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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C765AC it is the complementary color #389A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C765AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C765AC shade: #CC65A7, #DD77BA, #EE89CD, #FF9BE0 and #FFADF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C765AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C765AC shade: #C765AC, #B65399, #A54186, #942F73 and #831D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C765AC shade: #C765AC, #C76592, #C76577 and #C76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C765AC shade: #C765AC, #C765C7, #AD65C7, #9365C7 and #7865C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C765AC shade matches the following richer shades: #C765AC, #D854B4, #E943BB and #FA32C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C765AC shade: #C765AC, #B676A4, #A5879D, #949895 and #83A88E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C765AC shade: #AD65C7, #C765C7, #C765AD, #C76593 and #C76578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C765AC shade: #A03984, #BC469C, #C765AC, #D283BC and #DDA1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C765AC shade: #C765AC, #C79365 and #65C7BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C765AC shade: #C765AC, #ADC765 and #65ADC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C765AC shade: #C765AC, #C79365, #65C77F and #6599C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C765AC shade: #C765AC, #C7B065, #65C77F and #657CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

Complementary color

CMYK 64 / 0 / 46 / 40

HEX #389A53

RGB 56 154 83

HSL 136.53, 0.47%, 0.41%

LAB 56.66, -44.51, 28.99

 

CMYK 0 / 50 / 18 / 20

HEX #CC65A7

RGB 204 101 167

HSL 321.55, 0.5%, 0.6%

LAB 57.01, 48.83, -16.69

 

CMYK 0 / 46 / 16 / 13

HEX #DD77BA

RGB 221 119 186

HSL 320.59, 0.6%, 0.67%

LAB 63.43, 48.11, -17.62

 

CMYK 0 / 42 / 14 / 7

HEX #EE89CD

RGB 238 137 205

HSL 319.6, 0.75%, 0.74%

LAB 69.81, 47.36, -18.41

 

CMYK 0 / 39 / 12 / 0

HEX #FF9BE0

RGB 255 155 224

HSL 318.6, 1%, 0.8%

LAB 76.12, 46.62, -19.12

 

CMYK 0 / 32 / 5 / 0

HEX #FFADF3

RGB 255 173 243

HSL 308.78, 1%, 0.84%

LAB 80.53, 40.49, -22.72

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 54 / 16 / 29

HEX #B65399

RGB 182 83 153

HSL 317.58, 0.4%, 0.52%

LAB 50.02, 48.68, -19.45

 

CMYK 0 / 61 / 19 / 35

HEX #A54186

RGB 165 65 134

HSL 318.6, 0.43%, 0.45%

LAB 43.51, 49.14, -18.24

 

CMYK 0 / 68 / 22 / 42

HEX #942F73

RGB 148 47 115

HSL 319.6, 0.52%, 0.38%

LAB 37.05, 49.25, -16.66

 

CMYK 0 / 78 / 27 / 49

HEX #831D60

RGB 131 29 96

HSL 320.59, 0.64%, 0.31%

LAB 30.76, 48.67, -14.48

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 49 / 27 / 22

HEX #C76592

RGB 199 101 146

HSL 332.45, 0.47%, 0.59%

LAB 55.61, 44.16, -6.64

 

CMYK 0 / 49 / 40 / 22

HEX #C76577

RGB 199 101 119

HSL 348.98, 0.47%, 0.59%

LAB 54.85, 40.78, 8.1

 

CMYK 0 / 49 / 49 / 22

HEX #C76565

RGB 199 101 101

HSL 0, 0.47%, 0.59%

LAB 54.44, 38.91, 18.1

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 49 / 0 / 22

HEX #C765C7

RGB 199 101 199

HSL 300, 0.47%, 0.59%

LAB 57.63, 52.63, -34.18

 

CMYK 13 / 49 / 0 / 22

HEX #AD65C7

RGB 173 101 199

HSL 284.08, 0.47%, 0.59%

LAB 54.36, 45.27, -39.54

 

CMYK 26 / 49 / 0 / 22

HEX #9365C7

RGB 147 101 199

HSL 268.16, 0.47%, 0.59%

LAB 51.42, 38.06, -44.38

 

CMYK 40 / 49 / 0 / 22

HEX #7865C7

RGB 120 101 199

HSL 251.63, 0.47%, 0.59%

LAB 48.79, 30.99, -48.72

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 61 / 17 / 15

HEX #D854B4

RGB 216 84 180

HSL 316.36, 0.63%, 0.59%

LAB 56.32, 62.11, -25.12

 

CMYK 0 / 71 / 20 / 9

HEX #E943BB

RGB 233 67 187

HSL 316.63, 0.79%, 0.59%

LAB 57, 73.82, -27.89

 

