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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79E62 it is the complementary color #38619D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79E62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79E62 shade: #CC9E5D, #DDB070, #EEC283, #FFD496 and #FFE6A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79E62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79E62 shade: #C79E62, #B68C4F, #A57A3C, #946829 and #835616

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79E62 shade: #C69D61, #C68261, #C66761 and #C66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79E62 shade: #C69D61, #C6B861, #B8C661, #9DC661 and #82C661

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79E62 shade matches the following richer shades: #C69D61, #D7A050, #E8A33E and #FAA72D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79E62 shade: #C69D61, #B49A72, #A39684, #929395 and #8090A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79E62 shade: #C66661, #C68161, #C69C61, #C6B761 and #BAC661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79E62 shade: #9C7438, #BB8A43, #C69D61, #D1B07F and #DCC29E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79E62 shade: #C79E62, #77C661 and #7461C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79E62 shade: #C79E62, #61C69C and #9C61C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79E62 shade: #C79E62, #77C661, #618BC6 and #B061C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79E62 shade: #C79E62, #61C669, #618BC6 and #C661BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 51 / 22

HEX #C79E62

RGB 199 158 98

HSL 35.64, 0.47%, 0.58%

LAB 67.63, 7.8, 36.95

 

Complementary color

CMYK 64 / 38 / 0 / 38

HEX #38619D

RGB 56 97 157

HSL 215.64, 0.47%, 0.42%

LAB 40.94, 5.36, -36.92

 

CMYK 0 / 23 / 54 / 20

HEX #CC9E5D

RGB 204 158 93

HSL 35.14, 0.52%, 0.58%

LAB 68.08, 9.46, 40.21

 

CMYK 0 / 20 / 49 / 13

HEX #DDB070

RGB 221 176 112

HSL 35.23, 0.62%, 0.65%

LAB 74.57, 8.54, 38.84

 

CMYK 0 / 18 / 45 / 7

HEX #EEC283

RGB 238 194 131

HSL 35.33, 0.76%, 0.72%

LAB 80.96, 7.74, 37.53

 

CMYK 0 / 17 / 41 / 0

HEX #FFD496

RGB 255 212 150

HSL 35.43, 1%, 0.79%

LAB 87.27, 7.04, 36.29

 

CMYK 0 / 10 / 34 / 0

HEX #FFE6A9

RGB 255 230 169

HSL 42.56, 1%, 0.83%

LAB 92.01, -0.04, 32.88

 

CMYK 0 / 21 / 51 / 22

HEX #C79E62

RGB 199 158 98

HSL 35.64, 0.47%, 0.58%

LAB 67.63, 7.8, 36.95

 

CMYK 0 / 23 / 57 / 29

HEX #B68C4F

RGB 182 140 79

HSL 35.53, 0.41%, 0.51%

LAB 61.02, 8.77, 38.35

 

CMYK 0 / 26 / 64 / 35

HEX #A57A3C

RGB 165 122 60

HSL 35.43, 0.47%, 0.44%

LAB 54.29, 9.94, 39.78

 

CMYK 0 / 30 / 72 / 42

HEX #946829

RGB 148 104 41

HSL 35.33, 0.57%, 0.37%

LAB 47.44, 11.35, 41.12

 

CMYK 0 / 34 / 83 / 49

HEX #835616

RGB 131 86 22

HSL 35.23, 0.71%, 0.3%

LAB 40.47, 13.08, 42

 

CMYK 0 / 21 / 51 / 22

HEX #C69D61

RGB 198 157 97

HSL 35.64, 0.47%, 0.58%

LAB 67.26, 7.83, 36.99

 

CMYK 0 / 34 / 51 / 22

HEX #C68261

RGB 198 130 97

HSL 19.6, 0.47%, 0.58%

LAB 60.63, 22.61, 28.58

 

CMYK 0 / 48 / 51 / 22

HEX #C66761

RGB 198 103 97

HSL 3.56, 0.47%, 0.58%

LAB 54.63, 37.13, 20.66

 

