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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7996F it is the complementary color #386690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7996F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7996F shade: #CC996A, #DDAB7D, #EEBD90, #FFCFA3 and #FFE1B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7996F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7996F shade: #C7996F, #B6875C, #A57549, #946336 and #835123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7996F shade: #C7996F, #C7816F and #C76F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7996F shade: #C7996F, #C7B16F, #C5C76F, #AEC76F and #96C76F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7996F shade matches the following richer shades: #C7996F, #D7985F, #E7984F and #F7973F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7996F shade: #C7996F, #B79A7F, #A79B8F, #979BA0 and #869CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7996F shade: #C76F75, #C7816F, #C7986F, #C7AF6F and #C7C76F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7996F shade: #A47040, #BB8452, #C7996F, #D2AE8D and #DEC3AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7996F shade: #C7996F, #8CC76F and #756FC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7996F shade: #C7996F, #6FC798 and #986FC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7996F shade: #C7996F, #8CC76F, #6F9EC7 and #AA6FC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7996F shade: #C7996F, #72C76F, #6F9EC7 and #C46FC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

Complementary color

CMYK 61 / 29 / 0 / 44

HEX #386690

RGB 56 102 144

HSL 208.64, 0.44%, 0.39%

LAB 41.78, -2.35, -27.82

 

CMYK 0 / 25 / 48 / 20

HEX #CC996A

RGB 204 153 106

HSL 28.78, 0.49%, 0.61%

LAB 67.02, 13.36, 32.05

 

CMYK 0 / 23 / 43 / 13

HEX #DDAB7D

RGB 221 171 125

HSL 28.75, 0.59%, 0.68%

LAB 73.53, 12.49, 30.7

 

CMYK 0 / 21 / 39 / 7

HEX #EEBD90

RGB 238 189 144

HSL 28.72, 0.73%, 0.75%

LAB 79.95, 11.73, 29.44

 

CMYK 0 / 19 / 36 / 0

HEX #FFCFA3

RGB 255 207 163

HSL 28.7, 1%, 0.82%

LAB 86.27, 11.06, 28.26

 

CMYK 0 / 12 / 29 / 0

HEX #FFE1B6

RGB 255 225 182

HSL 35.34, 1%, 0.86%

LAB 91, 4.1, 24.85

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 0 / 26 / 49 / 29

HEX #B6875C

RGB 182 135 92

HSL 28.67, 0.38%, 0.54%

LAB 59.93, 12.72, 30.06

 

CMYK 0 / 29 / 56 / 35

HEX #A57549

RGB 165 117 73

HSL 28.7, 0.39%, 0.47%

LAB 53.17, 13.79, 31.56

 

CMYK 0 / 33 / 64 / 42

HEX #946336

RGB 148 99 54

HSL 28.72, 0.47%, 0.4%

LAB 46.29, 15.08, 33.18

 

CMYK 0 / 38 / 73 / 49

HEX #835123

RGB 131 81 35

HSL 28.75, 0.58%, 0.33%

LAB 39.3, 16.64, 34.82

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 0 / 35 / 44 / 22

HEX #C7816F

RGB 199 129 111

HSL 12.27, 0.44%, 0.61%

LAB 60.77, 24.96, 20.94

 

CMYK 0 / 44 / 44 / 22

HEX #C76F6F

RGB 199 111 111

HSL 0, 0.44%, 0.61%

LAB 56.74, 34.68, 15.43

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 0 / 11 / 44 / 22

HEX #C7B16F

RGB 199 177 111

HSL 45, 0.44%, 0.61%

LAB 72.72, -1.12, 36.58

 

CMYK 1 / 0 / 44 / 22

HEX #C5C76F

RGB 197 199 111

HSL 61.36, 0.44%, 0.61%

LAB 78.38, -13.36, 43.63

 

CMYK 13 / 0 / 44 / 22

HEX #AEC76F

RGB 174 199 111

HSL 77.05, 0.44%, 0.61%

LAB 76.67, -22.44, 41.13

 

CMYK 25 / 0 / 44 / 22

HEX #96C76F

RGB 150 199 111

HSL 93.41, 0.44%, 0.61%

LAB 75.13, -31.45, 38.86

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 0 / 29 / 56 / 16

HEX #D7985F

RGB 215 152 95

HSL 28.5, 0.6%, 0.61%

LAB 67.82, 17.47, 39.13

 

CMYK 0 / 34 / 66 / 9

HEX #E7984F

RGB 231 152 79

HSL 28.82, 0.76%, 0.61%

LAB 69.48, 22.97, 49.61

 

CMYK 0 / 39 / 74 / 3

HEX #F7973F

RGB 247 151 63

HSL 28.7, 0.92%, 0.61%

LAB 71.05, 29.26, 59.23

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 0 / 16 / 31 / 28

HEX #B79A7F

RGB 183 154 127

HSL 28.93, 0.28%, 0.61%

LAB 65.52, 6.7, 18.19

 

