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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6CD53 it is the complementary color #3932AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6CD53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6CD53 shade: #CBCD4E, #DCDF61, #EDF174, #FEFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6CD53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6CD53 shade: #C6CD53, #B5BB40, #A4A92D, #93971A and #828507

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6CD53 shade: #C5CC51, #CCB251, #CC9151, #CC6F51 and #CC5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6CD53 shade: #C5CC51, #A4CC51, #82CC51, #61CC51 and #51CC61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6CD53 shade matches the following richer shades: #C5CC51, #D5DE3E and #E5F02C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6CD53 shade: #C5CC51, #B5BA63, #A5A875, #959687 and #858399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6CD53 shade: #CC9051, #CCB151, #C6CC51, #A5CC51 and #84CC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6CD53 shade: #969D2D, #B5BD36, #C5CC51, #D0D571 and #DADF91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6CD53 shade: #C6CD53, #51CC6F and #A151CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6CD53 shade: #C6CD53, #51C6CC and #CC51C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6CD53 shade: #C6CD53, #51CC6F, #5751CC and #CC51AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6CD53 shade: #C6CD53, #51CC94, #5751CC and #CC5188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 60 / 20

HEX #C6CD53

RGB 198 205 83

HSL 63.44, 0.55%, 0.56%

LAB 79.78, -18.35, 58.32

 

Complementary color

CMYK 67 / 71 / 0 / 33

HEX #3932AC

RGB 57 50 172

HSL 243.44, 0.55%, 0.44%

LAB 29.74, 41.04, -63.99

 

CMYK 1 / 0 / 62 / 20

HEX #CBCD4E

RGB 203 205 78

HSL 60.94, 0.56%, 0.55%

LAB 80.13, -16.63, 60.93

 

CMYK 1 / 0 / 57 / 13

HEX #DCDF61

RGB 220 223 97

HSL 61.43, 0.66%, 0.63%

LAB 86.43, -17.27, 60.07

 

CMYK 2 / 0 / 52 / 5

HEX #EDF174

RGB 237 241 116

HSL 61.92, 0.82%, 0.7%

LAB 92.65, -17.8, 59.07

 

CMYK 0 / 0 / 47 / 0

HEX #FEFF87

RGB 254 255 135

HSL 60.5, 1%, 0.76%

LAB 97.77, -16.33, 56.76

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 3 / 0 / 60 / 20

HEX #C6CD53

RGB 198 205 83

HSL 63.44, 0.55%, 0.56%

LAB 79.78, -18.35, 58.32

 

CMYK 3 / 0 / 66 / 27

HEX #B5BB40

RGB 181 187 64

HSL 62.93, 0.49%, 0.49%

LAB 73.37, -17.69, 59.04

 

CMYK 3 / 0 / 73 / 34

HEX #A4A92D

RGB 164 169 45

HSL 62.42, 0.58%, 0.42%

LAB 66.87, -16.87, 59.32

 

CMYK 3 / 0 / 83 / 41

HEX #93971A

RGB 147 151 26

HSL 61.92, 0.71%, 0.35%

LAB 60.26, -15.84, 58.76

 

CMYK 2 / 0 / 95 / 48

HEX #828507

RGB 130 133 7

HSL 61.43, 0.9%, 0.27%

LAB 53.53, -14.54, 56.73

 

CMYK 3 / 0 / 60 / 20

HEX #C5CC51

RGB 197 204 81

HSL 63.41, 0.55%, 0.56%

LAB 79.41, -18.41, 58.76

 

CMYK 0 / 13 / 60 / 20

HEX #CCB251

RGB 204 178 81

HSL 47.32, 0.55%, 0.56%

LAB 73.07, -2.16, 51.93

 

CMYK 0 / 29 / 60 / 20

HEX #CC9151

RGB 204 145 81

HSL 31.22, 0.55%, 0.56%

LAB 64.71, 15.59, 42.31

 

