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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C744B7 it is the complementary color #38BB48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C744B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C744B7 shade: #CC44B2, #DD56C5, #EE68D8, #FF7AEB and #FF8CFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C744B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C744B7 shade: #C744B7, #B632A4, #A52091, #940E7E and #83006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C744B7 shade: #C642B6, #C64292, #C6426F, #C6424B and #C64242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C744B7 shade: #C642B6, #B342C6, #8F42C6, #6B42C6 and #4842C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C744B7 shade matches the following richer shades: #C642B6, #DA2EC5 and #EE1AD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C744B7 shade: #C642B6, #B256A7, #9F6A98, #8B7D89 and #77917A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C744B7 shade: #8F42C6, #B242C6, #C642B7, #C64294 and #C64270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C744B7 shade: #8C2A80, #AC339D, #C642B6, #D062C2 and #D982CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C744B7 shade: #C744B7, #C66C42 and #42C6A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C744B7 shade: #C744B7, #B7C642 and #42B7C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C744B7 shade: #C744B7, #C66C42, #42C651 and #429CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C744B7 shade: #C744B7, #C69442, #42C651 and #4275C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 8 / 22

HEX #C744B7

RGB 199 68 183

HSL 307.33, 0.54%, 0.52%

LAB 51.49, 64.61, -34.57

 

Complementary color

CMYK 70 / 0 / 61 / 27

HEX #38BB48

RGB 56 187 72

HSL 127.33, 0.54%, 0.48%

LAB 67.16, -58.27, 47.07

 

CMYK 0 / 67 / 13 / 20

HEX #CC44B2

RGB 204 68 178

HSL 311.47, 0.57%, 0.53%

LAB 52.05, 65.09, -30.73

 

CMYK 0 / 61 / 11 / 13

HEX #DD56C5

RGB 221 86 197

HSL 310.67, 0.67%, 0.6%

LAB 58.09, 65.14, -32.09

 

CMYK 0 / 56 / 9 / 7

HEX #EE68D8

RGB 238 104 216

HSL 309.85, 0.8%, 0.67%

LAB 64.19, 64.87, -33.17

 

CMYK 0 / 52 / 8 / 0

HEX #FF7AEB

RGB 255 122 235

HSL 309.02, 1%, 0.74%

LAB 70.3, 64.42, -34.06

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFE

RGB 255 140 254

HSL 300.52, 1%, 0.77%

LAB 74.3, 59.08, -38.24

 

CMYK 0 / 66 / 8 / 22

HEX #C744B7

RGB 199 68 183

HSL 307.33, 0.54%, 0.52%

LAB 51.49, 64.61, -34.57

 

CMYK 0 / 73 / 10 / 29

HEX #B632A4

RGB 182 50 164

HSL 308.18, 0.57%, 0.45%

LAB 45.51, 64.11, -32.98

 

CMYK 0 / 81 / 12 / 35

HEX #A52091

RGB 165 32 145

HSL 309.02, 0.68%, 0.39%

LAB 39.71, 62.84, -30.85

 

CMYK 0 / 91 / 15 / 42

HEX #940E7E

RGB 148 14 126

HSL 309.85, 0.83%, 0.32%

LAB 34.22, 60.37, -27.95

 

CMYK 0 / 100 / 18 / 49

HEX #83006B

RGB 131 0 107

HSL 310.99, 1%, 0.26%

LAB 29.13, 56.42, -24.13

 

CMYK 0 / 67 / 8 / 22

HEX #C642B6

RGB 198 66 182

HSL 307.27, 0.54%, 0.52%

LAB 51.01, 64.97, -34.75

 

CMYK 0 / 67 / 26 / 22

HEX #C64292

RGB 198 66 146

HSL 323.64, 0.54%, 0.52%

LAB 49.47, 59.84, -15.89

 

CMYK 0 / 67 / 44 / 22

HEX #C6426F

RGB 198 66 111

HSL 339.55, 0.54%, 0.52%

LAB 48.32, 55.86, 3.53

 

