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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6D499 it is the complementary color #392B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6D499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6D499 shade: #CBD494, #DCE6A7, #EDF8BA, #FEFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6D499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6D499 shade: #C6D499, #B5C286, #A4B073, #939E60 and #828C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6D499 shade: #C6D49A, #D4D29A, #D4C39A, #D4B39A and #D4A39A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6D499 shade: #C6D49A, #B7D49A, #A7D49A, #9AD49D and #9AD4AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6D499 shade matches the following richer shades: #C6D49A, #CDE08E, #D3EB83 and #D9F777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6D499 shade: #C6D49A, #C0C9A5, #BABDB1, #B4B2BC and #AEA6C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6D499 shade: #D4C39A, #D4D29A, #C7D49A, #B7D49A and #A7D49A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6D499 shade: #A6BC60, #B6C87D, #C6D49A, #D7E1B7 and #E7EDD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6D499 shade: #C6D499, #9AD4B3 and #CB9AD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6D499 shade: #C6D499, #9AC7D4 and #D49AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6D499 shade: #C6D499, #9AD4B3, #A79AD4 and #D49ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6D499 shade: #C6D499, #9AD4C5, #A79AD4 and #D49AA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 28 / 17

HEX #C6D499

RGB 198 212 153

HSL 74.24, 0.41%, 0.72%

LAB 82.59, -14.5, 27.68

 

Complementary color

CMYK 44 / 58 / 0 / 60

HEX #392B66

RGB 57 43 102

HSL 254.24, 0.41%, 0.28%

LAB 22.15, 22.28, -32.7

 

CMYK 4 / 0 / 30 / 17

HEX #CBD494

RGB 203 212 148

HSL 68.44, 0.43%, 0.71%

LAB 82.87, -13.29, 30.72

 

CMYK 4 / 0 / 27 / 10

HEX #DCE6A7

RGB 220 230 167

HSL 69.52, 0.56%, 0.78%

LAB 89.2, -13.44, 29.66

 

CMYK 4 / 0 / 25 / 3

HEX #EDF8BA

RGB 237 248 186

HSL 70.65, 0.82%, 0.85%

LAB 95.45, -13.56, 28.65

 

CMYK 0 / 0 / 20 / 0

HEX #FEFFCD

RGB 254 255 205

HSL 61.2, 1%, 0.9%

LAB 98.83, -8.26, 23.85

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 7 / 0 / 28 / 17

HEX #C6D499

RGB 198 212 153

HSL 74.24, 0.41%, 0.72%

LAB 82.59, -14.5, 27.68

 

CMYK 7 / 0 / 31 / 24

HEX #B5C286

RGB 181 194 134

HSL 73, 0.33%, 0.64%

LAB 76.15, -14.39, 28.76

 

CMYK 7 / 0 / 35 / 31

HEX #A4B073

RGB 164 176 115

HSL 71.8, 0.28%, 0.57%

LAB 69.6, -14.27, 29.89

 

CMYK 7 / 0 / 39 / 38

HEX #939E60

RGB 147 158 96

HSL 70.65, 0.24%, 0.5%

LAB 62.93, -14.1, 31.08

 

CMYK 7 / 0 / 45 / 45

HEX #828C4D

RGB 130 140 77

HSL 69.52, 0.29%, 0.43%

LAB 56.13, -13.87, 32.32

 

CMYK 7 / 0 / 27 / 17

HEX #C6D49A

RGB 198 212 154

HSL 74.48, 0.4%, 0.72%

LAB 82.61, -14.36, 27.19

 

CMYK 0 / 1 / 27 / 17

HEX #D4D29A

RGB 212 210 154

HSL 57.93, 0.4%, 0.72%

LAB 83.14, -8.08, 28.09

 

CMYK 0 / 8 / 27 / 17

HEX #D4C39A

RGB 212 195 154

HSL 42.41, 0.4%, 0.72%

LAB 79.25, -0.31, 22.81

 

