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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73783 it is the complementary color #38C87C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73783. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73783 shade: #CC377E, #DD4991, #EE5BA4, #FF6DB7 and #FF7FCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73783. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73783 shade: #C73783, #B62570, #A5135D, #94014A and #830037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73783 shade: #C83683, #C8365C and #C83636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73783 shade: #C83683, #C836AA, #BE36C8, #9736C8 and #7036C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73783 shade matches the following richer shades: #C83683, #DC2284 and #F10D85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73783 shade: #C83683, #B34B82, #9E6081, #8A7480 and #75897E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73783 shade: #BE36C8, #C836AB, #C83684, #C8365D and #C83636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73783 shade: #872558, #A72D6E, #C83683, #D15797 and #D977AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73783 shade: #C73783, #C89736 and #36BEC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73783 shade: #C73783, #84C836 and #3684C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73783 shade: #C73783, #C89736, #36C87A and #3667C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73783 shade: #C73783, #C8C336, #36C87A and #363BC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 34 / 22

HEX #C73783

RGB 199 55 131

HSL 328.33, 0.57%, 0.5%

LAB 47.64, 62.36, -9.61

 

Complementary color

CMYK 72 / 0 / 38 / 22

HEX #38C87C

RGB 56 200 124

HSL 148.33, 0.57%, 0.5%

LAB 71.96, -54.9, 27.39

 

CMYK 0 / 73 / 38 / 20

HEX #CC377E

RGB 204 55 126

HSL 331.41, 0.59%, 0.51%

LAB 48.36, 63.17, -5.42

 

CMYK 0 / 67 / 34 / 13

HEX #DD4991

RGB 221 73 145

HSL 330.81, 0.69%, 0.58%

LAB 54.22, 63.44, -7.76

 

CMYK 0 / 62 / 31 / 7

HEX #EE5BA4

RGB 238 91 164

HSL 330.2, 0.81%, 0.65%

LAB 60.19, 63.29, -9.67

 

CMYK 0 / 57 / 28 / 0

HEX #FF6DB7

RGB 255 109 183

HSL 329.59, 1%, 0.71%

LAB 66.23, 62.88, -11.25

 

CMYK 0 / 50 / 21 / 0

HEX #FF7FCA

RGB 255 127 202

HSL 324.84, 1%, 0.75%

LAB 69.97, 57.15, -16.29

 

CMYK 0 / 72 / 34 / 22

HEX #C73783

RGB 199 55 131

HSL 328.33, 0.57%, 0.5%

LAB 47.64, 62.36, -9.61

 

CMYK 0 / 80 / 38 / 29

HEX #B62570

RGB 182 37 112

HSL 328.97, 0.66%, 0.43%

LAB 41.9, 61.44, -6.85

 

CMYK 0 / 88 / 44 / 35

HEX #A5135D

RGB 165 19 93

HSL 329.59, 0.79%, 0.36%

LAB 36.47, 59.5, -3.26

 

CMYK 0 / 99 / 50 / 42

HEX #94014A

RGB 148 1 74

HSL 330.2, 0.99%, 0.29%

LAB 31.38, 56.41, 1.24

 

CMYK 0 / 100 / 58 / 49

HEX #830037

RGB 131 0 55

HSL 334.81, 1%, 0.26%

LAB 27.02, 51, 7.31

 

CMYK 0 / 73 / 35 / 22

HEX #C83683

RGB 200 54 131

HSL 328.36, 0.57%, 0.5%

LAB 47.7, 62.96, -9.51

 

CMYK 0 / 73 / 54 / 22

HEX #C8365C

RGB 200 54 92

HSL 344.38, 0.57%, 0.5%

LAB 46.57, 59.29, 12.72

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

CMYK 0 / 73 / 35 / 22

HEX #C83683

RGB 200 54 131

HSL 328.36, 0.57%, 0.5%

LAB 47.7, 62.96, -9.51

 

CMYK 0 / 73 / 15 / 22

HEX #C836AA

RGB 200 54 170

HSL 312.33, 0.57%, 0.5%

LAB 49.28, 67.89, -30.41

 

CMYK 5 / 73 / 0 / 22

HEX #BE36C8

RGB 190 54 200

HSL 295.89, 0.57%, 0.5%

LAB 49.2, 70.32, -48.15

 

CMYK 25 / 73 / 0 / 22

HEX #9736C8

RGB 151 54 200

HSL 279.86, 0.57%, 0.5%

LAB 43.34, 62.46, -57.87

 

CMYK 44 / 73 / 0 / 22

HEX #7036C8

RGB 112 54 200

HSL 263.84, 0.57%, 0.5%

LAB 38.29, 55.36, -66.3

 

CMYK 0 / 73 / 35 / 22

HEX #C83683

RGB 200 54 131

HSL 328.36, 0.57%, 0.5%

LAB 47.7, 62.96, -9.51

 

CMYK 0 / 85 / 40 / 14

HEX #DC2284

RGB 220 34 132

HSL 328.39, 0.73%, 0.5%

LAB 49.53, 73.37, -7

 

CMYK 0 / 95 / 45 / 5

HEX #F10D85

RGB 241 13 133

HSL 328.42, 0.9%, 0.5%

LAB 52.6, 81.03, -2.6

 