CMYK 0 / 67 / 62 / 22

HEX #C6424B

RGB 198 66 75

HSL 355.91, 0.54%, 0.52%

LAB 47.51, 52.93, 24.27

 

CMYK 0 / 67 / 67 / 22

HEX #C64242

RGB 198 66 66

HSL 0, 0.54%, 0.52%

LAB 47.36, 52.39, 29.44

 

CMYK 0 / 67 / 8 / 22

HEX #C642B6

RGB 198 66 182

HSL 307.27, 0.54%, 0.52%

LAB 51.01, 64.97, -34.75

 

CMYK 10 / 67 / 0 / 22

HEX #B342C6

RGB 179 66 198

HSL 291.36, 0.54%, 0.52%

LAB 48.95, 63.2, -47.48

 

CMYK 28 / 67 / 0 / 22

HEX #8F42C6

RGB 143 66 198

HSL 275, 0.54%, 0.52%

LAB 43.96, 55.22, -55.76

 

CMYK 46 / 67 / 0 / 22

HEX #6B42C6

RGB 107 66 198

HSL 258.64, 0.54%, 0.52%

LAB 39.75, 47.93, -62.79

 

CMYK 64 / 67 / 0 / 22

HEX #4842C6

RGB 72 66 198

HSL 242.73, 0.54%, 0.52%

LAB 36.65, 42.13, -67.97

 

CMYK 0 / 67 / 8 / 22

HEX #C642B6

RGB 198 66 182

HSL 307.27, 0.54%, 0.52%

LAB 51.01, 64.97, -34.75

 

CMYK 0 / 79 / 10 / 15

HEX #DA2EC5

RGB 218 46 197

HSL 307.33, 0.7%, 0.52%

LAB 52.83, 77.92, -40.37

 

CMYK 0 / 89 / 11 / 7

HEX #EE1AD4

RGB 238 26 212

HSL 307.36, 0.86%, 0.52%

LAB 55.76, 87.53, -44.12

 

CMYK 0 / 67 / 8 / 22

HEX #C642B6

RGB 198 66 182

HSL 307.27, 0.54%, 0.52%

LAB 51.01, 64.97, -34.75

 

CMYK 0 / 52 / 6 / 30

HEX #B256A7

RGB 178 86 167

HSL 307.17, 0.37%, 0.52%

LAB 50.58, 48.3, -26.87

 

CMYK 0 / 33 / 4 / 38

HEX #9F6A98

RGB 159 106 152

HSL 307.92, 0.22%, 0.52%

LAB 51.78, 28.73, -16.44

 

CMYK 0 / 10 / 1 / 45

HEX #8B7D89

RGB 139 125 137

HSL 308.57, 0.06%, 0.52%

LAB 53.99, 7.62, -4.55

 

CMYK 18 / 0 / 16 / 43

HEX #77917A

RGB 119 145 122

HSL 126.92, 0.11%, 0.52%

LAB 57.63, -13.94, 9.19

 

CMYK 28 / 67 / 0 / 22

HEX #8F42C6

RGB 143 66 198

HSL 275, 0.54%, 0.52%

LAB 43.96, 55.22, -55.76

 

CMYK 10 / 67 / 0 / 22

HEX #B242C6

RGB 178 66 198

HSL 290.91, 0.54%, 0.52%

LAB 48.81, 62.97, -47.72

 

CMYK 0 / 67 / 8 / 22

HEX #C642B7

RGB 198 66 183

HSL 306.82, 0.54%, 0.52%

LAB 51.06, 65.13, -35.26

 

CMYK 0 / 67 / 25 / 22

HEX #C64294

RGB 198 66 148

HSL 322.73, 0.54%, 0.52%

LAB 49.54, 60.1, -16.97

 

CMYK 0 / 67 / 43 / 22

HEX #C64270

RGB 198 66 112

HSL 339.09, 0.54%, 0.52%

LAB 48.35, 55.96, 2.96

 

