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Color name
HEX #C80D91

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C80D91 it is the complementary color #37F26E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C80D91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C80D91 shade: #CD0D8C, #DE1F9F, #EF31B2, #FF43C5 and #FF55D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C80D91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C80D91 shade: #C80D91, #B7007E, #A6006B, #950058 and #840045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C80D91 shade: #C90C91, #C90C5F, #C90C2C and #C90C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C80D91 shade: #C90C91, #C90CC4, #9B0CC9, #680CC9 and #350CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C80D91 shade matches the following richer shades: #C90C91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C80D91 shade: #C90C91, #B81E8A, #A62F83, #95407C and #845275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C80D91 shade: #9A0CC9, #C90CC6, #C90C93, #C90C61 and #C90C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C80D91 shade: #7B0759, #A20A75, #C90C91, #EF0FAD and #F236BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C80D91 shade: #C80D91, #C9670C and #0CC9B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C80D91 shade: #C80D91, #93C90C and #0C93C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C80D91 shade: #C80D91, #C9670C, #0CC942 and #0C6EC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C80D91 shade: #C80D91, #C9A00C, #0CC942 and #0C35C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 28 / 22

HEX #C80D91

RGB 200 13 145

HSL 317.65, 0.88%, 0.42%

LAB 45.1, 73.54, -21.96

 

Complementary color

CMYK 77 / 0 / 55 / 5

HEX #37F26E

RGB 55 242 110

HSL 137.65, 0.88%, 0.58%

LAB 84.71, -71.86, 50.4

 

CMYK 0 / 94 / 32 / 20

HEX #CD0D8C

RGB 205 13 140

HSL 320.31, 0.88%, 0.43%

LAB 45.85, 74.03, -17.68

 

CMYK 0 / 86 / 28 / 13

HEX #DE1F9F

RGB 222 31 159

HSL 319.79, 0.75%, 0.5%

LAB 50.7, 77.15, -21.38

 

CMYK 0 / 79 / 26 / 6

HEX #EF31B2

RGB 239 49 178

HSL 319.26, 0.86%, 0.56%

LAB 55.85, 79.23, -24.38

 

CMYK 0 / 74 / 23 / 0

HEX #FF43C5

RGB 255 67 197

HSL 318.51, 1%, 0.63%

LAB 61.05, 80.27, -27.08

 

CMYK 0 / 67 / 15 / 0

HEX #FF55D8

RGB 255 85 216

HSL 313.76, 1%, 0.67%

LAB 63.93, 76.84, -33.38

 

CMYK 0 / 94 / 28 / 22

HEX #C80D91

RGB 200 13 145

HSL 317.65, 0.88%, 0.42%

LAB 45.1, 73.54, -21.96

 

CMYK 0 / 100 / 31 / 28

HEX #B7007E

RGB 183 0 126

HSL 318.69, 1%, 0.36%

LAB 40.53, 69.24, -17.62

 

CMYK 0 / 100 / 36 / 35

HEX #A6006B

RGB 166 0 107

HSL 321.33, 1%, 0.33%

LAB 36.31, 63.68, -12.44

 

CMYK 0 / 100 / 41 / 42

HEX #950058

RGB 149 0 88

HSL 324.56, 1%, 0.29%

LAB 32.02, 58.05, -7.01

 

CMYK 0 / 100 / 48 / 48

HEX #840045

RGB 132 0 69

HSL 328.64, 1%, 0.26%

LAB 27.67, 52.37, -1.24

 

CMYK 0 / 94 / 28 / 21

HEX #C90C91

RGB 201 12 145

HSL 317.78, 0.89%, 0.42%

LAB 45.25, 73.85, -21.7

 

CMYK 0 / 94 / 53 / 21

HEX #C90C5F

RGB 201 12 95

HSL 333.65, 0.89%, 0.42%

LAB 43.52, 69.22, 6.6

 

CMYK 0 / 94 / 78 / 21

HEX #C90C2C

RGB 201 12 44

HSL 349.84, 0.89%, 0.42%

LAB 42.56, 66.57, 36.97

 

CMYK 0 / 94 / 94 / 21

HEX #C90C0C

RGB 201 12 12

HSL 0, 0.89%, 0.42%

LAB 42.32, 65.9, 52.39

 

CMYK 0 / 94 / 28 / 21

HEX #C90C91

RGB 201 12 145

HSL 317.78, 0.89%, 0.42%

LAB 45.25, 73.85, -21.7

 

CMYK 0 / 94 / 2 / 21

HEX #C90CC4

RGB 201 12 196

HSL 301.59, 0.89%, 0.42%

LAB 47.84, 80.41, -47.89

 

CMYK 23 / 94 / 0 / 21

HEX #9B0CC9

RGB 155 12 201

HSL 285.4, 0.89%, 0.42%

LAB 40.33, 74.08, -63.31

 

CMYK 48 / 94 / 0 / 21

HEX #680CC9

RGB 104 12 201

HSL 269.21, 0.89%, 0.42%

LAB 32.75, 68.13, -76.02

 

CMYK 74 / 94 / 0 / 21

HEX #350CC9

RGB 53 12 201

HSL 253.02, 0.89%, 0.42%

LAB 27.4, 64.75, -85.06

 

CMYK 0 / 94 / 28 / 21

HEX #C90C91

RGB 201 12 145

HSL 317.78, 0.89%, 0.42%

LAB 45.25, 73.85, -21.7

 

CMYK 0 / 94 / 28 / 21

HEX #C90C91

RGB 201 12 145

HSL 317.78, 0.89%, 0.42%

LAB 45.25, 73.85, -21.7

 

