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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75565 it is the complementary color #38AA9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75565. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75565 shade: #CC5560, #DD6773, #EE7986, #FF8B99 and #FF9DAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75565. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75565 shade: #C75565, #B64352, #A5313F, #941F2C and #830D19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75565 shade: #C65666 and #C65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75565 shade: #C65666, #C65684, #C656A2, #C656C1 and #AE56C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75565 shade matches the following richer shades: #C65666, #D94459, #EB324C and #FD203F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75565 shade: #C65666, #B46873, #A27B80, #908D8D and #7E9F9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75565 shade: #C656A3, #C65685, #C65667, #C66356 and #C68156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75565 shade: #983241, #B73D4E, #C65666, #D17582 and #DB949E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75565 shade: #C75565, #C1C656 and #5694C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75565 shade: #C75565, #67C656 and #5667C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75565 shade: #C75565, #C1C656, #56C6B6 and #5C56C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75565 shade: #C75565, #9FC656, #56C6B6 and #7D56C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 49 / 22

HEX #C75565

RGB 199 85 101

HSL 351.58, 0.5%, 0.56%

LAB 51.36, 46.85, 13.87

 

Complementary color

CMYK 67 / 0 / 9 / 33

HEX #38AA9A

RGB 56 170 154

HSL 171.58, 0.5%, 0.44%

LAB 63.28, -35.48, -1.07

 

CMYK 0 / 58 / 53 / 20

HEX #CC5560

RGB 204 85 96

HSL 354.45, 0.54%, 0.57%

LAB 52.04, 48.15, 17.91

 

CMYK 0 / 53 / 48 / 13

HEX #DD6773

RGB 221 103 115

HSL 353.9, 0.63%, 0.64%

LAB 58.33, 47.19, 15.79

 

CMYK 0 / 49 / 44 / 7

HEX #EE7986

RGB 238 121 134

HSL 353.33, 0.77%, 0.7%

LAB 64.62, 46.19, 13.99

 

CMYK 0 / 45 / 40 / 0

HEX #FF8B99

RGB 255 139 153

HSL 352.76, 1%, 0.77%

LAB 70.89, 45.2, 12.43

 

CMYK 0 / 38 / 33 / 0

HEX #FF9DAC

RGB 255 157 172

HSL 350.82, 1%, 0.81%

LAB 75.05, 38.24, 7.82

 

CMYK 0 / 57 / 49 / 22

HEX #C75565

RGB 199 85 101

HSL 351.58, 0.5%, 0.56%

LAB 51.36, 46.85, 13.87

 

CMYK 0 / 63 / 55 / 29

HEX #B64352

RGB 182 67 82

HSL 352.17, 0.46%, 0.49%

LAB 45.04, 47.68, 16.25

 

CMYK 0 / 70 / 62 / 35

HEX #A5313F

RGB 165 49 63

HSL 352.76, 0.54%, 0.42%

LAB 38.82, 48.22, 19.19

 

CMYK 0 / 79 / 70 / 42

HEX #941F2C

RGB 148 31 44

HSL 353.33, 0.65%, 0.35%

LAB 32.83, 48.19, 22.93

 

CMYK 0 / 90 / 81 / 49

HEX #830D19

RGB 131 13 25

HSL 353.9, 0.82%, 0.28%

LAB 27.25, 47.07, 27.6

 

CMYK 0 / 57 / 48 / 22

HEX #C65666

RGB 198 86 102

HSL 351.43, 0.5%, 0.56%

LAB 51.41, 46.12, 13.32

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 48 / 22

HEX #C65666

RGB 198 86 102

HSL 351.43, 0.5%, 0.56%

LAB 51.41, 46.12, 13.32

 

CMYK 0 / 57 / 33 / 22

HEX #C65684

RGB 198 86 132

HSL 335.36, 0.5%, 0.56%

LAB 52.21, 49.37, -3.44

 

CMYK 0 / 57 / 18 / 22

HEX #C656A2

RGB 198 86 162

HSL 319.29, 0.5%, 0.56%

LAB 53.24, 53.45, -19.6

 

CMYK 0 / 57 / 3 / 22

HEX #C656C1

RGB 198 86 193

HSL 302.68, 0.5%, 0.56%

LAB 54.57, 58.41, -35.55

 

CMYK 12 / 57 / 0 / 22

HEX #AE56C6

RGB 174 86 198

HSL 287.14, 0.5%, 0.56%

LAB 51.53, 53, -43.43

 

CMYK 0 / 57 / 48 / 22

HEX #C65666

RGB 198 86 102

HSL 351.43, 0.5%, 0.56%

LAB 51.41, 46.12, 13.32

 

CMYK 0 / 69 / 59 / 15

HEX #D94459

RGB 217 68 89

HSL 351.54, 0.66%, 0.56%

LAB 51.39, 59.11, 21.59

 

CMYK 0 / 79 / 68 / 8

HEX #EB324C

RGB 235 50 76

HSL 351.57, 0.82%, 0.56%

LAB 52.36, 69.46, 31.22

 

CMYK 0 / 87 / 75 / 1

HEX #FD203F

RGB 253 32 63

HSL 351.58, 0.98%, 0.56%

LAB 54.32, 77.51, 41.92

 

CMYK 0 / 57 / 48 / 22

HEX #C65666

RGB 198 86 102

HSL 351.43, 0.5%, 0.56%

LAB 51.41, 46.12, 13.32

 

