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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C78E40 it is the complementary color #3871BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C78E40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C78E40 shade: #CC8E3B, #DDA04E, #EEB261, #FFC474 and #FFD687

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C78E40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C78E40 shade: #C78E40, #B67C2D, #A56A1A, #945807 and #834600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C78E40 shade: #C78F41, #C76A41, #C74641 and #C74141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C78E40 shade: #C78F41, #C7B341, #B8C741, #93C741 and #6FC741

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C78E40 shade matches the following richer shades: #C78F41, #DB922D and #EF9519

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C78E40 shade: #C78F41, #B48B55, #A08868, #8C857C and #788290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C78E40 shade: #C74541, #C76941, #C78D41, #C7B141 and #BAC741

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C78E40 shade: #8D6329, #AD7932, #C78F41, #D1A161 and #DAB481

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C78E40 shade: #C78E40, #60C741 and #5741C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C78E40 shade: #C78E40, #41C78D and #8D41C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C78E40 shade: #C78E40, #60C741, #417BC7 and #A841C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C78E40 shade: #C78E40, #41C74A, #417BC7 and #C741BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 68 / 22

HEX #C78E40

RGB 199 142 64

HSL 34.67, 0.55%, 0.52%

LAB 63.23, 13.97, 48.83

 

Complementary color

CMYK 71 / 41 / 0 / 25

HEX #3871BF

RGB 56 113 191

HSL 214.67, 0.55%, 0.48%

LAB 47.51, 7.63, -46.39

 

CMYK 0 / 30 / 71 / 20

HEX #CC8E3B

RGB 204 142 59

HSL 34.34, 0.59%, 0.52%

LAB 63.75, 15.86, 51.87

 

CMYK 0 / 28 / 65 / 13

HEX #DDA04E

RGB 221 160 78

HSL 34.41, 0.68%, 0.59%

LAB 70.22, 14.46, 50.61

 

CMYK 0 / 25 / 59 / 7

HEX #EEB261

RGB 238 178 97

HSL 34.47, 0.81%, 0.66%

LAB 76.61, 13.25, 49.26

 

CMYK 0 / 23 / 55 / 0

HEX #FFC474

RGB 255 196 116

HSL 34.53, 1%, 0.73%

LAB 82.91, 12.19, 47.89

 

CMYK 0 / 16 / 47 / 0

HEX #FFD687

RGB 255 214 135

HSL 39.5, 1%, 0.76%

LAB 87.53, 4.53, 44.2

 

CMYK 0 / 29 / 68 / 22

HEX #C78E40

RGB 199 142 64

HSL 34.67, 0.55%, 0.52%

LAB 63.23, 13.97, 48.83

 

CMYK 0 / 32 / 75 / 29

HEX #B67C2D

RGB 182 124 45

HSL 34.6, 0.6%, 0.45%

LAB 56.63, 15.49, 49.98

 

CMYK 0 / 36 / 84 / 35

HEX #A56A1A

RGB 165 106 26

HSL 34.53, 0.73%, 0.37%

LAB 49.96, 17.29, 50.58

 

CMYK 0 / 41 / 95 / 42

HEX #945807

RGB 148 88 7

HSL 34.47, 0.91%, 0.3%

LAB 43.2, 19.41, 49.86

 

CMYK 0 / 47 / 100 / 49

HEX #834600

RGB 131 70 0

HSL 32.06, 1%, 0.26%

LAB 36.38, 21.9, 46.2

 

CMYK 0 / 28 / 67 / 22

HEX #C78F41

RGB 199 143 65

HSL 34.93, 0.54%, 0.52%

LAB 63.48, 13.48, 48.64

 

CMYK 0 / 47 / 67 / 22

HEX #C76A41

RGB 199 106 65

HSL 18.36, 0.54%, 0.52%

LAB 54.9, 33.55, 39.02

 

CMYK 0 / 65 / 67 / 22

HEX #C74641

RGB 199 70 65

HSL 2.24, 0.54%, 0.52%

LAB 48.14, 50.99, 31.01

 

CMYK 0 / 67 / 67 / 22

HEX #C74141

RGB 199 65 65

HSL 0, 0.54%, 0.52%

LAB 47.37, 53.07, 30.08

 

CMYK 0 / 28 / 67 / 22

HEX #C78F41

RGB 199 143 65

HSL 34.93, 0.54%, 0.52%

LAB 63.48, 13.48, 48.64

 

CMYK 0 / 10 / 67 / 22

HEX #C7B341

RGB 199 179 65

HSL 51.04, 0.54%, 0.52%

LAB 72.74, -5.84, 58.45

 

CMYK 8 / 0 / 67 / 22

HEX #B8C741

RGB 184 199 65

HSL 66.72, 0.54%, 0.52%

LAB 76.93, -22.33, 62.36

 

CMYK 26 / 0 / 67 / 22

HEX #93C741

RGB 147 199 65

HSL 83.28, 0.54%, 0.52%

LAB 74.46, -37.06, 59.04

 

CMYK 44 / 0 / 67 / 22

HEX #6FC741

RGB 111 199 65

HSL 99.4, 0.54%, 0.52%

LAB 72.63, -49.61, 56.56

 

CMYK 0 / 28 / 67 / 22

HEX #C78F41

RGB 199 143 65

HSL 34.93, 0.54%, 0.52%

LAB 63.48, 13.48, 48.64

 

CMYK 0 / 33 / 79 / 14

HEX #DB922D

RGB 219 146 45

HSL 34.83, 0.71%, 0.52%

LAB 66.37, 19.53, 60.82

 

CMYK 0 / 38 / 90 / 6

HEX #EF9519

RGB 239 149 25

HSL 34.77, 0.87%, 0.52%

LAB 69.41, 25.89, 70.43

 

