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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7862D it is the complementary color #3879D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7862D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7862D shade: #CC8628, #DD983B, #EEAA4E, #FFBC61 and #FFCE74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7862D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7862D shade: #C7862D, #B6741A, #A56207, #945000 and #833E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7862D shade: #C7862D, #C75C2D, #C7332D and #C72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7862D shade: #C7862D, #C7B02D, #B5C72D, #8BC72D and #62C72D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7862D shade matches the following richer shades: #C7862D, #DB8919 and #EF8C05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7862D shade: #C7862D, #B38341, #9F8054, #8C7D68 and #787A7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7862D shade: #C7322D, #C75B2D, #C7842D, #C7AD2D and #B8C72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7862D shade: #84591E, #A56F25, #C7862D, #D59A48 and #DDAC6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7862D shade: #C7862D, #51C72D and #462DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7862D shade: #C7862D, #2DC784 and #842DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7862D shade: #C7862D, #51C72D, #2D70C7 and #A32DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7862D shade: #C7862D, #2DC737, #2D70C7 and #C72DBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

Complementary color

CMYK 73 / 42 / 0 / 18

HEX #3879D2

RGB 56 121 210

HSL 214.68, 0.63%, 0.52%

LAB 50.88, 9.6, -51.88

 

CMYK 0 / 34 / 80 / 20

HEX #CC8628

RGB 204 134 40

HSL 34.39, 0.67%, 0.48%

LAB 61.69, 19.41, 57.74

 

CMYK 0 / 31 / 73 / 13

HEX #DD983B

RGB 221 152 59

HSL 34.44, 0.7%, 0.55%

LAB 68.13, 17.73, 56.98

 

CMYK 0 / 29 / 67 / 7

HEX #EEAA4E

RGB 238 170 78

HSL 34.5, 0.82%, 0.62%

LAB 74.49, 16.27, 55.85

 

CMYK 0 / 26 / 62 / 0

HEX #FFBC61

RGB 255 188 97

HSL 34.56, 1%, 0.69%

LAB 80.79, 14.99, 54.56

 

CMYK 0 / 19 / 55 / 0

HEX #FFCE74

RGB 255 206 116

HSL 38.85, 1%, 0.73%

LAB 85.33, 7.01, 50.81

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 0 / 36 / 86 / 29

HEX #B6741A

RGB 182 116 26

HSL 34.62, 0.75%, 0.41%

LAB 54.56, 19.26, 55.36

 

CMYK 0 / 41 / 96 / 35

HEX #A56207

RGB 165 98 7

HSL 34.56, 0.92%, 0.34%

LAB 47.94, 21.39, 54.3

 

CMYK 0 / 46 / 100 / 42

HEX #945000

RGB 148 80 0

HSL 32.43, 1%, 0.29%

LAB 41.27, 23.84, 50.5

 

CMYK 0 / 53 / 100 / 49

HEX #833E00

RGB 131 62 0

HSL 28.4, 1%, 0.26%

LAB 34.54, 26.43, 45.08

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 0 / 54 / 77 / 22

HEX #C75C2D

RGB 199 92 45

HSL 18.31, 0.63%, 0.48%

LAB 51.82, 39.78, 45.93

 

CMYK 0 / 74 / 77 / 22

HEX #C7332D

RGB 199 51 45

HSL 2.34, 0.63%, 0.48%

LAB 45.22, 57.38, 39.11

 

CMYK 0 / 77 / 77 / 22

HEX #C72D2D

RGB 199 45 45

HSL 0, 0.63%, 0.48%

LAB 44.53, 59.3, 38.38

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 0 / 12 / 77 / 22

HEX #C7B02D

RGB 199 176 45

HSL 51.04, 0.63%, 0.48%

LAB 71.81, -5.22, 65.02

 

CMYK 9 / 0 / 77 / 22

HEX #B5C72D

RGB 181 199 45

HSL 67.01, 0.63%, 0.48%

LAB 76.59, -24.56, 68.83

 

CMYK 30 / 0 / 77 / 22

HEX #8BC72D

RGB 139 199 45

HSL 83.38, 0.63%, 0.48%

LAB 73.89, -41.26, 65.34

 

CMYK 51 / 0 / 77 / 22

HEX #62C72D

RGB 98 199 45

HSL 99.35, 0.63%, 0.48%

LAB 71.98, -54.93, 62.87

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 0 / 37 / 89 / 14

HEX #DB8919

RGB 219 137 25

HSL 34.64, 0.8%, 0.48%

LAB 64.18, 23.82, 65.34

 

CMYK 0 / 41 / 98 / 6

HEX #EF8C05

RGB 239 140 5

HSL 34.62, 0.96%, 0.48%

LAB 67.37, 30.37, 72.42

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 0 / 27 / 64 / 30

HEX #B38341

RGB 179 131 65

HSL 34.74, 0.47%, 0.48%

LAB 58.22, 11.41, 42.16

 

