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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C74B83 it is the complementary color #38B47C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C74B83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C74B83 shade: #CC4B7E, #DD5D91, #EE6FA4, #FF81B7 and #FF93CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C74B83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C74B83 shade: #C74B83, #B63970, #A5275D, #94154A and #830337

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C74B83 shade: #C74B83, #C74B62 and #C74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C74B83 shade: #C74B83, #C74BA5, #C74BC6, #A74BC7 and #854BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C74B83 shade matches the following richer shades: #C74B83, #DA3881 and #ED2580

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C74B83 shade: #C74B83, #B45E85, #A17187, #8E8489 and #7B978B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C74B83 shade: #C74BC7, #C74BA6, #C74B85, #C74B64 and #C7534B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C74B83 shade: #932D5B, #B3376F, #C74B83, #D16B99 and #DB8AAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C74B83 shade: #C74B83, #C7A64B and #4BB7C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C74B83 shade: #C74B83, #85C74B and #4B85C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C74B83 shade: #C74B83, #C7A64B, #4BC78D and #4B6CC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C74B83 shade: #C74B83, #C3C74B, #4BC78D and #4F4BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

Complementary color

CMYK 69 / 0 / 31 / 29

HEX #38B47C

RGB 56 180 124

HSL 152.9, 0.53%, 0.46%

LAB 65.7, -47.08, 18.93

 

CMYK 0 / 63 / 38 / 20

HEX #CC4B7E

RGB 204 75 126

HSL 336.28, 0.56%, 0.55%

LAB 51.12, 55.52, -1.33

 

CMYK 0 / 58 / 34 / 13

HEX #DD5D91

RGB 221 93 145

HSL 335.63, 0.65%, 0.62%

LAB 57.31, 55.04, -3.18

 

CMYK 0 / 53 / 31 / 7

HEX #EE6FA4

RGB 238 111 164

HSL 334.96, 0.79%, 0.68%

LAB 63.53, 54.39, -4.71

 

CMYK 0 / 49 / 28 / 0

HEX #FF81B7

RGB 255 129 183

HSL 334.29, 1%, 0.75%

LAB 69.74, 53.65, -6.02

 

CMYK 0 / 42 / 21 / 0

HEX #FF93CA

RGB 255 147 202

HSL 329.44, 1%, 0.79%

LAB 73.8, 47.35, -10.54

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 69 / 38 / 29

HEX #B63970

RGB 182 57 112

HSL 333.6, 0.52%, 0.47%

LAB 44.29, 54.74, -3.3

 

CMYK 0 / 76 / 44 / 35

HEX #A5275D

RGB 165 39 93

HSL 334.29, 0.62%, 0.4%

LAB 38.27, 54.36, -0.62

 

CMYK 0 / 86 / 50 / 42

HEX #94154A

RGB 148 21 74

HSL 334.96, 0.75%, 0.33%

LAB 32.54, 53.05, 2.93

 

CMYK 0 / 98 / 58 / 49

HEX #830337

RGB 131 3 55

HSL 335.63, 0.96%, 0.26%

LAB 27.2, 50.47, 7.56

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 62 / 51 / 22

HEX #C74B62

RGB 199 75 98

HSL 348.87, 0.53%, 0.54%

LAB 49.56, 51.17, 13.19

 

CMYK 0 / 62 / 62 / 22

HEX #C74B4B

RGB 199 75 75

HSL 0, 0.53%, 0.54%

LAB 49.11, 49.42, 26.35

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 62 / 17 / 22

HEX #C74BA5

RGB 199 75 165

HSL 316.45, 0.53%, 0.54%

LAB 51.71, 59.06, -23.7

 

CMYK 0 / 62 / 1 / 22

HEX #C74BC6

RGB 199 75 198

HSL 300.48, 0.53%, 0.54%

LAB 53.22, 64.26, -40.52

 

CMYK 16 / 62 / 0 / 22

HEX #A74BC7

RGB 167 75 199

HSL 284.52, 0.53%, 0.54%

LAB 48.72, 56.7, -48.52

 

CMYK 33 / 62 / 0 / 22

HEX #854BC7

RGB 133 75 199

HSL 268.06, 0.53%, 0.54%

LAB 44.44, 48.79, -55.64

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 74 / 41 / 15

HEX #DA3881

RGB 218 56 129

HSL 332.96, 0.69%, 0.54%

LAB 51.06, 66.9, -2.96

 