CMYK 0 / 28 / 67 / 22

HEX #C78F41

RGB 199 143 65

HSL 34.93, 0.54%, 0.52%

LAB 63.48, 13.48, 48.64

 

CMYK 0 / 23 / 53 / 29

HEX #B48B55

RGB 180 139 85

HSL 34.11, 0.39%, 0.52%

LAB 60.63, 8.99, 34.67

 

CMYK 0 / 15 / 35 / 37

HEX #A08868

RGB 160 136 104

HSL 34.29, 0.23%, 0.52%

LAB 58.11, 4.28, 20.57

 

CMYK 0 / 5 / 11 / 45

HEX #8C857C

RGB 140 133 124

HSL 33.75, 0.07%, 0.52%

LAB 55.89, 0.97, 5.78

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 0 / 65 / 67 / 22

HEX #C74541

RGB 199 69 65

HSL 1.79, 0.54%, 0.52%

LAB 47.98, 51.41, 30.82

 

CMYK 0 / 47 / 67 / 22

HEX #C76941

RGB 199 105 65

HSL 17.91, 0.54%, 0.52%

LAB 54.69, 34.07, 38.77

 

CMYK 0 / 29 / 67 / 22

HEX #C78D41

RGB 199 141 65

HSL 34.03, 0.54%, 0.52%

LAB 62.99, 14.58, 48.1

 

CMYK 0 / 11 / 67 / 22

HEX #C7B141

RGB 199 177 65

HSL 50.15, 0.54%, 0.52%

LAB 72.21, -4.79, 57.91

 

CMYK 7 / 0 / 67 / 22

HEX #BAC741

RGB 186 199 65

HSL 65.82, 0.54%, 0.52%

LAB 77.08, -21.51, 62.56

 

CMYK 0 / 30 / 71 / 45

HEX #8D6329

RGB 141 99 41

HSL 34.8, 0.55%, 0.36%

LAB 45.29, 11.03, 38.58

 

CMYK 0 / 30 / 71 / 32

HEX #AD7932

RGB 173 121 50

HSL 34.63, 0.55%, 0.44%

LAB 54.85, 13.44, 45.56

 

CMYK 0 / 28 / 67 / 22

HEX #C78F41

RGB 199 143 65

HSL 34.93, 0.54%, 0.52%

LAB 63.48, 13.48, 48.64

 

CMYK 0 / 23 / 54 / 18

HEX #D1A161

RGB 209 161 97

HSL 34.29, 0.55%, 0.6%

LAB 69.4, 10.27, 39.89

 

CMYK 0 / 17 / 41 / 15

HEX #DAB481

RGB 218 180 129

HSL 34.38, 0.55%, 0.68%

LAB 75.53, 6.91, 31.15

 

CMYK 0 / 29 / 68 / 22

HEX #C78E40

RGB 199 142 64

HSL 34.67, 0.55%, 0.52%

LAB 63.23, 13.97, 48.83

 

CMYK 52 / 0 / 67 / 22

HEX #60C741

RGB 96 199 65

HSL 106.12, 0.54%, 0.52%

LAB 72.04, -54.06, 55.75

 

CMYK 56 / 67 / 0 / 22

HEX #5741C7

RGB 87 65 199

HSL 249.85, 0.54%, 0.52%

LAB 37.72, 45.28, -66.76

 

CMYK 0 / 29 / 68 / 22

HEX #C78E40

RGB 199 142 64

HSL 34.67, 0.55%, 0.52%

LAB 63.23, 13.97, 48.83

 

CMYK 67 / 0 / 29 / 22

HEX #41C78D

RGB 65 199 141

HSL 154.03, 0.54%, 0.52%

LAB 72.16, -49.65, 18.71

 

CMYK 29 / 67 / 0 / 22

HEX #8D41C7

RGB 141 65 199

HSL 274.03, 0.54%, 0.52%

LAB 43.61, 55.49, -56.93

 

CMYK 0 / 29 / 68 / 22

HEX #C78E40

RGB 199 142 64

HSL 34.67, 0.55%, 0.52%

LAB 63.23, 13.97, 48.83

 

CMYK 52 / 0 / 67 / 22

HEX #60C741

RGB 96 199 65

HSL 106.12, 0.54%, 0.52%

LAB 72.04, -54.06, 55.75

 

CMYK 67 / 38 / 0 / 22

HEX #417BC7

RGB 65 123 199

HSL 214.03, 0.54%, 0.52%

LAB 51.17, 5.74, -45.15

 

CMYK 16 / 67 / 0 / 22

HEX #A841C7

RGB 168 65 199

HSL 286.12, 0.54%, 0.52%

LAB 47.27, 61.33, -50.83

 

CMYK 0 / 29 / 68 / 22

HEX #C78E40

RGB 199 142 64

HSL 34.67, 0.55%, 0.52%

LAB 63.23, 13.97, 48.83

 

CMYK 67 / 0 / 63 / 22

HEX #41C74A

RGB 65 199 74

HSL 124.03, 0.54%, 0.52%

LAB 71.19, -60.5, 50.8

 

CMYK 67 / 38 / 0 / 22

HEX #417BC7

RGB 65 123 199

HSL 214.03, 0.54%, 0.52%

LAB 51.17, 5.74, -45.15

 

CMYK 0 / 67 / 5 / 22

HEX #C741BE

RGB 199 65 190

HSL 304.03, 0.54%, 0.52%

LAB 51.43, 66.85, -38.74

 

Description

Color code: HEX #C78E40 | qconv.com Color code: HEX #C78E40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 142 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 142 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 68 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 68% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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