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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68352 it is the complementary color #397CAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68352 shade: #CB834D, #DC9560, #EDA773, #FEB986 and #FFCB99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68352 shade: #C68352, #B5713F, #A45F2C, #934D19 and #823B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68352 shade: #C58352, #C56452 and #C55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68352 shade: #C58352, #C5A252, #C5C152, #ABC552 and #8CC552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68352 shade matches the following richer shades: #C58352, #D88040, #EA7D2D and #FD7A1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68352 shade: #C58352, #B38665, #A08978, #8D8B8A and #7B8E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68352 shade: #C55260, #C56452, #C58252, #C5A152 and #C5BF52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68352 shade: #945B31, #B36E3B, #C58352, #CF9971 and #DAAF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68352 shade: #C68352, #7EC552 and #5452C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68352 shade: #C68352, #52C582 and #8252C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68352 shade: #C68352, #7EC552, #5295C5 and #9952C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68352 shade: #C68352, #5CC552, #5295C5 and #BC52C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 59 / 22

HEX #C68352

RGB 198 131 82

HSL 25.34, 0.5%, 0.55%

LAB 60.65, 20.79, 36.75

 

Complementary color

CMYK 67 / 28 / 0 / 32

HEX #397CAD

RGB 57 124 173

HSL 205.34, 0.5%, 0.45%

LAB 49.86, -5.31, -32.27

 

CMYK 0 / 35 / 62 / 20

HEX #CB834D

RGB 203 131 77

HSL 25.71, 0.55%, 0.55%

LAB 61.19, 22.52, 40.19

 

CMYK 0 / 32 / 56 / 14

HEX #DC9560

RGB 220 149 96

HSL 25.65, 0.64%, 0.62%

LAB 67.69, 21.23, 38.58

 

CMYK 0 / 30 / 51 / 7

HEX #EDA773

RGB 237 167 115

HSL 25.57, 0.77%, 0.69%

LAB 74.11, 20.1, 37.06

 

CMYK 0 / 27 / 47 / 0

HEX #FEB986

RGB 254 185 134

HSL 25.5, 0.98%, 0.76%

LAB 80.45, 19.1, 35.65

 

CMYK 0 / 20 / 40 / 0

HEX #FFCB99

RGB 255 203 153

HSL 29.41, 1%, 0.8%

LAB 85.13, 12.02, 31.94

 

CMYK 0 / 34 / 59 / 22

HEX #C68352

RGB 198 131 82

HSL 25.34, 0.5%, 0.55%

LAB 60.65, 20.79, 36.75

 

CMYK 0 / 38 / 65 / 29

HEX #B5713F

RGB 181 113 63

HSL 25.42, 0.48%, 0.48%

LAB 54.02, 22.18, 38.43

 

CMYK 0 / 42 / 73 / 36

HEX #A45F2C

RGB 164 95 44

HSL 25.5, 0.58%, 0.41%

LAB 47.31, 23.79, 40.14

 

CMYK 0 / 48 / 83 / 42

HEX #934D19

RGB 147 77 25

HSL 25.57, 0.71%, 0.34%

LAB 40.54, 25.65, 41.63

 

CMYK 0 / 55 / 95 / 49

HEX #823B06

RGB 130 59 6

HSL 25.65, 0.91%, 0.27%

LAB 33.75, 27.77, 42.21

 

CMYK 0 / 34 / 58 / 23

HEX #C58352

RGB 197 131 82

HSL 25.57, 0.5%, 0.55%

LAB 60.53, 20.37, 36.58

 

CMYK 0 / 49 / 58 / 23

HEX #C56452

RGB 197 100 82

HSL 9.39, 0.5%, 0.55%

LAB 53.59, 37.05, 27.94

 

CMYK 0 / 58 / 58 / 23

HEX #C55252

RGB 197 82 82

HSL 0, 0.5%, 0.55%

LAB 50.11, 45.99, 23.44

 

CMYK 0 / 34 / 58 / 23

HEX #C58352

RGB 197 131 82

HSL 25.57, 0.5%, 0.55%

LAB 60.53, 20.37, 36.58

 

CMYK 0 / 18 / 58 / 23

HEX #C5A252

RGB 197 162 82

HSL 41.74, 0.5%, 0.55%

LAB 68.26, 3.45, 45.78

 

CMYK 0 / 2 / 58 / 23

HEX #C5C152

RGB 197 193 82

HSL 57.91, 0.5%, 0.55%

LAB 76.45, -12.81, 55.07

 

CMYK 13 / 0 / 58 / 23

HEX #ABC552

RGB 171 197 82

HSL 73.57, 0.5%, 0.55%

LAB 75.58, -25.46, 53.55

 

CMYK 29 / 0 / 58 / 23

HEX #8CC552

RGB 140 197 82

HSL 89.74, 0.5%, 0.55%

LAB 73.62, -37.36, 50.81

 

CMYK 0 / 34 / 58 / 23

HEX #C58352

RGB 197 131 82

HSL 25.57, 0.5%, 0.55%

LAB 60.53, 20.37, 36.58

 

CMYK 0 / 41 / 70 / 15

HEX #D88040

RGB 216 128 64

HSL 25.26, 0.66%, 0.55%

LAB 62, 28.74, 48.11

 

CMYK 0 / 47 / 81 / 8

HEX #EA7D2D

RGB 234 125 45

HSL 25.4, 0.82%, 0.55%

LAB 63.63, 36.81, 59.02

 

CMYK 0 / 52 / 89 / 1

HEX #FD7A1B

RGB 253 122 27

HSL 25.22, 0.98%, 0.55%

LAB 65.66, 45.28, 67.96

 

