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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6758B it is the complementary color #398A74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6758B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6758B shade: #CB7586, #DC8799, #ED99AC, #FEABBF and #FFBDD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6758B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6758B shade: #C6758B, #B56378, #A45165, #933F52 and #822D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6758B shade: #C6758B, #C67575 and #C67575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6758B shade: #C6758B, #C675A1, #C675B7, #C075C6 and #AA75C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6758B shade matches the following richer shades: #C6758B, #D66584, #E6567D and #F54676

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6758B shade: #C6758B, #B78592, #A79499, #97A4A0 and #88B4A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6758B shade: #C675B7, #C675A2, #C6758C, #C67576 and #C68975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6758B shade: #A5435E, #BA5872, #C6758B, #D292A4 and #DEAFBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6758B shade: #C6758B, #C6C075 and #75ADC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6758B shade: #C6758B, #8CC675 and #758CC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6758B shade: #C6758B, #C6C075, #75C6AF and #757CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6758B shade: #C6758B, #B5C675, #75C6AF and #8775C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

Complementary color

CMYK 59 / 0 / 16 / 46

HEX #398A74

RGB 57 138 116

HSL 163.7, 0.42%, 0.38%

LAB 52.18, -30.29, 4.42

 

CMYK 0 / 42 / 34 / 20

HEX #CB7586

RGB 203 117 134

HSL 348.14, 0.45%, 0.63%

LAB 59.1, 35.66, 5.52

 

CMYK 0 / 39 / 30 / 14

HEX #DC8799

RGB 220 135 153

HSL 347.29, 0.55%, 0.7%

LAB 65.63, 34.74, 4.33

 

CMYK 0 / 35 / 27 / 7

HEX #ED99AC

RGB 237 153 172

HSL 346.43, 0.7%, 0.76%

LAB 72.07, 33.89, 3.27

 

CMYK 0 / 33 / 25 / 0

HEX #FEABBF

RGB 254 171 191

HSL 345.54, 0.98%, 0.83%

LAB 78.44, 33.1, 2.31

 

CMYK 0 / 26 / 18 / 0

HEX #FFBDD2

RGB 255 189 210

HSL 340.91, 1%, 0.87%

LAB 83.08, 26.77, -1.18

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 0 / 45 / 34 / 29

HEX #B56378

RGB 181 99 120

HSL 344.63, 0.36%, 0.55%

LAB 51.95, 35.41, 3.04

 

CMYK 0 / 51 / 38 / 36

HEX #A45165

RGB 164 81 101

HSL 345.54, 0.34%, 0.48%

LAB 45.24, 36.36, 4.49

 

CMYK 0 / 57 / 44 / 42

HEX #933F52

RGB 147 63 82

HSL 346.43, 0.4%, 0.41%

LAB 38.49, 37.3, 6.27

 

CMYK 0 / 65 / 52 / 49

HEX #822D3F

RGB 130 45 63

HSL 347.29, 0.49%, 0.34%

LAB 31.76, 38.09, 8.56

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 0 / 41 / 41 / 22

HEX #C67575

RGB 198 117 117

HSL 0, 0.42%, 0.62%

LAB 58.05, 31.75, 13.76

 

CMYK 0 / 41 / 41 / 22

HEX #C67575

RGB 198 117 117

HSL 0, 0.42%, 0.62%

LAB 58.05, 31.75, 13.76

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 0 / 41 / 19 / 22

HEX #C675A1

RGB 198 117 161

HSL 327.41, 0.42%, 0.62%

LAB 59.25, 37.68, -9.93

 

CMYK 0 / 41 / 8 / 22

HEX #C675B7

RGB 198 117 183

HSL 311.11, 0.42%, 0.62%

LAB 60.02, 41.3, -21.37

 

CMYK 3 / 41 / 0 / 22

HEX #C075C6

RGB 192 117 198

HSL 295.56, 0.42%, 0.62%

LAB 59.89, 42.15, -30.16

 

CMYK 14 / 41 / 0 / 22

HEX #AA75C6

RGB 170 117 198

HSL 279.26, 0.42%, 0.62%

LAB 57.41, 35.46, -34.21

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 0 / 53 / 38 / 16

HEX #D66584

RGB 214 101 132

HSL 343.54, 0.58%, 0.62%

LAB 57.34, 47.49, 4.33

 

CMYK 0 / 63 / 46 / 10

HEX #E6567D

RGB 230 86 125

HSL 343.75, 0.74%, 0.62%

LAB 57.04, 58.83, 8.33

 