CMYK 0 / 73 / 35 / 22

HEX #C83683

RGB 200 54 131

HSL 328.36, 0.57%, 0.5%

LAB 47.7, 62.96, -9.51

 

CMYK 0 / 58 / 27 / 30

HEX #B34B82

RGB 179 75 130

HSL 328.27, 0.41%, 0.5%

LAB 47.27, 48.22, -9.9

 

CMYK 0 / 39 / 18 / 38

HEX #9E6081

RGB 158 96 129

HSL 328.06, 0.24%, 0.5%

LAB 48.54, 29.96, -7.7

 

CMYK 0 / 16 / 7 / 46

HEX #8A7480

RGB 138 116 128

HSL 327.27, 0.09%, 0.5%

LAB 51.21, 10.74, -3.38

 

CMYK 15 / 0 / 8 / 46

HEX #75897E

RGB 117 137 126

HSL 147, 0.08%, 0.5%

LAB 55.26, -9.51, 3.48

 

CMYK 5 / 73 / 0 / 22

HEX #BE36C8

RGB 190 54 200

HSL 295.89, 0.57%, 0.5%

LAB 49.2, 70.32, -48.15

 

CMYK 0 / 73 / 15 / 22

HEX #C836AB

RGB 200 54 171

HSL 311.92, 0.57%, 0.5%

LAB 49.32, 68.03, -30.93

 

CMYK 0 / 73 / 34 / 22

HEX #C83684

RGB 200 54 132

HSL 327.95, 0.57%, 0.5%

LAB 47.73, 63.07, -10.06

 

CMYK 0 / 73 / 54 / 22

HEX #C8365D

RGB 200 54 93

HSL 343.97, 0.57%, 0.5%

LAB 46.59, 59.37, 12.13

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

CMYK 0 / 73 / 35 / 47

HEX #872558

RGB 135 37 88

HSL 328.78, 0.57%, 0.34%

LAB 32.21, 45.89, -7.01

 

CMYK 0 / 73 / 34 / 35

HEX #A72D6E

RGB 167 45 110

HSL 328.03, 0.58%, 0.42%

LAB 39.95, 54.7, -8.82

 

CMYK 0 / 73 / 35 / 22

HEX #C83683

RGB 200 54 131

HSL 328.36, 0.57%, 0.5%

LAB 47.7, 62.96, -9.51

 

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

CMYK 0 / 45 / 21 / 15

HEX #D977AB

RGB 217 119 171

HSL 328.16, 0.56%, 0.66%

LAB 62.41, 44.55, -10.68

 

CMYK 0 / 72 / 34 / 22

HEX #C73783

RGB 199 55 131

HSL 328.33, 0.57%, 0.5%

LAB 47.64, 62.36, -9.61

 

CMYK 0 / 25 / 73 / 22

HEX #C89736

RGB 200 151 54

HSL 39.86, 0.57%, 0.5%

LAB 65.5, 8.97, 55.68

 

CMYK 73 / 5 / 0 / 22

HEX #36BEC8

RGB 54 190 200

HSL 184.11, 0.57%, 0.5%

LAB 70.72, -32, -15.45

 

CMYK 0 / 72 / 34 / 22

HEX #C73783

RGB 199 55 131

HSL 328.33, 0.57%, 0.5%

LAB 47.64, 62.36, -9.61

 

CMYK 34 / 0 / 73 / 22

HEX #84C836

RGB 132 200 54

HSL 87.95, 0.57%, 0.5%

LAB 73.86, -43.75, 62.24

 

CMYK 73 / 34 / 0 / 22

HEX #3684C8

RGB 54 132 200

HSL 207.95, 0.57%, 0.5%

LAB 53.45, -0.96, -42.13

 

CMYK 0 / 72 / 34 / 22

HEX #C73783

RGB 199 55 131

HSL 328.33, 0.57%, 0.5%

LAB 47.64, 62.36, -9.61

 

CMYK 0 / 25 / 73 / 22

HEX #C89736

RGB 200 151 54

HSL 39.86, 0.57%, 0.5%

LAB 65.5, 8.97, 55.68

 

CMYK 73 / 0 / 39 / 22

HEX #36C87A

RGB 54 200 122

HSL 147.95, 0.57%, 0.5%

LAB 71.89, -55.57, 28.33

 

CMYK 73 / 49 / 0 / 22

HEX #3667C8

RGB 54 103 200

HSL 219.86, 0.57%, 0.5%

LAB 45.16, 16.98, -55.35

 

CMYK 0 / 72 / 34 / 22

HEX #C73783

RGB 199 55 131

HSL 328.33, 0.57%, 0.5%

LAB 47.64, 62.36, -9.61

 

CMYK 0 / 3 / 73 / 22

HEX #C8C336

RGB 200 195 54

HSL 57.95, 0.57%, 0.5%

LAB 77.03, -14.19, 66.89

 

CMYK 73 / 0 / 39 / 22

HEX #36C87A

RGB 54 200 122

HSL 147.95, 0.57%, 0.5%

LAB 71.89, -55.57, 28.33

 

CMYK 73 / 71 / 0 / 22

HEX #363BC8

RGB 54 59 200

HSL 237.95, 0.57%, 0.5%

LAB 34.15, 44.76, -73.28

 

Description

Color code: HEX #C73783 | qconv.com Color code: HEX #C73783 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 55 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 55 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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