CMYK 0 / 80 / 22 / 2

HEX #FA32C3

RGB 250 50 195

HSL 316.5, 0.95%, 0.59%

LAB 58.55, 83.4, -29.87

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 35 / 10 / 29

HEX #B676A4

RGB 182 118 164

HSL 316.88, 0.3%, 0.59%

LAB 57.64, 32.13, -14.28

 

CMYK 0 / 18 / 5 / 35

HEX #A5879D

RGB 165 135 157

HSL 316, 0.14%, 0.59%

LAB 59.67, 15.26, -7.39

 

CMYK 3 / 0 / 2 / 40

HEX #949895

RGB 148 152 149

HSL 135, 0.02%, 0.59%

LAB 62.44, -2.03, 1.06

 

CMYK 22 / 0 / 15 / 34

HEX #83A88E

RGB 131 168 142

HSL 137.84, 0.18%, 0.59%

LAB 65.58, -17.98, 9.34

 

CMYK 13 / 49 / 0 / 22

HEX #AD65C7

RGB 173 101 199

HSL 284.08, 0.47%, 0.59%

LAB 54.36, 45.27, -39.54

 

CMYK 0 / 49 / 0 / 22

HEX #C765C7

RGB 199 101 199

HSL 300, 0.47%, 0.59%

LAB 57.63, 52.63, -34.18

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 49 / 26 / 22

HEX #C76593

RGB 199 101 147

HSL 331.84, 0.47%, 0.59%

LAB 55.64, 44.3, -7.18

 

CMYK 0 / 49 / 40 / 22

HEX #C76578

RGB 199 101 120

HSL 348.37, 0.47%, 0.59%

LAB 54.87, 40.89, 7.55

 

CMYK 0 / 64 / 18 / 37

HEX #A03984

RGB 160 57 132

HSL 316.31, 0.47%, 0.43%

LAB 41.32, 50.94, -20.45

 

CMYK 0 / 63 / 17 / 26

HEX #BC469C

RGB 188 70 156

HSL 316.27, 0.47%, 0.51%

LAB 48.85, 56.81, -22.94

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 38 / 10 / 18

HEX #D283BC

RGB 210 131 188

HSL 316.71, 0.47%, 0.67%

LAB 64.62, 38.64, -17.09

 

CMYK 0 / 27 / 7 / 13

HEX #DDA1CD

RGB 221 161 205

HSL 316, 0.47%, 0.75%

LAB 73.07, 29.13, -13.68

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 26 / 49 / 22

HEX #C79365

RGB 199 147 101

HSL 28.16, 0.47%, 0.59%

LAB 64.92, 14.08, 31.93

 

CMYK 49 / 0 / 7 / 22

HEX #65C7BA

RGB 101 199 186

HSL 172.04, 0.47%, 0.59%

LAB 74.29, -31.99, -2.37

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 13 / 0 / 49 / 22

HEX #ADC765

RGB 173 199 101

HSL 75.92, 0.47%, 0.59%

LAB 76.48, -23.9, 45.79

 

CMYK 49 / 13 / 0 / 22

HEX #65ADC7

RGB 101 173 199

HSL 195.92, 0.47%, 0.59%

LAB 67.11, -15.47, -20.24

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 26 / 49 / 22

HEX #C79365

RGB 199 147 101

HSL 28.16, 0.47%, 0.59%

LAB 64.92, 14.08, 31.93

 

CMYK 49 / 0 / 36 / 22

HEX #65C77F

RGB 101 199 127

HSL 135.92, 0.47%, 0.59%

LAB 72.99, -44.58, 27.42

 

CMYK 49 / 23 / 0 / 22

HEX #6599C7

RGB 101 153 199

HSL 208.16, 0.47%, 0.59%

LAB 61.37, -4.54, -29.04

 

CMYK 0 / 49 / 14 / 22

HEX #C765AC

RGB 199 101 172

HSL 316.53, 0.47%, 0.59%

LAB 56.51, 48.04, -20.41

 

CMYK 0 / 12 / 49 / 22

HEX #C7B065

RGB 199 176 101

HSL 45.92, 0.47%, 0.59%

LAB 72.32, -1.58, 41.21

 

CMYK 49 / 0 / 36 / 22

HEX #65C77F

RGB 101 199 127

HSL 135.92, 0.47%, 0.59%

LAB 72.99, -44.58, 27.42

 

CMYK 49 / 38 / 0 / 22

HEX #657CC7

RGB 101 124 199

HSL 225.92, 0.47%, 0.59%

LAB 53.28, 12.42, -41.68

 

Description

Color code: HEX #C765AC | qconv.com Color code: HEX #C765AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 101 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 101 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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