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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77B32 it is the complementary color #3884CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C77B32 shade: #CC7B2D, #DD8D40, #EE9F53, #FFB166 and #FFC379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C77B32 shade: #C77B32, #B6691F, #A5570C, #944500 and #833300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C77B32 shade: #C77B31, #C75331 and #C73131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C77B32 shade: #C77B31, #C7A331, #C3C731, #9BC731 and #72C731

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C77B32 shade matches the following richer shades: #C77B31, #DC7B1D and #F07A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C77B32 shade: #C77B31, #B37B46, #9F7C5A, #8B7C6E and #777D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C77B32 shade: #C73139, #C75231, #C77A31, #C7A231 and #C5C731

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C77B32 shade: #855221, #A66729, #C77B31, #D3904F and #DBA570

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C77B32 shade: #C77B32, #61C731 and #3E31C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C77B32 shade: #C77B32, #31C77A and #7A31C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C77B32 shade: #C77B32, #61C731, #317FC7 and #9831C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C77B32 shade: #C77B32, #34C731, #317FC7 and #C531C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 75 / 22

HEX #C77B32

RGB 199 123 50

HSL 29.4, 0.6%, 0.49%

LAB 58.54, 23.64, 50.38

 

Complementary color

CMYK 73 / 36 / 0 / 20

HEX #3884CD

RGB 56 132 205

HSL 209.4, 0.6%, 0.51%

LAB 53.76, 1.1, -44.46

 

CMYK 0 / 40 / 78 / 20

HEX #CC7B2D

RGB 204 123 45

HSL 29.43, 0.64%, 0.49%

LAB 59.15, 25.56, 53.38

 

CMYK 0 / 36 / 71 / 13

HEX #DD8D40

RGB 221 141 64

HSL 29.43, 0.7%, 0.56%

LAB 65.59, 23.87, 52.14

 

CMYK 0 / 33 / 65 / 7

HEX #EE9F53

RGB 238 159 83

HSL 29.42, 0.82%, 0.63%

LAB 71.96, 22.38, 50.7

 

CMYK 0 / 31 / 60 / 0

HEX #FFB166

RGB 255 177 102

HSL 29.41, 1%, 0.7%

LAB 78.27, 21.07, 49.22

 

CMYK 0 / 24 / 53 / 0

HEX #FFC379

RGB 255 195 121

HSL 33.13, 1%, 0.74%

LAB 82.74, 13.12, 45.2

 

CMYK 0 / 38 / 75 / 22

HEX #C77B32

RGB 199 123 50

HSL 29.4, 0.6%, 0.49%

LAB 58.54, 23.64, 50.38

 

CMYK 0 / 42 / 83 / 29

HEX #B6691F

RGB 182 105 31

HSL 29.4, 0.71%, 0.42%

LAB 52, 25.48, 51.38

 

CMYK 0 / 47 / 93 / 35

HEX #A5570C

RGB 165 87 12

HSL 29.41, 0.86%, 0.35%

LAB 45.42, 27.58, 51.32

 

CMYK 0 / 53 / 100 / 42

HEX #944500

RGB 148 69 0

HSL 27.97, 1%, 0.29%

LAB 38.82, 29.91, 49.02

 

CMYK 0 / 61 / 100 / 49

HEX #833300

RGB 131 51 0

HSL 23.36, 1%, 0.26%

LAB 32.24, 32.31, 43.68

 

CMYK 0 / 38 / 75 / 22

HEX #C77B31

RGB 199 123 49

HSL 29.6, 0.6%, 0.49%

LAB 58.54, 23.6, 50.82

 

CMYK 0 / 58 / 75 / 22

HEX #C75331

RGB 199 83 49

HSL 13.6, 0.6%, 0.49%

LAB 50.16, 44.34, 42.19

 

CMYK 0 / 75 / 75 / 22

HEX #C73131

RGB 199 49 49

HSL 0, 0.6%, 0.49%

LAB 45.03, 58.19, 36.65

 

CMYK 0 / 38 / 75 / 22

HEX #C77B31

RGB 199 123 49

HSL 29.6, 0.6%, 0.49%

LAB 58.54, 23.6, 50.82

 

CMYK 0 / 18 / 75 / 22

HEX #C7A331

RGB 199 163 49

HSL 45.6, 0.6%, 0.49%

LAB 68.43, 1.83, 60.47

 

CMYK 2 / 0 / 75 / 22

HEX #C3C731

RGB 195 199 49

HSL 61.6, 0.6%, 0.49%

LAB 77.68, -18.52, 68.99

 

CMYK 22 / 0 / 75 / 22

HEX #9BC731

RGB 155 199 49

HSL 77.6, 0.6%, 0.49%

LAB 74.85, -34.94, 65.33

 

CMYK 43 / 0 / 75 / 22

HEX #72C731

RGB 114 199 49

HSL 94, 0.6%, 0.49%

LAB 72.66, -49.78, 62.47

 

CMYK 0 / 38 / 75 / 22

HEX #C77B31

RGB 199 123 49

HSL 29.6, 0.6%, 0.49%

LAB 58.54, 23.6, 50.82

 

CMYK 0 / 44 / 87 / 14

HEX #DC7B1D

RGB 220 123 29

HSL 29.53, 0.77%, 0.49%

LAB 61.19, 31.75, 61.91

 

CMYK 0 / 49 / 96 / 6

HEX #F07A09

RGB 240 122 9

HSL 29.35, 0.93%, 0.49%

LAB 63.72, 40.03, 69.55

 

CMYK 0 / 38 / 75 / 22

HEX #C77B31

RGB 199 123 49

HSL 29.6, 0.6%, 0.49%

LAB 58.54, 23.6, 50.82

 

