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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F0F1 it is the complementary color #390F0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F0F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F0F1 shade: #CBF0EC, #DCFFFF, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F0F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F0F1 shade: #C6F0F1, #B5DEDE, #A4CCCB, #93BAB8 and #82A8A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F0F1 shade: #C5F0F1, #C5E4F1, #C5D8F1, #C5CCF1 and #C9C5F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F0F1 shade: #C5F0F1, #C5E4F1, #C5D8F1, #C5CCF1 and #C5C5F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F0F1 shade matches the following richer shades: #C5F0F1, #BFF5F6 and #B9FBFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F0F1 shade: #C5F0F1, #CBEAEB, #D1E5E5, #D6DFDF and #DCDAD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F0F1 shade: #C5F1DA, #C5F1E6, #C5F0F1, #C5E4F1 and #C5D9F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F0F1 shade: #83DEE0, #A4E7E9, #C5F0F1 and #E6F8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F0F1 shade: #C6F0F1, #CEC5F1 and #F1E0C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F0F1 shade: #C6F0F1, #F1C5F0 and #F0F1C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F0F1 shade: #C6F0F1, #CEC5F1, #F1C6C5 and #E7F1C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F0F1 shade: #C6F0F1, #DCC5F1, #F1C6C5 and #DAF1C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 0 / 5

HEX #C6F0F1

RGB 198 240 241

HSL 181.4, 0.61%, 0.86%

LAB 91.99, -13.23, -4.98

 

Complementary color

CMYK 0 / 74 / 75 / 78

HEX #390F0E

RGB 57 15 14

HSL 1.4, 0.61%, 0.14%

LAB 10.87, 20.75, 10.83

 

CMYK 15 / 0 / 2 / 6

HEX #CBF0EC

RGB 203 240 236

HSL 173.51, 0.55%, 0.87%

LAB 92.16, -12.7, -2.08

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 18 / 0 / 0 / 5

HEX #C6F0F1

RGB 198 240 241

HSL 181.4, 0.61%, 0.86%

LAB 91.99, -13.23, -4.98

 

CMYK 18 / 0 / 0 / 13

HEX #B5DEDE

RGB 181 222 222

HSL 180, 0.38%, 0.79%

LAB 85.68, -13.28, -4.44

 

CMYK 20 / 0 / 0 / 20

HEX #A4CCCB

RGB 164 204 203

HSL 178.5, 0.28%, 0.72%

LAB 79.27, -13.34, -3.87

 

CMYK 21 / 0 / 1 / 27

HEX #93BAB8

RGB 147 186 184

HSL 176.92, 0.22%, 0.65%

LAB 72.75, -13.41, -3.29

 

CMYK 23 / 0 / 2 / 34

HEX #82A8A5

RGB 130 168 165

HSL 175.26, 0.18%, 0.58%

LAB 66.11, -13.49, -2.69

 

CMYK 18 / 0 / 0 / 5

HEX #C5F0F1

RGB 197 240 241

HSL 181.36, 0.61%, 0.86%

LAB 91.93, -13.53, -5.08

 

CMYK 18 / 5 / 0 / 5

HEX #C5E4F1

RGB 197 228 241

HSL 197.73, 0.61%, 0.86%

LAB 88.78, -7.45, -9.73

 

CMYK 18 / 10 / 0 / 5

HEX #C5D8F1

RGB 197 216 241

HSL 214.09, 0.61%, 0.86%

LAB 85.67, -1.23, -14.38

 

CMYK 18 / 15 / 0 / 5

HEX #C5CCF1

RGB 197 204 241

HSL 230.45, 0.61%, 0.86%

LAB 82.6, 5.11, -19

 

CMYK 17 / 18 / 0 / 5

HEX #C9C5F1

RGB 201 197 241

HSL 245.45, 0.61%, 0.86%

LAB 81.13, 10.1, -21.2

 

CMYK 18 / 0 / 0 / 5

HEX #C5F0F1

RGB 197 240 241

HSL 181.36, 0.61%, 0.86%

LAB 91.93, -13.53, -5.08

 

CMYK 18 / 5 / 0 / 5

HEX #C5E4F1

RGB 197 228 241

HSL 197.73, 0.61%, 0.86%

LAB 88.78, -7.45, -9.73

 

CMYK 18 / 10 / 0 / 5

HEX #C5D8F1

RGB 197 216 241

HSL 214.09, 0.61%, 0.86%

LAB 85.67, -1.23, -14.38

 

CMYK 18 / 15 / 0 / 5

HEX #C5CCF1

RGB 197 204 241

HSL 230.45, 0.61%, 0.86%

LAB 82.6, 5.11, -19

 

CMYK 18 / 18 / 0 / 5

HEX #C5C5F1

RGB 197 197 241

HSL 240, 0.61%, 0.86%

LAB 80.82, 8.86, -21.69

 

CMYK 18 / 0 / 0 / 5

HEX #C5F0F1

RGB 197 240 241

HSL 181.36, 0.61%, 0.86%

LAB 91.93, -13.53, -5.08

 

CMYK 22 / 0 / 0 / 4

HEX #BFF5F6

RGB 191 245 246

HSL 181.09, 0.75%, 0.86%

LAB 93.03, -16.77, -6.09

 

CMYK 27 / 0 / 0 / 1

HEX #B9FBFC

RGB 185 251 252

HSL 180.9, 0.92%, 0.86%

LAB 94.46, -20.15, -7.13

 

CMYK 18 / 0 / 0 / 5

HEX #C5F0F1

RGB 197 240 241

HSL 181.36, 0.61%, 0.86%

LAB 91.93, -13.53, -5.08

 