CMYK 0 / 16 / 27 / 17

HEX #D4B39A

RGB 212 179 154

HSL 25.86, 0.4%, 0.72%

LAB 75.18, 8.17, 17.2

 

CMYK 0 / 23 / 27 / 17

HEX #D4A39A

RGB 212 163 154

HSL 9.31, 0.4%, 0.72%

LAB 71.23, 16.8, 11.65

 

CMYK 7 / 0 / 27 / 17

HEX #C6D49A

RGB 198 212 154

HSL 74.48, 0.4%, 0.72%

LAB 82.61, -14.36, 27.19

 

CMYK 14 / 0 / 27 / 17

HEX #B7D49A

RGB 183 212 154

HSL 90, 0.4%, 0.72%

LAB 81.56, -19.85, 25.59

 

CMYK 21 / 0 / 27 / 17

HEX #A7D49A

RGB 167 212 154

HSL 106.55, 0.4%, 0.72%

LAB 80.54, -25.5, 24.03

 

CMYK 27 / 0 / 26 / 17

HEX #9AD49D

RGB 154 212 157

HSL 123.1, 0.4%, 0.72%

LAB 79.84, -29.38, 21.38

 

CMYK 27 / 0 / 19 / 17

HEX #9AD4AC

RGB 154 212 172

HSL 138.62, 0.4%, 0.72%

LAB 80.14, -26.7, 13.88

 

CMYK 7 / 0 / 27 / 17

HEX #C6D49A

RGB 198 212 154

HSL 74.48, 0.4%, 0.72%

LAB 82.61, -14.36, 27.19

 

CMYK 8 / 0 / 37 / 12

HEX #CDE08E

RGB 205 224 142

HSL 73.9, 0.57%, 0.72%

LAB 86.13, -19.26, 38.08

 

CMYK 10 / 0 / 44 / 8

HEX #D3EB83

RGB 211 235 131

HSL 73.85, 0.72%, 0.72%

LAB 89.35, -23.58, 47.65

 

CMYK 12 / 0 / 52 / 3

HEX #D9F777

RGB 217 247 119

HSL 74.06, 0.89%, 0.72%

LAB 92.84, -28.16, 57.57

 

CMYK 7 / 0 / 27 / 17

HEX #C6D49A

RGB 198 212 154

HSL 74.48, 0.4%, 0.72%

LAB 82.61, -14.36, 27.19

 

CMYK 4 / 0 / 18 / 21

HEX #C0C9A5

RGB 192 201 165

HSL 75, 0.25%, 0.72%

LAB 79.44, -9.33, 16.98

 

CMYK 2 / 0 / 6 / 26

HEX #BABDB1

RGB 186 189 177

HSL 75, 0.08%, 0.72%

LAB 76.07, -3.22, 5.69

 

CMYK 4 / 5 / 0 / 26

HEX #B4B2BC

RGB 180 178 188

HSL 252, 0.07%, 0.72%

LAB 73.01, 2.61, -4.84

 

CMYK 13 / 17 / 0 / 22

HEX #AEA6C8

RGB 174 166 200

HSL 254.12, 0.24%, 0.72%

LAB 69.78, 9.62, -16.31

 

CMYK 0 / 8 / 27 / 17

HEX #D4C39A

RGB 212 195 154

HSL 42.41, 0.4%, 0.72%

LAB 79.25, -0.31, 22.81

 

CMYK 0 / 1 / 27 / 17

HEX #D4D29A

RGB 212 210 154

HSL 57.93, 0.4%, 0.72%

LAB 83.14, -8.08, 28.09

 

CMYK 6 / 0 / 27 / 17

HEX #C7D49A

RGB 199 212 154

HSL 73.45, 0.4%, 0.72%

LAB 82.68, -13.98, 27.3

 

CMYK 14 / 0 / 27 / 17

HEX #B7D49A

RGB 183 212 154

HSL 90, 0.4%, 0.72%

LAB 81.56, -19.85, 25.59

 

CMYK 21 / 0 / 27 / 17

HEX #A7D49A

RGB 167 212 154

HSL 106.55, 0.4%, 0.72%

LAB 80.54, -25.5, 24.03

 