CMYK 0 / 42 / 36 / 29

HEX #B46873

RGB 180 104 115

HSL 351.32, 0.34%, 0.56%

LAB 52.78, 31.7, 7.16

 

CMYK 0 / 24 / 21 / 36

HEX #A27B80

RGB 162 123 128

HSL 352.31, 0.17%, 0.56%

LAB 55.49, 15.94, 3.16

 

CMYK 0 / 2 / 2 / 44

HEX #908D8D

RGB 144 141 141

HSL 0, 0.01%, 0.56%

LAB 58.88, 1.11, 0.39

 

CMYK 21 / 0 / 3 / 38

HEX #7E9F9A

RGB 126 159 154

HSL 170.91, 0.15%, 0.56%

LAB 62.98, -12.43, -1.15

 

CMYK 0 / 57 / 18 / 22

HEX #C656A3

RGB 198 86 163

HSL 318.75, 0.5%, 0.56%

LAB 53.28, 53.6, -20.13

 

CMYK 0 / 57 / 33 / 22

HEX #C65685

RGB 198 86 133

HSL 334.82, 0.5%, 0.56%

LAB 52.24, 49.5, -3.99

 

CMYK 0 / 57 / 48 / 22

HEX #C65667

RGB 198 86 103

HSL 350.89, 0.5%, 0.56%

LAB 51.43, 46.22, 12.75

 

CMYK 0 / 50 / 57 / 22

HEX #C66356

RGB 198 99 86

HSL 6.96, 0.5%, 0.56%

LAB 53.6, 38.26, 25.68

 

CMYK 0 / 35 / 57 / 22

HEX #C68156

RGB 198 129 86

HSL 23.04, 0.5%, 0.56%

LAB 60.23, 22.2, 34.09

 

CMYK 0 / 67 / 57 / 40

HEX #983241

RGB 152 50 65

HSL 351.18, 0.5%, 0.4%

LAB 36.63, 43.62, 14.58

 

CMYK 0 / 67 / 57 / 28

HEX #B73D4E

RGB 183 61 78

HSL 351.64, 0.5%, 0.48%

LAB 44.17, 50.29, 17.56

 

CMYK 0 / 57 / 48 / 22

HEX #C65666

RGB 198 86 102

HSL 351.43, 0.5%, 0.56%

LAB 51.41, 46.12, 13.32

 

CMYK 0 / 44 / 38 / 18

HEX #D17582

RGB 209 117 130

HSL 351.52, 0.5%, 0.64%

LAB 59.79, 37.37, 8.91

 

CMYK 0 / 32 / 28 / 14

HEX #DB949E

RGB 219 148 158

HSL 351.55, 0.5%, 0.72%

LAB 68.54, 28.1, 5.7

 

CMYK 0 / 57 / 49 / 22

HEX #C75565

RGB 199 85 101

HSL 351.58, 0.5%, 0.56%

LAB 51.36, 46.85, 13.87

 

CMYK 3 / 0 / 57 / 22

HEX #C1C656

RGB 193 198 86

HSL 62.68, 0.5%, 0.56%

LAB 77.52, -16.7, 54.38

 

CMYK 57 / 25 / 0 / 22

HEX #5694C6

RGB 86 148 198

HSL 206.79, 0.5%, 0.56%

LAB 59.19, -5.37, -31.91

 

CMYK 0 / 57 / 49 / 22

HEX #C75565

RGB 199 85 101

HSL 351.58, 0.5%, 0.56%

LAB 51.36, 46.85, 13.87

 

CMYK 48 / 0 / 57 / 22

HEX #67C656

RGB 103 198 86

HSL 110.89, 0.5%, 0.56%

LAB 72.19, -49.56, 46.87

 

CMYK 57 / 48 / 0 / 22

HEX #5667C6

RGB 86 103 198

HSL 230.89, 0.5%, 0.56%

LAB 46.65, 21.69, -51.71

 

CMYK 0 / 57 / 49 / 22

HEX #C75565

RGB 199 85 101

HSL 351.58, 0.5%, 0.56%

LAB 51.36, 46.85, 13.87

 

CMYK 3 / 0 / 57 / 22

HEX #C1C656

RGB 193 198 86

HSL 62.68, 0.5%, 0.56%

LAB 77.52, -16.7, 54.38

 

CMYK 57 / 0 / 8 / 22

HEX #56C6B6

RGB 86 198 182

HSL 171.43, 0.5%, 0.56%

LAB 73.38, -35.71, -1.6

 

CMYK 54 / 57 / 0 / 22

HEX #5C56C6

RGB 92 86 198

HSL 243.21, 0.5%, 0.56%

LAB 42.78, 33.44, -57.94

 

CMYK 0 / 57 / 49 / 22

HEX #C75565

RGB 199 85 101

HSL 351.58, 0.5%, 0.56%

LAB 51.36, 46.85, 13.87

 

CMYK 20 / 0 / 57 / 22

HEX #9FC656

RGB 159 198 86

HSL 80.89, 0.5%, 0.56%

LAB 75.1, -30.32, 50.98

 

CMYK 57 / 0 / 8 / 22

HEX #56C6B6

RGB 86 198 182

HSL 171.43, 0.5%, 0.56%

LAB 73.38, -35.71, -1.6

 

CMYK 37 / 57 / 0 / 22

HEX #7D56C6

RGB 125 86 198

HSL 260.89, 0.5%, 0.56%

LAB 45.76, 40.68, -52.97

 

Description

Color code: HEX #C75565 | qconv.com Color code: HEX #C75565 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 85 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 85 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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