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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C789A5 it is the complementary color #38765A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C789A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C789A5 shade: #CC89A0, #DD9BB3, #EEADC6, #FFBFD9 and #FFD1EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C789A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C789A5 shade: #C789A5, #B67792, #A5657F, #94536C and #834159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C789A5 shade: #C789A5, #C78994 and #C78989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C789A5 shade: #C789A5, #C789B6, #C789C6, #B789C7 and #A689C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C789A5 shade matches the following richer shades: #C789A5, #D57BA3, #E36DA2 and #F15FA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C789A5 shade: #C789A5, #B997A6, #ABA5A7, #9DB3A9 and #8FC1AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C789A5 shade: #C789C7, #C789B6, #C789A6, #C78995 and #C78D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C789A5 shade: #AC517A, #BA6D8F, #C789A5, #D4A5BA and #E1C1CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C789A5 shade: #C789A5, #C7B689 and #89BFC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C789A5 shade: #C789A5, #A6C789 and #89A6C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C789A5 shade: #C789A5, #C7B689, #89C7AA and #8999C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C789A5 shade: #C789A5, #C5C789, #89C7AA and #8B89C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

Complementary color

CMYK 53 / 0 / 24 / 54

HEX #38765A

RGB 56 118 90

HSL 152.9, 0.36%, 0.34%

LAB 44.99, -27.21, 9.39

 

CMYK 0 / 33 / 22 / 20

HEX #CC89A0

RGB 204 137 160

HSL 339.4, 0.4%, 0.67%

LAB 64.38, 28.85, -1.69

 

CMYK 0 / 30 / 19 / 13

HEX #DD9BB3

RGB 221 155 179

HSL 338.18, 0.49%, 0.74%

LAB 70.92, 28.11, -2.51

 

CMYK 0 / 27 / 17 / 7

HEX #EEADC6

RGB 238 173 198

HSL 336.92, 0.66%, 0.81%

LAB 77.37, 27.42, -3.27

 

CMYK 0 / 25 / 15 / 0

HEX #FFBFD9

RGB 255 191 217

HSL 335.63, 1%, 0.87%

LAB 83.72, 26.79, -3.98

 

CMYK 0 / 18 / 7 / 0

HEX #FFD1EC

RGB 255 209 236

HSL 324.78, 1%, 0.91%

LAB 88.41, 20.43, -7.17

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 0 / 35 / 20 / 29

HEX #B67792

RGB 182 119 146

HSL 334.29, 0.3%, 0.59%

LAB 57.28, 28.58, -4.4

 

CMYK 0 / 39 / 23 / 35

HEX #A5657F

RGB 165 101 127

HSL 335.63, 0.26%, 0.52%

LAB 50.5, 29.41, -3.5

 

CMYK 0 / 44 / 27 / 42

HEX #94536C

RGB 148 83 108

HSL 336.92, 0.28%, 0.45%

LAB 43.6, 30.29, -2.46

 

CMYK 0 / 50 / 32 / 49

HEX #834159

RGB 131 65 89

HSL 338.18, 0.34%, 0.38%

LAB 36.61, 31.22, -1.2

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 0 / 31 / 26 / 22

HEX #C78994

RGB 199 137 148

HSL 349.35, 0.36%, 0.66%

LAB 63.48, 25.23, 3.75

 

CMYK 0 / 31 / 31 / 22

HEX #C78989

RGB 199 137 137

HSL 0, 0.36%, 0.66%

LAB 63.21, 23.71, 9.6

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 0 / 31 / 9 / 22

HEX #C789B6

RGB 199 137 182

HSL 316.45, 0.36%, 0.66%

LAB 64.49, 30.66, -14.01

 

CMYK 0 / 31 / 1 / 22

HEX #C789C6

RGB 199 137 198

HSL 300.97, 0.36%, 0.66%

LAB 65.05, 33.56, -22.16

 

CMYK 8 / 31 / 0 / 22

HEX #B789C7

RGB 183 137 199

HSL 284.52, 0.36%, 0.66%

LAB 63.41, 28.57, -25.38

 

CMYK 17 / 31 / 0 / 22

HEX #A689C7

RGB 166 137 199

HSL 268.06, 0.36%, 0.66%

LAB 61.76, 23.15, -28.06

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 0 / 42 / 23 / 16

HEX #D57BA3

RGB 213 123 163

HSL 333.33, 0.52%, 0.66%

LAB 62.47, 39.97, -6.08

 

CMYK 0 / 52 / 29 / 11

HEX #E36DA2

RGB 227 109 162

HSL 333.05, 0.68%, 0.66%

LAB 61.55, 51.56, -6.67

 