CMYK 0 / 46 / 60 / 20

HEX #CC6F51

RGB 204 111 81

HSL 14.63, 0.55%, 0.56%

LAB 56.88, 33.95, 32.84

 

CMYK 0 / 60 / 60 / 20

HEX #CC5151

RGB 204 81 81

HSL 0, 0.55%, 0.56%

LAB 51.06, 48.85, 25.48

 

CMYK 3 / 0 / 60 / 20

HEX #C5CC51

RGB 197 204 81

HSL 63.41, 0.55%, 0.56%

LAB 79.41, -18.41, 58.76

 

CMYK 20 / 0 / 60 / 20

HEX #A4CC51

RGB 164 204 81

HSL 79.51, 0.55%, 0.56%

LAB 77.08, -31.63, 55.54

 

CMYK 36 / 0 / 60 / 20

HEX #82CC51

RGB 130 204 81

HSL 96.1, 0.55%, 0.56%

LAB 75.16, -44.05, 52.85

 

CMYK 52 / 0 / 60 / 20

HEX #61CC51

RGB 97 204 81

HSL 112.2, 0.55%, 0.56%

LAB 73.75, -54.14, 50.88

 

CMYK 60 / 0 / 52 / 20

HEX #51CC61

RGB 81 204 97

HSL 127.8, 0.55%, 0.56%

LAB 73.41, -56.14, 42.96

 

CMYK 3 / 0 / 60 / 20

HEX #C5CC51

RGB 197 204 81

HSL 63.41, 0.55%, 0.56%

LAB 79.41, -18.41, 58.76

 

CMYK 4 / 0 / 72 / 13

HEX #D5DE3E

RGB 213 222 62

HSL 63.38, 0.71%, 0.56%

LAB 85.37, -21.73, 72.48

 

CMYK 5 / 0 / 82 / 6

HEX #E5F02C

RGB 229 240 44

HSL 63.37, 0.87%, 0.56%

LAB 91.31, -24.45, 83.37

 

CMYK 3 / 0 / 60 / 20

HEX #C5CC51

RGB 197 204 81

HSL 63.41, 0.55%, 0.56%

LAB 79.41, -18.41, 58.76

 

CMYK 3 / 0 / 47 / 27

HEX #B5BA63

RGB 181 186 99

HSL 63.45, 0.39%, 0.56%

LAB 73.44, -14.41, 43.23

 

CMYK 2 / 0 / 30 / 34

HEX #A5A875

RGB 165 168 117

HSL 63.53, 0.23%, 0.56%

LAB 67.49, -9.42, 26.06

 

CMYK 1 / 0 / 10 / 41

HEX #959687

RGB 149 150 135

HSL 64, 0.07%, 0.56%

LAB 61.61, -3.14, 7.79

 

CMYK 13 / 14 / 0 / 40

HEX #858399

RGB 133 131 153

HSL 245.45, 0.1%, 0.56%

LAB 55.6, 5.36, -11.48

 

CMYK 0 / 29 / 60 / 20

HEX #CC9051

RGB 204 144 81

HSL 30.73, 0.55%, 0.56%

LAB 64.47, 16.13, 42.02

 

CMYK 0 / 13 / 60 / 20

HEX #CCB151

RGB 204 177 81

HSL 46.83, 0.55%, 0.56%

LAB 72.81, -1.63, 51.63

 

CMYK 3 / 0 / 60 / 20

HEX #C6CC51

RGB 198 204 81

HSL 62.93, 0.55%, 0.56%

LAB 79.49, -18, 58.86

 

CMYK 19 / 0 / 60 / 20

HEX #A5CC51

RGB 165 204 81

HSL 79.02, 0.55%, 0.56%

LAB 77.15, -31.25, 55.63

 

CMYK 35 / 0 / 60 / 20

HEX #84CC51

RGB 132 204 81

HSL 95.12, 0.55%, 0.56%

LAB 75.26, -43.37, 52.99

 