CMYK 0 / 51 / 51 / 22

HEX #C66161

RGB 198 97 97

HSL 0, 0.47%, 0.58%

LAB 53.4, 40.22, 19.01

 

CMYK 0 / 21 / 51 / 22

HEX #C69D61

RGB 198 157 97

HSL 35.64, 0.47%, 0.58%

LAB 67.26, 7.83, 36.99

 

CMYK 0 / 7 / 51 / 22

HEX #C6B861

RGB 198 184 97

HSL 51.68, 0.47%, 0.58%

LAB 74.29, -6.56, 45.56

 

CMYK 7 / 0 / 51 / 22

HEX #B8C661

RGB 184 198 97

HSL 68.32, 0.47%, 0.58%

LAB 76.95, -19.43, 48.45

 

CMYK 21 / 0 / 51 / 22

HEX #9DC661

RGB 157 198 97

HSL 84.36, 0.47%, 0.58%

LAB 75.09, -30, 45.79

 

CMYK 34 / 0 / 51 / 22

HEX #82C661

RGB 130 198 97

HSL 100.4, 0.47%, 0.58%

LAB 73.54, -39.74, 43.56

 

CMYK 0 / 21 / 51 / 22

HEX #C69D61

RGB 198 157 97

HSL 35.64, 0.47%, 0.58%

LAB 67.26, 7.83, 36.99

 

CMYK 0 / 26 / 63 / 16

HEX #D7A050

RGB 215 160 80

HSL 35.56, 0.63%, 0.58%

LAB 69.59, 12.05, 48.77

 

CMYK 0 / 30 / 73 / 9

HEX #E8A33E

RGB 232 163 62

HSL 35.65, 0.79%, 0.58%

LAB 72.03, 16.65, 60.05

 

CMYK 0 / 33 / 82 / 2

HEX #FAA72D

RGB 250 167 45

HSL 35.71, 0.95%, 0.58%

LAB 74.92, 21.49, 69.81

 

CMYK 0 / 21 / 51 / 22

HEX #C69D61

RGB 198 157 97

HSL 35.64, 0.47%, 0.58%

LAB 67.26, 7.83, 36.99

 

CMYK 0 / 14 / 37 / 29

HEX #B49A72

RGB 180 154 114

HSL 36.36, 0.31%, 0.58%

LAB 64.99, 3.81, 24.58

 

CMYK 0 / 8 / 19 / 36

HEX #A39684

RGB 163 150 132

HSL 34.84, 0.14%, 0.58%

LAB 62.73, 1.74, 11.23

 

CMYK 2 / 1 / 0 / 42

HEX #929395

RGB 146 147 149

HSL 220, 0.01%, 0.58%

LAB 60.91, 0.03, -1.19

 

CMYK 23 / 13 / 0 / 35

HEX #8090A6

RGB 128 144 166

HSL 214.74, 0.18%, 0.58%

LAB 59.24, -0.75, -13.5

 

CMYK 0 / 48 / 51 / 22

HEX #C66661

RGB 198 102 97

HSL 2.97, 0.47%, 0.58%

LAB 54.42, 37.65, 20.38

 

CMYK 0 / 35 / 51 / 22

HEX #C68161

RGB 198 129 97

HSL 19.01, 0.47%, 0.58%

LAB 60.4, 23.16, 28.27

 

CMYK 0 / 21 / 51 / 22

HEX #C69C61

RGB 198 156 97

HSL 35.05, 0.47%, 0.58%

LAB 67.01, 8.38, 36.68

 

CMYK 0 / 8 / 51 / 22

HEX #C6B761

RGB 198 183 97

HSL 51.09, 0.47%, 0.58%

LAB 74.02, -6.04, 45.25

 

CMYK 6 / 0 / 51 / 22

HEX #BAC661

RGB 186 198 97

HSL 67.13, 0.47%, 0.58%

LAB 77.1, -18.63, 48.67

 

