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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C698BA it is the complementary color #396745. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C698BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C698BA shade: #CB98B5, #DCAAC8, #EDBCDB, #FECEEE and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C698BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C698BA shade: #C698BA, #B586A7, #A47494, #936281 and #82506E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C698BA shade: #C699BA, #C699AE, #C699A2 and #C69999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C698BA shade: #C699BA, #C699C6, #BA99C6, #AD99C6 and #A199C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C698BA shade matches the following richer shades: #C699BA, #D38CC1, #E07FC7, #ED72CD and #FA65D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C698BA shade: #C699BA, #BAA5B4, #ADB2AE, #A0BFA8 and #93CCA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C698BA shade: #B999C6, #C699C6, #C699BB, #C699AF and #C699A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C698BA shade: #A96397, #B87EA9, #C699BA, #D5B3CC and #E4CEDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C698BA shade: #C698BA, #C6AD99 and #99C6BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C698BA shade: #C698BA, #BBC699 and #99BBC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C698BA shade: #C698BA, #C6AD99, #99C6A4 and #99B2C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C698BA shade: #C698BA, #C6BB99, #99C6A4 and #99A4C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 6 / 22

HEX #C698BA

RGB 198 152 186

HSL 315.65, 0.29%, 0.69%

LAB 68.03, 22.78, -10.96

 

Complementary color

CMYK 45 / 0 / 33 / 60

HEX #396745

RGB 57 103 69

HSL 135.65, 0.29%, 0.31%

LAB 39.58, -24.05, 14.39

 

CMYK 0 / 25 / 11 / 20

HEX #CB98B5

RGB 203 152 181

HSL 325.88, 0.33%, 0.7%

LAB 68.38, 23.66, -7.59

 

CMYK 0 / 23 / 9 / 14

HEX #DCAAC8

RGB 220 170 200

HSL 324, 0.42%, 0.76%

LAB 74.91, 23.07, -8.2

 

CMYK 0 / 21 / 8 / 7

HEX #EDBCDB

RGB 237 188 219

HSL 322.04, 0.58%, 0.83%

LAB 81.34, 22.52, -8.77

 

CMYK 0 / 19 / 6 / 0

HEX #FECEEE

RGB 254 206 238

HSL 320, 0.96%, 0.9%

LAB 87.67, 22.01, -9.32

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 23 / 6 / 22

HEX #C698BA

RGB 198 152 186

HSL 315.65, 0.29%, 0.69%

LAB 68.03, 22.78, -10.96

 

CMYK 0 / 26 / 8 / 29

HEX #B586A7

RGB 181 134 167

HSL 317.87, 0.24%, 0.62%

LAB 61.36, 23.4, -10.41

 

CMYK 0 / 29 / 10 / 36

HEX #A47494

RGB 164 116 148

HSL 320, 0.21%, 0.55%

LAB 54.58, 24.07, -9.81

 

CMYK 0 / 33 / 12 / 42

HEX #936281

RGB 147 98 129

HSL 322.04, 0.2%, 0.48%

LAB 47.65, 24.81, -9.16

 

CMYK 0 / 38 / 15 / 49

HEX #82506E

RGB 130 80 110

HSL 324, 0.24%, 0.41%

LAB 40.59, 25.62, -8.43

 

CMYK 0 / 23 / 6 / 22

HEX #C699BA

RGB 198 153 186

HSL 316, 0.28%, 0.69%

LAB 68.27, 22.23, -10.6

 

CMYK 0 / 23 / 12 / 22

HEX #C699AE

RGB 198 153 174

HSL 332, 0.28%, 0.69%

LAB 67.91, 20.14, -4.44

 

CMYK 0 / 23 / 18 / 22

HEX #C699A2

RGB 198 153 162

HSL 348, 0.28%, 0.69%

LAB 67.57, 18.18, 1.78

 

CMYK 0 / 23 / 23 / 22

HEX #C69999

RGB 198 153 153

HSL 0, 0.28%, 0.69%

LAB 67.34, 16.79, 6.48

 

