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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6D3BF it is the complementary color #392C40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6D3BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6D3BF shade: #CBD3BA, #DCE5CD, #EDF7E0 and #FEFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6D3BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6D3BF shade: #C6D3BF, #B5C1AC, #A4AF99, #939D86 and #828B73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6D3BF shade: #C6D3BF, #CBD3BF, #D1D3BF, #D3D0BF and #D3CABF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6D3BF shade: #C6D3BF, #C0D3BF, #BFD3C3, #BFD3C8 and #BFD3CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6D3BF shade matches the following richer shades: #C6D3BF, #C3DCB6, #C1E4AD, #BEEDA5 and #BCF69C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6D3BF shade: #C6D3BF, #C8CAC7, #CBC2D0, #CEB9D9 and #D0B0E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6D3BF shade: #D1D3BF, #CBD3BF, #C6D3BF, #C0D3BF and #BFD3C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6D3BF shade: #9AB28E, #B0C2A6, #C6D3BF, #DCE4D7 and #F2F5F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6D3BF shade: #C6D3BF, #BFD3D0 and #D3BFCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6D3BF shade: #C6D3BF, #BFC6D3 and #D3BFC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6D3BF shade: #C6D3BF, #BFD3D0, #CCBFD3 and #D3BFC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6D3BF shade: #C6D3BF, #BFD0D3, #CCBFD3 and #D3C2BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

Complementary color

CMYK 11 / 31 / 0 / 75

HEX #392C40

RGB 57 44 64

HSL 279, 0.19%, 0.21%

LAB 20.21, 10.49, -10.38

 

CMYK 4 / 0 / 12 / 17

HEX #CBD3BA

RGB 203 211 186

HSL 79.2, 0.22%, 0.78%

LAB 83.35, -7.13, 11.45

 

CMYK 4 / 0 / 10 / 10

HEX #DCE5CD

RGB 220 229 205

HSL 82.5, 0.32%, 0.85%

LAB 89.7, -7.21, 10.67

 

CMYK 4 / 0 / 9 / 3

HEX #EDF7E0

RGB 237 247 224

HSL 86.09, 0.59%, 0.92%

LAB 95.96, -7.29, 9.91

 

CMYK 0 / 0 / 5 / 0

HEX #FEFFF3

RGB 254 255 243

HSL 65, 1%, 0.98%

LAB 99.64, -2.38, 5.6

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 6 / 0 / 11 / 24

HEX #B5C1AC

RGB 181 193 172

HSL 94.29, 0.14%, 0.72%

LAB 76.64, -7.98, 9.16

 

CMYK 6 / 0 / 13 / 31

HEX #A4AF99

RGB 164 175 153

HSL 90, 0.12%, 0.64%

LAB 70.07, -7.94, 9.97

 

CMYK 6 / 0 / 15 / 38

HEX #939D86

RGB 147 157 134

HSL 86.09, 0.11%, 0.57%

LAB 63.37, -7.89, 10.83

 

CMYK 6 / 0 / 17 / 45

HEX #828B73

RGB 130 139 115

HSL 82.5, 0.09%, 0.5%

LAB 56.53, -7.84, 11.74

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 4 / 0 / 9 / 17

HEX #CBD3BF

RGB 203 211 191

HSL 84, 0.19%, 0.79%

LAB 83.47, -6.29, 8.96

 

CMYK 1 / 0 / 9 / 17

HEX #D1D3BF

RGB 209 211 191

HSL 66, 0.19%, 0.79%

LAB 83.92, -4.17, 9.66

 

CMYK 0 / 1 / 9 / 17

HEX #D3D0BF

RGB 211 208 191

HSL 51, 0.19%, 0.79%

LAB 83.3, -1.9, 8.8

 

CMYK 0 / 4 / 9 / 17

HEX #D3CABF

RGB 211 202 191

HSL 33, 0.19%, 0.79%

LAB 81.76, 1.23, 6.59

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 9 / 0 / 9 / 17

HEX #C0D3BF

RGB 192 211 191

HSL 117, 0.19%, 0.79%

LAB 82.68, -10.1, 7.73

 

CMYK 9 / 0 / 8 / 17

HEX #BFD3C3

RGB 191 211 195

HSL 132, 0.19%, 0.79%

LAB 82.7, -9.72, 5.63

 

CMYK 9 / 0 / 5 / 17

HEX #BFD3C8

RGB 191 211 200

HSL 147, 0.19%, 0.79%

LAB 82.83, -8.8, 3.14

 

CMYK 9 / 0 / 2 / 17

HEX #BFD3CE

RGB 191 211 206

HSL 165, 0.19%, 0.79%

LAB 82.98, -7.66, 0.17

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 11 / 0 / 17 / 14

HEX #C3DCB6

RGB 195 220 182

HSL 99.47, 0.35%, 0.79%

LAB 85.08, -15.18, 15.92

 

CMYK 15 / 0 / 24 / 11

HEX #C1E4AD

RGB 193 228 173

HSL 98.18, 0.5%, 0.79%

LAB 86.92, -21.28, 23.15

 