CMYK 4 / 0 / 71 / 38

HEX #969D2D

RGB 150 157 45

HSL 63.75, 0.55%, 0.4%

LAB 62.33, -16.8, 54.54

 

CMYK 4 / 0 / 71 / 26

HEX #B5BD36

RGB 181 189 54

HSL 63.56, 0.56%, 0.48%

LAB 73.86, -19.24, 63.32

 

CMYK 3 / 0 / 60 / 20

HEX #C5CC51

RGB 197 204 81

HSL 63.41, 0.55%, 0.56%

LAB 79.41, -18.41, 58.76

 

CMYK 2 / 0 / 47 / 16

HEX #D0D571

RGB 208 213 113

HSL 63, 0.54%, 0.64%

LAB 83.01, -15.8, 48.5

 

CMYK 2 / 0 / 35 / 13

HEX #DADF91

RGB 218 223 145

HSL 63.85, 0.55%, 0.72%

LAB 86.86, -13.47, 37.7

 

CMYK 3 / 0 / 60 / 20

HEX #C6CD53

RGB 198 205 83

HSL 63.44, 0.55%, 0.56%

LAB 79.78, -18.35, 58.32

 

CMYK 60 / 0 / 46 / 20

HEX #51CC6F

RGB 81 204 111

HSL 134.63, 0.55%, 0.56%

LAB 73.6, -54.08, 36.3

 

CMYK 21 / 60 / 0 / 20

HEX #A151CC

RGB 161 81 204

HSL 279.02, 0.55%, 0.56%

LAB 49.28, 53.44, -50.56

 

CMYK 3 / 0 / 60 / 20

HEX #C6CD53

RGB 198 205 83

HSL 63.44, 0.55%, 0.56%

LAB 79.78, -18.35, 58.32

 

CMYK 60 / 3 / 0 / 20

HEX #51C6CC

RGB 81 198 204

HSL 182.93, 0.55%, 0.56%

LAB 73.87, -30.74, -12.84

 

CMYK 0 / 60 / 3 / 20

HEX #CC51C6

RGB 204 81 198

HSL 302.93, 0.55%, 0.56%

LAB 54.87, 63.01, -37.89

 

CMYK 3 / 0 / 60 / 20

HEX #C6CD53

RGB 198 205 83

HSL 63.44, 0.55%, 0.56%

LAB 79.78, -18.35, 58.32

 

CMYK 60 / 0 / 46 / 20

HEX #51CC6F

RGB 81 204 111

HSL 134.63, 0.55%, 0.56%

LAB 73.6, -54.08, 36.3

 

CMYK 57 / 60 / 0 / 20

HEX #5751CC

RGB 87 81 204

HSL 242.93, 0.55%, 0.56%

LAB 41.64, 37.45, -63.26

 

CMYK 0 / 60 / 15 / 20

HEX #CC51AD

RGB 204 81 173

HSL 315.12, 0.55%, 0.56%

LAB 53.75, 59.05, -25.18

 

CMYK 3 / 0 / 60 / 20

HEX #C6CD53

RGB 198 205 83

HSL 63.44, 0.55%, 0.56%

LAB 79.78, -18.35, 58.32

 

CMYK 60 / 0 / 27 / 20

HEX #51CC94

RGB 81 204 148

HSL 152.68, 0.55%, 0.56%

LAB 74.24, -47.27, 17.92

 

CMYK 57 / 60 / 0 / 20

HEX #5751CC

RGB 87 81 204

HSL 242.93, 0.55%, 0.56%

LAB 41.64, 37.45, -63.26

 

CMYK 0 / 60 / 33 / 20

HEX #CC5188

RGB 204 81 136

HSL 333.17, 0.55%, 0.56%

LAB 52.4, 54.06, -5.43

 

Description

Color code: HEX #C6CD53 | qconv.com Color code: HEX #C6CD53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 205 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 205 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 60 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 60% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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