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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68A8F it is the complementary color #397570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68A8F shade: #CB8A8A, #DC9C9D, #EDAEB0, #FEC0C3 and #FFD2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68A8F shade: #C68A8F, #B5787C, #A46669, #935456 and #824243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68A8F shade: #C58A8F and #C58A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68A8F shade: #C58A8F, #C58A9F, #C58AAF, #C58ABF and #BC8AC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68A8F shade matches the following richer shades: #C58A8F, #D37C84, #E16E78, #EF606C and #FD5260

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68A8F shade: #C58A8F, #B7989B, #A9A6A7, #9BB4B2 and #8DC2BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68A8F shade: #C58AAF, #C58A9F, #C58A8F, #C5958A and #C5A58A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68A8F shade: #AA535B, #B86F75, #C58A8F, #D3A6AA and #E1C2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68A8F shade: #C68A8F, #BEC58A and #8AA7C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68A8F shade: #C68A8F, #8FC58A and #8A8FC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68A8F shade: #C68A8F, #BEC58A, #8AC5C0 and #918AC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68A8F shade: #C68A8F, #ADC58A, #8AC5C0 and #A38AC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 28 / 22

HEX #C68A8F

RGB 198 138 143

HSL 355, 0.34%, 0.66%

LAB 63.48, 23.6, 6.56

 

Complementary color

CMYK 51 / 0 / 4 / 54

HEX #397570

RGB 57 117 112

HSL 175, 0.34%, 0.34%

LAB 45.31, -20.79, -3.25

 

CMYK 0 / 32 / 32 / 20

HEX #CB8A8A

RGB 203 138 138

HSL 0, 0.38%, 0.67%

LAB 63.92, 24.82, 10.11

 

CMYK 0 / 29 / 29 / 14

HEX #DC9C9D

RGB 220 156 157

HSL 359.06, 0.48%, 0.74%

LAB 70.47, 24.02, 9.04

 

CMYK 0 / 27 / 26 / 7

HEX #EDAEB0

RGB 237 174 176

HSL 358.1, 0.64%, 0.81%

LAB 76.93, 23.3, 8.06

 

CMYK 0 / 24 / 23 / 0

HEX #FEC0C3

RGB 254 192 195

HSL 357.1, 0.97%, 0.87%

LAB 83.29, 22.64, 7.16

 

CMYK 0 / 18 / 16 / 0

HEX #FFD2D6

RGB 255 210 214

HSL 354.67, 1%, 0.91%

LAB 88.07, 16.37, 3.96

 

CMYK 0 / 30 / 28 / 22

HEX #C68A8F

RGB 198 138 143

HSL 355, 0.34%, 0.66%

LAB 63.48, 23.6, 6.56

 

CMYK 0 / 34 / 31 / 29

HEX #B5787C

RGB 181 120 124

HSL 356.07, 0.29%, 0.59%

LAB 56.79, 24.42, 7.64

 

CMYK 0 / 38 / 36 / 36

HEX #A46669

RGB 164 102 105

HSL 357.1, 0.25%, 0.52%

LAB 50, 25.35, 8.85

 

CMYK 0 / 43 / 41 / 42

HEX #935456

RGB 147 84 86

HSL 358.1, 0.27%, 0.45%

LAB 43.09, 26.38, 10.26

 

CMYK 0 / 49 / 48 / 49

HEX #824243

RGB 130 66 67

HSL 359.06, 0.33%, 0.38%

LAB 36.08, 27.53, 11.96

 

CMYK 0 / 30 / 27 / 23

HEX #C58A8F

RGB 197 138 143

HSL 354.92, 0.34%, 0.66%

LAB 63.37, 23.22, 6.39

 

CMYK 0 / 30 / 30 / 23

HEX #C58A8A

RGB 197 138 138

HSL 0, 0.34%, 0.66%

LAB 63.25, 22.52, 9.05

 