CMYK 0 / 71 / 52 / 4

HEX #F54676

RGB 245 70 118

HSL 343.54, 0.9%, 0.62%

LAB 57.17, 68.78, 13.02

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 0 / 27 / 20 / 28

HEX #B78592

RGB 183 133 146

HSL 344.4, 0.26%, 0.62%

LAB 60.71, 21.15, 0.64

 

CMYK 0 / 11 / 8 / 35

HEX #A79499

RGB 167 148 153

HSL 344.21, 0.1%, 0.62%

LAB 63.09, 7.93, -0.06

 

CMYK 8 / 0 / 2 / 36

HEX #97A4A0

RGB 151 164 160

HSL 161.54, 0.07%, 0.62%

LAB 66.27, -5.38, 0.49

 

CMYK 24 / 0 / 7 / 29

HEX #88B4A8

RGB 136 180 168

HSL 163.64, 0.23%, 0.62%

LAB 69.97, -17.21, 1.33

 

CMYK 0 / 41 / 8 / 22

HEX #C675B7

RGB 198 117 183

HSL 311.11, 0.42%, 0.62%

LAB 60.02, 41.3, -21.37

 

CMYK 0 / 41 / 18 / 22

HEX #C675A2

RGB 198 117 162

HSL 326.67, 0.42%, 0.62%

LAB 59.28, 37.83, -10.45

 

CMYK 0 / 41 / 29 / 22

HEX #C6758C

RGB 198 117 140

HSL 342.96, 0.42%, 0.62%

LAB 58.62, 34.62, 1.27

 

CMYK 0 / 41 / 40 / 22

HEX #C67576

RGB 198 117 118

HSL 359.26, 0.42%, 0.62%

LAB 58.07, 31.86, 13.21

 

CMYK 0 / 31 / 41 / 22

HEX #C68975

RGB 198 137 117

HSL 14.81, 0.42%, 0.62%

LAB 62.66, 20.84, 20.1

 

CMYK 0 / 59 / 43 / 35

HEX #A5435E

RGB 165 67 94

HSL 343.47, 0.42%, 0.45%

LAB 42.49, 42.99, 4.87

 

CMYK 0 / 53 / 39 / 27

HEX #BA5872

RGB 186 88 114

HSL 344.08, 0.42%, 0.54%

LAB 50.26, 42.19, 4.25

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 0 / 30 / 22 / 18

HEX #D292A4

RGB 210 146 164

HSL 343.13, 0.42%, 0.7%

LAB 67.23, 26.73, 0.32

 

CMYK 0 / 21 / 15 / 13

HEX #DEAFBC

RGB 222 175 188

HSL 343.4, 0.42%, 0.78%

LAB 75.96, 19.09, -0.07

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 0 / 3 / 41 / 22

HEX #C6C075

RGB 198 192 117

HSL 55.56, 0.42%, 0.62%

LAB 76.67, -8.75, 38.5

 

CMYK 41 / 13 / 0 / 22

HEX #75ADC6

RGB 117 173 198

HSL 198.52, 0.42%, 0.62%

LAB 67.83, -11.81, -18.51

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 29 / 0 / 41 / 22

HEX #8CC675

RGB 140 198 117

HSL 102.96, 0.42%, 0.62%

LAB 74.35, -33.73, 34.72

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 0 / 3 / 41 / 22

HEX #C6C075

RGB 198 192 117

HSL 55.56, 0.42%, 0.62%

LAB 76.67, -8.75, 38.5

 

CMYK 41 / 0 / 12 / 22

HEX #75C6AF

RGB 117 198 175

HSL 162.96, 0.42%, 0.62%

LAB 74.36, -30.18, 3.77

 

CMYK 41 / 37 / 0 / 22

HEX #757CC6

RGB 117 124 198

HSL 234.81, 0.42%, 0.62%

LAB 54.32, 16.14, -39.41

 

CMYK 0 / 41 / 30 / 22

HEX #C6758B

RGB 198 117 139

HSL 343.7, 0.42%, 0.62%

LAB 58.6, 34.48, 1.81

 

CMYK 9 / 0 / 41 / 22

HEX #B5C675

RGB 181 198 117

HSL 72.59, 0.42%, 0.62%

LAB 76.98, -18.54, 38.61

 

CMYK 41 / 0 / 12 / 22

HEX #75C6AF

RGB 117 198 175

HSL 162.96, 0.42%, 0.62%

LAB 74.36, -30.18, 3.77

 

CMYK 32 / 41 / 0 / 22

HEX #8775C6

RGB 135 117 198

HSL 253.33, 0.42%, 0.62%

LAB 53.97, 25.22, -39.85

 

Description

Color code: HEX #C6758B | qconv.com Color code: HEX #C6758B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 117 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 117 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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