CMYK 20 / 0 / 30 / 7

HEX #BEEDA5

RGB 190 237 165

HSL 99.17, 0.67%, 0.79%

LAB 89.03, -27.87, 30.1

 

CMYK 24 / 0 / 37 / 4

HEX #BCF69C

RGB 188 246 156

HSL 98.67, 0.83%, 0.79%

LAB 91.24, -34.03, 37.53

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 1 / 0 / 1 / 21

HEX #C8CAC7

RGB 200 202 199

HSL 100, 0.03%, 0.79%

LAB 81.1, -1.23, 1.24

 

CMYK 2 / 7 / 0 / 18

HEX #CBC2D0

RGB 203 194 208

HSL 278.57, 0.13%, 0.79%

LAB 79.52, 5.71, -5.88

 

CMYK 5 / 15 / 0 / 15

HEX #CEB9D9

RGB 206 185 217

HSL 279.38, 0.3%, 0.79%

LAB 77.77, 13.28, -13.31

 

CMYK 8 / 22 / 0 / 12

HEX #D0B0E1

RGB 208 176 225

HSL 279.18, 0.45%, 0.79%

LAB 76.01, 20.4, -20.29

 

CMYK 1 / 0 / 9 / 17

HEX #D1D3BF

RGB 209 211 191

HSL 66, 0.19%, 0.79%

LAB 83.92, -4.17, 9.66

 

CMYK 4 / 0 / 9 / 17

HEX #CBD3BF

RGB 203 211 191

HSL 84, 0.19%, 0.79%

LAB 83.47, -6.29, 8.96

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 9 / 0 / 9 / 17

HEX #C0D3BF

RGB 192 211 191

HSL 117, 0.19%, 0.79%

LAB 82.68, -10.1, 7.73

 

CMYK 9 / 0 / 8 / 17

HEX #BFD3C3

RGB 191 211 195

HSL 132, 0.19%, 0.79%

LAB 82.7, -9.72, 5.63

 

CMYK 13 / 0 / 20 / 30

HEX #9AB28E

RGB 154 178 142

HSL 100, 0.19%, 0.63%

LAB 69.94, -15.04, 15.7

 

CMYK 9 / 0 / 14 / 24

HEX #B0C2A6

RGB 176 194 166

HSL 98.57, 0.19%, 0.71%

LAB 76.42, -11.32, 12.02

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 4 / 0 / 6 / 11

HEX #DCE4D7

RGB 220 228 215

HSL 96.92, 0.19%, 0.87%

LAB 89.68, -5, 5.4

 

CMYK 1 / 0 / 2 / 4

HEX #F2F5F0

RGB 242 245 240

HSL 96, 0.2%, 0.95%

LAB 96.19, -1.87, 2.04

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 9 / 0 / 1 / 17

HEX #BFD3D0

RGB 191 211 208

HSL 171, 0.19%, 0.79%

LAB 83.03, -7.27, -0.82

 

CMYK 0 / 9 / 2 / 17

HEX #D3BFCE

RGB 211 191 206

HSL 315, 0.19%, 0.79%

LAB 79.37, 9.68, -4.95

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 9 / 6 / 0 / 17

HEX #BFC6D3

RGB 191 198 211

HSL 219, 0.19%, 0.79%

LAB 79.71, 0.13, -7.31

 

CMYK 0 / 9 / 6 / 17

HEX #D3BFC6

RGB 211 191 198

HSL 339, 0.19%, 0.79%

LAB 79.15, 8.26, -0.95

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 9 / 0 / 1 / 17

HEX #BFD3D0

RGB 191 211 208

HSL 171, 0.19%, 0.79%

LAB 83.03, -7.27, -0.82

 

CMYK 3 / 9 / 0 / 17

HEX #CCBFD3

RGB 204 191 211

HSL 279, 0.19%, 0.79%

LAB 78.93, 8.22, -8.36

 

CMYK 0 / 9 / 8 / 17

HEX #D3BFC2

RGB 211 191 194

HSL 351, 0.19%, 0.79%

LAB 79.04, 7.57, 1.05

 

CMYK 6 / 0 / 9 / 17

HEX #C6D3BF

RGB 198 211 191

HSL 99, 0.19%, 0.79%

LAB 83.1, -8.03, 8.39

 

CMYK 9 / 1 / 0 / 17

HEX #BFD0D3

RGB 191 208 211

HSL 189, 0.19%, 0.79%

LAB 82.32, -5.13, -3.46

 

CMYK 3 / 9 / 0 / 17

HEX #CCBFD3

RGB 204 191 211

HSL 279, 0.19%, 0.79%

LAB 78.93, 8.22, -8.36

 

CMYK 0 / 8 / 9 / 17

HEX #D3C2BF

RGB 211 194 191

HSL 9, 0.19%, 0.79%

LAB 79.72, 5.46, 3.66

 

Description

Color code: HEX #C6D3BF | qconv.com Color code: HEX #C6D3BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 211 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 211 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 9 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 9% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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