CMYK 0 / 84 / 25 / 28

HEX #B81E8A

RGB 184 30 138

HSL 317.92, 0.72%, 0.42%

LAB 42.69, 66.59, -21.66

 

CMYK 0 / 72 / 21 / 35

HEX #A62F83

RGB 166 47 131

HSL 317.65, 0.56%, 0.42%

LAB 40.86, 56.4, -20.46

 

CMYK 0 / 57 / 17 / 42

HEX #95407C

RGB 149 64 124

HSL 317.65, 0.4%, 0.42%

LAB 40.43, 43.19, -17.06

 

CMYK 0 / 38 / 11 / 48

HEX #845275

RGB 132 82 117

HSL 318, 0.23%, 0.42%

LAB 41.57, 26.45, -11.23

 

CMYK 23 / 94 / 0 / 21

HEX #9A0CC9

RGB 154 12 201

HSL 285.08, 0.89%, 0.42%

LAB 40.16, 73.95, -63.58

 

CMYK 0 / 94 / 1 / 21

HEX #C90CC6

RGB 201 12 198

HSL 300.95, 0.89%, 0.42%

LAB 47.95, 80.7, -48.87

 

CMYK 0 / 94 / 27 / 21

HEX #C90C93

RGB 201 12 147

HSL 317.14, 0.89%, 0.42%

LAB 45.34, 74.07, -22.78

 

CMYK 0 / 94 / 52 / 21

HEX #C90C61

RGB 201 12 97

HSL 333.02, 0.89%, 0.42%

LAB 43.57, 69.36, 5.42

 

CMYK 0 / 94 / 77 / 21

HEX #C90C2F

RGB 201 12 47

HSL 348.89, 0.89%, 0.42%

LAB 42.59, 66.66, 35.24

 

CMYK 0 / 94 / 28 / 52

HEX #7B0759

RGB 123 7 89

HSL 317.59, 0.89%, 0.25%

LAB 26.97, 51.19, -15.85

 

CMYK 0 / 94 / 28 / 36

HEX #A20A75

RGB 162 10 117

HSL 317.76, 0.88%, 0.34%

LAB 36.33, 62.72, -18.8

 

CMYK 0 / 94 / 28 / 21

HEX #C90C91

RGB 201 12 145

HSL 317.78, 0.89%, 0.42%

LAB 45.25, 73.85, -21.7

 

CMYK 0 / 94 / 28 / 6

HEX #EF0FAD

RGB 239 15 173

HSL 317.68, 0.88%, 0.5%

LAB 53.72, 84.25, -24.74

 

CMYK 0 / 78 / 23 / 5

HEX #F236BA

RGB 242 54 186

HSL 317.87, 0.88%, 0.58%

LAB 57.13, 79.59, -26.99

 

CMYK 0 / 94 / 28 / 22

HEX #C80D91

RGB 200 13 145

HSL 317.65, 0.88%, 0.42%

LAB 45.1, 73.54, -21.96

 

CMYK 0 / 49 / 94 / 21

HEX #C9670C

RGB 201 103 12

HSL 28.89, 0.89%, 0.42%

LAB 54.18, 34.12, 59.97

 

CMYK 94 / 0 / 11 / 21

HEX #0CC9B3

RGB 12 201 179

HSL 173.02, 0.89%, 0.42%

LAB 72.96, -46.17, -0.73

 

CMYK 0 / 94 / 28 / 22

HEX #C80D91

RGB 200 13 145

HSL 317.65, 0.88%, 0.42%

LAB 45.1, 73.54, -21.96

 

CMYK 27 / 0 / 94 / 21

HEX #93C90C

RGB 147 201 12

HSL 77.14, 0.89%, 0.42%

LAB 74.83, -40.12, 73.27

 

CMYK 94 / 27 / 0 / 21

HEX #0C93C9

RGB 12 147 201

HSL 197.14, 0.89%, 0.42%

LAB 57.23, -12.78, -36.79

 

CMYK 0 / 94 / 28 / 22

HEX #C80D91

RGB 200 13 145

HSL 317.65, 0.88%, 0.42%

LAB 45.1, 73.54, -21.96

 

CMYK 0 / 49 / 94 / 21

HEX #C9670C

RGB 201 103 12

HSL 28.89, 0.89%, 0.42%

LAB 54.18, 34.12, 59.97

 

CMYK 94 / 0 / 67 / 21

HEX #0CC942

RGB 12 201 66

HSL 137.14, 0.89%, 0.42%

LAB 71.04, -68.07, 53.79

 

CMYK 94 / 45 / 0 / 21

HEX #0C6EC9

RGB 12 110 201

HSL 208.89, 0.89%, 0.42%

LAB 46.24, 9.34, -54.24

 

CMYK 0 / 94 / 28 / 22

HEX #C80D91

RGB 200 13 145

HSL 317.65, 0.88%, 0.42%

LAB 45.1, 73.54, -21.96

 

CMYK 0 / 20 / 94 / 21

HEX #C9A00C

RGB 201 160 12

HSL 46.98, 0.89%, 0.42%

LAB 67.71, 3.34, 69.66

 

CMYK 94 / 0 / 67 / 21

HEX #0CC942

RGB 12 201 66

HSL 137.14, 0.89%, 0.42%

LAB 71.04, -68.07, 53.79

 

CMYK 94 / 74 / 0 / 21

HEX #0C35C9

RGB 12 53 201

HSL 226.98, 0.89%, 0.42%

LAB 31.44, 46.11, -78.39

 

Description

Color code: HEX #C80D91 | qconv.com Color code: HEX #C80D91 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 13 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 13 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 28% 22% C M Y K

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Provide designers and agencies with accurate color values.

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