CMYK 0 / 23 / 6 / 22

HEX #C699BA

RGB 198 153 186

HSL 316, 0.28%, 0.69%

LAB 68.27, 22.23, -10.6

 

CMYK 0 / 23 / 0 / 22

HEX #C699C6

RGB 198 153 198

HSL 300, 0.28%, 0.69%

LAB 68.65, 24.44, -16.69

 

CMYK 6 / 23 / 0 / 22

HEX #BA99C6

RGB 186 153 198

HSL 284, 0.28%, 0.69%

LAB 67.5, 20.42, -18.55

 

CMYK 13 / 23 / 0 / 22

HEX #AD99C6

RGB 173 153 198

HSL 266.67, 0.28%, 0.69%

LAB 66.32, 16.12, -20.45

 

CMYK 19 / 23 / 0 / 22

HEX #A199C6

RGB 161 153 198

HSL 250.67, 0.28%, 0.69%

LAB 65.31, 12.24, -22.09

 

CMYK 0 / 23 / 6 / 22

HEX #C699BA

RGB 198 153 186

HSL 316, 0.28%, 0.69%

LAB 68.27, 22.23, -10.6

 

CMYK 0 / 34 / 9 / 17

HEX #D38CC1

RGB 211 140 193

HSL 315.21, 0.45%, 0.69%

LAB 66.87, 35, -16.48

 

CMYK 0 / 43 / 11 / 12

HEX #E07FC7

RGB 224 127 199

HSL 315.46, 0.61%, 0.69%

LAB 65.86, 47.06, -21.22

 

CMYK 0 / 52 / 14 / 7

HEX #ED72CD

RGB 237 114 205

HSL 315.61, 0.77%, 0.69%

LAB 65.32, 58.34, -25.27

 

CMYK 0 / 60 / 16 / 2

HEX #FA65D3

RGB 250 101 211

HSL 315.7, 0.94%, 0.69%

LAB 65.23, 68.64, -28.62

 

CMYK 0 / 23 / 6 / 22

HEX #C699BA

RGB 198 153 186

HSL 316, 0.28%, 0.69%

LAB 68.27, 22.23, -10.6

 

CMYK 0 / 11 / 3 / 27

HEX #BAA5B4

RGB 186 165 180

HSL 317.14, 0.13%, 0.69%

LAB 69.93, 10.29, -4.92

 

CMYK 3 / 0 / 2 / 30

HEX #ADB2AE

RGB 173 178 174

HSL 132, 0.03%, 0.69%

LAB 72.08, -2.51, 1.42

 

CMYK 16 / 0 / 12 / 25

HEX #A0BFA8

RGB 160 191 168

HSL 135.48, 0.19%, 0.69%

LAB 74.55, -14.99, 8.13

 

CMYK 28 / 0 / 21 / 20

HEX #93CCA2

RGB 147 204 162

HSL 135.79, 0.36%, 0.69%

LAB 77.28, -26.91, 15.12

 

CMYK 7 / 23 / 0 / 22

HEX #B999C6

RGB 185 153 198

HSL 282.67, 0.28%, 0.69%

LAB 67.41, 20.09, -18.7

 

CMYK 0 / 23 / 0 / 22

HEX #C699C6

RGB 198 153 198

HSL 300, 0.28%, 0.69%

LAB 68.65, 24.44, -16.69

 

CMYK 0 / 23 / 6 / 22

HEX #C699BB

RGB 198 153 187

HSL 314.67, 0.28%, 0.69%

LAB 68.3, 22.41, -11.11

 

CMYK 0 / 23 / 12 / 22

HEX #C699AF

RGB 198 153 175

HSL 330.67, 0.28%, 0.69%

LAB 67.93, 20.31, -4.96

 

CMYK 0 / 23 / 18 / 22

HEX #C699A2

RGB 198 153 162

HSL 348, 0.28%, 0.69%

LAB 67.57, 18.18, 1.78

 

