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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F684 it is the complementary color #39097B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F684. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F684 shade: #CBF67F, #DCFF92, #EDFFA5, #FEFFB8 and #FFFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F684. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F684 shade: #C6F684, #B5E471, #A4D25E, #93C04B and #82AE38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F684 shade: #C5F583, #E4F583, #F5E883, #F5C983 and #F5AA83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F684 shade: #C5F583, #A6F583, #88F583, #83F59D and #83F5BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F684 shade matches the following richer shades: #C5F583

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F684 shade: #C5F583, #C4EA8E, #C2E099, #C0D5A3 and #BECAAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F684 shade: #F5E883, #E4F583, #C6F583, #A7F583 and #89F583

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F684 shade: #A2EF36, #B3F25D, #C5F583, #D7F8AA and #E9FBD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F684 shade: #C6F684, #83F5CA and #F583F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F684 shade: #C6F684, #83C6F5 and #F583C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F684 shade: #C6F684, #83F5CA, #B383F5 and #F583AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F684 shade: #C6F684, #83F5EC, #B383F5 and #F5838D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 46 / 4

HEX #C6F684

RGB 198 246 132

HSL 85.26, 0.86%, 0.74%

LAB 91.5, -33.46, 49.64

 

Complementary color

CMYK 54 / 93 / 0 / 52

HEX #39097B

RGB 57 9 123

HSL 265.26, 0.86%, 0.26%

LAB 17.9, 45.63, -53.2

 

CMYK 17 / 0 / 48 / 4

HEX #CBF67F

RGB 203 246 127

HSL 81.68, 0.87%, 0.73%

LAB 91.75, -32.17, 52.37

 

CMYK 14 / 0 / 43 / 0

HEX #DCFF92

RGB 220 255 146

HSL 79.27, 1%, 0.79%

LAB 95.5, -28.08, 48.26

 

CMYK 7 / 0 / 35 / 0

HEX #EDFFA5

RGB 237 255 165

HSL 72, 1%, 0.82%

LAB 96.92, -19.65, 41.09

 

CMYK 0 / 0 / 28 / 0

HEX #FEFFB8

RGB 254 255 184

HSL 60.85, 1%, 0.86%

LAB 98.45, -11.07, 33.92

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 20 / 0 / 46 / 4

HEX #C6F684

RGB 198 246 132

HSL 85.26, 0.86%, 0.74%

LAB 91.5, -33.46, 49.64

 

CMYK 21 / 0 / 50 / 11

HEX #B5E471

RGB 181 228 113

HSL 84.52, 0.68%, 0.67%

LAB 85.25, -33.4, 50.76

 

CMYK 22 / 0 / 55 / 18

HEX #A4D25E

RGB 164 210 94

HSL 83.79, 0.56%, 0.6%

LAB 78.92, -33.28, 51.82

 

CMYK 23 / 0 / 61 / 25

HEX #93C04B

RGB 147 192 75

HSL 83.08, 0.48%, 0.52%

LAB 72.5, -33.09, 52.78

 

CMYK 25 / 0 / 68 / 32

HEX #82AE38

RGB 130 174 56

HSL 82.37, 0.51%, 0.45%

LAB 65.98, -32.78, 53.48

 

CMYK 20 / 0 / 47 / 4

HEX #C5F583

RGB 197 245 131

HSL 85.26, 0.85%, 0.74%

LAB 91.15, -33.47, 49.68

 

CMYK 7 / 0 / 47 / 4

HEX #E4F583

RGB 228 245 131

HSL 68.95, 0.85%, 0.74%

LAB 93.21, -21.9, 52.66

 

CMYK 0 / 5 / 47 / 4

HEX #F5E883

RGB 245 232 131

HSL 53.16, 0.85%, 0.74%

LAB 91.13, -8.92, 50.42

 

CMYK 0 / 18 / 47 / 4

HEX #F5C983

RGB 245 201 131

HSL 36.84, 0.85%, 0.74%

LAB 83.35, 6.89, 40.72

 

CMYK 0 / 31 / 47 / 4

HEX #F5AA83

RGB 245 170 131

HSL 20.53, 0.85%, 0.74%

LAB 75.95, 23.16, 31.15

 

CMYK 20 / 0 / 47 / 4

HEX #C5F583

RGB 197 245 131

HSL 85.26, 0.85%, 0.74%

LAB 91.15, -33.47, 49.68

 

CMYK 32 / 0 / 47 / 4

HEX #A6F583

RGB 166 245 131

HSL 101.58, 0.85%, 0.74%

LAB 89.42, -44.2, 47.15

 

CMYK 44 / 0 / 47 / 4

HEX #88F583

RGB 136 245 131

HSL 117.37, 0.85%, 0.74%

LAB 88.05, -53.39, 45.15

 

CMYK 47 / 0 / 36 / 4

HEX #83F59D

RGB 131 245 157

HSL 133.68, 0.85%, 0.74%

LAB 88.24, -50.86, 32.57

 

CMYK 47 / 0 / 23 / 4

HEX #83F5BC

RGB 131 245 188

HSL 150, 0.85%, 0.74%

LAB 88.81, -45.23, 17.54

 

CMYK 20 / 0 / 47 / 4

HEX #C5F583

RGB 197 245 131

HSL 85.26, 0.85%, 0.74%

LAB 91.15, -33.47, 49.68

 

CMYK 20 / 0 / 47 / 4

HEX #C5F583

RGB 197 245 131

HSL 85.26, 0.85%, 0.74%

LAB 91.15, -33.47, 49.68

 

