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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6D05C it is the complementary color #392FA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6D05C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6D05C shade: #CBD057, #DCE26A, #EDF47D, #FEFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6D05C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6D05C shade: #C6D05C, #B5BE49, #A4AC36, #939A23 and #828810

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6D05C shade: #C6CF5C, #CFBA5C, #CF9B5C, #CF7C5C and #CF5D5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6D05C shade: #C6CF5C, #A7CF5C, #88CF5C, #69CF5C and #5CCF6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6D05C shade matches the following richer shades: #C6CF5C, #D4E04C and #E2F13B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6D05C shade: #C6CF5C, #B8BF6D, #AAAE7E, #9C9D8F and #8E8CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6D05C shade: #CF9C5C, #CFBA5C, #C6CF5C, #A7CF5C and #89CF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6D05C shade: #9EA931, #BAC63C, #C6CF5C, #D1D97C and #DCE29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6D05C shade: #C6D05C, #5CCF7D and #AB5CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6D05C shade: #C6D05C, #5CC6CF and #CF5CC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6D05C shade: #C6D05C, #5CCF7D, #665CCF and #CF5CAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6D05C shade: #C6D05C, #5CCFA0, #665CCF and #CF5C8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 56 / 18

HEX #C6D05C

RGB 198 208 92

HSL 65.17, 0.55%, 0.59%

LAB 80.68, -19.16, 55.35

 

Complementary color

CMYK 65 / 71 / 0 / 36

HEX #392FA3

RGB 57 47 163

HSL 245.17, 0.55%, 0.41%

LAB 28.24, 39.83, -61.03

 

CMYK 2 / 0 / 58 / 18

HEX #CBD057

RGB 203 208 87

HSL 62.48, 0.56%, 0.58%

LAB 81.01, -17.51, 58.05

 

CMYK 3 / 0 / 53 / 11

HEX #DCE26A

RGB 220 226 106

HSL 63, 0.67%, 0.65%

LAB 87.31, -18.04, 57.07

 

CMYK 3 / 0 / 49 / 4

HEX #EDF47D

RGB 237 244 125

HSL 63.53, 0.84%, 0.72%

LAB 93.53, -18.49, 56

 

CMYK 0 / 0 / 44 / 0

HEX #FEFF90

RGB 254 255 144

HSL 60.54, 1%, 0.78%

LAB 97.88, -15.5, 52.69

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 5 / 0 / 56 / 18

HEX #C6D05C

RGB 198 208 92

HSL 65.17, 0.55%, 0.59%

LAB 80.68, -19.16, 55.35

 

CMYK 5 / 0 / 62 / 25

HEX #B5BE49

RGB 181 190 73

HSL 64.62, 0.47%, 0.52%

LAB 74.27, -18.61, 56.26

 

CMYK 5 / 0 / 69 / 33

HEX #A4AC36

RGB 164 172 54

HSL 64.07, 0.52%, 0.44%

LAB 67.77, -17.92, 56.86

 

CMYK 5 / 0 / 77 / 40

HEX #939A23

RGB 147 154 35

HSL 63.53, 0.63%, 0.37%

LAB 61.16, -17.05, 56.88

 

CMYK 4 / 0 / 88 / 47

HEX #828810

RGB 130 136 16

HSL 63, 0.79%, 0.3%

LAB 54.44, -15.94, 55.76

 

CMYK 4 / 0 / 56 / 19

HEX #C6CF5C

RGB 198 207 92

HSL 64.7, 0.55%, 0.59%

LAB 80.41, -18.67, 55.05

 

CMYK 0 / 10 / 56 / 19

HEX #CFBA5C

RGB 207 186 92

HSL 49.04, 0.55%, 0.59%

LAB 75.55, -4.26, 49.66

 

CMYK 0 / 25 / 56 / 19

HEX #CF9B5C

RGB 207 155 92

HSL 32.87, 0.55%, 0.59%

LAB 67.64, 12.26, 40.26

 