CMYK 0 / 61 / 33 / 5

HEX #F15FA1

RGB 241 95 161

HSL 332.88, 0.84%, 0.66%

LAB 61.18, 62.14, -6.41

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 0 / 18 / 10 / 27

HEX #B997A6

RGB 185 151 166

HSL 333.53, 0.2%, 0.66%

LAB 65.9, 15.17, -3.06

 

CMYK 0 / 4 / 2 / 33

HEX #ABA5A7

RGB 171 165 167

HSL 340, 0.03%, 0.66%

LAB 68.28, 2.53, -0.27

 

CMYK 12 / 0 / 6 / 30

HEX #9DB3A9

RGB 157 179 169

HSL 152.73, 0.13%, 0.66%

LAB 71.06, -9.56, 2.53

 

CMYK 26 / 0 / 12 / 24

HEX #8FC1AA

RGB 143 193 170

HSL 152.4, 0.29%, 0.66%

LAB 74.11, -21.2, 6.29

 

CMYK 0 / 31 / 0 / 22

HEX #C789C7

RGB 199 137 199

HSL 300, 0.36%, 0.66%

LAB 65.09, 33.75, -22.66

 

CMYK 0 / 31 / 9 / 22

HEX #C789B6

RGB 199 137 182

HSL 316.45, 0.36%, 0.66%

LAB 64.49, 30.66, -14.01

 

CMYK 0 / 31 / 17 / 22

HEX #C789A6

RGB 199 137 166

HSL 331.94, 0.36%, 0.66%

LAB 63.99, 27.98, -5.72

 

CMYK 0 / 31 / 25 / 22

HEX #C78995

RGB 199 137 149

HSL 348.39, 0.36%, 0.66%

LAB 63.51, 25.38, 3.22

 

CMYK 0 / 29 / 31 / 22

HEX #C78D89

RGB 199 141 137

HSL 3.87, 0.36%, 0.66%

LAB 64.16, 21.51, 10.94

 

CMYK 0 / 53 / 29 / 33

HEX #AC517A

RGB 172 81 122

HSL 332.97, 0.36%, 0.5%

LAB 47.05, 41.89, -5.5

 

CMYK 0 / 41 / 23 / 27

HEX #BA6D8F

RGB 186 109 143

HSL 333.51, 0.36%, 0.58%

LAB 55.44, 35.04, -5.33

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 0 / 22 / 12 / 17

HEX #D4A5BA

RGB 212 165 186

HSL 333.19, 0.35%, 0.74%

LAB 72.53, 20.6, -4.12

 

CMYK 0 / 14 / 8 / 12

HEX #E1C1CF

RGB 225 193 207

HSL 333.75, 0.35%, 0.82%

LAB 81.1, 13.66, -2.8

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 0 / 9 / 31 / 22

HEX #C7B689

RGB 199 182 137

HSL 43.55, 0.36%, 0.66%

LAB 74.45, -0.75, 25.15

 

CMYK 31 / 4 / 0 / 22

HEX #89BFC7

RGB 137 191 199

HSL 187.74, 0.36%, 0.66%

LAB 74, -15.57, -9.68

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 17 / 0 / 31 / 22

HEX #A6C789

RGB 166 199 137

HSL 91.94, 0.36%, 0.66%

LAB 76.53, -22.09, 27.52

 

CMYK 31 / 17 / 0 / 22

HEX #89A6C7

RGB 137 166 199

HSL 211.94, 0.36%, 0.66%

LAB 67.06, -2.18, -20.13

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 0 / 9 / 31 / 22

HEX #C7B689

RGB 199 182 137

HSL 43.55, 0.36%, 0.66%

LAB 74.45, -0.75, 25.15

 

CMYK 31 / 0 / 15 / 22

HEX #89C7AA

RGB 137 199 170

HSL 151.94, 0.36%, 0.66%

LAB 75.49, -26.04, 8.22

 

CMYK 31 / 23 / 0 / 22

HEX #8999C7

RGB 137 153 199

HSL 224.52, 0.36%, 0.66%

LAB 63.53, 5.1, -25.53

 

CMYK 0 / 31 / 17 / 22

HEX #C789A5

RGB 199 137 165

HSL 332.9, 0.36%, 0.66%

LAB 63.96, 27.82, -5.2

 

CMYK 1 / 0 / 31 / 22

HEX #C5C789

RGB 197 199 137

HSL 61.94, 0.36%, 0.66%

LAB 78.77, -10.4, 30.89

 

CMYK 31 / 0 / 15 / 22

HEX #89C7AA

RGB 137 199 170

HSL 151.94, 0.36%, 0.66%

LAB 75.49, -26.04, 8.22

 

CMYK 30 / 31 / 0 / 22

HEX #8B89C7

RGB 139 137 199

HSL 241.94, 0.36%, 0.66%

LAB 59.44, 14.9, -31.84

 

Description

Color code: HEX #C789A5 | qconv.com Color code: HEX #C789A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 137 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 137 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 17 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 17% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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