

RGB 147 71 81

HSL 352.11, 0.35%, 0.43%

LAB 40.09, 33, 9.15

 

CMYK 0 / 31 / 27 / 49

HEX #81595E

RGB 129 89 94

HSL 352.5, 0.18%, 0.43%

LAB 42.19, 17.26, 3.76

 

CMYK 0 / 91 / 31 / 22

HEX #C8128B

RGB 200 18 139

HSL 320.11, 0.83%, 0.43%

LAB 45.05, 72.29, -18.39

 

CMYK 0 / 91 / 55 / 22

HEX #C8125B

RGB 200 18 91

HSL 335.93, 0.83%, 0.43%

LAB 43.46, 67.97, 9

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 0 / 79 / 91 / 22

HEX #C82A12

RGB 200 42 18

HSL 7.91, 0.83%, 0.43%

LAB 44.2, 59.82, 51.33

 

CMYK 0 / 55 / 91 / 22

HEX #C85B12

RGB 200 91 18

HSL 24.07, 0.83%, 0.43%

LAB 51.62, 39.93, 56.6

 

CMYK 0 / 91 / 79 / 51

HEX #7D0B1A

RGB 125 11 26

HSL 352.11, 0.84%, 0.27%

LAB 25.78, 45.78, 24.99

 

CMYK 0 / 91 / 79 / 36

HEX #A20F22

RGB 162 15 34

HSL 352.24, 0.83%, 0.35%

LAB 34.27, 55.67, 31.59

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 0 / 89 / 77 / 9

HEX #E91A36

RGB 233 26 54

HSL 351.88, 0.82%, 0.51%

LAB 49.89, 73.13, 41.04

 

CMYK 0 / 73 / 63 / 7

HEX #ED4057

RGB 237 64 87

HSL 352.02, 0.83%, 0.59%

LAB 54.41, 66.41, 27.39

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 6 / 0 / 91 / 22

HEX #BCC812

RGB 188 200 18

HSL 63.96, 0.83%, 0.43%

LAB 77.31, -22.86, 75.63

 

CMYK 91 / 43 / 0 / 22

HEX #1273C8

RGB 18 115 200

HSL 208.02, 0.83%, 0.43%

LAB 47.7, 6.06, -51.32

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 79 / 0 / 91 / 22

HEX #2AC812

RGB 42 200 18

HSL 112.09, 0.83%, 0.43%

LAB 70.76, -68.3, 67.59

 

CMYK 91 / 79 / 0 / 22

HEX #122AC8

RGB 18 42 200

HSL 232.09, 0.83%, 0.43%

LAB 29.3, 52.07, -81.36

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 6 / 0 / 91 / 22

HEX #BCC812

RGB 188 200 18

HSL 63.96, 0.83%, 0.43%

LAB 77.31, -22.86, 75.63

 

CMYK 91 / 0 / 12 / 22

HEX #12C8B0

RGB 18 200 176

HSL 172.09, 0.83%, 0.43%

LAB 72.61, -46.34, 0.39

 

CMYK 85 / 91 / 0 / 22

HEX #1E12C8

RGB 30 18 200

HSL 243.96, 0.83%, 0.43%

LAB 26.39, 62.26, -86.2

 

CMYK 0 / 91 / 79 / 22

HEX #C8122A

RGB 200 18 42

HSL 352.09, 0.83%, 0.43%

LAB 42.58, 65.51, 38.1

 

CMYK 34 / 0 / 91 / 22

HEX #85C812

RGB 133 200 18

HSL 82.09, 0.83%, 0.43%

LAB 73.76, -44.84, 71.31

 

CMYK 91 / 0 / 12 / 22

HEX #12C8B0

RGB 18 200 176

HSL 172.09, 0.83%, 0.43%

LAB 72.61, -46.34, 0.39

 

CMYK 58 / 91 / 0 / 22

HEX #5512C8

RGB 85 18 200

HSL 262.09, 0.83%, 0.43%

LAB 30.72, 65.09, -78.87

 

Description

Color code: HEX #C8122A | qconv.com Color code: HEX #C8122A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 18 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 18 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 79 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 79% 22% C M Y K

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Provide designers and agencies with accurate color values.

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