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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6FEC6 it is the complementary color #390139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6FEC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6FEC6 shade: #CBFEC1, #DCFFD4, #EDFFE7 and #FEFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6FEC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6FEC6 shade: #C6FEC6, #B5ECB3, #A4DAA0, #93C88D and #82B67A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6FEC6 shade: #C7FEC7, #D6FEC7, #E5FEC7, #F3FEC7 and #FEF9C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6FEC6 shade: #C7FEC7, #C7FED6, #C7FEE5, #C7FEF3 and #C7F9FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6FEC6 shade matches the following richer shades: #C7FEC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6FEC6 shade: #C7FEC7, #CCF9CC, #D0F5D0, #D5F0D5 and #D9ECD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6FEC6 shade: #E4FEC7, #D6FEC7, #C7FEC7, #C7FED6 and #C7FEE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6FEC6 shade: #76FC76, #9FFD9F, #C7FEC7 and #F0FEF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6FEC6 shade: #C6FEC6, #C7F3FE and #FEC7DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6FEC6 shade: #C6FEC6, #C7C7FE and #FEC7C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6FEC6 shade: #C6FEC6, #C7F3FE, #FEC7FE and #FED2C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6FEC6 shade: #C6FEC6, #C7E2FE, #FEC7FE and #FEE2C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 22 / 0

HEX #C6FEC6

RGB 198 254 198

HSL 120, 0.97%, 0.89%

LAB 94.72, -28.05, 21.15

 

Complementary color

CMYK 0 / 98 / 0 / 78

HEX #390139

RGB 57 1 57

HSL 300, 0.97%, 0.11%

LAB 10.46, 33.38, -20.71

 

CMYK 20 / 0 / 24 / 0

HEX #CBFEC1

RGB 203 254 193

HSL 110.16, 0.97%, 0.88%

LAB 94.92, -27.23, 24.01

 

CMYK 14 / 0 / 17 / 0

HEX #DCFFD4

RGB 220 255 212

HSL 108.84, 1%, 0.92%

LAB 96.61, -18.96, 16.84

 

CMYK 7 / 0 / 9 / 0

HEX #EDFFE7

RGB 237 255 231

HSL 105, 1%, 0.95%

LAB 98.15, -10.1, 9.46

 

CMYK 0 / 0 / 2 / 0

HEX #FEFFFA

RGB 254 255 250

HSL 72, 1%, 0.99%

LAB 99.8, -1.19, 2.26

 

CMYK 22 / 0 / 22 / 0

HEX #C6FEC6

RGB 198 254 198

HSL 120, 0.97%, 0.89%

LAB 94.72, -28.05, 21.15

 

CMYK 23 / 0 / 24 / 7

HEX #B5ECB3

RGB 181 236 179

HSL 117.89, 0.6%, 0.81%

LAB 88.48, -28.24, 22.09

 

CMYK 25 / 0 / 27 / 15

HEX #A4DAA0

RGB 164 218 160

HSL 115.86, 0.44%, 0.74%

LAB 82.15, -28.44, 23.07

 

CMYK 27 / 0 / 30 / 22

HEX #93C88D

RGB 147 200 141

HSL 113.9, 0.35%, 0.67%

LAB 75.72, -28.65, 24.12

 

CMYK 29 / 0 / 33 / 29

HEX #82B67A

RGB 130 182 122

HSL 112, 0.29%, 0.6%

LAB 69.19, -28.87, 25.22

 

CMYK 22 / 0 / 22 / 0

HEX #C7FEC7

RGB 199 254 199

HSL 120, 0.96%, 0.89%

LAB 94.8, -27.56, 20.75

 

CMYK 16 / 0 / 22 / 0

HEX #D6FEC7

RGB 214 254 199

HSL 103.64, 0.96%, 0.89%

LAB 95.71, -22.6, 22.15

 

CMYK 10 / 0 / 22 / 0

HEX #E5FEC7

RGB 229 254 199

HSL 87.27, 0.96%, 0.89%

LAB 96.68, -17.46, 23.65

 

CMYK 4 / 0 / 22 / 0

HEX #F3FEC7

RGB 243 254 199

HSL 72, 0.96%, 0.89%

LAB 97.66, -12.54, 25.15

 

CMYK 0 / 2 / 22 / 0

HEX #FEF9C7

RGB 254 249 199

HSL 54.55, 0.96%, 0.89%

LAB 97.21, -6.12, 24.66

 

CMYK 22 / 0 / 22 / 0

HEX #C7FEC7

RGB 199 254 199

HSL 120, 0.96%, 0.89%

LAB 94.8, -27.56, 20.75

 

CMYK 22 / 0 / 16 / 0

HEX #C7FED6

RGB 199 254 214

HSL 136.36, 0.96%, 0.89%

LAB 95.11, -24.97, 13.51

 

CMYK 22 / 0 / 10 / 0

HEX #C7FEE5

RGB 199 254 229

HSL 152.73, 0.96%, 0.89%

LAB 95.45, -22.2, 6.29

 

CMYK 22 / 0 / 4 / 0

HEX #C7FEF3

RGB 199 254 243

HSL 168, 0.96%, 0.89%

LAB 95.79, -19.45, -0.43

 

CMYK 22 / 2 / 0 / 0

HEX #C7F9FE

RGB 199 249 254

HSL 185.45, 0.96%, 0.89%

LAB 94.76, -14.72, -7.63

 

CMYK 22 / 0 / 22 / 0

HEX #C7FEC7

RGB 199 254 199

HSL 120, 0.96%, 0.89%

LAB 94.8, -27.56, 20.75

 