CMYK 0 / 84 / 46 / 7

HEX #ED2580

RGB 237 37 128

HSL 332.7, 0.85%, 0.54%

LAB 52.82, 76.41, 0.65

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 48 / 26 / 29

HEX #B45E85

RGB 180 94 133

HSL 332.79, 0.36%, 0.54%

LAB 51.15, 39.46, -5.88

 

CMYK 0 / 30 / 16 / 37

HEX #A17187

RGB 161 113 135

HSL 332.5, 0.2%, 0.54%

LAB 53.1, 22.42, -4.44

 

CMYK 0 / 7 / 4 / 44

HEX #8E8489

RGB 142 132 137

HSL 330, 0.04%, 0.54%

LAB 56.15, 4.71, -1.34

 

CMYK 19 / 0 / 8 / 41

HEX #7B978B

RGB 123 151 139

HSL 154.29, 0.12%, 0.54%

LAB 60.08, -12.35, 3.06

 

CMYK 0 / 62 / 0 / 22

HEX #C74BC7

RGB 199 75 199

HSL 300, 0.53%, 0.54%

LAB 53.27, 64.43, -41.02

 

CMYK 0 / 62 / 17 / 22

HEX #C74BA6

RGB 199 75 166

HSL 315.97, 0.53%, 0.54%

LAB 51.76, 59.2, -24.22

 

CMYK 0 / 62 / 33 / 22

HEX #C74B85

RGB 199 75 133

HSL 331.94, 0.53%, 0.54%

LAB 50.53, 54.8, -6.5

 

CMYK 0 / 62 / 50 / 22

HEX #C74B64

RGB 199 75 100

HSL 347.9, 0.53%, 0.54%

LAB 49.61, 51.35, 12.05

 

CMYK 0 / 58 / 62 / 22

HEX #C7534B

RGB 199 83 75

HSL 3.87, 0.53%, 0.54%

LAB 50.5, 45.74, 28.11

 

CMYK 0 / 69 / 38 / 42

HEX #932D5B

RGB 147 45 91

HSL 332.94, 0.53%, 0.38%

LAB 35.66, 46.66, -3.56

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 49 / 27 / 18

HEX #D16B99

RGB 209 107 153

HSL 332.94, 0.53%, 0.62%

LAB 58.39, 45.44, -6.44

 

CMYK 0 / 37 / 20 / 14

HEX #DB8AAF

RGB 219 138 175

HSL 332.59, 0.53%, 0.7%

LAB 66.77, 35.9, -6.42

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 17 / 62 / 22

HEX #C7A64B

RGB 199 166 75

HSL 44.03, 0.53%, 0.54%

LAB 69.41, 1.66, 50.49

 

CMYK 62 / 8 / 0 / 22

HEX #4BB7C7

RGB 75 183 199

HSL 187.74, 0.53%, 0.54%

LAB 69.1, -25.84, -17.3

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 33 / 0 / 62 / 22

HEX #85C74B

RGB 133 199 75

HSL 91.94, 0.53%, 0.54%

LAB 73.77, -41.4, 53.95

 

CMYK 62 / 33 / 0 / 22

HEX #4B85C7

RGB 75 133 199

HSL 211.94, 0.53%, 0.54%

LAB 54.44, 1.48, -39.94

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 17 / 62 / 22

HEX #C7A64B

RGB 199 166 75

HSL 44.03, 0.53%, 0.54%

LAB 69.41, 1.66, 50.49

 

CMYK 62 / 0 / 29 / 22

HEX #4BC78D

RGB 75 199 141

HSL 151.94, 0.53%, 0.54%

LAB 72.41, -47.84, 19.09

 

CMYK 62 / 46 / 0 / 22

HEX #4B6CC7

RGB 75 108 199

HSL 224.03, 0.53%, 0.54%

LAB 47.42, 16.77, -51.09

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 2 / 0 / 62 / 22

HEX #C3C74B

RGB 195 199 75

HSL 61.94, 0.53%, 0.54%

LAB 77.85, -17.15, 59.56

 

CMYK 62 / 0 / 29 / 22

HEX #4BC78D

RGB 75 199 141

HSL 151.94, 0.53%, 0.54%

LAB 72.41, -47.84, 19.09

 

CMYK 60 / 62 / 0 / 22

HEX #4F4BC7

RGB 79 75 199

HSL 241.94, 0.53%, 0.54%

LAB 39.27, 38.12, -64.25

 

Description

Color code: HEX #C74B83 | qconv.com Color code: HEX #C74B83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 75 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 75 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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