CMYK 0 / 40 / 56 / 19

HEX #CF7C5C

RGB 207 124 92

HSL 16.7, 0.55%, 0.59%

LAB 60.3, 29.08, 31.13

 

CMYK 0 / 55 / 56 / 19

HEX #CF5D5C

RGB 207 93 92

HSL 0.52, 0.55%, 0.59%

LAB 53.89, 45.07, 22.82

 

CMYK 4 / 0 / 56 / 19

HEX #C6CF5C

RGB 198 207 92

HSL 64.7, 0.55%, 0.59%

LAB 80.41, -18.67, 55.05

 

CMYK 19 / 0 / 56 / 19

HEX #A7CF5C

RGB 167 207 92

HSL 80.87, 0.55%, 0.59%

LAB 78.24, -30.93, 51.99

 

CMYK 34 / 0 / 56 / 19

HEX #88CF5C

RGB 136 207 92

HSL 97.04, 0.55%, 0.59%

LAB 76.46, -42.2, 49.47

 

CMYK 49 / 0 / 56 / 19

HEX #69CF5C

RGB 105 207 92

HSL 113.22, 0.55%, 0.59%

LAB 75.08, -51.88, 47.5

 

CMYK 56 / 0 / 46 / 19

HEX #5CCF6F

RGB 92 207 111

HSL 129.91, 0.55%, 0.59%

LAB 74.86, -52.72, 37.96

 

CMYK 4 / 0 / 56 / 19

HEX #C6CF5C

RGB 198 207 92

HSL 64.7, 0.55%, 0.59%

LAB 80.41, -18.67, 55.05

 

CMYK 5 / 0 / 66 / 12

HEX #D4E04C

RGB 212 224 76

HSL 64.86, 0.7%, 0.59%

LAB 85.92, -22.38, 67.98

 

CMYK 6 / 0 / 76 / 5

HEX #E2F13B

RGB 226 241 59

HSL 64.95, 0.87%, 0.59%

LAB 91.41, -25.64, 79.41

 

CMYK 4 / 0 / 56 / 19

HEX #C6CF5C

RGB 198 207 92

HSL 64.7, 0.55%, 0.59%

LAB 80.41, -18.67, 55.05

 

CMYK 4 / 0 / 43 / 25

HEX #B8BF6D

RGB 184 191 109

HSL 65.12, 0.39%, 0.59%

LAB 75.17, -14.72, 40.43

 

CMYK 2 / 0 / 28 / 32

HEX #AAAE7E

RGB 170 174 126

HSL 65, 0.23%, 0.59%

LAB 69.7, -9.39, 24.23

 

CMYK 1 / 0 / 9 / 38

HEX #9C9D8F

RGB 156 157 143

HSL 64.29, 0.07%, 0.59%

LAB 64.29, -2.94, 7.19

 

CMYK 11 / 13 / 0 / 37

HEX #8E8CA0

RGB 142 140 160

HSL 246, 0.1%, 0.59%

LAB 59.02, 4.85, -10.3

 

CMYK 0 / 25 / 56 / 19

HEX #CF9C5C

RGB 207 156 92

HSL 33.39, 0.55%, 0.59%

LAB 67.88, 11.72, 40.56

 

CMYK 0 / 10 / 56 / 19

HEX #CFBA5C

RGB 207 186 92

HSL 49.04, 0.55%, 0.59%

LAB 75.55, -4.26, 49.66

 

CMYK 4 / 0 / 56 / 19

HEX #C6CF5C

RGB 198 207 92

HSL 64.7, 0.55%, 0.59%

LAB 80.41, -18.67, 55.05

 

CMYK 19 / 0 / 56 / 19

HEX #A7CF5C

RGB 167 207 92

HSL 80.87, 0.55%, 0.59%

LAB 78.24, -30.93, 51.99

 

CMYK 34 / 0 / 56 / 19

HEX #89CF5C

RGB 137 207 92

HSL 96.52, 0.55%, 0.59%

LAB 76.51, -41.86, 49.54

 