CMYK 0 / 41 / 11 / 34

HEX #A96397

RGB 169 99 151

HSL 315.43, 0.29%, 0.53%

LAB 51.37, 35.87, -16.35

 

CMYK 0 / 32 / 8 / 28

HEX #B87EA9

RGB 184 126 169

HSL 315.52, 0.29%, 0.61%

LAB 59.87, 29.27, -13.76

 

CMYK 0 / 23 / 6 / 22

HEX #C699BA

RGB 198 153 186

HSL 316, 0.28%, 0.69%

LAB 68.27, 22.23, -10.6

 

CMYK 0 / 16 / 4 / 16

HEX #D5B3CC

RGB 213 179 204

HSL 315.88, 0.29%, 0.77%

LAB 76.52, 16.47, -8.05

 

CMYK 0 / 10 / 3 / 11

HEX #E4CEDE

RGB 228 206 222

HSL 316.36, 0.29%, 0.85%

LAB 84.95, 10.41, -5.12

 

CMYK 0 / 23 / 6 / 22

HEX #C698BA

RGB 198 152 186

HSL 315.65, 0.29%, 0.69%

LAB 68.03, 22.78, -10.96

 

CMYK 0 / 13 / 23 / 22

HEX #C6AD99

RGB 198 173 153

HSL 26.67, 0.28%, 0.69%

LAB 72.36, 5.89, 13.6

 

CMYK 23 / 0 / 4 / 22

HEX #99C6BF

RGB 153 198 191

HSL 170.67, 0.28%, 0.69%

LAB 76.63, -16.23, -1.35

 

CMYK 0 / 23 / 6 / 22

HEX #C698BA

RGB 198 152 186

HSL 315.65, 0.29%, 0.69%

LAB 68.03, 22.78, -10.96

 

CMYK 6 / 0 / 23 / 22

HEX #BBC699

RGB 187 198 153

HSL 74.67, 0.28%, 0.69%

LAB 78.02, -11.47, 21.34

 

CMYK 23 / 6 / 0 / 22

HEX #99BBC6

RGB 153 187 198

HSL 194.67, 0.28%, 0.69%

LAB 73.8, -8.96, -9.34

 

CMYK 0 / 23 / 6 / 22

HEX #C698BA

RGB 198 152 186

HSL 315.65, 0.29%, 0.69%

LAB 68.03, 22.78, -10.96

 

CMYK 0 / 13 / 23 / 22

HEX #C6AD99

RGB 198 173 153

HSL 26.67, 0.28%, 0.69%

LAB 72.36, 5.89, 13.6

 

CMYK 23 / 0 / 17 / 22

HEX #99C6A4

RGB 153 198 164

HSL 134.67, 0.28%, 0.69%

LAB 75.97, -21.64, 12.26

 

CMYK 23 / 10 / 0 / 22

HEX #99B2C6

RGB 153 178 198

HSL 206.67, 0.28%, 0.69%

LAB 71.34, -4.15, -13.01

 

CMYK 0 / 23 / 6 / 22

HEX #C698BA

RGB 198 152 186

HSL 315.65, 0.29%, 0.69%

LAB 68.03, 22.78, -10.96

 

CMYK 0 / 6 / 23 / 22

HEX #C6BB99

RGB 198 187 153

HSL 45.33, 0.28%, 0.69%

LAB 75.97, -1.59, 18.65

 

CMYK 23 / 0 / 17 / 22

HEX #99C6A4

RGB 153 198 164

HSL 134.67, 0.28%, 0.69%

LAB 75.97, -21.64, 12.26

 

CMYK 23 / 17 / 0 / 22

HEX #99A4C6

RGB 153 164 198

HSL 225.33, 0.28%, 0.69%

LAB 67.58, 3.54, -18.69

 

Description

Color code: HEX #C698BA | qconv.com Color code: HEX #C698BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 152 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 152 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 6 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 6% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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