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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6D151 it is the complementary color #392EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6D151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6D151 shade: #CBD14C, #DCE35F, #EDF572, #FEFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6D151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6D151 shade: #C6D151, #B5BF3E, #A4AD2B, #939B18 and #828905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6D151 shade: #C6D051, #D0B951, #D09751, #D07451 and #D05251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6D151 shade: #C6D051, #A3D051, #81D051, #5FD051 and #51D066

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6D151 shade matches the following richer shades: #C6D051, #D4E240 and #E3F42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6D151 shade: #C6D051, #B7BF63, #A8AD75, #999B86 and #8B8998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6D151 shade: #D09751, #D0B951, #C6D051, #A4D051 and #82D051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6D151 shade: #9AA42B, #B8C534, #C6D051, #D0D972 and #DBE292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6D151 shade: #C6D151, #51D075 and #A851D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6D151 shade: #C6D151, #51C6D0 and #D051C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6D151 shade: #C6D151, #51D075, #5C51D0 and #D051AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6D151 shade: #C6D151, #51D09B, #5C51D0 and #D05186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 61 / 18

HEX #C6D151

RGB 198 209 81

HSL 65.16, 0.58%, 0.57%

LAB 80.85, -20.47, 60.33

 

Complementary color

CMYK 67 / 74 / 0 / 32

HEX #392EAE

RGB 57 46 174

HSL 245.16, 0.58%, 0.43%

LAB 29.11, 43.99, -66.22

 

CMYK 3 / 0 / 64 / 18

HEX #CBD14C

RGB 203 209 76

HSL 62.71, 0.59%, 0.56%

LAB 81.19, -18.74, 62.87

 

CMYK 3 / 0 / 58 / 11

HEX #DCE35F

RGB 220 227 95

HSL 63.18, 0.7%, 0.63%

LAB 87.48, -19.37, 62.1

 

CMYK 3 / 0 / 53 / 4

HEX #EDF572

RGB 237 245 114

HSL 63.66, 0.87%, 0.7%

LAB 93.68, -19.9, 61.15

 

CMYK 0 / 0 / 48 / 0

HEX #FEFF85

RGB 254 255 133

HSL 60.49, 1%, 0.76%

LAB 97.75, -16.5, 57.66

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 5 / 0 / 61 / 18

HEX #C6D151

RGB 198 209 81

HSL 65.16, 0.58%, 0.57%

LAB 80.85, -20.47, 60.33

 

CMYK 5 / 0 / 68 / 25

HEX #B5BF3E

RGB 181 191 62

HSL 64.65, 0.51%, 0.5%

LAB 74.47, -19.81, 60.94

 

CMYK 5 / 0 / 75 / 32

HEX #A4AD2B

RGB 164 173 43

HSL 64.15, 0.6%, 0.42%

LAB 67.99, -18.99, 61.06

 

CMYK 5 / 0 / 85 / 39

HEX #939B18

RGB 147 155 24

HSL 63.66, 0.73%, 0.35%

LAB 61.4, -17.97, 60.26

 

CMYK 5 / 0 / 96 / 46

HEX #828905

RGB 130 137 5

HSL 63.18, 0.93%, 0.28%

LAB 54.71, -16.7, 57.98

 

CMYK 5 / 0 / 61 / 18

HEX #C6D051

RGB 198 208 81

HSL 64.72, 0.57%, 0.57%

LAB 80.58, -19.97, 60.04

 

CMYK 0 / 11 / 61 / 18

HEX #D0B951

RGB 208 185 81

HSL 49.13, 0.57%, 0.57%

LAB 75.27, -4.13, 54.47

 

CMYK 0 / 27 / 61 / 18

HEX #D09751

RGB 208 151 81

HSL 33.07, 0.57%, 0.57%

LAB 66.62, 14.02, 44.67

 

CMYK 0 / 44 / 61 / 18

HEX #D07451

RGB 208 116 81

HSL 16.54, 0.57%, 0.57%

LAB 58.5, 32.9, 34.97

 

CMYK 0 / 61 / 61 / 18

HEX #D05251

RGB 208 82 81

HSL 0.47, 0.57%, 0.57%

LAB 51.88, 49.78, 26.67

 

CMYK 5 / 0 / 61 / 18

HEX #C6D051

RGB 198 208 81

HSL 64.72, 0.57%, 0.57%

LAB 80.58, -19.97, 60.04

 

CMYK 22 / 0 / 61 / 18

HEX #A3D051

RGB 163 208 81

HSL 81.26, 0.57%, 0.57%

LAB 78.16, -33.88, 56.71

 

CMYK 38 / 0 / 61 / 18

HEX #81D051

RGB 129 208 81

HSL 97.32, 0.57%, 0.57%

LAB 76.3, -46.08, 54.12

 

CMYK 54 / 0 / 61 / 18

HEX #5FD051

RGB 95 208 81

HSL 113.39, 0.57%, 0.57%

LAB 74.91, -56.19, 52.18

 

CMYK 61 / 0 / 51 / 18

HEX #51D066

RGB 81 208 102

HSL 129.92, 0.57%, 0.57%

LAB 74.71, -56.93, 42.13

 

CMYK 5 / 0 / 61 / 18

HEX #C6D051

RGB 198 208 81

HSL 64.72, 0.57%, 0.57%

LAB 80.58, -19.97, 60.04

 

CMYK 6 / 0 / 72 / 11

HEX #D4E240

RGB 212 226 64

HSL 65.19, 0.74%, 0.57%

LAB 86.39, -23.97, 72.75

 

CMYK 7 / 0 / 81 / 4

HEX #E3F42E

RGB 227 244 46

HSL 65.15, 0.9%, 0.57%

LAB 92.23, -27.09, 83.63

 

