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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6A0EA it is the complementary color #395F15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6A0EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6A0EA shade: #CBA0E5, #DCB2F8, #EDC4FF, #FED6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6A0EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6A0EA shade: #C6A0EA, #B58ED7, #A47CC4, #936AB1 and #82589E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6A0EA shade: #C59EE9, #D99EE9, #E99EE5, #E99ED1 and #E99EBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6A0EA shade: #C59EE9, #B19EE9 and #9E9EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6A0EA shade matches the following richer shades: #C59EE9, #C595F3 and #C58BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6A0EA shade: #C59EE9, #C5A8E0, #C4B1D6, #C4BBCD and #C4C4C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6A0EA shade: #9EA1E9, #B09EE9, #C49EE9, #D89EE9 and #E99EE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6A0EA shade: #9C5BDB, #B17CE2, #C59EE9, #D9C0F1 and #EDE2F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6A0EA shade: #C6A0EA, #E99EB5 and #9EE9A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6A0EA shade: #C6A0EA, #E9C49E and #9EE9C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6A0EA shade: #C6A0EA, #E99EB5, #C4E99E and #9EE9D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6A0EA shade: #C6A0EA, #E99E9E, #C4E99E and #9EE9E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 32 / 0 / 8

HEX #C6A0EA

RGB 198 160 234

HSL 270.81, 0.64%, 0.77%

LAB 71.61, 27.88, -32

 

Complementary color

CMYK 40 / 0 / 78 / 63

HEX #395F15

RGB 57 95 21

HSL 90.81, 0.64%, 0.23%

LAB 36.19, -26.83, 35.88

 

CMYK 11 / 30 / 0 / 10

HEX #CBA0E5

RGB 203 160 229

HSL 277.39, 0.57%, 0.76%

LAB 71.89, 28.37, -28.8

 

CMYK 11 / 28 / 0 / 3

HEX #DCB2F8

RGB 220 178 248

HSL 276, 0.83%, 0.84%

LAB 78.36, 27.77, -29.02

 

CMYK 7 / 23 / 0 / 0

HEX #EDC4FF

RGB 237 196 255

HSL 281.69, 1%, 0.88%

LAB 84.33, 24.84, -23.51

 

CMYK 0 / 16 / 0 / 0

HEX #FED6FF

RGB 254 214 255

HSL 298.54, 1%, 0.92%

LAB 90.04, 20.8, -14.76

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 15 / 32 / 0 / 8

HEX #C6A0EA

RGB 198 160 234

HSL 270.81, 0.64%, 0.77%

LAB 71.61, 27.88, -32

 

CMYK 16 / 34 / 0 / 16

HEX #B58ED7

RGB 181 142 215

HSL 272.05, 0.48%, 0.7%

LAB 65.02, 28.54, -31.85

 

CMYK 16 / 37 / 0 / 23

HEX #A47CC4

RGB 164 124 196

HSL 273.33, 0.38%, 0.63%

LAB 58.31, 29.25, -31.72

 

CMYK 17 / 40 / 0 / 31

HEX #936AB1

RGB 147 106 177

HSL 274.65, 0.31%, 0.55%

LAB 51.48, 30.02, -31.6

 

CMYK 18 / 44 / 0 / 38

HEX #82589E

RGB 130 88 158

HSL 276, 0.28%, 0.48%

LAB 44.51, 30.85, -31.48

 

CMYK 15 / 32 / 0 / 9

HEX #C59EE9

RGB 197 158 233

HSL 271.2, 0.63%, 0.77%

LAB 71.01, 28.46, -32.38

 

CMYK 7 / 32 / 0 / 9

HEX #D99EE9

RGB 217 158 233

HSL 287.2, 0.63%, 0.77%

LAB 72.95, 34.63, -29.24

 

CMYK 0 / 32 / 2 / 9

HEX #E99EE5

RGB 233 158 229

HSL 303.2, 0.63%, 0.77%

LAB 74.47, 38.91, -24.59

 

CMYK 0 / 32 / 10 / 9

HEX #E99ED1

RGB 233 158 209

HSL 319.2, 0.63%, 0.77%

LAB 73.79, 35.45, -14.66

 

CMYK 0 / 32 / 19 / 9

HEX #E99EBD

RGB 233 158 189

HSL 335.2, 0.63%, 0.77%

LAB 73.19, 32.27, -4.55

 

CMYK 15 / 32 / 0 / 9

HEX #C59EE9

RGB 197 158 233

HSL 271.2, 0.63%, 0.77%

LAB 71.01, 28.46, -32.38

 

CMYK 24 / 32 / 0 / 9

HEX #B19EE9

RGB 177 158 233

HSL 255.2, 0.63%, 0.77%

LAB 69.24, 22.46, -35.27

 

CMYK 32 / 32 / 0 / 9

HEX #9E9EE9

RGB 158 158 233

HSL 240, 0.63%, 0.77%

LAB 67.73, 17, -37.74

 

CMYK 15 / 32 / 0 / 9

HEX #C59EE9

RGB 197 158 233

HSL 271.2, 0.63%, 0.77%

LAB 71.01, 28.46, -32.38

 

CMYK 19 / 39 / 0 / 5

HEX #C595F3

RGB 197 149 243

HSL 270.64, 0.8%, 0.77%

LAB 69.35, 35.6, -40.43

 

CMYK 22 / 45 / 0 / 1

HEX #C58BFC

RGB 197 139 252

HSL 270.8, 0.95%, 0.77%

LAB 67.55, 43.04, -48.18

 

CMYK 15 / 32 / 0 / 9

HEX #C59EE9

RGB 197 158 233

HSL 271.2, 0.63%, 0.77%

LAB 71.01, 28.46, -32.38

 