CMYK 0 / 31 / 61 / 30

HEX #B37B46

RGB 179 123 70

HSL 29.17, 0.44%, 0.49%

LAB 56.28, 16.24, 37.33

 

CMYK 0 / 22 / 43 / 38

HEX #9F7C5A

RGB 159 124 90

HSL 29.57, 0.28%, 0.49%

LAB 54.58, 8.94, 23.74

 

CMYK 0 / 11 / 21 / 45

HEX #8B7C6E

RGB 139 124 110

HSL 28.97, 0.12%, 0.49%

LAB 52.98, 3.34, 9.74

 

CMYK 8 / 4 / 0 / 49

HEX #777D82

RGB 119 125 130

HSL 207.27, 0.04%, 0.49%

LAB 52.06, -1.17, -3.49

 

CMYK 0 / 75 / 71 / 22

HEX #C73139

RGB 199 49 57

HSL 356.8, 0.6%, 0.49%

LAB 45.13, 58.53, 32.11

 

CMYK 0 / 59 / 75 / 22

HEX #C75231

RGB 199 82 49

HSL 13.2, 0.6%, 0.49%

LAB 49.98, 44.81, 42

 

CMYK 0 / 39 / 75 / 22

HEX #C77A31

RGB 199 122 49

HSL 29.2, 0.6%, 0.49%

LAB 58.3, 24.14, 50.59

 

CMYK 0 / 19 / 75 / 22

HEX #C7A231

RGB 199 162 49

HSL 45.2, 0.6%, 0.49%

LAB 68.17, 2.37, 60.22

 

CMYK 1 / 0 / 75 / 22

HEX #C5C731

RGB 197 199 49

HSL 60.8, 0.6%, 0.49%

LAB 77.84, -17.68, 69.2

 

CMYK 0 / 38 / 75 / 48

HEX #855221

RGB 133 82 33

HSL 29.4, 0.6%, 0.33%

LAB 39.8, 16.86, 36.45

 

CMYK 0 / 38 / 75 / 35

HEX #A66729

RGB 166 103 41

HSL 29.76, 0.6%, 0.41%

LAB 49.46, 20.02, 43.91

 

CMYK 0 / 38 / 75 / 22

HEX #C77B31

RGB 199 123 49

HSL 29.6, 0.6%, 0.49%

LAB 58.54, 23.6, 50.82

 

CMYK 0 / 32 / 63 / 17

HEX #D3904F

RGB 211 144 79

HSL 29.55, 0.6%, 0.57%

LAB 65.25, 18.94, 44.16

 

CMYK 0 / 25 / 49 / 14

HEX #DBA570

RGB 219 165 112

HSL 29.72, 0.6%, 0.65%

LAB 71.65, 13.6, 35.1

 

CMYK 0 / 38 / 75 / 22

HEX #C77B32

RGB 199 123 50

HSL 29.4, 0.6%, 0.49%

LAB 58.54, 23.64, 50.38

 

CMYK 51 / 0 / 75 / 22

HEX #61C731

RGB 97 199 49

HSL 100.8, 0.6%, 0.49%

LAB 71.97, -54.98, 61.56

 

CMYK 69 / 75 / 0 / 22

HEX #3E31C7

RGB 62 49 199

HSL 245.2, 0.6%, 0.49%

LAB 32.58, 50.8, -75.28

 

CMYK 0 / 38 / 75 / 22

HEX #C77B32

RGB 199 123 50

HSL 29.4, 0.6%, 0.49%

LAB 58.54, 23.64, 50.38

 

CMYK 75 / 0 / 39 / 22

HEX #31C77A

RGB 49 199 122

HSL 149.2, 0.6%, 0.49%

LAB 71.49, -55.89, 27.78

 

CMYK 39 / 75 / 0 / 22

HEX #7A31C7

RGB 122 49 199

HSL 269.2, 0.6%, 0.49%

LAB 38.65, 58.99, -65.08

 

CMYK 0 / 38 / 75 / 22

HEX #C77B32

RGB 199 123 50

HSL 29.4, 0.6%, 0.49%

LAB 58.54, 23.64, 50.38

 

CMYK 51 / 0 / 75 / 22

HEX #61C731

RGB 97 199 49

HSL 100.8, 0.6%, 0.49%

LAB 71.97, -54.98, 61.56

 

CMYK 75 / 36 / 0 / 22

HEX #317FC7

RGB 49 127 199

HSL 208.8, 0.6%, 0.49%

LAB 51.79, 1.01, -44.2

 

CMYK 24 / 75 / 0 / 22

HEX #9831C7

RGB 152 49 199

HSL 281.2, 0.6%, 0.49%

LAB 42.76, 64.32, -58.22

 

CMYK 0 / 38 / 75 / 22

HEX #C77B32

RGB 199 123 50

HSL 29.4, 0.6%, 0.49%

LAB 58.54, 23.64, 50.38

 

CMYK 74 / 0 / 75 / 22

HEX #34C731

RGB 52 199 49

HSL 118.8, 0.6%, 0.49%

LAB 70.73, -65.03, 59.93

 

CMYK 75 / 36 / 0 / 22

HEX #317FC7

RGB 49 127 199

HSL 208.8, 0.6%, 0.49%

LAB 51.79, 1.01, -44.2

 

CMYK 1 / 75 / 0 / 22

HEX #C531C7

RGB 197 49 199

HSL 299.2, 0.6%, 0.49%

LAB 49.73, 73.13, -46.66

 

Description

Color code: HEX #C77B32 | qconv.com Color code: HEX #C77B32 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 123 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 123 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 75 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 75% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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