CMYK 14 / 0 / 0 / 8

HEX #CBEAEB

RGB 203 234 235

HSL 181.88, 0.44%, 0.86%

LAB 90.57, -9.88, -3.9

 

CMYK 9 / 0 / 0 / 10

HEX #D1E5E5

RGB 209 229 229

HSL 180, 0.28%, 0.86%

LAB 89.51, -6.6, -2.27

 

CMYK 4 / 0 / 0 / 13

HEX #D6DFDF

RGB 214 223 223

HSL 180, 0.12%, 0.86%

LAB 88.16, -3.01, -1.06

 

CMYK 0 / 1 / 1 / 14

HEX #DCDAD9

RGB 220 218 217

HSL 20, 0.04%, 0.86%

LAB 87.18, 0.51, 0.72

 

CMYK 18 / 0 / 10 / 5

HEX #C5F1DA

RGB 197 241 218

HSL 148.64, 0.61%, 0.86%

LAB 91.61, -18.57, 6.43

 

CMYK 18 / 0 / 5 / 5

HEX #C5F1E6

RGB 197 241 230

HSL 165, 0.61%, 0.86%

LAB 91.91, -16.25, 0.62

 

CMYK 18 / 0 / 0 / 5

HEX #C5F0F1

RGB 197 240 241

HSL 181.36, 0.61%, 0.86%

LAB 91.93, -13.53, -5.08

 

CMYK 18 / 5 / 0 / 5

HEX #C5E4F1

RGB 197 228 241

HSL 197.73, 0.61%, 0.86%

LAB 88.78, -7.45, -9.73

 

CMYK 18 / 10 / 0 / 5

HEX #C5D9F1

RGB 197 217 241

HSL 212.73, 0.61%, 0.86%

LAB 85.93, -1.76, -13.99

 

CMYK 42 / 1 / 0 / 12

HEX #83DEE0

RGB 131 222 224

HSL 181.29, 0.6%, 0.7%

LAB 83.15, -26.64, -9.52

 

CMYK 30 / 1 / 0 / 9

HEX #A4E7E9

RGB 164 231 233

HSL 181.74, 0.61%, 0.78%

LAB 87.45, -20.36, -7.72

 

CMYK 18 / 0 / 0 / 5

HEX #C5F0F1

RGB 197 240 241

HSL 181.36, 0.61%, 0.86%

LAB 91.93, -13.53, -5.08

 

CMYK 8 / 0 / 0 / 2

HEX #E6F8F9

RGB 230 248 249

HSL 183.16, 0.61%, 0.94%

LAB 96.33, -5.68, -2.51

 

CMYK 18 / 0 / 0 / 5

HEX #C6F0F1

RGB 198 240 241

HSL 181.4, 0.61%, 0.86%

LAB 91.99, -13.23, -4.98

 

CMYK 15 / 18 / 0 / 5

HEX #CEC5F1

RGB 206 197 241

HSL 252.27, 0.61%, 0.86%

LAB 81.51, 11.67, -20.58

 

CMYK 0 / 7 / 18 / 5

HEX #F1E0C5

RGB 241 224 197

HSL 36.82, 0.61%, 0.86%

LAB 89.88, 1.54, 15.32

 

CMYK 18 / 0 / 0 / 5

HEX #C6F0F1

RGB 198 240 241

HSL 181.4, 0.61%, 0.86%

LAB 91.99, -13.23, -4.98

 

CMYK 0 / 18 / 0 / 5

HEX #F1C5F0

RGB 241 197 240

HSL 301.36, 0.61%, 0.86%

LAB 84.44, 22.78, -15.33

 

CMYK 0 / 0 / 18 / 5

HEX #F0F1C5

RGB 240 241 197

HSL 61.36, 0.61%, 0.86%

LAB 94.08, -7.45, 21.19

 

CMYK 18 / 0 / 0 / 5

HEX #C6F0F1

RGB 198 240 241

HSL 181.4, 0.61%, 0.86%

LAB 91.99, -13.23, -4.98

 

CMYK 15 / 18 / 0 / 5

HEX #CEC5F1

RGB 206 197 241

HSL 252.27, 0.61%, 0.86%

LAB 81.51, 11.67, -20.58

 

CMYK 0 / 18 / 18 / 5

HEX #F1C6C5

RGB 241 198 197

HSL 1.36, 0.61%, 0.86%

LAB 83.51, 15.08, 6.24

 

CMYK 4 / 0 / 18 / 5

HEX #E7F1C5

RGB 231 241 197

HSL 73.64, 0.61%, 0.86%

LAB 93.42, -10.65, 20.17

 

CMYK 18 / 0 / 0 / 5

HEX #C6F0F1

RGB 198 240 241

HSL 181.4, 0.61%, 0.86%

LAB 91.99, -13.23, -4.98

 

CMYK 9 / 18 / 0 / 5

HEX #DCC5F1

RGB 220 197 241

HSL 271.36, 0.61%, 0.86%

LAB 82.65, 16.13, -18.75

 

CMYK 0 / 18 / 18 / 5

HEX #F1C6C5

RGB 241 198 197

HSL 1.36, 0.61%, 0.86%

LAB 83.51, 15.08, 6.24

 

CMYK 10 / 0 / 18 / 5

HEX #DAF1C5

RGB 218 241 197

HSL 91.36, 0.61%, 0.86%

LAB 92.51, -15.21, 18.76

 

Description

Color code: HEX #C6F0F1 | qconv.com Color code: HEX #C6F0F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 240 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 240 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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