CMYK 0 / 19 / 47 / 38

HEX #9F8054

RGB 159 128 84

HSL 35.2, 0.31%, 0.48%

LAB 55.53, 6.01, 28.33

 

CMYK 0 / 11 / 26 / 45

HEX #8C7D68

RGB 140 125 104

HSL 35, 0.15%, 0.48%

LAB 53.21, 2.24, 13.56

 

CMYK 3 / 2 / 0 / 51

HEX #787A7C

RGB 120 122 124

HSL 210, 0.02%, 0.48%

LAB 51.11, -0.34, -1.36

 

CMYK 0 / 75 / 77 / 22

HEX #C7322D

RGB 199 50 45

HSL 1.95, 0.63%, 0.48%

LAB 45.1, 57.71, 38.99

 

CMYK 0 / 54 / 77 / 22

HEX #C75B2D

RGB 199 91 45

HSL 17.92, 0.63%, 0.48%

LAB 51.63, 40.28, 45.73

 

CMYK 0 / 34 / 77 / 22

HEX #C7842D

RGB 199 132 45

HSL 33.9, 0.63%, 0.48%

LAB 60.63, 18.52, 54.58

 

CMYK 0 / 13 / 77 / 22

HEX #C7AD2D

RGB 199 173 45

HSL 49.87, 0.63%, 0.48%

LAB 71.02, -3.64, 64.3

 

CMYK 8 / 0 / 77 / 22

HEX #B8C72D

RGB 184 199 45

HSL 65.84, 0.63%, 0.48%

LAB 76.82, -23.31, 69.11

 

CMYK 0 / 33 / 77 / 48

HEX #84591E

RGB 132 89 30

HSL 34.71, 0.63%, 0.32%

LAB 41.44, 12.12, 39.52

 

CMYK 0 / 33 / 78 / 35

HEX #A56F25

RGB 165 111 37

HSL 34.69, 0.63%, 0.4%

LAB 51.27, 14.87, 47.46

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 0 / 28 / 66 / 16

HEX #D59A48

RGB 213 154 72

HSL 34.89, 0.63%, 0.56%

LAB 67.82, 13.93, 50.54

 

CMYK 0 / 22 / 52 / 13

HEX #DDAC6A

RGB 221 172 106

HSL 34.43, 0.63%, 0.64%

LAB 73.49, 10.13, 40.58

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 59 / 0 / 77 / 22

HEX #51C72D

RGB 81 199 45

HSL 105.97, 0.63%, 0.48%

LAB 71.41, -59.46, 62.12

 

CMYK 65 / 77 / 0 / 22

HEX #462DC7

RGB 70 45 199

HSL 249.74, 0.63%, 0.48%

LAB 32.49, 53.63, -75.41

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 77 / 0 / 34 / 22

HEX #2DC784

RGB 45 199 132

HSL 153.9, 0.63%, 0.48%

LAB 71.6, -54.4, 22.67

 

CMYK 34 / 77 / 0 / 22

HEX #842DC7

RGB 132 45 199

HSL 273.9, 0.63%, 0.48%

LAB 39.42, 62.24, -63.77

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 59 / 0 / 77 / 22

HEX #51C72D

RGB 81 199 45

HSL 105.97, 0.63%, 0.48%

LAB 71.41, -59.46, 62.12

 

CMYK 77 / 44 / 0 / 22

HEX #2D70C7

RGB 45 112 199

HSL 213.9, 0.63%, 0.48%

LAB 47.33, 9.77, -51.31

 

CMYK 18 / 77 / 0 / 22

HEX #A32DC7

RGB 163 45 199

HSL 285.97, 0.63%, 0.48%

LAB 43.93, 67.73, -56.25

 

CMYK 0 / 33 / 77 / 22

HEX #C7862D

RGB 199 134 45

HSL 34.68, 0.63%, 0.48%

LAB 61.12, 17.42, 55.04

 

CMYK 77 / 0 / 72 / 22

HEX #2DC737

RGB 45 199 55

HSL 123.9, 0.63%, 0.48%

LAB 70.65, -65.59, 57.71

 

CMYK 77 / 44 / 0 / 22

HEX #2D70C7

RGB 45 112 199

HSL 213.9, 0.63%, 0.48%

LAB 47.33, 9.77, -51.31

 

CMYK 0 / 77 / 5 / 22

HEX #C72DBD

RGB 199 45 189

HSL 303.9, 0.63%, 0.48%

LAB 49.12, 73.11, -41.8

 

Description

Color code: HEX #C7862D | qconv.com Color code: HEX #C7862D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 134 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 134 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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