CMYK 0 / 30 / 27 / 23

HEX #C58A8F

RGB 197 138 143

HSL 354.92, 0.34%, 0.66%

LAB 63.37, 23.22, 6.39

 

CMYK 0 / 30 / 19 / 23

HEX #C58A9F

RGB 197 138 159

HSL 338.64, 0.34%, 0.66%

LAB 63.8, 25.6, -2.06

 

CMYK 0 / 30 / 11 / 23

HEX #C58AAF

RGB 197 138 175

HSL 322.37, 0.34%, 0.66%

LAB 64.28, 28.22, -10.41

 

CMYK 0 / 30 / 3 / 23

HEX #C58ABF

RGB 197 138 191

HSL 306.1, 0.34%, 0.66%

LAB 64.81, 31.06, -18.62

 

CMYK 5 / 30 / 0 / 23

HEX #BC8AC5

RGB 188 138 197

HSL 290.85, 0.34%, 0.66%

LAB 64.08, 29.23, -23.19

 

CMYK 0 / 30 / 27 / 23

HEX #C58A8F

RGB 197 138 143

HSL 354.92, 0.34%, 0.66%

LAB 63.37, 23.22, 6.39

 

CMYK 0 / 41 / 37 / 17

HEX #D37C84

RGB 211 124 132

HSL 354.48, 0.5%, 0.66%

LAB 61.59, 34.65, 10.36

 

CMYK 0 / 51 / 47 / 12

HEX #E16E78

RGB 225 110 120

HSL 354.78, 0.66%, 0.66%

LAB 60.35, 45.65, 15.79

 

CMYK 0 / 60 / 55 / 6

HEX #EF606C

RGB 239 96 108

HSL 354.97, 0.82%, 0.66%

LAB 59.71, 55.98, 22.18

 

CMYK 0 / 68 / 62 / 1

HEX #FD5260

RGB 253 82 96

HSL 355.09, 0.98%, 0.66%

LAB 59.67, 65.35, 29.48

 

CMYK 0 / 30 / 27 / 23

HEX #C58A8F

RGB 197 138 143

HSL 354.92, 0.34%, 0.66%

LAB 63.37, 23.22, 6.39

 

CMYK 0 / 17 / 15 / 28

HEX #B7989B

RGB 183 152 155

HSL 354.19, 0.18%, 0.66%

LAB 65.66, 12.01, 2.74

 

CMYK 0 / 2 / 1 / 34

HEX #A9A6A7

RGB 169 166 167

HSL 340, 0.02%, 0.66%

LAB 68.39, 1.26, -0.14

 

CMYK 14 / 0 / 1 / 29

HEX #9BB4B2

RGB 155 180 178

HSL 175.2, 0.14%, 0.66%

LAB 71.44, -8.94, -1.87

 

CMYK 27 / 0 / 2 / 24

HEX #8DC2BE

RGB 141 194 190

HSL 175.47, 0.3%, 0.66%

LAB 74.8, -18.04, -3.58

 

CMYK 0 / 30 / 11 / 23

HEX #C58AAF

RGB 197 138 175

HSL 322.37, 0.34%, 0.66%

LAB 64.28, 28.22, -10.41

 

CMYK 0 / 30 / 19 / 23

HEX #C58A9F

RGB 197 138 159

HSL 338.64, 0.34%, 0.66%

LAB 63.8, 25.6, -2.06

 

CMYK 0 / 30 / 27 / 23

HEX #C58A8F

RGB 197 138 143

HSL 354.92, 0.34%, 0.66%

LAB 63.37, 23.22, 6.39

 

CMYK 0 / 24 / 30 / 23

HEX #C5958A

RGB 197 149 138

HSL 11.19, 0.34%, 0.66%

LAB 65.9, 16.47, 12.81

 

CMYK 0 / 16 / 30 / 23

HEX #C5A58A

RGB 197 165 138

HSL 27.46, 0.34%, 0.66%

LAB 69.91, 7.72, 18.38

 