CMYK 5 / 0 / 61 / 18

HEX #C6D051

RGB 198 208 81

HSL 64.72, 0.57%, 0.57%

LAB 80.58, -19.97, 60.04

 

CMYK 4 / 0 / 48 / 25

HEX #B7BF63

RGB 183 191 99

HSL 65.22, 0.42%, 0.57%

LAB 74.97, -16.14, 45.11

 

CMYK 3 / 0 / 32 / 32

HEX #A8AD75

RGB 168 173 117

HSL 65.36, 0.25%, 0.57%

LAB 69.11, -10.86, 28.24

 

CMYK 1 / 0 / 14 / 39

HEX #999B86

RGB 153 155 134

HSL 65.71, 0.1%, 0.57%

LAB 63.29, -4.54, 10.78

 

CMYK 9 / 10 / 0 / 40

HEX #8B8998

RGB 139 137 152

HSL 248, 0.07%, 0.57%

LAB 57.7, 3.79, -7.71

 

CMYK 0 / 27 / 61 / 18

HEX #D09751

RGB 208 151 81

HSL 33.07, 0.57%, 0.57%

LAB 66.62, 14.02, 44.67

 

CMYK 0 / 11 / 61 / 18

HEX #D0B951

RGB 208 185 81

HSL 49.13, 0.57%, 0.57%

LAB 75.27, -4.13, 54.47

 

CMYK 5 / 0 / 61 / 18

HEX #C6D051

RGB 198 208 81

HSL 64.72, 0.57%, 0.57%

LAB 80.58, -19.97, 60.04

 

CMYK 21 / 0 / 61 / 18

HEX #A4D051

RGB 164 208 81

HSL 80.79, 0.57%, 0.57%

LAB 78.23, -33.49, 56.8

 

CMYK 38 / 0 / 61 / 18

HEX #82D051

RGB 130 208 81

HSL 96.85, 0.57%, 0.57%

LAB 76.35, -45.75, 54.18

 

CMYK 6 / 0 / 74 / 36

HEX #9AA42B

RGB 154 164 43

HSL 64.96, 0.58%, 0.41%

LAB 64.64, -18.75, 57.62

 

CMYK 7 / 0 / 74 / 23

HEX #B8C534

RGB 184 197 52

HSL 65.38, 0.58%, 0.49%

LAB 76.3, -22.03, 66.42

 

CMYK 5 / 0 / 61 / 18

HEX #C6D051

RGB 198 208 81

HSL 64.72, 0.57%, 0.57%

LAB 80.58, -19.97, 60.04

 

CMYK 4 / 0 / 47 / 15

HEX #D0D972

RGB 208 217 114

HSL 65.24, 0.58%, 0.65%

LAB 84.1, -17.68, 49.33

 

CMYK 3 / 0 / 35 / 11

HEX #DBE292

RGB 219 226 146

HSL 65.25, 0.58%, 0.73%

LAB 87.74, -14.47, 38.36

 

CMYK 5 / 0 / 61 / 18

HEX #C6D151

RGB 198 209 81

HSL 65.16, 0.58%, 0.57%

LAB 80.85, -20.47, 60.33

 

CMYK 61 / 0 / 44 / 18

HEX #51D075

RGB 81 208 117

HSL 137.01, 0.57%, 0.57%

LAB 74.92, -54.66, 34.96

 

CMYK 19 / 61 / 0 / 18

HEX #A851D0

RGB 168 81 208

HSL 281.1, 0.57%, 0.57%

LAB 50.41, 55.98, -50.99

 

CMYK 5 / 0 / 61 / 18

HEX #C6D151

RGB 198 209 81

HSL 65.16, 0.58%, 0.57%

LAB 80.85, -20.47, 60.33

 

CMYK 61 / 5 / 0 / 18

HEX #51C6D0

RGB 81 198 208

HSL 184.72, 0.57%, 0.57%

LAB 73.99, -29.61, -14.82

 

CMYK 0 / 61 / 5 / 18

HEX #D051C6

RGB 208 81 198

HSL 304.72, 0.57%, 0.57%

LAB 55.45, 64.03, -36.92

 

CMYK 5 / 0 / 61 / 18

HEX #C6D151

RGB 198 209 81

HSL 65.16, 0.58%, 0.57%

LAB 80.85, -20.47, 60.33

 

CMYK 61 / 0 / 44 / 18

HEX #51D075

RGB 81 208 117

HSL 137.01, 0.57%, 0.57%

LAB 74.92, -54.66, 34.96

 

CMYK 56 / 61 / 0 / 18

HEX #5C51D0

RGB 92 81 208

HSL 245.2, 0.57%, 0.57%

LAB 42.33, 39.6, -64.43

 

CMYK 0 / 61 / 17 / 18

HEX #D051AC

RGB 208 81 172

HSL 317.01, 0.57%, 0.57%

LAB 54.32, 60.02, -23.67

 

CMYK 5 / 0 / 61 / 18

HEX #C6D151

RGB 198 209 81

HSL 65.16, 0.58%, 0.57%

LAB 80.85, -20.47, 60.33

 

CMYK 61 / 0 / 25 / 18

HEX #51D09B

RGB 81 208 155

HSL 154.96, 0.57%, 0.57%

LAB 75.59, -47.45, 16.09

 

CMYK 56 / 61 / 0 / 18

HEX #5C51D0

RGB 92 81 208

HSL 245.2, 0.57%, 0.57%

LAB 42.33, 39.6, -64.43

 

CMYK 0 / 61 / 36 / 18

HEX #D05186

RGB 208 81 134

HSL 334.96, 0.57%, 0.57%

LAB 52.97, 55.06, -3.33

 

Description

Color code: HEX #C6D151 | qconv.com Color code: HEX #C6D151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 209 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 209 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 61 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 61% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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