CMYK 12 / 25 / 0 / 12

HEX #C5A8E0

RGB 197 168 224

HSL 271.07, 0.47%, 0.77%

LAB 73.06, 21.04, -24.32

 

CMYK 8 / 17 / 0 / 16

HEX #C4B1D6

RGB 196 177 214

HSL 270.81, 0.31%, 0.77%

LAB 74.85, 13.72, -16.16

 

CMYK 4 / 9 / 0 / 20

HEX #C4BBCD

RGB 196 187 205

HSL 270, 0.15%, 0.77%

LAB 77.09, 6.51, -7.91

 

CMYK 0 / 0 / 1 / 23

HEX #C4C4C3

RGB 196 196 195

HSL 60, 0.01%, 0.77%

LAB 79.13, -0.18, 0.49

 

CMYK 32 / 31 / 0 / 9

HEX #9EA1E9

RGB 158 161 233

HSL 237.6, 0.63%, 0.77%

LAB 68.49, 15.3, -36.55

 

CMYK 24 / 32 / 0 / 9

HEX #B09EE9

RGB 176 158 233

HSL 254.4, 0.63%, 0.77%

LAB 69.16, 22.16, -35.4

 

CMYK 16 / 32 / 0 / 9

HEX #C49EE9

RGB 196 158 233

HSL 270.4, 0.63%, 0.77%

LAB 70.92, 28.16, -32.54

 

CMYK 7 / 32 / 0 / 9

HEX #D89EE9

RGB 216 158 233

HSL 286.4, 0.63%, 0.77%

LAB 72.85, 34.32, -29.4

 

CMYK 0 / 32 / 1 / 9

HEX #E99EE7

RGB 233 158 231

HSL 301.6, 0.63%, 0.77%

LAB 74.54, 39.27, -25.57

 

CMYK 29 / 58 / 0 / 14

HEX #9C5BDB

RGB 156 91 219

HSL 270.47, 0.64%, 0.61%

LAB 51.46, 50.57, -55.67

 

CMYK 22 / 45 / 0 / 11

HEX #B17CE2

RGB 177 124 226

HSL 271.18, 0.64%, 0.69%

LAB 61, 39.84, -44.29

 

CMYK 15 / 32 / 0 / 9

HEX #C59EE9

RGB 197 158 233

HSL 271.2, 0.63%, 0.77%

LAB 71.01, 28.46, -32.38

 

CMYK 10 / 20 / 0 / 5

HEX #D9C0F1

RGB 217 192 241

HSL 270.61, 0.64%, 0.85%

LAB 81.18, 17.85, -20.99

 

CMYK 4 / 9 / 0 / 3

HEX #EDE2F8

RGB 237 226 248

HSL 270, 0.61%, 0.93%

LAB 91.31, 7.68, -9.33

 

CMYK 15 / 32 / 0 / 8

HEX #C6A0EA

RGB 198 160 234

HSL 270.81, 0.64%, 0.77%

LAB 71.61, 27.88, -32

 

CMYK 0 / 32 / 22 / 9

HEX #E99EB5

RGB 233 158 181

HSL 341.6, 0.63%, 0.77%

LAB 72.97, 31.08, -0.46

 

CMYK 32 / 0 / 29 / 9

HEX #9EE9A6

RGB 158 233 166

HSL 126.4, 0.63%, 0.77%

LAB 86.16, -36.37, 25.39

 

CMYK 15 / 32 / 0 / 8

HEX #C6A0EA

RGB 198 160 234

HSL 270.81, 0.64%, 0.77%

LAB 71.61, 27.88, -32

 

CMYK 0 / 16 / 32 / 9

HEX #E9C49E

RGB 233 196 158

HSL 30.4, 0.63%, 0.77%

LAB 81.44, 7.76, 23.99

 

CMYK 32 / 0 / 16 / 9

HEX #9EE9C4

RGB 158 233 196

HSL 150.4, 0.63%, 0.77%

LAB 86.77, -30.89, 10.67

 

CMYK 15 / 32 / 0 / 8

HEX #C6A0EA

RGB 198 160 234

HSL 270.81, 0.64%, 0.77%

LAB 71.61, 27.88, -32

 

CMYK 0 / 32 / 22 / 9

HEX #E99EB5

RGB 233 158 181

HSL 341.6, 0.63%, 0.77%

LAB 72.97, 31.08, -0.46

 

CMYK 16 / 0 / 32 / 9

HEX #C4E99E

RGB 196 233 158

HSL 89.6, 0.63%, 0.77%

LAB 88.2, -24.86, 32.61

 

CMYK 32 / 0 / 9 / 9

HEX #9EE9D3

RGB 158 233 211

HSL 162.4, 0.63%, 0.77%

LAB 87.12, -27.83, 3.32

 

CMYK 15 / 32 / 0 / 8

HEX #C6A0EA

RGB 198 160 234

HSL 270.81, 0.64%, 0.77%

LAB 71.61, 27.88, -32

 

CMYK 0 / 32 / 32 / 9

HEX #E99E9E

RGB 233 158 158

HSL 0, 0.63%, 0.77%

LAB 72.39, 27.94, 11.41

 

CMYK 16 / 0 / 32 / 9

HEX #C4E99E

RGB 196 233 158

HSL 89.6, 0.63%, 0.77%

LAB 88.2, -24.86, 32.61

 

CMYK 32 / 0 / 0 / 9

HEX #9EE9E9

RGB 158 233 233

HSL 180, 0.63%, 0.77%

LAB 87.69, -22.98, -7.39

 

Description

Color code: HEX #C6A0EA | qconv.com Color code: HEX #C6A0EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 160 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 160 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 32 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 32% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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