CMYK 0 / 26 / 64 / 39

HEX #9C7438

RGB 156 116 56

HSL 36, 0.47%, 0.42%

LAB 51.66, 9.04, 38.56

 

CMYK 0 / 26 / 64 / 27

HEX #BB8A43

RGB 187 138 67

HSL 35.5, 0.47%, 0.5%

LAB 60.91, 11.16, 44.45

 

CMYK 0 / 21 / 51 / 22

HEX #C69D61

RGB 198 157 97

HSL 35.64, 0.47%, 0.58%

LAB 67.26, 7.83, 36.99

 

CMYK 0 / 16 / 39 / 18

HEX #D1B07F

RGB 209 176 127

HSL 35.85, 0.47%, 0.66%

LAB 73.64, 5.21, 29.55

 

CMYK 0 / 12 / 28 / 14

HEX #DCC29E

RGB 220 194 158

HSL 34.84, 0.47%, 0.74%

LAB 79.77, 3.82, 21.5

 

CMYK 0 / 21 / 51 / 22

HEX #C79E62

RGB 199 158 98

HSL 35.64, 0.47%, 0.58%

LAB 67.63, 7.8, 36.95

 

CMYK 40 / 0 / 51 / 22

HEX #77C661

RGB 119 198 97

HSL 106.93, 0.47%, 0.58%

LAB 73.01, -43.37, 42.79

 

CMYK 41 / 51 / 0 / 22

HEX #7461C6

RGB 116 97 198

HSL 251.29, 0.47%, 0.58%

LAB 47.42, 32.1, -50.36

 

CMYK 0 / 21 / 51 / 22

HEX #C79E62

RGB 199 158 98

HSL 35.64, 0.47%, 0.58%

LAB 67.63, 7.8, 36.95

 

CMYK 51 / 0 / 21 / 22

HEX #61C69C

RGB 97 198 156

HSL 155.05, 0.47%, 0.58%

LAB 73.11, -39.45, 12.13

 

CMYK 21 / 51 / 0 / 22

HEX #9C61C6

RGB 156 97 198

HSL 275.05, 0.47%, 0.58%

LAB 51.49, 42.49, -43.63

 

CMYK 0 / 21 / 51 / 22

HEX #C79E62

RGB 199 158 98

HSL 35.64, 0.47%, 0.58%

LAB 67.63, 7.8, 36.95

 

CMYK 40 / 0 / 51 / 22

HEX #77C661

RGB 119 198 97

HSL 106.93, 0.47%, 0.58%

LAB 73.01, -43.37, 42.79

 

CMYK 51 / 30 / 0 / 22

HEX #618BC6

RGB 97 139 198

HSL 215.05, 0.47%, 0.58%

LAB 57.16, 2.25, -35.04

 

CMYK 11 / 51 / 0 / 22

HEX #B061C6

RGB 176 97 198

HSL 286.93, 0.47%, 0.58%

LAB 53.87, 48, -39.71

 

CMYK 0 / 21 / 51 / 22

HEX #C79E62

RGB 199 158 98

HSL 35.64, 0.47%, 0.58%

LAB 67.63, 7.8, 36.95

 

CMYK 51 / 0 / 47 / 22

HEX #61C669

RGB 97 198 105

HSL 124.75, 0.47%, 0.58%

LAB 72.19, -48.75, 37.64

 

CMYK 51 / 30 / 0 / 22

HEX #618BC6

RGB 97 139 198

HSL 215.05, 0.47%, 0.58%

LAB 57.16, 2.25, -35.04

 

CMYK 0 / 51 / 5 / 22

HEX #C661BD

RGB 198 97 189

HSL 305.35, 0.47%, 0.58%

LAB 56.32, 52.54, -30.52

 

Description

Color code: HEX #C79E62 | qconv.com Color code: HEX #C79E62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 158 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 158 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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