CMYK 0 / 34 / 58 / 23

HEX #C58352

RGB 197 131 82

HSL 25.57, 0.5%, 0.55%

LAB 60.53, 20.37, 36.58

 

CMYK 0 / 25 / 44 / 30

HEX #B38665

RGB 179 134 101

HSL 25.38, 0.34%, 0.55%

LAB 59.5, 12.96, 24.46

 

CMYK 0 / 14 / 25 / 37

HEX #A08978

RGB 160 137 120

HSL 25.5, 0.17%, 0.55%

LAB 58.72, 5.96, 12.33

 

CMYK 0 / 1 / 2 / 45

HEX #8D8B8A

RGB 141 139 138

HSL 20, 0.01%, 0.55%

LAB 58, 0.55, 0.79

 

CMYK 22 / 10 / 0 / 38

HEX #7B8E9D

RGB 123 142 157

HSL 206.47, 0.15%, 0.55%

LAB 58.03, -3.38, -10.22

 

CMYK 0 / 58 / 51 / 23

HEX #C55260

RGB 197 82 96

HSL 352.7, 0.5%, 0.55%

LAB 50.39, 47.13, 15.48

 

CMYK 0 / 49 / 58 / 23

HEX #C56452

RGB 197 100 82

HSL 9.39, 0.5%, 0.55%

LAB 53.59, 37.05, 27.94

 

CMYK 0 / 34 / 58 / 23

HEX #C58252

RGB 197 130 82

HSL 25.04, 0.5%, 0.55%

LAB 60.29, 20.92, 36.29

 

CMYK 0 / 18 / 58 / 23

HEX #C5A152

RGB 197 161 82

HSL 41.22, 0.5%, 0.55%

LAB 68, 3.99, 45.48

 

CMYK 0 / 3 / 58 / 23

HEX #C5BF52

RGB 197 191 82

HSL 56.87, 0.5%, 0.55%

LAB 75.91, -11.79, 54.47

 

CMYK 0 / 39 / 67 / 42

HEX #945B31

RGB 148 91 49

HSL 25.45, 0.5%, 0.39%

LAB 44.23, 19.35, 33.5

 

CMYK 0 / 39 / 67 / 30

HEX #B36E3B

RGB 179 110 59

HSL 25.5, 0.5%, 0.47%

LAB 53.01, 22.73, 39.29

 

CMYK 0 / 34 / 58 / 23

HEX #C58352

RGB 197 131 82

HSL 25.57, 0.5%, 0.55%

LAB 60.53, 20.37, 36.58

 

CMYK 0 / 26 / 45 / 19

HEX #CF9971

RGB 207 153 113

HSL 25.53, 0.49%, 0.63%

LAB 67.46, 15.29, 28.9

 

CMYK 0 / 20 / 34 / 15

HEX #DAAF90

RGB 218 175 144

HSL 25.14, 0.5%, 0.71%

LAB 74.56, 11.33, 21.83

 

CMYK 0 / 34 / 59 / 22

HEX #C68352

RGB 198 131 82

HSL 25.34, 0.5%, 0.55%

LAB 60.65, 20.79, 36.75

 

CMYK 36 / 0 / 58 / 23

HEX #7EC552

RGB 126 197 82

HSL 97.04, 0.5%, 0.55%

LAB 72.88, -42.3, 49.76

 

CMYK 57 / 58 / 0 / 23

HEX #5452C5

RGB 84 82 197

HSL 241.04, 0.5%, 0.55%

LAB 41.14, 34.05, -60.04

 

CMYK 0 / 34 / 59 / 22

HEX #C68352

RGB 198 131 82

HSL 25.34, 0.5%, 0.55%

LAB 60.65, 20.79, 36.75

 

CMYK 58 / 0 / 34 / 23

HEX #52C582

RGB 82 197 130

HSL 145.04, 0.5%, 0.55%

LAB 71.78, -47.78, 24.11

 

CMYK 34 / 58 / 0 / 23

HEX #8252C5

RGB 130 82 197

HSL 265.04, 0.5%, 0.55%

LAB 45.38, 43.84, -52.98

 

CMYK 0 / 34 / 59 / 22

HEX #C68352

RGB 198 131 82

HSL 25.34, 0.5%, 0.55%

LAB 60.65, 20.79, 36.75

 

CMYK 36 / 0 / 58 / 23

HEX #7EC552

RGB 126 197 82

HSL 97.04, 0.5%, 0.55%

LAB 72.88, -42.3, 49.76

 

CMYK 58 / 24 / 0 / 23

HEX #5295C5

RGB 82 149 197

HSL 205.04, 0.5%, 0.55%

LAB 59.27, -7.07, -31.24

 

CMYK 22 / 58 / 0 / 23

HEX #9952C5

RGB 153 82 197

HSL 277.04, 0.5%, 0.55%

LAB 48.06, 49.44, -48.54

 

CMYK 0 / 34 / 59 / 22

HEX #C68352

RGB 198 131 82

HSL 25.34, 0.5%, 0.55%

LAB 60.65, 20.79, 36.75

 

CMYK 53 / 0 / 58 / 23

HEX #5CC552

RGB 92 197 82

HSL 114.78, 0.5%, 0.55%

LAB 71.43, -52.69, 47.72

 

CMYK 58 / 24 / 0 / 23

HEX #5295C5

RGB 82 149 197

HSL 205.04, 0.5%, 0.55%

LAB 59.27, -7.07, -31.24

 

CMYK 5 / 58 / 0 / 23

HEX #BC52C5

RGB 188 82 197

HSL 295.3, 0.5%, 0.55%

LAB 52.68, 58.31, -40.91

 

Description

Color code: HEX #C68352 | qconv.com Color code: HEX #C68352 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 131 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 131 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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