CMYK 7 / 0 / 71 / 34

HEX #9EA931

RGB 158 169 49

HSL 65.5, 0.55%, 0.43%

LAB 66.42, -19.25, 57.27

 

CMYK 6 / 0 / 70 / 22

HEX #BAC63C

RGB 186 198 60

HSL 65.22, 0.55%, 0.51%

LAB 76.77, -21.29, 64.13

 

CMYK 4 / 0 / 56 / 19

HEX #C6CF5C

RGB 198 207 92

HSL 64.7, 0.55%, 0.59%

LAB 80.41, -18.67, 55.05

 

CMYK 4 / 0 / 43 / 15

HEX #D1D97C

RGB 209 217 124

HSL 65.16, 0.55%, 0.67%

LAB 84.3, -16.3, 44.75

 

CMYK 3 / 0 / 31 / 11

HEX #DCE29C

RGB 220 226 156

HSL 65.14, 0.55%, 0.75%

LAB 87.97, -12.87, 33.62

 

CMYK 5 / 0 / 56 / 18

HEX #C6D05C

RGB 198 208 92

HSL 65.17, 0.55%, 0.59%

LAB 80.68, -19.16, 55.35

 

CMYK 56 / 0 / 40 / 19

HEX #5CCF7D

RGB 92 207 125

HSL 137.22, 0.55%, 0.59%

LAB 75.06, -50.48, 31.15

 

CMYK 17 / 56 / 0 / 19

HEX #AB5CCF

RGB 171 92 207

HSL 281.22, 0.55%, 0.59%

LAB 52.75, 51.08, -46.67

 

CMYK 5 / 0 / 56 / 18

HEX #C6D05C

RGB 198 208 92

HSL 65.17, 0.55%, 0.59%

LAB 80.68, -19.16, 55.35

 

CMYK 56 / 4 / 0 / 19

HEX #5CC6CF

RGB 92 198 207

HSL 184.7, 0.55%, 0.59%

LAB 74.3, -27.88, -13.79

 

CMYK 0 / 56 / 4 / 19

HEX #CF5CC6

RGB 207 92 198

HSL 304.7, 0.55%, 0.59%

LAB 57.07, 58.95, -34.4

 

CMYK 5 / 0 / 56 / 18

HEX #C6D05C

RGB 198 208 92

HSL 65.17, 0.55%, 0.59%

LAB 80.68, -19.16, 55.35

 

CMYK 56 / 0 / 40 / 19

HEX #5CCF7D

RGB 92 207 125

HSL 137.22, 0.55%, 0.59%

LAB 75.06, -50.48, 31.15

 

CMYK 51 / 56 / 0 / 19

HEX #665CCF

RGB 102 92 207

HSL 245.22, 0.55%, 0.59%

LAB 45.61, 34.62, -58.5

 

CMYK 0 / 56 / 15 / 19

HEX #CF5CAF

RGB 207 92 175

HSL 316.7, 0.55%, 0.59%

LAB 56.1, 55.27, -22.68

 

CMYK 5 / 0 / 56 / 18

HEX #C6D05C

RGB 198 208 92

HSL 65.17, 0.55%, 0.59%

LAB 80.68, -19.16, 55.35

 

CMYK 56 / 0 / 23 / 19

HEX #5CCFA0

RGB 92 207 160

HSL 155.48, 0.55%, 0.59%

LAB 75.72, -43.68, 13.65

 

CMYK 51 / 56 / 0 / 19

HEX #665CCF

RGB 102 92 207

HSL 245.22, 0.55%, 0.59%

LAB 45.61, 34.62, -58.5

 

CMYK 0 / 56 / 32 / 19

HEX #CF5C8C

RGB 207 92 140

HSL 334.96, 0.55%, 0.59%

LAB 54.88, 50.44, -4.07

 

Description

Color code: HEX #C6D05C | qconv.com Color code: HEX #C6D05C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 208 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 208 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 56 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 56% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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