CMYK 0 / 7 / 14 / 35

HEX #A79B8F

RGB 167 155 143

HSL 30, 0.12%, 0.61%

LAB 64.68, 2.31, 7.86

 

CMYK 6 / 3 / 0 / 37

HEX #979BA0

RGB 151 155 160

HSL 213.33, 0.05%, 0.61%

LAB 63.8, -0.44, -3.12

 

CMYK 24 / 11 / 0 / 31

HEX #869CB0

RGB 134 156 176

HSL 208.57, 0.21%, 0.61%

LAB 63.33, -3.18, -12.96

 

CMYK 0 / 44 / 41 / 22

HEX #C76F75

RGB 199 111 117

HSL 355.91, 0.44%, 0.61%

LAB 56.88, 35.33, 12.14

 

CMYK 0 / 35 / 44 / 22

HEX #C7816F

RGB 199 129 111

HSL 12.27, 0.44%, 0.61%

LAB 60.77, 24.96, 20.94

 

CMYK 0 / 24 / 44 / 22

HEX #C7986F

RGB 199 152 111

HSL 27.95, 0.44%, 0.61%

LAB 66.33, 12.36, 28.34

 

CMYK 0 / 12 / 44 / 22

HEX #C7AF6F

RGB 199 175 111

HSL 43.64, 0.44%, 0.61%

LAB 72.19, -0.06, 35.92

 

CMYK 0 / 0 / 44 / 22

HEX #C7C76F

RGB 199 199 111

HSL 60, 0.44%, 0.61%

LAB 78.54, -12.55, 43.86

 

CMYK 0 / 32 / 61 / 36

HEX #A47040

RGB 164 112 64

HSL 28.8, 0.44%, 0.45%

LAB 51.67, 15.46, 34.61

 

CMYK 0 / 29 / 56 / 27

HEX #BB8452

RGB 187 132 82

HSL 28.57, 0.44%, 0.53%

LAB 59.6, 15.6, 35.17

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 0 / 17 / 33 / 18

HEX #D2AE8D

RGB 210 174 141

HSL 28.7, 0.43%, 0.69%

LAB 73.48, 8.36, 21.85

 

CMYK 0 / 12 / 23 / 13

HEX #DEC3AB

RGB 222 195 171

HSL 28.24, 0.44%, 0.77%

LAB 80.46, 5.85, 15.57

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 30 / 0 / 44 / 22

HEX #8CC76F

RGB 140 199 111

HSL 100.23, 0.44%, 0.61%

LAB 74.55, -35, 38.02

 

CMYK 41 / 44 / 0 / 22

HEX #756FC7

RGB 117 111 199

HSL 244.09, 0.44%, 0.61%

LAB 51.01, 24.24, -45.21

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 44 / 0 / 24 / 22

HEX #6FC798

RGB 111 199 152

HSL 147.95, 0.44%, 0.61%

LAB 73.86, -37.18, 15.42

 

CMYK 24 / 44 / 0 / 22

HEX #986FC7

RGB 152 111 199

HSL 267.95, 0.44%, 0.61%

LAB 54.2, 33.78, -39.94

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 30 / 0 / 44 / 22

HEX #8CC76F

RGB 140 199 111

HSL 100.23, 0.44%, 0.61%

LAB 74.55, -35, 38.02

 

CMYK 44 / 21 / 0 / 22

HEX #6F9EC7

RGB 111 158 199

HSL 207.95, 0.44%, 0.61%

LAB 63.31, -4.88, -26.01

 

CMYK 15 / 44 / 0 / 22

HEX #AA6FC7

RGB 170 111 199

HSL 280.23, 0.44%, 0.61%

LAB 56.13, 39, -36.79

 

CMYK 0 / 23 / 44 / 22

HEX #C7996F

RGB 199 153 111

HSL 28.64, 0.44%, 0.61%

LAB 66.58, 11.81, 28.67

 

CMYK 43 / 0 / 44 / 22

HEX #72C76F

RGB 114 199 111

HSL 117.95, 0.44%, 0.61%

LAB 73.27, -43.46, 36.12

 

CMYK 44 / 21 / 0 / 22

HEX #6F9EC7

RGB 111 158 199

HSL 207.95, 0.44%, 0.61%

LAB 63.31, -4.88, -26.01

 

CMYK 2 / 44 / 0 / 22

HEX #C46FC7

RGB 196 111 199

HSL 297.95, 0.44%, 0.61%

LAB 59.18, 46.7, -31.79

 

Description

Color code: HEX #C7996F | qconv.com Color code: HEX #C7996F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 153 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 153 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 44 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 44% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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