CMYK 16 / 0 / 39 / 8

HEX #C4EA8E

RGB 196 234 142

HSL 84.78, 0.69%, 0.74%

LAB 88.23, -27.43, 40.66

 

CMYK 13 / 0 / 32 / 12

HEX #C2E099

RGB 194 224 153

HSL 85.35, 0.53%, 0.74%

LAB 85.54, -21.91, 31.59

 

CMYK 10 / 0 / 23 / 16

HEX #C0D5A3

RGB 192 213 163

HSL 85.2, 0.37%, 0.74%

LAB 82.61, -15.75, 22.43

 

CMYK 6 / 0 / 14 / 21

HEX #BECAAE

RGB 190 202 174

HSL 85.71, 0.21%, 0.74%

LAB 79.75, -9.11, 12.6

 

CMYK 0 / 5 / 47 / 4

HEX #F5E883

RGB 245 232 131

HSL 53.16, 0.85%, 0.74%

LAB 91.13, -8.92, 50.42

 

CMYK 7 / 0 / 47 / 4

HEX #E4F583

RGB 228 245 131

HSL 68.95, 0.85%, 0.74%

LAB 93.21, -21.9, 52.66

 

CMYK 19 / 0 / 47 / 4

HEX #C6F583

RGB 198 245 131

HSL 84.74, 0.85%, 0.74%

LAB 91.21, -33.11, 49.77

 

CMYK 32 / 0 / 47 / 4

HEX #A7F583

RGB 167 245 131

HSL 101.05, 0.85%, 0.74%

LAB 89.47, -43.87, 47.22

 

CMYK 44 / 0 / 47 / 4

HEX #89F583

RGB 137 245 131

HSL 116.84, 0.85%, 0.74%

LAB 88.09, -53.11, 45.21

 

CMYK 32 / 0 / 77 / 6

HEX #A2EF36

RGB 162 239 54

HSL 84.97, 0.85%, 0.57%

LAB 86.84, -49.49, 75.2

 

CMYK 26 / 0 / 62 / 5

HEX #B3F25D

RGB 179 242 93

HSL 85.37, 0.85%, 0.66%

LAB 88.86, -42.23, 63.69

 

CMYK 20 / 0 / 47 / 4

HEX #C5F583

RGB 197 245 131

HSL 85.26, 0.85%, 0.74%

LAB 91.15, -33.47, 49.68

 

CMYK 13 / 0 / 31 / 3

HEX #D7F8AA

RGB 215 248 170

HSL 85.38, 0.85%, 0.82%

LAB 93.66, -23.63, 34.04

 

CMYK 7 / 0 / 17 / 2

HEX #E9FBD0

RGB 233 251 208

HSL 85.12, 0.84%, 0.9%

LAB 96.36, -13.23, 18.65

 

CMYK 20 / 0 / 46 / 4

HEX #C6F684

RGB 198 246 132

HSL 85.26, 0.86%, 0.74%

LAB 91.5, -33.46, 49.64

 

CMYK 47 / 0 / 18 / 4

HEX #83F5CA

RGB 131 245 202

HSL 157.37, 0.85%, 0.74%

LAB 89.11, -42.36, 10.72

 

CMYK 0 / 47 / 1 / 4

HEX #F583F3

RGB 245 131 243

HSL 301.05, 0.85%, 0.74%

LAB 70.95, 58.73, -37.54

 

CMYK 20 / 0 / 46 / 4

HEX #C6F684

RGB 198 246 132

HSL 85.26, 0.86%, 0.74%

LAB 91.5, -33.46, 49.64

 

CMYK 47 / 19 / 0 / 4

HEX #83C6F5

RGB 131 198 245

HSL 204.74, 0.85%, 0.74%

LAB 77.16, -8.91, -29.78

 

CMYK 0 / 47 / 19 / 4

HEX #F583C6

RGB 245 131 198

HSL 324.74, 0.85%, 0.74%

LAB 69.27, 51.53, -15.24

 

CMYK 20 / 0 / 46 / 4

HEX #C6F684

RGB 198 246 132

HSL 85.26, 0.86%, 0.74%

LAB 91.5, -33.46, 49.64

 

CMYK 47 / 0 / 18 / 4

HEX #83F5CA

RGB 131 245 202

HSL 157.37, 0.85%, 0.74%

LAB 89.11, -42.36, 10.72

 

CMYK 27 / 47 / 0 / 4

HEX #B383F5

RGB 179 131 245

HSL 265.26, 0.85%, 0.74%

LAB 63.68, 40.95, -50.57

 

CMYK 0 / 47 / 29 / 4

HEX #F583AF

RGB 245 131 175

HSL 336.84, 0.85%, 0.74%

LAB 68.56, 48.37, -3.41

 

CMYK 20 / 0 / 46 / 4

HEX #C6F684

RGB 198 246 132

HSL 85.26, 0.86%, 0.74%

LAB 91.5, -33.46, 49.64

 

CMYK 47 / 0 / 4 / 4

HEX #83F5EC

RGB 131 245 236

HSL 175.26, 0.85%, 0.74%

LAB 89.95, -34.64, -5.76

 

CMYK 27 / 47 / 0 / 4

HEX #B383F5

RGB 179 131 245

HSL 265.26, 0.85%, 0.74%

LAB 63.68, 40.95, -50.57

 

CMYK 0 / 47 / 42 / 4

HEX #F5838D

RGB 245 131 141

HSL 354.74, 0.85%, 0.74%

LAB 67.7, 44.4, 14.48

 

Description

Color code: HEX #C6F684 | qconv.com Color code: HEX #C6F684 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 246 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 246 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 46 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 46% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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