CMYK 0 / 70 / 9 / 45

HEX #8C2A80

RGB 140 42 128

HSL 307.35, 0.54%, 0.36%

LAB 35.58, 51.09, -27.18

 

CMYK 0 / 70 / 9 / 33

HEX #AC339D

RGB 172 51 157

HSL 307.44, 0.54%, 0.44%

LAB 43.61, 60.31, -31.88

 

CMYK 0 / 67 / 8 / 22

HEX #C642B6

RGB 198 66 182

HSL 307.27, 0.54%, 0.52%

LAB 51.01, 64.97, -34.75

 

CMYK 0 / 53 / 7 / 18

HEX #D062C2

RGB 208 98 194

HSL 307.64, 0.54%, 0.6%

LAB 58.08, 55.77, -30.55

 

CMYK 0 / 40 / 5 / 15

HEX #D982CE

RGB 217 130 206

HSL 307.59, 0.53%, 0.68%

LAB 65.88, 44.5, -25.18

 

CMYK 0 / 66 / 8 / 22

HEX #C744B7

RGB 199 68 183

HSL 307.33, 0.54%, 0.52%

LAB 51.49, 64.61, -34.57

 

CMYK 0 / 45 / 67 / 22

HEX #C66C42

RGB 198 108 66

HSL 19.09, 0.54%, 0.52%

LAB 55.2, 32.15, 38.8

 

CMYK 67 / 0 / 19 / 22

HEX #42C6A1

RGB 66 198 161

HSL 163.18, 0.54%, 0.52%

LAB 72.31, -44.52, 8.17

 

CMYK 0 / 66 / 8 / 22

HEX #C744B7

RGB 199 68 183

HSL 307.33, 0.54%, 0.52%

LAB 51.49, 64.61, -34.57

 

CMYK 8 / 0 / 67 / 22

HEX #B7C642

RGB 183 198 66

HSL 66.82, 0.54%, 0.52%

LAB 76.59, -22.2, 61.6

 

CMYK 67 / 8 / 0 / 22

HEX #42B7C6

RGB 66 183 198

HSL 186.82, 0.54%, 0.52%

LAB 68.83, -27.58, -17.19

 

CMYK 0 / 66 / 8 / 22

HEX #C744B7

RGB 199 68 183

HSL 307.33, 0.54%, 0.52%

LAB 51.49, 64.61, -34.57

 

CMYK 0 / 45 / 67 / 22

HEX #C66C42

RGB 198 108 66

HSL 19.09, 0.54%, 0.52%

LAB 55.2, 32.15, 38.8

 

CMYK 67 / 0 / 59 / 22

HEX #42C651

RGB 66 198 81

HSL 126.82, 0.54%, 0.52%

LAB 70.97, -59.16, 47.44

 

CMYK 67 / 21 / 0 / 22

HEX #429CC6

RGB 66 156 198

HSL 199.09, 0.54%, 0.52%

LAB 60.79, -13.54, -29.49

 

CMYK 0 / 66 / 8 / 22

HEX #C744B7

RGB 199 68 183

HSL 307.33, 0.54%, 0.52%

LAB 51.49, 64.61, -34.57

 

CMYK 0 / 25 / 67 / 22

HEX #C69442

RGB 198 148 66

HSL 37.27, 0.54%, 0.52%

LAB 64.63, 10.38, 49.39

 

CMYK 67 / 0 / 59 / 22

HEX #42C651

RGB 66 198 81

HSL 126.82, 0.54%, 0.52%

LAB 70.97, -59.16, 47.44

 

CMYK 67 / 41 / 0 / 22

HEX #4275C6

RGB 66 117 198

HSL 216.82, 0.54%, 0.52%

LAB 49.45, 9.24, -47.31

 

Description

Color code: HEX #C744B7 | qconv.com Color code: HEX #C744B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 68 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 68 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 8 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 8% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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