CMYK 22 / 0 / 22 / 0

HEX #C7FEC7

RGB 199 254 199

HSL 120, 0.96%, 0.89%

LAB 94.8, -27.56, 20.75

 

CMYK 18 / 0 / 18 / 2

HEX #CCF9CC

RGB 204 249 204

HSL 120, 0.79%, 0.89%

LAB 93.86, -22.7, 16.92

 

CMYK 15 / 0 / 15 / 4

HEX #D0F5D0

RGB 208 245 208

HSL 120, 0.65%, 0.89%

LAB 93.13, -18.76, 13.87

 

CMYK 11 / 0 / 11 / 6

HEX #D5F0D5

RGB 213 240 213

HSL 120, 0.47%, 0.89%

LAB 92.25, -13.76, 10.08

 

CMYK 8 / 0 / 8 / 7

HEX #D9ECD9

RGB 217 236 217

HSL 120, 0.33%, 0.89%

LAB 91.57, -9.72, 7.06

 

CMYK 10 / 0 / 22 / 0

HEX #E4FEC7

RGB 228 254 199

HSL 88.36, 0.96%, 0.89%

LAB 96.62, -17.81, 23.55

 

CMYK 16 / 0 / 22 / 0

HEX #D6FEC7

RGB 214 254 199

HSL 103.64, 0.96%, 0.89%

LAB 95.71, -22.6, 22.15

 

CMYK 22 / 0 / 22 / 0

HEX #C7FEC7

RGB 199 254 199

HSL 120, 0.96%, 0.89%

LAB 94.8, -27.56, 20.75

 

CMYK 22 / 0 / 16 / 0

HEX #C7FED6

RGB 199 254 214

HSL 136.36, 0.96%, 0.89%

LAB 95.11, -24.97, 13.51

 

CMYK 22 / 0 / 10 / 0

HEX #C7FEE4

RGB 199 254 228

HSL 151.64, 0.96%, 0.89%

LAB 95.42, -22.39, 6.77

 

CMYK 53 / 0 / 53 / 1

HEX #76FC76

RGB 118 252 118

HSL 120, 0.96%, 0.73%

LAB 89.29, -62.55, 52.6

 

CMYK 37 / 0 / 37 / 1

HEX #9FFD9F

RGB 159 253 159

HSL 120, 0.96%, 0.81%

LAB 91.74, -46.03, 36.42

 

CMYK 22 / 0 / 22 / 0

HEX #C7FEC7

RGB 199 254 199

HSL 120, 0.96%, 0.89%

LAB 94.8, -27.56, 20.75

 

CMYK 6 / 0 / 6 / 0

HEX #F0FEF0

RGB 240 254 240

HSL 120, 0.88%, 0.97%

LAB 98.31, -7.06, 5.1

 

CMYK 22 / 0 / 22 / 0

HEX #C6FEC6

RGB 198 254 198

HSL 120, 0.97%, 0.89%

LAB 94.72, -28.05, 21.15

 

CMYK 22 / 4 / 0 / 0

HEX #C7F3FE

RGB 199 243 254

HSL 192, 0.96%, 0.89%

LAB 93.19, -11.72, -9.96

 

CMYK 0 / 22 / 13 / 0

HEX #FEC7DD

RGB 254 199 221

HSL 336, 0.96%, 0.89%

LAB 85.57, 22.88, -3.4

 

CMYK 22 / 0 / 22 / 0

HEX #C6FEC6

RGB 198 254 198

HSL 120, 0.97%, 0.89%

LAB 94.72, -28.05, 21.15

 

CMYK 22 / 22 / 0 / 0

HEX #C7C7FE

RGB 199 199 254

HSL 240, 0.96%, 0.89%

LAB 81.92, 11.26, -26.94

 

CMYK 0 / 22 / 22 / 0

HEX #FEC7C7

RGB 254 199 199

HSL 0, 0.96%, 0.89%

LAB 85.02, 19.54, 7.51

 

CMYK 22 / 0 / 22 / 0

HEX #C6FEC6

RGB 198 254 198

HSL 120, 0.97%, 0.89%

LAB 94.72, -28.05, 21.15

 

CMYK 22 / 4 / 0 / 0

HEX #C7F3FE

RGB 199 243 254

HSL 192, 0.96%, 0.89%

LAB 93.19, -11.72, -9.96

 

CMYK 0 / 22 / 0 / 0

HEX #FEC7FE

RGB 254 199 254

HSL 300, 0.96%, 0.89%

LAB 86.54, 28.49, -19.49

 

CMYK 0 / 17 / 22 / 0

HEX #FED2C7

RGB 254 210 199

HSL 12, 0.96%, 0.89%

LAB 87.62, 13.79, 11.23

 

CMYK 22 / 0 / 22 / 0

HEX #C6FEC6

RGB 198 254 198

HSL 120, 0.97%, 0.89%

LAB 94.72, -28.05, 21.15

 

CMYK 22 / 11 / 0 / 0

HEX #C7E2FE

RGB 199 226 254

HSL 210.55, 0.96%, 0.89%

LAB 88.78, -3.03, -16.55

 

CMYK 0 / 22 / 0 / 0

HEX #FEC7FE

RGB 254 199 254

HSL 300, 0.96%, 0.89%

LAB 86.54, 28.49, -19.49

 

CMYK 0 / 11 / 22 / 0

HEX #FEE2C7

RGB 254 226 199

HSL 29.45, 0.96%, 0.89%

LAB 91.5, 5.51, 16.71

 

Description

Color code: HEX #C6FEC6 | qconv.com Color code: HEX #C6FEC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 254 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 254 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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