CMYK 12 / 0 / 49 / 26

HEX #A6BC60

RGB 166 188 96

HSL 74.35, 0.41%, 0.56%

LAB 72.84, -21.76, 43.71

 

CMYK 9 / 0 / 38 / 22

HEX #B6C87D

RGB 182 200 125

HSL 74.4, 0.41%, 0.64%

LAB 77.72, -18.2, 35.5

 

CMYK 7 / 0 / 27 / 17

HEX #C6D49A

RGB 198 212 154

HSL 74.48, 0.4%, 0.72%

LAB 82.61, -14.36, 27.19

 

CMYK 4 / 0 / 19 / 12

HEX #D7E1B7

RGB 215 225 183

HSL 74.29, 0.41%, 0.8%

LAB 87.83, -10.46, 19.45

 

CMYK 3 / 0 / 11 / 7

HEX #E7EDD4

RGB 231 237 212

HSL 74.4, 0.41%, 0.88%

LAB 92.71, -6.3, 11.42

 

CMYK 7 / 0 / 28 / 17

HEX #C6D499

RGB 198 212 153

HSL 74.24, 0.41%, 0.72%

LAB 82.59, -14.5, 27.68

 

CMYK 27 / 0 / 16 / 17

HEX #9AD4B3

RGB 154 212 179

HSL 145.86, 0.4%, 0.72%

LAB 80.3, -25.36, 10.39

 

CMYK 4 / 27 / 0 / 17

HEX #CB9AD4

RGB 203 154 212

HSL 290.69, 0.4%, 0.72%

LAB 69.87, 28.24, -22.56

 

CMYK 7 / 0 / 28 / 17

HEX #C6D499

RGB 198 212 153

HSL 74.24, 0.41%, 0.72%

LAB 82.59, -14.5, 27.68

 

CMYK 27 / 6 / 0 / 17

HEX #9AC7D4

RGB 154 199 212

HSL 193.45, 0.4%, 0.72%

LAB 77.56, -11.76, -11.31

 

CMYK 0 / 27 / 6 / 17

HEX #D49AC7

RGB 212 154 199

HSL 313.45, 0.4%, 0.72%

LAB 70.34, 28.81, -14.57

 

CMYK 7 / 0 / 28 / 17

HEX #C6D499

RGB 198 212 153

HSL 74.24, 0.41%, 0.72%

LAB 82.59, -14.5, 27.68

 

CMYK 27 / 0 / 16 / 17

HEX #9AD4B3

RGB 154 212 179

HSL 145.86, 0.4%, 0.72%

LAB 80.3, -25.36, 10.39

 

CMYK 21 / 27 / 0 / 17

HEX #A79AD4

RGB 167 154 212

HSL 253.45, 0.4%, 0.72%

LAB 66.58, 16.78, -27.88

 

CMYK 0 / 27 / 12 / 17

HEX #D49ABB

RGB 212 154 187

HSL 325.86, 0.4%, 0.72%

LAB 69.96, 26.75, -8.48

 

CMYK 7 / 0 / 28 / 17

HEX #C6D499

RGB 198 212 153

HSL 74.24, 0.41%, 0.72%

LAB 82.59, -14.5, 27.68

 

CMYK 27 / 0 / 7 / 17

HEX #9AD4C5

RGB 154 212 197

HSL 164.48, 0.4%, 0.72%

LAB 80.73, -21.71, 1.42

 

CMYK 21 / 27 / 0 / 17

HEX #A79AD4

RGB 167 154 212

HSL 253.45, 0.4%, 0.72%

LAB 66.58, 16.78, -27.88

 

CMYK 0 / 27 / 20 / 17

HEX #D49AA9

RGB 212 154 169

HSL 344.48, 0.4%, 0.72%

LAB 69.45, 23.87, 0.78

 

Description

Color code: HEX #C6D499 | qconv.com Color code: HEX #C6D499 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 212 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 212 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 28 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 28% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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