CMYK 0 / 51 / 46 / 33

HEX #AA535B

RGB 170 83 91

HSL 354.48, 0.34%, 0.5%

LAB 46.3, 36.42, 12.19

 

CMYK 0 / 40 / 36 / 28

HEX #B86F75

RGB 184 111 117

HSL 355.07, 0.34%, 0.58%

LAB 54.91, 29.65, 9.09

 

CMYK 0 / 30 / 27 / 23

HEX #C58A8F

RGB 197 138 143

HSL 354.92, 0.34%, 0.66%

LAB 63.37, 23.22, 6.39

 

CMYK 0 / 21 / 19 / 17

HEX #D3A6AA

RGB 211 166 170

HSL 354.67, 0.34%, 0.74%

LAB 72.24, 17.13, 4.27

 

CMYK 0 / 14 / 13 / 12

HEX #E1C2C4

RGB 225 194 196

HSL 356.13, 0.34%, 0.82%

LAB 81.06, 11.29, 3.05

 

CMYK 0 / 30 / 28 / 22

HEX #C68A8F

RGB 198 138 143

HSL 355, 0.34%, 0.66%

LAB 63.48, 23.6, 6.56

 

CMYK 4 / 0 / 30 / 23

HEX #BEC58A

RGB 190 197 138

HSL 67.12, 0.34%, 0.66%

LAB 77.71, -11.94, 28.86

 

CMYK 30 / 15 / 0 / 23

HEX #8AA7C5

RGB 138 167 197

HSL 210.51, 0.34%, 0.66%

LAB 67.33, -2.94, -18.61

 

CMYK 0 / 30 / 28 / 22

HEX #C68A8F

RGB 198 138 143

HSL 355, 0.34%, 0.66%

LAB 63.48, 23.6, 6.56

 

CMYK 27 / 0 / 30 / 23

HEX #8FC58A

RGB 143 197 138

HSL 114.92, 0.34%, 0.66%

LAB 74.58, -29.05, 24.11

 

CMYK 30 / 27 / 0 / 23

HEX #8A8FC5

RGB 138 143 197

HSL 234.92, 0.34%, 0.66%

LAB 60.85, 10.61, -28.53

 

CMYK 0 / 30 / 28 / 22

HEX #C68A8F

RGB 198 138 143

HSL 355, 0.34%, 0.66%

LAB 63.48, 23.6, 6.56

 

CMYK 4 / 0 / 30 / 23

HEX #BEC58A

RGB 190 197 138

HSL 67.12, 0.34%, 0.66%

LAB 77.71, -11.94, 28.86

 

CMYK 30 / 0 / 3 / 23

HEX #8AC5C0

RGB 138 197 192

HSL 174.92, 0.34%, 0.66%

LAB 75.54, -19.99, -3.6

 

CMYK 26 / 30 / 0 / 23

HEX #918AC5

RGB 145 138 197

HSL 247.12, 0.34%, 0.66%

LAB 60.09, 15.6, -29.66

 

CMYK 0 / 30 / 28 / 22

HEX #C68A8F

RGB 198 138 143

HSL 355, 0.34%, 0.66%

LAB 63.48, 23.6, 6.56

 

CMYK 12 / 0 / 30 / 23

HEX #ADC58A

RGB 173 197 138

HSL 84.41, 0.34%, 0.66%

LAB 76.47, -18.37, 26.98

 

CMYK 30 / 0 / 3 / 23

HEX #8AC5C0

RGB 138 197 192

HSL 174.92, 0.34%, 0.66%

LAB 75.54, -19.99, -3.6

 

CMYK 17 / 30 / 0 / 23

HEX #A38AC5

RGB 163 138 197

HSL 265.42, 0.34%, 0.66%

LAB 61.65, 21.18, -27.13

 

Description

Color code: HEX #C68A8F | qconv.com Color code: HEX #C68A8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 138 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 138 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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